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Best.-Nr. B9781350105775Paperback / softback. New. paperback
Best.-Nr. 33809348-nnew. unknown
Best.-Nr. 33809348like new. unknown
2017Best.-Nr. x-1474224113Bloomsbury USA Academic 2017. Hardcover. New. 208 pages. 9.25x6.25x0.50 inches. Bloomsbury USA Academic hardcover
Best.-Nr. 1350105775.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2019Best.-Nr. x-1350105775Ava Pub Sa 2019. Paperback. New. 200 pages. 9.25x6.25x0.50 inches. Ava Pub Sa paperback
1993Best.-Nr. RO80133446CHEZ L'AUTEUR. 4ème édition. 1993. In-4. Broché. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 70 pages. Ouvrage polycopié. Nombreux plans et illustrations en noir et blanc, dans le texte. Accompagné de 12 pages, de plans et cartes, polycopiées en noir et blanc.. . . . Classification Dewey : 956-Moyen et Proche Orient
1896Best.-Nr. 1004259New York: M'lle New York Publishing Company 1896. Ten promotional posters for the first year of M'lle New York a fortnightly illustrated magazine that ran from August 1895 to January 1899. Edited by Vance Thompson and James Huneker and primarily illustrated by Thomas Fleming and Thomas Powers M'lle New York was inspired by the sophisticated satirical French weeklies of the day. More than any other American periodical it captured a bohemian sensibility its colorful pages crowded with literary translations risqué drawings and advertisements aimed at a cosmopolitan male readership. Paul Verlaine Knut Hamsun Maurice Maeterlinck and Henrik Ibsen all appeared in its pages. While "off the radar of broader culture" M'lle New York was nonetheless "an important instance of a coterie publication one with a strong avant-gardist and French influence and one that more clearly serves as a precursor to modernist little magazines than others of this period." See Kirsten MacLeod American Little Magazines of the Fin de Siècle: Art Protest and Cultural Transformation. The strong graphic identity of M'lle New York is reflected in these promotional posters which were eventually offered for sale by the editors as a fundraiser: "We've been besieged with requests for them." The posters assembled here date from August 1895 to January 1896. Eight are by Thomas Fleming seven signed in the image one unsigned one by Thomas Powers and one "The Journalistic Orchid" by editor James Huneker's wife the artist Clio Hinton Huneker. The posters feature depictions of nude or nearly nude women alongside grotesques of various kinds: a satyr a capitalist "pig" a mask ethnic caricatures. The one outlier is a straightforward announcement of a new short story by Edward W. Townsend in the inaugural issue. OCLC locates a single holding of M'lle New York posters at Hofstra. An uncommon and compelling group. Ten color-lithographed posters of varying sizes measuring between 12 and 19 inches high and between 8.5 and 20 inches wide printed on various paper stocks. Penciled dates to top corner of nine posters; pencil sketch to one verso. Light edgewear short closed tear to January 1896 poster. M'lle New York Publishing Company unknown
1896Best.-Nr. 1004259New York: M'lle New York Publishing Company 1896. Ten promotional posters for the first year of M'lle New York a fortnightly illustrated magazine that ran from August 1895 to January 1899. Edited by Vance Thompson and James Huneker and primarily illustrated by Thomas Fleming and Thomas Powers M'lle New York was inspired by the sophisticated satirical French weeklies of the day. More than any other American periodical it captured a bohemian sensibility its colorful pages crowded with literary translations risqué drawings and advertisements aimed at a cosmopolitan male readership. Paul Verlaine Knut Hamsun Maurice Maeterlinck and Henrik Ibsen all appeared in its pages. While "off the radar of broader culture" M'lle New York was nonetheless "an important instance of a coterie publication one with a strong avant-gardist and French influence and one that more clearly serves as a precursor to modernist little magazines than others of this period." See Kirsten MacLeod American Little Magazines of the Fin de Siècle: Art Protest and Cultural Transformation. The strong graphic identity of M'lle New York is reflected in these promotional posters which were eventually offered for sale by the editors as a fundraiser: "We've been besieged with requests for them." The posters assembled here date from August 1895 to January 1896. Eight are by Thomas Fleming seven signed in the image one unsigned one by Thomas Powers and one "The Journalistic Orchid" by editor James Huneker's wife the artist Clio Hinton Huneker. The posters feature depictions of nude or nearly nude women alongside grotesques of various kinds: a satyr a capitalist "pig" a mask ethnic caricatures. The one outlier is a straightforward announcement of a new short story by Edward W. Townsend in the inaugural issue. OCLC locates a single holding of M'lle New York posters at Hofstra. An uncommon and compelling group. Ten color-lithographed posters of varying sizes measuring between 12 and 19 inches high and between 8.5 and 20 inches wide printed on various paper stocks. Penciled dates to top corner of nine posters; pencil sketch to one verso. Light edgewear short closed tear to January 1896 poster. M'lle New York Publishing Company unknown books
Best.-Nr. 46392506-nnew. unknown
Best.-Nr. 46392506like new. unknown
Best.-Nr. 1020737123.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1019754893.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1147144591.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1357142153.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1359207392.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1359198768.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1359198776.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 21012149-nnew. unknown
Best.-Nr. 101964754X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1108069452.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 112089798X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1167215842.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1819Best.-Nr. s894.043GB: Thomas Clio Rickman 1819. No halftitle. Frontispiece. Title page. iii-xvi 1-280 4 catalogue Fully collated. Clean tight text with minor spotting mostly to first and last few leaves. Some heavier spotting and minor damp marking to first few leaves. Minor waving of text. Bound in likely contemporary dark green blind decorated cloth lettered in gold "LIFE OF PAINE on spine. Yellow shiny endpapers. Text has been reattached internally by a repair to the hinges. Covers and spine more or less entire but a bit worn. Book is in good double plus condition with noticeable signs of wear and/or age. . 1st Edition. Hardback. G/No DW. Thomas Clio Rickman Hardcover
2017Best.-Nr. Gyan-9789353208929Facsimile Publisher 2017. Hardcover. New. 22.59 x 14.34 x 3.06 cm. English Facsimile Publisher hardcover
