418 résultats
1912réf. 241941912 Affiche entoilée, Nice, Imprimeries Nouvelles Réunies G. Mathieu, 1912-1913, 106 x 76 cm.,
2004réf. LFA-126740463Un ouvrage de 200 pages, format 260 x 350 mm, illustré, relié cartonnage sous jaquette couleurs, publié en 2004, Editions Terre d'Images
2002réf. 6172002 - cartonné - Editions Phaidon - Première édition française - 2002 - Fort in-4 (30 x 26 cm) reliure cartonnée, sous jaquette rempliée - 320 pages - Très nombreuses photographies et illustrations - ISBN : 9780714892658
réf. QWA-17145Nantes, Imprimerie Armoricaine, 1930, pet. in-4 br. (19 x 24,5), XVIII-195 p., ouvrage tiré spécialement pour les souscripteurs à 365 exemplaires numérotés et contresignés par l'auteur, celui-ci N° 80 sur pur fil, préface de Gaëtan Rondeau, frontispice coul., 22 planches hors texte (illustrations, bois et gravures sous serpente de A. de Broca, Bernard Roy, Daah, H.-M. Bouyer et Chassé), couverture rempliée passée comportant une tache en bordure du second plat, intérieur frais, en partie non coupé, assez bon état.
1930réf. 99361930 broché (paperback) grand in-octavo carré, dos muet (spine - no title) blanc, première de couverture rempliée - titre orné de lettrines illustrée (title illuminated with dropped initial), tranches non rognées (edges no smooth), tiré à 365 exemplaires - 1 des exemplaires nominatif hors souscription réservé aux illustrateurs (ICI H. BOUYER)- sur papier Chesterfield d'Or (limited edition - 365 copies were printed - 1 of the specimens personal except subscription), illustrations de A. de Broca - Bernard Roy - Daah - H.-M. Bouyer - Chassé - et vieilles gravures de la collection de Madame Louis Chevalier La Barthe - joint : l'original du dessin du bandeau "des soeurs Amadou" par H. BOUYER, 198 pages, 1930 à Nantes Imprimerie Armoricaine,
1930réf. 161601930 un volume, broché (paperback) grand in-octavo carré, dos muet (spine - no title) crème (insolé), première de couverture rempliée - titre orné de lettrines illustrée (title illuminated with dropped initial), couverture recouverte de plastique transparent collé, tranches non rognées (edges no smooth), tiré à 365 exemplaires - 1 des exemplaires nominatif (N°34) sur pur Fil - (limited edition - 365 copies were printed - 1 of the specimens personal except subscription), illustrations de A. de Broca - Bernard Roy - Daah - H.-M. Bouyer - Chassé - et vieilles gravures de la collection de Madame Louis Chevalier La Barthe - , 198 pages, 1930 à Nantes Imprimerie Armoricaine,
réf. 6480Moulins, Imprimeries Réunies, 1936 ; 2 ff. in-8. Première page illustrée du titre et d'un dessin signé A. Dauphin ; pages 2 et 3 : musique et paroles. Pliures et traces de manipulations.
1951réf. SPN-311
1951réf. 128361Couverture souple. Brochure de 32 pages. 15 x 23 cm. Défraîchie. Rousseurs. Traces d'adhésif au dos.
Broché. 32 pages.
réf. 526595me année - n° 204 - 5 février 1935 - Grand in-4 broché - revue illustrée - 16 pages
réf. C-2-123994995996Audio CD. New. unknown
réf. 8317décor Vénitien,pour théâtre.Imagerie d’Epinal.Aux armes de l’Empereur Napoléon III,format 49 x 36,5cm. Lithographie coloriée au pochoir. Très bon état, coloris frais.
46 pages. Features: Can Russia Claim the Moon? - There's a red flag waiting for U.S. space men even if they are first on the planet; Classic full-page colour photo ad for Swanson TV Dinners (remember them!?); Crowds adore a Canadian Matadora - Carolyn Hawyard knows and revels in the dangers of the bull ring - article with photos; Nostalgic full-page colour photo ad by the Pan-American Coffee Bureau promoting use of the bean; Nice two-page colour photo ad for the various Christie's crackers/snacks; Toronto Restaurant the Gaslight Club employs beautiful female actresses, dancers and models to serve its patrons - article with many great colour photos of Shawna Wong, Agnes Simo, Eunice Beadle, Paula Jarvis, Yvonne Saunders, Lyn Chisham, singer Sonny Caulfield, Colleen Collins, Della Engen, Nina Prodon, Rochelle Ruland, Steffany Conwright, Heide Lamperstorfer, Jacqueline Gould, Paula Jarvis, and Kari Von Kantz; Hockey's Toughest Town - Mixing mayhem and money makes music in Chicago - article with photos in Chicago Stadium; Terror at the Carnival - Consuela Flores saves Randy Moore of Halifax from her 65lb African leopard - article with photos; Home Built on 2,000 Years of History - Michael and Elizabeth Moran of Beach Grove, BC discover native remains when building on their lot - article with photos; Centerfold advertisement for Ronson products; Montreal Lawye H. Carl Goldenberg - article with photos; Smitten with Knittin' - voluntary knitting classes after schooll at Capilano Elementary School in North Vancouver; Nice colour full-page ad for Shulton products; Du Maurier colour ad suggests giving cigarettes for Christmas(!); Cake recipes; Great colour photo and write-up on Montreal Canadiens player Gilles Tremblay; Santa visits Toronto's Firehall No. 7; Nipper comic. Printed by newspapers across Canada as a weekend supplement. Unmarked with average wear. A sound vintage copy. Magazine
1990réf. 239441990. West Hollywood Halloween and drag photo archive showing gay nightlife costume performance and gender play at the city's Halloween celebration circa 1990s when the annual event was developing into one of the country's largest public Halloween gatherings. West Hollywood occupied an exceptional position in American gay civic life by this period.Incorporated in 1984 through a coalition that included LGBT activists its first City Council became the first municipal governing body in the United States with an openly gay majority and the new city quickly enacted protections against discrimination based on sexual orientation and against people with HIV and AIDS.The Halloween Carnaval formally launched in 1987 from earlier gay Halloween gatherings along Santa Monica Boulevard gave that political and social visibility a mass public expression through drag costume performance and occupation of the street. WeHo By 1995 contemporary reporting described nearly 100000 people converging on West Hollywood for Halloween and traced the celebration to gay men who had begun gathering there more than two decades earlier. Photo archive of 41 chromogenic color photographs each approximately 4 x 6 inches West Hollywood California circa 1990s. The photographs record drag queens gay men and other costumed participants moving through a crowded nighttime celebration frequently stopping to pose embrace dance and perform for the camera. Costumes range from Snow White and other fairy tale figures to nurses brides cowboys showgirls geisha inspired characters with parasols Egyptian royalty devils flight attendants and performers in elaborate gowns lingerie wigs feathers sequins jewelry and theatrical makeup. Several photographs concentrate on coordinated groups: three figures appear in matching blue dresses and white caps; blond performers carry circular signs reading "Air Head Airlines"; a nurse wears white with prominent red crosses; and bridal and princess costumes recur in exaggerated forms. Other images capture pairs embracing friends laughing for the camera performers dancing among spectators and men adopting deliberately heightened feminine personae through padded bodies evening dresses high heels wigs cosmetics and jewelry. The recurring participants and crowded surroundings preserve the Carnaval as a social event rather than simply a costume display recording interaction between drag performers friends spectators couples and other revelers within West Hollywood's nightlife environment. The photographs belong to a specific history of West Hollywood as both a center of gay life in Southern California and a municipality in which LGBTQ political power became part of civic identity. The city's connection to gay activism preceded incorporation: Los Angeles Pride moved to West Hollywood in the 1980s while local organizing around gay rights HIV and AIDS domestic partnership and discrimination shaped the government established in 1984. Halloween developed within that environment as a particularly visible form of queer public culture. A 1995 Los Angeles Times account described gender bending costume as a defining feature of the West Hollywood celebration even as its popularity brought an increasingly broad public audience. As the scale continued to grow the City later described the Carnaval as the country's largest outdoor Halloween celebration and has recorded attendance estimates reaching hundreds of thousands while identifying costumes exhibition performance and self expression as defining elements of the event. These photographs capture that culture during the 1990s when an event rooted in gay community life was becoming a mass regional spectacle without losing drag and gender transformation as central forms of participation. Light surface wear and occasional handling marks; images remain strong and legible. Overall in very good condition. A substantial photographic record of West Hollywood Halloween at the intersection of gay civic identity drag culture gender performance and one of the nation's largest public Halloween celebrations. unknown
Unpaginated. Many ways of saying the same thing are introduced through a visit of two children and a friendly adult to a supermarket carnival. Nice colour photography. Usual library markings. Average wear. Front endpaper removed. Book
réf. 128056aafBasel, den 22sten Hornung, 1792. 42x31 cm, 1 Blattdruck.
1978réf. 055105Höhr-Grenzhausen, Komitee Fastnachtzug Höhr-Grenzhausen, 1978. 5 Hefte; je 6 - 14 S.; teils mit kleineren Läsuren Broschur 20,9 cm Befriedigend
