1364 resultados
1844ref. 79786Martinon | Paris 1844 | 25 x 32 cm | relié
1889ref. LBW-8097Québec, imprimerie générale de A. Coté et Cie, 1889. In-8 de (2) ff., v-(1 bl.)-411 pp.; demi-veau vert à coins, dos à nerfs, pièces de titre et de tomaison de maroquin rouge et brun, tranches mouchetées (reliure de l'époque).
ref. c2128Paris, Société des Amis du Livre Moderne, 1947 ; 1 volume in-folio en feuilles, couverture vert d' eau imprimée en vert, sous chemise et étui cartonnés muets ; 16 feuillets non chiffrés. Illustré 7 gravures dans le texte ou à pleine page par Josso. Edition tirée à 135 exemplaires numérotés. Celui-ci N° 2 , nominatif, comprend, 2 suites à part des illustrations dont 1 sur Lana vert, 2 états de 2 planches refusées( dont sur Lana vert), 2 dessins originaux monogrammés C.P.J. et 3 dessins sur calque signés C.P. Jossso.
Paris, Editions Narcisse, 1927. In-4 (23 x 30 cm), plein maroquin abricot, dos lisse, titré et doré en long, couvertures conservées (reliure signée Stroobants). Edition originale tirée seulement à 244 exemplaires et illustrée de 3 superbes aquarelles à pleine page de François Quelvée. Bel exemplaire.
ref. 24017Paris, Editions Narcisse, 1927. In-4 (23 x 30 cm), plein maroquin abricot, dos lisse, titré et doré en long, couvertures conservées (reliure signée Stroobants).
1880ref. 3460868Barcelona.: F. Seix editor. 1880. Hardcover. Cubierta deslucida. Good. 29 cm. 2 v. Encuadernación en tapa dura artesanal en plena piel con doble tejuelo. Cuarta edición. Arau y Vidal Narciso n. 1835. Por Narciso Arau y Vidal . Cubierta deslucida. Industria de la madera 674 F. Seix, editor. hardcover
1842ref. 88759Arthus Bertrand | Paris 1842 | 14 x 22.5 cm | broché
1844ref. 79786Paris: Martinon 1844. Fine. Martinon Paris 1844 25 x 32 cm relié First edition published in 20 instalments illustrated with wood-engraved vignettes in the text after Célestin Nanteuil Français Karl Girardet Jules David etc. and 20 copper-engraved or lithographed plates after Diaz Decamps Hazé A. Guignet E. Hedouin Théodore Chasseriau Alophe Couture etc. The original covers of all instalments are bound at the end. The covers erroneously announce 30 engravings instead of the 20 actually included.Later binding in red Russian half morocco with corners spine in five raised bands richly gilt date in gilt at foot gilt fillet frame on pasteboard covers. Considerable rubbing and bumped corners.Provenance: from the library of Victor Mercier with his Art Nouveau bookplate engraved by Adolphe Giraldon. Martinon hardcover
1709ref. 98Anales de Cataluña y epílogo breve de los progressos y famosos hechos de la nación catalana de sus Santos Reliquias Conventos y singulares Grandezas; y de los mas señalados y Eminentes Varones que en Santidad Armas y Letras han florecido desde la primera Población de España Año del Mundo 1788 antes del Nacimiento de Christo 2174. y del Diluvio 143. hasta el presente de 1709.Barcelona: por Joseph Llopis. : a costa de Juan Pablo Martì Juan Piferrer Jayme Batlle Joseph Llopis y Jayme Surià. : vendense en sus casas. 1709. 31 x 23 cm.Foliación:Tom I: 20 364 36 ; Fol. Manchas en las 5 primeras hojas y antigua humedad en las 60 hojas aproxTom II: 24 60 504 ; Fol. Manchas en las 5 primeras hojas y menos oxido que el 1ºTom III: 22 655 52 p. ; Fol. Manchas en las 7 primeras hojasObra completa. Primera edición. Buen estado pero con algún problema que otro… Los 3 tomos presentan una mancha de tinta en las primeras hojas tom I: 5 primeras tom II: 5 primeras tom III: 7 primeras El primer tomo es el que más óxido presenta además de una antigua mancha de humedad en las últimas 60 hojas aprox el segundo y tercero presentan menos acidificación y tienen las hojas más limpias. Dicho esto por lo demás todo correcto para la calidad de papel elegida que aunque no es la mejor ha resistido bien se nota por ejemplo por sus hojas firmes al tacto.Preciosas xilografías tanto en cabeceras como en cul-de-lamps como en sus soberbias letras capitulares. Gran ejemplo de artesanía y talento español de principios del siglo XVIII.Encuadernación original en pergamino fuerte y lomo rotulado bien conservada apenas presenta problemas. CCPB000198279-6. Palau 87471.Sobre la obra:Feliú fue el historiador de su país al publicar los Anales de Cataluña 1709 obra en la que persisten los elementos míticos y legendarios de la vieja historiografía a pesar de que el autor manejó fuentes archivísticas crónicas diversas y dietarios. No se trata propiamente de una historia de Cataluña sino de un discurso político-histórico en la línea de la literatura ideológica patriótica típica del Barroco ligada a la retórica y al servicio de la política tal como ha señalado Eulàlia Duran. Sin embargo resulta especialmente interesante —y de consulta obligada— por los treinta años de testimonio directo que relata sin esconder su compromiso inequívoco con la causa austrina de la que se erigió en uno de sus ideólogos más destacados. Por lo demás resulta un auténtico homenaje a la nación catalana y a la casa de Austria el primer volumen lo dedica a Jesucristo el segundo a Carlos II y Carlos III y el tercero a la patria Cataluña.Esta es una de las obras capitales de la historiografía catalana escrita por un barcelonés abogado economista e historiador; fue famoso por su defensa del proteccionismo y de la simplificación fiscal. Participó en la fundación de la Compañía textil Santa Cruz y representó a Catalunya en la Junta Central de Comercio. Durante la guerra de Sucesión apoyó al archiduque Carlos de Austria. Primera edición.Dedica su obra a Carlos II Carlos III y a la ciudad de Barcelona. La historia está dividida en tres tomos: el primero contiene los sucesos desde la antigüedad hasta el año 1163; el segundo comprende los años 1163 a 1458 y el tercero finaliza en 1709. Incluye al final dos copiosos índices alfabéticos: el de libros y capítulos y el que trata de los hechos más notables.
ref. 477978Hardcover. Very good copy in contemporary gilt-blocked full leather. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. hardcover
1842ref. 88759Paris: Arthus Bertrand 1842. Fine. Arthus Bertrand Paris 1842 14 x 22.5 cm broché Rare first edition of this important geographical and ethnographic account intended to provide insight into the conflict between the Afghans and the British the latter seeking to protect their Indian frontiers from the threat posed by the Russian Empire cf. Bourquelot V 637.This copy retains the folding map bound at the end of the volume: ""Carte pour l'intelligence des voyages d'Alexandre Burnes"".Spine faded with small losses boards lightly soiled at the margins paper loss to the lower left corner of the half-title page some scattered foxing.The author based his work on Elphinstones account whose second edition appeared in 1838 as well as the narratives of Burnes Forster and Masson. Arthus Bertrand hardcover
1867ref. elala754Montreal: 1867. 1867. 8vo. 3 pages. docket title. horizontal & vertical folds 2 short tears at folds blank bit soiled. BELLEAU Sir Narcisse Fortunat 1808-1894 Premier of United Canada 1865-67; First Lieutenant-Governor of the Province of Quebec 1867-73. Autograph letter in French signed dated Montreal January 4 1867 on Executive Council Canada letterhead to the Procureur Général du Bas Canada. Docket Title: Letter the Honble N.F.Belleau Sentence of Death on three Fenians Commuted to Imprisonment in Penitentiary order to take three in charge by N. Schillar 4 January 1867 Dispatched 9 January 1867. An important letter from Narcisse Belleau premier of United Canada on the fate of three convicted Fenians. Belleau requests that the unnamed prisoners whose death sentences have just been commuted to imprisonment be transported under armed guard and by special train directly to the provincial penitentiary at Kingston. Belleau stresses the necessity of keeping the matter strictly confidential: "Ce qui suit doit être tenu sous le plus grand secret & executé avec toute la discretion dont vous avez fait preuve en plusieurs occasions. ". Signed by Authors. Montreal: 1867. unknown
1839ref. 770481839 Paris, Imprimerie Royale, 1839, petit in 4° relié demi-veau cerise, dos à faux nerfs orné, VIII-310 pages ; quelques rousseurs ; frottis à la reliure, coiffes usées.
1825ref. 38646Orléans: Guyot 1825-1827. FIRST AND ONLY EDITION OF THIS SPECTACULAR WORK ON THE LOIRET the city of Orléans and surroundings COMPLETE WITH THE RARE SUPPLEMENT. The main work has a lithographed vignette on the title-page and 21 EXTREMELY FINE FULL-PAGE LITHOGRAPHS of scenery ruins towns and monuments BY NARCISSE ROMAGNESI AND CHARLES PENSEE MOST OF WHICH ARE PRINTED ON CHINE APPLIQUE. The supplement of which the entire text is printed in lithography has a title-page vignette and two additional full-page lithographs. Printed on very fine wove paper. Large folio 42 cm. Bound in 19th-century pebbled cloth and decorated boards. Traces of wear to binding INTERNALLY FINE AND BRIGHT WITH BOTH TEXT PAGES AND LITHOGRAPHS FRESH AND SPOTLESS. A rare book and extraordinarily rare in such fine condition and complete with the supplement. Guyot hardcover
1969ref. SBBIH-XHKFBS5PM7CZThe Cookery Book Club 1969. hardcover. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. The Cookery Book Club hardcover
ref. ANAIS-1401847609Cengage Learning. paperback. Good. 7.3x1x9.1. Buy with confidence. Excellent Customer Service & Return policy. Cengage Learning paperback
1815ref. 000215Paris Janet 1815
2004ref. SONG1401847609Cengage Learning 2004-12-16. 1. paperback. Used: Good. 7.25x1.00x9.00. Buy with confidence. Excellent Customer Service & Return policy. Cengage Learning paperback
1816ref. 000214Paris Janet 1816
1802ref. E0615viii382 with folding map. Octavo 8" x 5 1/4" bound in original leather with renewed spine with red label to spine in gilt lettering. Wagner-Camp 1a; Field 99; Clark II:76; Howes B243; Monaghan 49; Streeter 1571 First edition. Attributed to Louis Narcisse Baudry des Lozières by Sabin. Author gives a list of known Indian nations on with the list of individual tribes and bibliographical notes giving their locations. "Des sauvages de la Louisiane dispersés sur les bords du Mississipi et sur d'autres rivières qui arrosent son continent"; gives a list of Indian tribes and a brief description of their locations and number. "Deux vocabulaires de sauvages" includes: "Langage des Naoudoouessis" the Dakota language which includes a glossary of numbers in both the Dakota and French languages a "chanson sauvage" with its literal and free French translation and a list of phrases translated into French on pages 348-353; and "Langage des Chipouais" the Chippewa or Ojibwa language which gives a glossary of numbers a sizeable glossary and phrases in the Ojibwa and French languages on pages 353-362. "Louisiane et pays voisins d'après les relations et les cartes les plus récentes" is the title of the folded frontispiece map but the map shows all but the most eastern edges of the United States. Condition: Recased with new spine and renewed end papers some light foxing else a very good copy. Dentu hardcover
ref. 9950P., Nepveu, 1823. 7 vol. in 8 demi-reliures, chagrin dos lisses ornés.
ref. 013453Alphonse de Lamartine & Narcisse Carbonel, Recueil de Romances dédiées à Madame la Duchesse de Rovigo - Courage et Raison - La pauvre Adèle - Saint Jacques de Compostelle. Paris, Auguste Le Duc, sd [novembre 1812 ?]. Petit in-folio, titre-7p. Très rare tirage de ces romances portant les initiales autographes NC de Carbonnel et mentionnant l'auteur « Paroles de M. Al. de L*** ». Partition pour chant et piano ou harpe. Ces romances ont eu plusieurs éditions, comme souvent à l'époque, mais l'édition de Le Duc est la seule indiquant un auteur. Cette édition devait pouvoir se trouver tant en recueil, comme ici, qu'en partition séparée, comme l'exemplaire de La pauvre Adèle conservé au conservatoire de Montbéliard (Inv. 148 (43)) qui est d'ailleurs d'accord avec l'année que nous proposons. L'exemplaire de Montbéliard provient de la collection More-Pradher et a été démonté d'un recueil pour être relié à part, signe qu'un des collectionneurs (Louis Pradher, son épouse Félicité More ou le neveu Jules More) avait compris l'importance de cette petite plaquette. Deux exemplaires sont conservés, un à la Bibliothèque Sainte Geneviève (qui indique Lamartine avec un point d'interrogation) et un à Munich (Bayerische StaatsBibliothek, signalé par Eric Bertin). Concernant Lamartine et les romances dans les années 1810, la correspondance de Lamartine en 1810, qui se limite aux lettres à ses amis Guichard de Bienassis et Aymon de Virieu, nous montre que Lamartine en écrivait déjà souvent. Il en envoyait à ses amis, soit copiées dans les lettres, soit jointes aux lettres, tout en les trouvant parfois un peu faibles (voir la lettre LIV à Bienassis du 20 mars 1810, in Correspondance Alphonse de Lamartine-Aymon de Virieu 1808-1815). Néanmoins, on apprend par une lettre à Virieu (lettre LXVIII du 30 septembre 1810) que ce dernier a fait mettre en musique deux « détestables romances » qui sont les premiers vers de Lamartine. « Je ne t'aurais jamais pardonné si tu m'en avais déclaré l'auteur ». Toutefois, dans la même lettre, il lui dit : « Mais parlons de choses plus sérieuses. Seulement si tu as un bon compositeur, je t'en enverrai quelques-unes ; si elles lui conviennent, il les mettra en musique et tu me les renverras ». S'agit de ces romances ? C'est fort probable mais rien ne permet toutefois de trancher avec certitude. Olivier Feignier, avec qui nous en avions échangé en 2019 à ce sujet, nous avait écrit : « le faisceau de présomption est donc assez favorable à Lamartine [.] Les lettres de Lamartine à Virieu rendent possible l'attribution mais ne me paraissent pas permettre de trancher de façon définitive ». Notons d'ailleurs, comme nous l'avait fait remarqué M. Feignier, qu'aucun autre candidat pouvant se cacher derrière « Al. de L. » ne s'est dégagé jusqu'à présent. Reliure (non signée) de Sophie Charlot, demi-maroquin à plats rapportés, titre à l'italienne. Très rare document.
ref. 55337Mexico: Tepeyac Editores 1982. Near fine. The complete camera-ready artwork by the noted Mexican sequential and graphic artist for the story "Una Cuestion de Honor" from issue #82 of the microcuento comic HOMBRES EN GUERRA Men in War. "Una Cuestion de Honor" a WWI trench warfare story about an English soldier wrongly accused of desertion is a quintessential example of the microcuento or "historieta" "mini-story" a popular comic form unique to Mexico. Small enough to fit in a pocket usually only three or four inches tall brief enough to read on a commute or lunch break and inexpensive to produce microcuentos enjoyed a wide popularity among both adults and children. At their height in the mid-1970s 55 million copies of these comics were being printed a month in a country with a population of just 68 million Sperandio 3. "Una Cuestion de Honor" would have been one of the two stories issued in HOMBRES EN GUERRA a weekly publication that ran from the late 1970s through at least the mid 1980s. Camarena was one of Mexico's most prolific illustrators and - as evidenced by the recent 2020 monograph on him and his work in the form - is increasingly recognized as one of the masters of the microcuento. For speed and efficiency publishers typically provided artists with panels as here preprinted with text and dialogue for the illustrators to work around; that Camarena was able to work so elegantly and dynamically within these constraints is a testament to his talent. Rare and ephemeral production materials from an important regional incarnation of the comic book. 8.75'' x 5.75''. 30 pages of original black pen-and-ink drawings on cardstock executed rectos only; most two-panel. Minor soil edgewear. Overall sound and clean. [Tepeyac Editores] unknown
ref. 55337Mexico: Tepeyac Editores 1982. Near fine. The complete camera-ready artwork by the noted Mexican sequential and graphic artist for the story "Una Cuestion de Honor" from issue #82 of the microcuento comic HOMBRES EN GUERRA Men in War. "Una Cuestion de Honor" a WWI trench warfare story about an English soldier wrongly accused of desertion is a quintessential example of the microcuento or "historieta" "mini-story" a popular comic form unique to Mexico. Small enough to fit in a pocket usually only three or four inches tall brief enough to read on a commute or lunch break and inexpensive to produce microcuentos enjoyed a wide popularity among both adults and children. At their height in the mid-1970s 55 million copies of these comics were being printed a month in a country with a population of just 68 million Sperandio 3. "Una Cuestion de Honor" would have been one of the two stories issued in HOMBRES EN GUERRA a weekly publication that ran from the late 1970s through at least the mid 1980s. Camarena was one of Mexico's most prolific illustrators and - as evidenced by the recent 2020 monograph on him and his work in the form - is increasingly recognized as one of the masters of the microcuento. For speed and efficiency publishers typically provided artists with panels as here preprinted with text and dialogue for the illustrators to work around; that Camarena was able to work so elegantly and dynamically within these constraints is a testament to his talent. Rare and ephemeral production materials from an important regional incarnation of the comic book. 8.75'' x 5.75''. 30 pages of original black pen-and-ink drawings on cardstock executed rectos only; most two-panel. Minor soil edgewear. Overall sound and clean. [Tepeyac Editores] unknown books
2023ref. __1839105593Edward Elgar 2023. Hardcover. New. 3500 pages. 9.63x6.63x1.50 inches. Edward Elgar hardcover
