234 résultats
2015Libro rilegato come nuovo
2005réf. 13112005 - broché - Editions La passe du vent - Collection HLM - Espace Pandora / Espace arts plastiques de la ville de Vénissieux - 2005 - In-12 (18 x 13 cm) broché - Sans pagination - Nombreuses photographies - ISBN : 2-84562-093-4 / 9782845620933 - Ouvrage faisant suite à l'exposition C'est pas bientôt fini
2011Libro rilegato come nuovo; Copertina rigida
réf. 15621, Pandora / Musee d'Ixelles, 1997, Broche sous cartonnage illustree, frontispice en couleur, 240 x 295mm., 152pp., catalogue de 170 reproductions en couleur.
réf. 13417Antwerpen, Pandora, 1997 Gebonden, groen linnen, originele uitgeversomslag met flappen in kleur, 25.3x30.5 cm., VII + 286 pp., uitgebreide kleurillustratie. ISBN 9053250646.
réf. 54269797-nnew. unknown
réf. 1524504580.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1999réf. mon0003875509Guggenheim Museum 1999-10-01. Hardcover. Good. 1.0200 12.2000 9.3700. Dust jacket shows external wear including fading/discoloration and edge wear. Pages are clean but show minimal paper yellowing on their edges. Text and pictures remain intact and unmarred. Good reading copy. Guggenheim Museum hardcover
1999réf. mon0000165896Guggenheim Museum 1999T. paperback. Very Good. 0.7000 in x 11.9000 in x 9.0000 in. very good to like new softcover no marks. clean trext. solid binding. very light wear. Guggenheim Museum paperback
1999réf. 44471784to 181pp illustrated bright unmarked. Guggenheim Museum hardcover
1999réf. 103102Guggenheim Museum Publications 1999. First Edition. Hardcover. Fine Condition/Fine. Fine/Fine 1st ed 1999 Guggenheim Museum Publications hardback unclipped DJ illustrated bright clean copy preserved in protective clear sleeve. Size: quarto. Quantity Available: 1. Shipped Weight: Under 2kg. Category: Art & Design; United Kingdom; ISBN: 0810969238. ISBN/EAN: 9780810969230. 84cxrarebooks is the trading name of Cambridge-based bookseller Marino Guida with 25 years experience in the trade. We guarantee the condition of all our books. Further images or a short video presentation of any book can be arranged on request. We send tax-free and tariff-free to EU US/Canada and Australia/NZ with insurance included for peace of mind. Inventory No: 103102. 9780810969230 Guggenheim Museum Publications hardcover
1999réf. 044631New York: Solomon R. Guggenheim Museum 1999. Oversized hardcover with dust jacket 181 pages including 229 illustrations black-and-white photographs and reproductions in full colour; elegant book in black cloth covers with "Anni Albers" in embossed black on front cover and very bright and clear silver/grey lettering to spine not a trace of shelf or reading wear very clean and unmarked throughout essentially as new. See also our listings for Catalogue of the Exhibition of Japanese Country Textiles and for Anne Wardwell's very scarce Material Matters: Fifty Years of Gifts from the Textile Arts Club 1934-1984 exhibit 21 November - 30 December 1984 at The Cleveland Museum of Art as well as for Material Matters: The Art and Culture of Contemporary Textiles Edited By Ingrid Bachmann and Ruth Scheuing. . Hard Cover. Fine/Fine. Solomon R. Guggenheim Museum Hardcover
réf. 156554New York: Guggenheim Museum 0-8109-6923-8 1999. 4to 181pp. Fine in fine dust jacket. Photographs color illustrations. Art of Anni Albers. Art Art Textiles. Guggenheim Museum Hardcover
1999réf. Q-0810969238Guggenheim Museum 1999-10-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Guggenheim Museum hardcover
1999réf. 166844New York: Guggenheim Museum Publications 1999. Paperback. VG-. Color-illustrated and BW-photographic softcover with white lettering. 181 pp. Color and BW illustrations. "Among the foremost textile designers of the 20th century Anni Albers was a central figure of the Weaving Workshop at the Bauhaus in prewar Germany. Accompanying a centennial retrospective of her work this volume contains full-color reproductions of Albers's most important weavings drapery materials and wall coverings as well as scores of her highly influential commercial textile designs. Anni Albers had an enormous effect on the design of yard materials worldwide."--Amazon. Guggenheim Museum Publications paperback
1999réf. 82413Harry N. Abrams; Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - Corresponds to ISBN: 0810969238. 192 pages 242 illus. 158 in color 4to. -- with a bonus offer--; Among the foremost textile designers of the 20th century Anni Albers was a central figure of the Weaving Workshop at the Bauhaus in prewar Germany. Accompanying a centennial retrospective of her work this volume contains full-color reproductions of Albers's most important weavings drapery materials and wall coverings as well as scores of her highly influential commercial textile designs. Anni Albers had an enormous effect on the design of yard materials worldwide. A comprehensive illustrated chronology details her fascinating life and career in Germany and in the United States where she moved in the 1930s with her husband the famed painter and instructor Josef Albers. Edited by Nicholas Fox Weber and Pandora Tabatabai Asbaghi. ~Essays by Kelly Feeney Jean-Paul Leclercq and Virginia Gardner Troy. Hardcover 9.25 x 12 in./181 pgs / 148 color 83 BW0 duotone 0 ~ Item D20378 . 1999. 0810969238 . Harry N. Abrams; Museum paperback
1999réf. 166844New York: Guggenheim Museum Publications 1999. Paperback. VG-. Color-illustrated and BW-photographic softcover with white lettering. 181 pp. Color and BW illustrations. "Among the foremost textile designers of the 20th century Anni Albers was a central figure of the Weaving Workshop at the Bauhaus in prewar Germany. Accompanying a centennial retrospective of her work this volume contains full-color reproductions of Albers's most important weavings drapery materials and wall coverings as well as scores of her highly influential commercial textile designs. Anni Albers had an enormous effect on the design of yard materials worldwide."--Amazon. Guggenheim Museum Publications paperback books
1999réf. 1312127New York: The Solomon Guggenheim Foundation 1999. First Edition First Printing. Hardcover. Quarto 183 Pages; VG/VG; Spine is black with white lettering; dust jacket has minimal wear on the top and bottom edges; binding and pages clear; shelved textiles. 1312127. Shelved Dupont Bookstore. The Solomon Guggenheim Foundation hardcover books
réf. 6524, Gent, Pandora/Snoeck-Ducaju & Zoon, 2003., Gebonden in blauw linnen met goudopdruk, originele omslagwikkel geillustreerd in kleur ( foto), 25x30,5cm, 142pp, geillustreerd in kleur en z/w. ISBN 9789053251638.
réf. 6525, Gent, Pandora/Snoeck-Ducaju & Zoon, 2001., Bound in a bleu cloth with gilt title and gilt spine, originale dust jacket illustrated in color ( photo), 25x30,5cm, 142pp, illustrated in color b/w. ISBN 9053251634.
réf. 3802, Antwerp, Pandora, 2005., Bound, cloth, original illustrated (photo) dust-jacket b/w, 25,5x28cm, 175pp, illustrated in color and b/w. ISBN 9789053252659.
réf. 19081Antwerpen, Pandora, 2004 softcover onder geillustreerde kartonomslag met flappen in z/w, foto-frontispice in z/w, 15x24.5 cm., 144 pp., uitgebreide z/w foto-illustratie. ISBN 9789053252543.
réf. 28592, Pandora, 2011 Hardback, 270x205mm, 96p, throughout colour illustrations, Dutch (NL) edition. ISBN 9789053253212.
réf. 154352N.p.: Russ Meyer 2001. Archive of nine vintage oversize photographs by director Russ Meyer including seven in color and one in black-and-white. Two photographs are signed by Meyer and another unknown person on the verso and two are in a folding archival mat. All of the photographs are from an edition of 20 and are numbered "1/20" in black marker on the verso excepting the black and white photograph of Haji from "Faster Pussycat" numbered "2/20." Meyer is best known for his distinctive films in the sexploitation genre of the 1960s and 1970s but also worked as a still photographer throughout his career shooting for Playboy in the magazine's early years including three centerfolds one of which starred his then-wife Eve Meyer. Notable in the archive are images of Meyer regulars Lorna Maitland Christy Hartburg aka Christina Cummings and Haji. All photographs 11 x 14 inch C-prints all struck circa 2001 by Meyer and all from Meyer's personal collection. Full provenance available. The archive includes: 1. Actress Haji on the Set of 'Faster Pussycat Kill Kill!' 1975. In a custom folding archival 8-ply mat. Unsigned numbered 2/20. Mat measures 16 x 20 inches. 2. Christina Cummings billed as Christy Hartburg on the Set of 'Supervixens' In a custom folding archival 8-ply mat. Unsigned numbered 1/20. Mat measures 16 x 20 inches. 3. Lorna Maitland on the Set of 'Lorna' 1964. Unsigned numbered 1/20. Two remnants of archival tape at the top margin see image. 4. Model Playing Ping Pong circa 1962. Signed by Meyer and an unknown person on the verso numbered 1/20. Two remnants of archival tape at the top margin see image. 5. Nude at the Foot of Light Pole on a Lake date unknown. Unsigned numbered 1/20. Two remnants of archival tape at the top margin see image. 6. Nude Squatting at the Side of a Lake date unknown. Unsigned numbered 1/20. 7. Nude Reclining on a Boat in Dock date unknown. Unsigned numbered 1/20. 8. Female Breast date unknown. Signed by Meyer and an unknown person on the verso numbered 1/20. 9. Still Life of a tongue Touching a Cherry. date unknown. Unsigned numbered 1/20. All photographs 11 x 14 inches. Fine. Two matted with 8 ply archival mats with mats measuring 16 x 20 inches. Four with remnants of archival tape in the top margins. All as originally preserved by Meyer. Russ Meyer unknown
1959réf. 6428Imprimerie nationale 1959 359 pages in8. 1959. reliure editeur sous rhodoid. 359 pages. Aurélia est le dernier récit de Gérard de Nerval écrit en partie lors de son internement chez le Dr Blanche. Œuvre profondément autobiographique elle retrace à travers une série de rêves et de visions l'histoire d'un amour impossible pour une femme (inspirée de Jenny Colon) et la quête de sens de l'auteur après une crise de folie. Le texte explore la frontière entre le rêve et la vie mêlant souvenirs fantasmes et une réflexion sur la création poétique
