[COSTUMES - CARNIVAL].Biblio.com
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1804Best.-Nr. E5UG7Z4OCT3NLeipzig 1804. 16mo in 8s 14 x 10.5 cm. Friedrich August Leo Original publisher's paperboards printed from an engraved plate and hand-coloured each board with a costume scene in a decorated frame with caricature faces also with faces and decorations on the spine green paste-downs. With 2 stiff coated leaves at the end apparently intended for writing with a stylus. With 12 numbered engraved plates by Friedrich Wilhelm Nettling all coloured by a contemporary hand each showing several figures in carnival costumes. 31 1 blank pp. Very rare first and only published part of a series of hand-coloured carnival costume plates each of the 12 with a letterpress description in German and French. Only plates 9 and 10 bear the name of the German draughtsman and engraver Friedrich Wilhelm Nettling best known for his portrait of Bach but all may have been engraved by him. The mostly comical or farcical plates illustrate a fairy with her entourage a Chinese man Don Quixote and Sancho Panza a group of beast people and many other extraordinary figures. Two figures in one plate wear funnels as hats like the Tin Man in The Wizard of Oz. Besides the 12 plates in the booklet itself the engravings on the boards show two male figures gymnasts one in a clown-like costume on the front and a dancing woman with a tambourine on the back.With some minor stains and the front of the binding slightly damaged in the lower margin and lower right corner spine cracked. Good copy.l Baumgärtel Die Almanache Kalender und Taschenbücher 1750-1860 der Landesbibliothek Coburg p. 32; Köhring 111; WorldCat 633348944 465355875 3 copies; not in Colas; Hiler; Lanckoronska & Rümann; Lipperheide; for Nettling: Thieme & Becker XXV p. 400. ABE CAT Costumes & Uniforms ART ARCHITECTURE & PHOTOGRAPHY BOOK HISTORY & PRINTING DRAWINGS PRINTS & WATERCOLOURS Almanacs Caricature & Satire Costumes Fashion & Uniforms hardcover
Best.-Nr. LCS-6279Plus de 450 déguisements et accessoires de fête imprimés en couleurs vives en 1926. Rare catalogue de vente imprimé à Paris dans l’entre-deux-guerres. Paris, Omnium Français de Publicité, 1926. Petit in-folio de 24 planches imprimées en couleurs. Conservé broché tel que paru, dans sa couverture souple en papier de ton orange vif, titre «Carnaval» et figure d’une femme masquée d’un loup noir sur le plat supérieur. Trois tampons apposés sur le plat supérieur. Couverture d’origine. 315 x 210 mm.
1763Best.-Nr. 002776Paris, Duchesne, 1763
1790Best.-Nr. 000261Paris Veuve Duchesne et Fils, de l'Imprimerie de Monsieur 1790
Best.-Nr. 134901aafLausanne & Genève, (sans nom d’éditeur) / A Equivopolis (Paris), 1751 / 1751, pt. in-8vo, 1 feuille de faux titre + X, Titre avec vignette circulaire gravée (sceau) + 12 planches gravées + 183 p (+1 blanche) / 6 ff. (titre avec vign. gravée, épitre dédicatoire, avant-propos, préface) + 84 p. (p. 1 avec gr. en-tête gravée „Le Prince C. dans se Bergere“ (Bibliothèque)), dernière feuille avec petit manque marginal, reliure pleine veau, charnière devant avec début de fente (mais ferme), dos à cinq nerfs orné or.
1911Best.-Nr. 258761911 Affiche en Lithographie,trés rare,grand format +160x100 cm
1921Best.-Nr. 223021921 1 Gouache et mine de plomb signée en bas à droite, (1921), 31.6 x 22.3 cm, cadre doré.
1954Best.-Nr. 25036Paris Mourlot 1954 Affiche lithographiée signée à droite dans la planche, Paris, Mourlot, 1954, 70 x 50 cm.
1899Pages 562-676. Features: In the Khalifa's Clutches - part IV of Charles Neufeld's ordeal; Impressions of Pekin - sensational photo-illustrated article; Two Loves Affairs, and How They Ended - Colonel Hervey Tryon falls headlong into a deep well of garbag; The Hook-Swinging Ceremony as I Saw It - Rev. Joshua Knowles describes a South Indian pagan festival in which devotees have hook placed in their flesh before they are swung into the air at the end of long poles - with photos; A Desperate Plight - travails of Captain H.V. Barclay in the arid Australian interior; The Great Grottos of Han - photo-illustrated article on the marvelous caverns near Han-sur-Lesse in the Belgian Ardennes; Held by An Octopus - Herbert Perkins explains how he was grabbed from out of the water; Shooting the Reversible Falls - photo-illustrated story from St. John, New Brunswick involving Xavier Francis and Louis Mitchell; Life in an Italian Village (near Pallanza); On the War-Path with Redskins - a retaliatory raid of natives is recounted by J.W. Schultz, a Rocky Mountain guide who was married to a Blackfoot and lived among them in Montana; The Fantastic Carnival at Pangau in a remote part of the Austrian Tyrol; Twenty-Seven Days in an Open Boat - Part II - the castaways are finally rescued, but in ghastly condition; Naia, The Witch of Rochefort-en-Terre, in Brittany - photo-illustrated article; Through Italy in Bedouin Dress - photo-illustrated account; One Thousand Miles on Mule-Back - Part I of this photo-illustrated article of the amazing journey of Mabel Penniman from New York to London via Central and South Amerca; The Bogus "Rush" at Coolgardie - photo-illustrated of a fake gold rush in Australia as told by John Marshalll of Kalgoorlie; Photo of women coal heavers in Dresden; Full-page photo from Kelsey Creek, California showing a river of fish three feet deep - with no water!; Photo of Tunisian camel fight; and more. Average external wear and soiling. Few pencil markings. Binding intact. A sound vintage copy of this excellent issue. Book
Best.-Nr. 130427aafBern, Buchdruckerei von Rieder & Simmen 1863, in-8vo, oblong, Leporelloalbum (17 Bl.) mit Darstellung des Festzuges, 24 S. Text (mit Gedichten). Federlithographie von Jenny. - Exlibris. Freiherr G.A. von Liebenstein (Adelsbibliothek) und handschr. - Liebenstein Nr 285 - auf Vorsatz,, Opbd. (Einband etw. angestaubt). - Sehr sauberes, schön gefaltetes Exemplar.
1912Best.-Nr. 241941912 Affiche entoilée, Nice, Imprimeries Nouvelles Réunies G. Mathieu, 1912-1913, 106 x 76 cm.,
1911Best.-Nr. 34579Nice G. Mathieu s.d. [1911] in-4 broché sous couverture illustré d'une grande scène libre en couleurs (une nymphette suscitant la veine libidineuse d'un gros personnage rougeaud et aviné)
196188 pages. Features: Fantastic fold-out two-panel colour cover photo of the four Richardsons of Regina who are world curling champions; Brief article on how Nanaimo Realty paid its realtors to lose weight - and sales increased!; Nice one-page black and white Volkswagen photo ad entitled "Who backs up the Volkswagen?"; Nice one-page colour photo ad for Florida orange juice shows smiling girl wearing white ear muffs; What Winter Does to Canada - and vice versa; What to wear to a Fashion Opening - photo-illustrated article; Duel in the Kitchen (fiction); The Return of the Winter Carnivals; The Simple Joys of Camping in a Snowdrift; Hockey Isn't As Rough as it Used to Be - Part 1 of Jack Adams' "My 43 Years in Hockey" - photo-illustrated article (with large photo of Howie Meeker pounding a limp Canadien); The Second Splendid Discovery of Spices; How to Gain Entree to the Social Pages; Canada's world champions of Curling - Ernie Richardson and the Richardsons of Regina; Population Explosion on the Ski Slopes; Skier's Dream - two-page colour-photo-illustrated brief article with two maps describe how Franz Wilhelmsen and the Garibaldi Olympic Committee seek to have the massive potential of Whistler Mountain developed for the Winter Olympics of 1968; Best and Worst Movies of 1960; Escape to the Sun - Robert Thomas Allen's road trip from California to Florida; Seagrams ad features colour painting of winter carnival by Henry Simpkins; Large colour ad for Apollo Beach waterfront real estate development near Tampa; Canadian Club colour-photo one-page ad features Walter Gonnason falling into an ice crevasse on Mount Victoria Glacier in Alberta; Why color TV isn't here yet - and when it may be; Colour-photo Coke ad on back cover features skating couple; and more. Discrete six-inch clear archival tape repair to bottom left corner of front cover, otherwise unmmarked with average wear. A quality copy of this great vintage issue. Magazine
1915Best.-Nr. 165111915 Dessin à l'encre de Chine, maquette originale pour un éventail, signé en bas à droite, contrecollé sur papier gris fort (1915), 32,5 x 22,5 cm., sous Marie-Louise.
1880Best.-Nr. 2544Sans lieu, sans mention d'éditeur, sans date (circa 1880). Très belle boîte rectangulaire (13,5 x 8,5 cm) en carton, ornée d'une chromolithographie représentant 4 enfants déguisés en train de s'amuser, destinée à accueillir 12 chocolats individuels, eux-mêmes contenus dans de petits emballages en papier (2 x 4 cm), chacun illustré d’une chromolithographie représentant un enfant jouant : ballon, chasse aux papillons, bulles de savon, cerceau, bilboquet, pantin, jeu du volant, éventail (pour faire voler une bulle), déclamation avec une fleur, assiette tournante, musique (mandoline et violon). A la fin du XIXe siècle, les chocolatiers ne manquent pas d'imagination pour valoriser leurs produits et la chromolithographie offre un excellent moyen d'attirer l'oeil des gourmands ! Il suffit de faire appel à un imprimeur talentueux et créatif pour proposer des contenants originaux. Le style de ces charmants contenants laisse penser à ceux des éditeurs LB (Paris), J. Minot, F. Appel, Bognard ou encore Testu et Massin. De toute rareté, nous n'en avons trouvé aucune autre identique.
Best.-Nr. 110841913. 10 tirages photographiques originaux (env. 8,5 x 13,5 cm) contrecollés sur cartons, numérotés et légendés à la main, sous portefeuille à bouton-pression et étui percaline rouge (étui un peu frotté).
1930Best.-Nr. 225251930 1 in-folio Gouache sur carton signée en bas à droite, (1930), 40 x 27.5 cm.
1971Best.-Nr. 103206BB(Tokyo), Shueisha, (1971). 4°. [280] S. mit ca. 250 meist farb. Abb. Farbig illustr. OKart.
1900Best.-Nr. 18884Paris Ollendorff 1900 1 in-4 Avec les aquarelles de Louis Morin. Paris, Ollendorff, Société d'Editions Littéraires et Artistiques, (1900), in-4, demi-maroquin havane, dos lisse orné du titre en doré, couvertures conservées, (Collet Relieur).
1876Best.-Nr. 002510Paris, Laplace, Sanchez et Cie, 1876
Best.-Nr. 125959aaf(Druck v. Hofer & Burger, Zürich), 1891, 39.4x54.7 cm. (Bild) Original Lithographie. 1 Blatt 44.4x58.6 cm. Minimale Randrisse.
1990Best.-Nr. 239441990. West Hollywood Halloween and drag photo archive showing gay nightlife costume performance and gender play at the city's Halloween celebration circa 1990s when the annual event was developing into one of the country's largest public Halloween gatherings. West Hollywood occupied an exceptional position in American gay civic life by this period.Incorporated in 1984 through a coalition that included LGBT activists its first City Council became the first municipal governing body in the United States with an openly gay majority and the new city quickly enacted protections against discrimination based on sexual orientation and against people with HIV and AIDS.The Halloween Carnaval formally launched in 1987 from earlier gay Halloween gatherings along Santa Monica Boulevard gave that political and social visibility a mass public expression through drag costume performance and occupation of the street. WeHo By 1995 contemporary reporting described nearly 100000 people converging on West Hollywood for Halloween and traced the celebration to gay men who had begun gathering there more than two decades earlier. Photo archive of 41 chromogenic color photographs each approximately 4 x 6 inches West Hollywood California circa 1990s. The photographs record drag queens gay men and other costumed participants moving through a crowded nighttime celebration frequently stopping to pose embrace dance and perform for the camera. Costumes range from Snow White and other fairy tale figures to nurses brides cowboys showgirls geisha inspired characters with parasols Egyptian royalty devils flight attendants and performers in elaborate gowns lingerie wigs feathers sequins jewelry and theatrical makeup. Several photographs concentrate on coordinated groups: three figures appear in matching blue dresses and white caps; blond performers carry circular signs reading "Air Head Airlines"; a nurse wears white with prominent red crosses; and bridal and princess costumes recur in exaggerated forms. Other images capture pairs embracing friends laughing for the camera performers dancing among spectators and men adopting deliberately heightened feminine personae through padded bodies evening dresses high heels wigs cosmetics and jewelry. The recurring participants and crowded surroundings preserve the Carnaval as a social event rather than simply a costume display recording interaction between drag performers friends spectators couples and other revelers within West Hollywood's nightlife environment. The photographs belong to a specific history of West Hollywood as both a center of gay life in Southern California and a municipality in which LGBTQ political power became part of civic identity. The city's connection to gay activism preceded incorporation: Los Angeles Pride moved to West Hollywood in the 1980s while local organizing around gay rights HIV and AIDS domestic partnership and discrimination shaped the government established in 1984. Halloween developed within that environment as a particularly visible form of queer public culture. A 1995 Los Angeles Times account described gender bending costume as a defining feature of the West Hollywood celebration even as its popularity brought an increasingly broad public audience. As the scale continued to grow the City later described the Carnaval as the country's largest outdoor Halloween celebration and has recorded attendance estimates reaching hundreds of thousands while identifying costumes exhibition performance and self expression as defining elements of the event. These photographs capture that culture during the 1990s when an event rooted in gay community life was becoming a mass regional spectacle without losing drag and gender transformation as central forms of participation. Light surface wear and occasional handling marks; images remain strong and legible. Overall in very good condition. A substantial photographic record of West Hollywood Halloween at the intersection of gay civic identity drag culture gender performance and one of the nation's largest public Halloween celebrations. unknown
Best.-Nr. AA/SC/14023Art; Mardi Gras; Carnival; New Orleans; Official full color PROCLAMATION poster REX THE KING OF THE CARNIVAL at the New Orleans Mardi Gras 1982 celebrating 111 years of the Reign of Rex. This most rare piece measures 17 1/2 X 23 3/8 inches. Near Fine. unknown
1751Best.-Nr. 1178011751 A Lausanne & à Geneve, [sans éditeur], 1751, 1 volume petit in-8 de 95x150 mm environ, X, 183 pages, complet des 12 planches gravées, [suivi de] A brochuro-manie, An du déluge des almanachs, 1751, 55 pages. Pleine reliure marbrée d'époque, dos long portant titre doré, filet doré sur les coupes, gardes papier marbré. Reliure restaurée (dos, coins et mors), mors interne fendillé sur 2 cm, des traces en marge des derniers feuillets du second texte sinon bon état général.
1857Best.-Nr. 154461857 reliure demi-chagrin havane foncé in-folio (binding half shagreen in-folio), dos 6 nerfs ornés de filets perlés - nerfs frottés manque de dorure (spine with 6 raised bands illuminated with a gilt beaded line - rubbed raised bands blurred gilding) - entre-nerfs à fleuron au fer évidé ceint d'une décoration au filet courbe et droit (between the raised bands floweret with hollowed out blocking stamp - put around a decoration with gilt bend and right lines) - filets or en tête et en pied (top and at the foot of spine gilt lines), dos légèrement frotté (spine lightly faded), plats décorés à froid et or avec de magnifiques fers spéciaux (cover blind-stamping and gilt decoration with magnificent special gilt blocking stamps), toutes tranches jaspées (all marbled edges), pages de garde peignées (painting endpapers), page de faux-titre (half title page), illustrations : 520 dessins avec leurs légendes (illustrations : 520 drawings with their legends), rousseurs passim (redness marks almost everywhere), sans pagination (unpagnited) - 70 feuillets non chiffrés (70 leaves without pagination), 1857 à Paris Hetzel et Blanchard Editeurs Aux Bureaux du Figaro - 55 rue Neuve-Vivienne,
