5,495 results
ref. 1390474968.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1390450864.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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ref. 0243090242.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1332244335.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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ref. 1147204322.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1390419827.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0365167843.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 052656492X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1994ref. 005811Random House 1994. Book. As New. Cloth. First Edition. 8vo - over 7¾" - 9¾" tall. Mint copy in like jacket. $23.00 on flap.Stated First Edition.Beautiful copy. Random House Hardcover
ref. 0282767495.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0282374701.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1971ref. KOS01205155Shueisha 1971. Soft Cover. Fine. KOS01205155 Shueisha paperback
ref. KOS02200792TBD １９９６. Soft Cover. Fine. KOS02200792 TBD paperback
1991ref. KOS02202106Unknown Valley 1991. Soft Cover. Fine. KOS02202106 Unknown Valley paperback
ref. 3734310New York. 1707–1714. 7¼ x 11½ inches. Laid paper. Edge toned lightly foxed fold lines. Very good. A rare and early eighteenth-century partly-printed blank form for sea vessels likely from the press of William Bradford created during the first two decades of New York printing. The form’s final lines date it to the reign of Queen Anne 1702-14; sovereign from 1707 onward when Bradford was New York’s only working printer. The completed form would certify customs clearance recording the vessel’s name tonnage arms crew origin and itinerary. William Bradford 1663-1752 the first printer in New York and Pennsylvania is cited as the “pioneering printer of the English middle colonies” DAB. He began printing in Pennsylvania in 1685 and opened a bookstore in 1688. Legal troubles including the seizure of his printing equipment in 1692 led him to relocate to New York in 1693 where he printed the acts of assembly and other official documents for the colonial council. DAB II:563–564. unknown
ref. 0844234036New. paperback. New. Satisfaction Guaranteed or your money back. paperback
1832ref. ST19313Madrid: Real Calcografía 1832-36. 240 x 160 mm. 9 1/2 x 6 1/4". ELEGANT MODERN RED MOROCCO VERY HANDSOMELY GILT in the style of the period BY ANTOLIN PALOMINO OLALLA hand-signed on front turn-in with swirling cornerpieces and central lozenge raised bands spine panels gilt gilt turn-ins all edges gilt in slightly worn red marbled paper slipcase. With engraved title page and 112 ENGRAVED PLATES by Juan Carrafa after drawings by Jose Ribelles y Helip and ALL WITH CONTEMPORARY HAND COLORING. Colas 646; Lipperheide 1224. Edges of some leaves with faint stains and thumb soiling of no consequence but the finely colored plates beautifully preserved and THE SPARKLING BINDING IN FLAWLESS CONDITION. This is a beautifully bound work filled with exquisitely hand-colored plates depicting early 19th century Spanish costumes. Neither Lipperheide nor Colas identifiy the artist but the San Fernando Royal Academy of Fine Arts in Madrid attributes the images here to the Spanish painter and draughtsman José Ribelles y Helip and identifies the engraver as Juan Carrafa. The plates were originally published by the Royal Academy in 1825 in 14 parts with eight plates per part and the present edition was produced around 1832-36 based on the dates found in the descriptive labels incorporated into two of the plates. The illustrations depict men and women in regional dress from across Spain as well as particular "types" including shepherds fishermen merchants musicians dancers bullfighters smugglers sailors and more. The superb hand coloring enlivens each illustration with vibrant colors and careful attention to shading patterns and accessories. Antolin Palomino Olalla 1909-95 was one of the great Spanish binders of the 20th century. A versatile and meticulous artist teacher and craftsman Palomino Olalla opened his Madrid workshop in 1942 and became especially renowned for his hand-gilding mosaic bindings and marbled paper techniques. He seems to have specialized in binding antiquarian books and attracted important institutional clients as well as discerning bibliophiles such as Bartolomé March Servera. The gilding on the present work is especially elegant and applied with laser precision adding another dimension of pleasure to an already appealing work. The book is uncommonly seen for sale at Anglo-American auctions. Real Calcografía unknown
1933ref. 007228Paris : Nouvelles éditions latines Acheve d'imprimer sur les presses de E Ramlot et Cie 52 Avenue du Maine Paris 1933 1933. Limited Edition 1st Printing. Hardcover. Very Good/No Jacket. 157 pages ; 17 cm ; LC: PQ2629.B4; Dewey: 842.912 ; OCLC: 5357651 ; "Loire a été représentée pour la première fois le jeudi 27 avril 1933 par la Compagnie des Quinze sur la scène du Vieux-Colombier à Paris." ; "Il a été tiré de cet ouvrage 1500 exemplaires sur Alfa numérotés de 1 a 1.500 et 100 exemplaires hors commerce numérotés de H.C. 1 a H.C. 100 ; limited edition of 1600 on Alfa paper of which this is No. 438 ; 1/2 leather and green yellow and red marbled papers ; marbled endpapers ; foxing ; André Obey was general administrator of the Comédie-Française from 1945-1946. After the Armistice he went to Paris where he made a living writing articles on music and sports short stories and novels. Later Jacques Copeau introduced him to theatre after which he wrote only dramas mostly produced by his associated company Compagnie des Quinze. In 1946 Benjamin Britten adapted his The Rape of Lucretia for an operetta later also composed by Ottorino Respighi. He adapted The Oresteia of Aeschylus for Jean-Louis Barrault and two American plays: Cat on a Hot Tin Roof by Tennessee Williams and Twelve Angry Men by Reginald Rose. ; VG Paris : Nouvelles éditions latines, [Acheve d'imprimer sur les presses de E Ramlot et Cie, 52, Avenue du Maine, Paris], 1933 hardcover
