Granzotto, PaoloMareMagnum
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1986Granzotto, Paolo Cronache della guerra di Troia. , Rizzoli 1986, Copertina rigida plastificata con alette informative leggermente brunite; pagine integre leggermente ingiallite Buono (Good) . Copertina rigida 216 8817663905
2025réf. x-0262553201Mit Pr 2025. Paperback. New. 152 pages. 8.00x5.25x8.00 inches. Mit Pr paperback
réf. 49382712-nnew. unknown
réf. 1466498722.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2010réf. DADAX1571134166Camden House 2010-03-01. hardcover. New. 6.25x1.00x9.00. Buy with confidence. Excellent Customer Service & Return policy. Camden House hardcover
réf. ria9781571134165_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The causes of the First World War have been studied and debated for many decades yet cultural historians of Germany have largely neglected the German-Russian aspect of the conflict for a focus on the clash of Germany and Great Britain. hardcover
réf. 61208853Boydell & Brewer Group Limited . Hardback. New. pp. 278 Boydell & Brewer Group, Limited hardcover
2010réf. x-1571134166Camden House 2010. Hardcover. New. 263 pages. 9.00x6.25x1.00 inches. Camden House hardcover
réf. A9781571134165Hardback. New. German attitudes toward and stereotypes of Russia before the First World War and how they were inculcated in the public. hardcover
2013réf. 1231481PN. New. 2013. Reprint Edition. Soft Cover. Date is copyright date; this is a later reprint edition . PN paperback
2014réf. x-0415734703Routledge 2014. Hardcover. New. 183 pages. 9.75x7.00x0.50 inches. Routledge hardcover
2014réf. 2-0415733138Routledge 2014. Paperback. New. 183 pages. 9.25x6.75x0.50 inches. Routledge paperback
réf. 697202166Taylor & Francis Group . Papeback. New. pp. 198 Taylor & Francis Group unknown
réf. 697202171Taylor & Francis Group . Hardback. New. pp. 198 Taylor & Francis Group hardcover
1993réf. 005882Little Rock: Crazyhorse Association University of Arkansas 1993. 6" wide by 9" tall. A bright shiny clean square tight copy. Flat spine. No creases. Pages are fresh crisp and unmarked -- apparently never read. No underlining. No highlighting. No margin notes. Literary magazine filled with fiction reviews and many poems. Among the contributors here are Christopher Buckley Richard Cecil Billy Collins Jocoba Hood Karl Krolow Laurence Lieberman Rick Madigan Jeff Mock Floyd Skloot J. P. White Irene Willis Dean Young etc. This issue also has an interview with Andre Dubus by Bonnie K. Lyons and Bill Oliver. Beautiful full-color cover art by Dominique Simmons depicts a man with wings Indian angel on horseback. First Edition. Soft Cover. Fine condition. Illus. by Simmons Dominique cover art. 152pp. Crazyhorse Association, University of Arkansas Paperback
1977réf. 2090202118109066Bancho Shobo if Novels 1977. Soft Cover. Fine. The book is in fine condition. Bancho Shobo if Novels paperback
1971réf. 1155779Paperback Library 1971. Nude photo cover. Tiny 5mm splits on tip front corners of spine. 5th Printing. Mass Market Paperback. Near Fine small fault. Book. Paperback Library Paperback
2003réf. 190673Cambridge MA: MIT 2003. Hardcover. Near Fine light shelf-wear scuffs to lower board edges; light wear to dustjacket. white flower decorated boards w/ quarter silken cream cloth spine grey printing. 438 pgs w/ bw illustrations. grey pictorial dustjacket w/ black printing. In Couture Culture Nancy Troy offers a new model of how art and fashion were linked in the early twentieth century. Focusing on a leader of the French fashion industry Paul Poiret Troy uncovers a logic of fashion based on the tension between originality and reproduction that bears directly on art historical issues of the period. This tension lies at the heart of haute couture which although designed for the wealthy was also intended to be adapted for sale in department stores and other clothing outlets that catered to a broader consumer market. Troy examines the relationships between elite and popular culture the professional theater and the fashion show as well as the presumed polarity between Orientalist and classical sensibilities. She shows how Poiret and other designers patronized the arts and presented themselves as artists not only to sell their individual dresses to wealthy clients but also to promote the mass production of their designs. The contradictions she uncovers suggest surprising parallels with the readymades and fashion-related work of Marcel Duchamp who explored the questions of originality and authenticity raised by couture culture during the 1910s and 1920s.--Amazon. MIT hardcover books
2003réf. 139769Cambridge MA: MIT 2003. Softcover. VG but with small gallery ex-lib. sticker on spine. Fuschia and orange wraps with white spine lettering and cover illustration; 438 pp. with bw images throughout. In Couture Culture Nancy Troy offers a new model of how art and fashion were linked in the early twentieth century. Focusing on a leader of the French fashion industry Paul Poiret Troy uncovers a logic of fashion based on the tension between originality and reproduction that bears directly on art historical issues of the period. This tension lies at the heart of haute couture which although designed for the wealthy was also intended to be adapted for sale in department stores and other clothing outlets that catered to a broader consumer market. Troy examines the relationships between elite and popular culture the professional theater and the fashion show as well as the presumed polarity between Orientalist and classical sensibilities. She shows how Poiret and other designers patronized the arts and presented themselves as artists not only to sell their individual dresses to wealthy clients but also to promote the mass production of their designs. The contradictions she uncovers suggest surprising parallels with the readymades and fashion-related work of Marcel Duchamp who explored the questions of originality and authenticity raised by couture culture during the 1910s and 1920s.--Amazon. MIT paperback books
2003réf. 73159Cambridge:: MIT Press. Near Fine in Near Fine dust jacket. 2003. Hardcover. 0262201402 . Black and white illustrations. First printing. Near fine in a near fine dust jacket. ; 438 pages . MIT Press, hardcover books
2002réf. 273855The MIT Press USa 2002. Softcover. Very Good Condition. In Couture Culture Nancy Troy offers a new model of how art and fashion were linked in the early twentieth century. Focusing on a leader of the French fashion industry Paul Poiret Troy uncovers a logic of fashion based on the tension between originality and reproduction that bears directly on art historical issues of the period. This tension lies at the heart of haute couture which although designed for the wealthy was also intended to be adapted for sale in department stores and other clothing outlets that catered to a broader consumer market. Troy examines the relationships between elite and popular culture the professional theater and the fashion show as well as the presumed polarity between Orientalist and classical sensibilities. She shows how Poiret and other designers patronized the arts and presented themselves as artists not only to sell their individual dresses to wealthy clients but also to promote the mass production of their designs. The contradictions she uncovers suggest surprising parallels with the readymades and fashion-related work of Marcel Duchamp who explored the questions of originality and authenticity raised by couture culture during the 1910s and 1920s. In contrast to dominant accounts of early twentieth-century art that have dismissed fashion as superficial fleeting and feminized Troy's more nuanced approach reveals conceptual structures and marketing strategies shared by modern art and fashion in these years. 438 pages. Illustrated. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Art; Art & Design; Fashion & Beauty. ISBN: 0262201402. ISBN/EAN: 9780262201407. Inventory No: 273855. 9780262201407 The MIT Press paperback
réf. Z1-J-016-02310Mit Pr. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. May contain underlining and/or highlighting. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Mit Pr unknown
2004réf. ANAIS-0262701030Mit Pr 2004-01-01. paperback. Good. 17.1x1.9x22.2. Buy with confidence. Excellent Customer Service & Return policy. Mit Pr paperback
2003réf. 190673Cambridge MA: MIT 2003. Hardcover. Near Fine light shelf-wear scuffs to lower board edges; light wear to dustjacket. white flower decorated boards w/ quarter silken cream cloth spine grey printing. 438 pgs w/ bw illustrations. grey pictorial dustjacket w/ black printing. In Couture Culture Nancy Troy offers a new model of how art and fashion were linked in the early twentieth century. Focusing on a leader of the French fashion industry Paul Poiret Troy uncovers a logic of fashion based on the tension between originality and reproduction that bears directly on art historical issues of the period. This tension lies at the heart of haute couture which although designed for the wealthy was also intended to be adapted for sale in department stores and other clothing outlets that catered to a broader consumer market. Troy examines the relationships between elite and popular culture the professional theater and the fashion show as well as the presumed polarity between Orientalist and classical sensibilities. She shows how Poiret and other designers patronized the arts and presented themselves as artists not only to sell their individual dresses to wealthy clients but also to promote the mass production of their designs. The contradictions she uncovers suggest surprising parallels with the readymades and fashion-related work of Marcel Duchamp who explored the questions of originality and authenticity raised by couture culture during the 1910s and 1920s.--Amazon. MIT hardcover
réf. 0262201402.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
