1364 resultados
1802ref. 264638Paris: Dentu 1802. First edition. With folding engraved map by L. Collin at front with a fanciful depiction of the American west. viii 382 pp. 1 vols. 8vo. Quarter contemporary calf and boards speckled edges. Handsome copy. Blue bookseller ticket of Ch. Chadenat Librairie Américaine et Coloniale Paris. Very good plus. First edition. With folding engraved map by L. Collin at front with a fanciful depiction of the American west. viii 382 pp. 1 vols. 8vo. Howes B-243; Clark II 76; Dionne II 915; Field 99; Sabin 3979; Streeter III 1571; Wagner-Camp 1a Dentu unknown
1802ref. 264638Paris: Dentu 1802. First edition. With folding engraved map by L. Collin at front with a fanciful depiction of the American west. viii 382 pp. 1 vols. 8vo. Quarter contemporary calf and boards speckled edges. Handsome copy. Blue bookseller ticket of Ch. Chadenat Librairie Américaine et Coloniale Paris. Very good plus. First edition. With folding engraved map by L. Collin at front with a fanciful depiction of the American west. viii 382 pp. 1 vols. 8vo. Howes B-243; Clark II 76; Dionne II 915; Field 99; Sabin 3979; Streeter III 1571; Wagner-Camp 1a Dentu unknown books
1877ref. 51841Paris France: Imprimerie Jules Claye. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine clean & unmarked tight to spine - Rare. 179 works catalogued none illustrated. Frontispiece photo portrait of Diaz tipped-in with a facsimile of his signature. -- with a bonus offer--; Text pristine clean & unmarked tight to spine - ex-library with usual markings. 179 works catalogued none illustrated. Frontispiece photo portrait of Diaz tipped-in with a facsimile of his signature. . 1877. Imprimerie Jules Claye hardcover
2013ref. 105854Gallery. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 16 pages; many lovely color images. Among the artists represented: Diaz de la Pena Lhermitte Frederick Morgan Jules Breton Leon Richet and others. -- with a bonus offer-- . 2013. Gallery paperback
1969ref. 74185Galerie; Et Al. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. Includes essay by Andre Watteau. 40 works catalogued. Many illustrations including several in color. -- with a bonus offer-- . 1969. Galerie; Et Al paperback
ref. 2206PG005DE LA FAMILIA Y ASCENDENCIA DE D. MIGUEL MARIA Dª FRANCISCA Y Dª ANTONIA SERRANO Hermanos naturales de la Imperial Ciudad de Toledo. Es mui curioso y util por los muchos documentos que cita para su comprobacion y proceder de los Ss Alvarez de Toledo causantes del Exmo Sor Duque de Alva y otras casas Principales de España. 1779. De 23x158 cm. Com 38 fólios numerados. Encadernação da época inteira de pele com ferros a ouro na lombada e nas pastas. Ilustrado com uma árvore genealógica desdobrável. Manuscrito em letra muito legível elaborado por Narciso de Medina y Serrano em 16 de Fevereiro de 1779 como consta no fólio 21 frente. O texto está escrito a duas colunas até esse fólio e a partir do fólio 22 frente está em texto corrido. À cabeça da primeira folha tem a menção: Al Archivo de Stigares. Contém dados genealógicos das famílias Serrano Gaitán Fuente Amador Guevara Del Valle Portocarrero até ao fólio 13 verso nesse mesmo fólio começa a descendência de Bazquez de Dueñas Alonso Pedro Bazquez Canales. A partir do fólio 21 verso contém a qualificação e entronque dos apelidos. EN 23x15.8 cm. 38 numbered folios. Contemporary full leather binding gilt tooled on spine and folders. Illustrated with a fold-out family tree. Manuscript in very legible handwriting drawn up by Narciso de Medina y Serrano on 16 February 1779 as shown on folio 21 front. The text is written in two columns up to this folio and from folio 22 onwards it is in continuous text. At the head of the first page it reads: Al Archivo de Stigares. Contains genealogical data of the Serrano Gaitán Fuente Amador Guevara Del Valle Portocarrero families until folio 13 verso. In that same folio starts the descent of Bazquez de Dueñas Alonso Pedro Bazquez Canales. From folio 21 verso on contains the qualification and enthronement of the surnames. M-17-D-8 hardcover
1890ref. NF3033THE BARBIZON SCHOOL OF PAINTERS COROT ROUSSEAU DIAZ MILLET DAUBIGNY ETC. Scribner & Welford 1890 first edition light wear to the front fore edge corner tips else a vg copy of this the special large folio edition for America limited to 200 copies and initialed by the author. Profusely illustrated of course with 130 illustrations featuring the works of among others Jean-Francois Millet Thodore Rousseau Narcisse Diaz Charles Jacque Jules Dupre Constant Troyon; Camille Corot and Charles Daubigny. Scribner & Welford unknown
1890ref. NF3033THE BARBIZON SCHOOL OF PAINTERS COROT ROUSSEAU DIAZ MILLET DAUBIGNY ETC. Scribner & Welford 1890 first edition light wear to the front fore edge corner tips else a vg copy of this the special large folio edition for America limited to 200 copies and initialed by the author. Profusely illustrated of course with 130 illustrations featuring the works of among others Jean-Francois Millet Thodore Rousseau Narcisse Diaz Charles Jacque Jules Dupre Constant Troyon; Camille Corot and Charles Daubigny. Scribner & Welford unknown books
1709ref. 13122Barcelona: José Llopis 1709. 300x190mm. 11¾x7½". Barcelona José Llopis tomo I Jaime Suriá tomo II Juan Pablo Martí tomo III 1709. 3 volúmenes. En folio 300 x 190mm. -I: 20 364 34 pp. -II: 24 504 60 pp. -III: 22 655 52 pp. Encuadernación en pergamino de la época guardas renovadas. Primera edición de la gran obra de la historiografía de Cataluña de ilustre procedencia. Contiene la historia de Cataluña desde los primeros años de la historia de España hasta 1709. Narciso Feliú de la Peña y Farell 1642-1712 historiador nacido en Barcelona apoyaba al archiduque Carlos contra Felipe V y la publicó en plena Guerra de Sucesión. Al parecer el gobierno borbónico la prohibió secuestró el tercer volumen que trata la guerra y solo se salvaron unos pocos ejemplares. Procedencia: Antonio Cánovas del Castillo José Llopis unknown
1852ref. 8889Santiago: Imp. y Litografía de J. Rey Romero 1852. Second edition. Hardcover Tapa dura. 212x153mm. 8¼x6". Santiago de Compostela Imp. y Litografía de J. Rey Romero 1852. En 4º menor 212 x 153mm. Frontispicio xviii-101 pp. 1 h. 10 láminas 8 de ellas plegadas. Encuadernación en holandesa de época cubiertas originales ilustradas en papel amarillo. Segunda edición del viaje de Antonio María de Orleans y María Fernanda de Borbón a Galicia en 1852 comenzando en Ferrol pasando por La Coruña Santiago Pontevedra Marín y Vigo desde donde saldrían hacia Lisboa recorriendo el territorio y disfrutando de sus gentes sus paisajes y sus costumbres. Imp. y Litografía de J. Rey Romero hardcover
1835ref. 46405917Paris, Roret, Thiery, L’auteur (Vergnaud, architecte...), 1835 ; in-folio, cartonnage papier gaufré rouge. 2 ff. (titre, dédicace), 106 pp., 24 planches dont 8 sur double page.ÉDITION ORIGINALE et PREMIER TIRAGE. Narcisse Vergnaud (Orléans 1794 - Paris 1848) était un remarquable architecte et créateur de jardins, bizarrement méconnu. “Profiter avec goût des beautés naturelles d’un site limité, ajouter à son étendue en s’emparant avec intelligence de toute la perspective du paysage environnant, pour composer l’un de ces ensembles dont la nature inépuisable nous offre partout des modèles d’une variété infinie, toujours d’un effet pittoresque et d’un aspect enchanteur, tel est l’art véritable de créer les jardins” dit l’auteur dans sa préface. Traité très complet, en 3 parties. 24 lithographies dont 8 sur double page. Vues et plans de jardins fameux : Blenheim Palace propriété du duc de Marlborough (plan et 2 vues), Mortefontaine (propriété du dernier prince de Condé) plan et 2 vues, Chatsworth, Ermenonville, Buckingham, Stowe, Château de Windsor, château et parc de St.-Leu, Beauregard, Longleate, Palais Pitti à Florence, Wilton (propriété de Lord Pembroke), Ferme d’Aubertin. Cette première édition semble très rare. Le Katalog der Ornamentstich Sammlung de Berlin II n°33136 ne possède que la réédition de 1839. Quérard X, 111. ENVOI AUTOGRAPHE de l’auteur sur la page de garde : à M. Jollois Ingénieur en chef. Il s’agit de Jean-Baptiste Prosper Jollois (1776 - 1842), un ingénieur et archéologue qui fut membre de l’expédition en Égypte en 1798. En 1830 il sera nommé ingénieur en chef des travaux de la Seine. Jollois est l’auteur de plusieurs ouvrages et mémoires sur les antiquités du Loiret, des Vosges, sur l’archéologie égyptienne et sur Jeanne d’Arc.
1839ref. 3573Paris: La Librairie Encyclopédique de Roret on the back of the half-title: "Imprimerie et fonderie de Fain imprimeur de l'Université Royale de France" 1839. Modern black half morocco on 7 supports gold-tooled spine. Royal folio 49.5 x 32.5 cm. With 24 lithographed plates 6 double-page 4 with movable extra pieces showing plans designs and views of gardens in England France and Italy. Set in roman and italic type with incidental slab-serif script and out-line types. Beautifully illustrated and finely printed second edition of a manual on garden planning and design by the French garden architect Narcisse Vergnaud 1794-1848 first published also by Roret in 1835. The finely lithographed plates show plans and views of the gardens of Blenheim Buckingham Windsor Longleat Chatsworth Stowe Chiswick and Lord Pembrokes estate at Wilton in England; the Pitti Palace at Florence; and Morfontaine Malmaison St. Leu Beauregard at Villeneuve Marly-le-Roy and Bougival in France; as well as some model designs of public parks.At least the present copy is printed on very large Royal wove paper with no watermark giving generous margins for both the text leaves and the plates the latter on somewhat heavier paper. The third leaf with the dedication has been cut down and mounted on a large modern leaf. With a few mostly marginal tears repaired and occasional faint foxing still in very good condition.l Springer p. 81; Berlin Kat. 3313. La Librairie Encyclopédique de Roret (on the back of the half-title: "Imprimerie et fonderie de Fain, imprimeur de l'Università unknown
1839ref. 42547Paris: Librairie Encyclopédique de Roret 1839. Folio. 19 x 12 ½ inches. 6 iv 5-106 pp. Illustrated with 24 hand-coloured lithographed plates illustrating the designs and plans of estate parks and gardens in France and England eight double-page or folding five with tipped overlay flaps. Contemporary calf-backed red cloth boards with richly gilt spine A beautifully hand-coloured copy of the 'Nouvelle édition' of Vergnaud's manual of landscape design combining garden theory with measured plans perspective views sections and elevations drawn from celebrated European parks. Vergnaud's L'Art de créer les jardins belongs to a distinct moment in nineteenth-century garden literature when the picturesque landscape garden was increasingly treated through the combined disciplines of architecture horticulture drawing and site analysis. First published by Roret in 1835 the work appeared again in this "Nouvelle édition" in 1839 with the same large format and an extensive suite of lithographed plates. Vergnaud presents the creation of gardens as an architectural art grounded in the study of terrain water planting views and circulation. The text moves from general principles to practical application addressing the selection and study of a site the nature of soils and water the use of plans and levels the organisation of walks and plantations and the pictorial handling of natural and built features. Vergnauds emphasis falls on composition in the full sense: the garden as a designed landscape whose effects depend on time growth perspective and the intelligent adjustment of architecture to nature. The plates include plans views and details drawn from major English landscapes such as Blenheim Chatsworth Stowe Windsor Richmond Longleat and Wilton together with French examples including Morfontaine Saint-Leu Beauregard Marly-le-Roi and Bougival. The suite also includes views from Ermenonville and the gardens of the Pitti Palace greenhouse details in France and England plans for public promenades and gardens and the plan of the farm at Aubetin. Several plates use folding or overlay elements to clarify changes of level layout or design sequence making the volume especially valuable as a practical visual manual. Narcisse Vergnaud was born in Orléans and trained in architecture at the École des Beaux-Arts in Paris under Antoine-Laurent-Thomas Vaudoyer. Active in Paris as an architect and designer of gardens Vergnaud is now often obscured in catalogues under the name Nicolas Vergnaud though contemporary and modern authority records identify him as Narcisse. His treatise places him within the French reception of English landscape gardening while retaining a strongly architectural understanding of design one in which plan elevation perspective horticulture and execution form part of a single discipline. Very rare. We can trace only one other coloured copy last offered in London in 1935. De Ganay 220; Berlin Katalog 3313. Librairie Encyclopédique de Roret unknown
1839ref. 42547Paris: Librairie Encyclopédique de Roret 1839. Folio. 19 x 12 ½ inches. 6 iv 5-106 pp. Illustrated with 24 hand-coloured lithographed plates illustrating the designs and plans of estate parks and gardens in France and England eight double-page or folding five with tipped overlay flaps. Contemporary calf-backed red cloth boards with richly gilt spine A beautifully hand-coloured copy of the 'Nouvelle édition' of Vergnaud's manual of landscape design combining garden theory with measured plans perspective views sections and elevations drawn from celebrated European parks. Vergnaud's L'Art de créer les jardins belongs to a distinct moment in nineteenth-century garden literature when the picturesque landscape garden was increasingly treated through the combined disciplines of architecture horticulture drawing and site analysis. First published by Roret in 1835 the work appeared again in this "Nouvelle édition" in 1839 with the same large format and an extensive suite of lithographed plates. Vergnaud presents the creation of gardens as an architectural art grounded in the study of terrain water planting views and circulation. The text moves from general principles to practical application addressing the selection and study of a site the nature of soils and water the use of plans and levels the organisation of walks and plantations and the pictorial handling of natural and built features. Vergnauds emphasis falls on composition in the full sense: the garden as a designed landscape whose effects depend on time growth perspective and the intelligent adjustment of architecture to nature. The plates include plans views and details drawn from major English landscapes such as Blenheim Chatsworth Stowe Windsor Richmond Longleat and Wilton together with French examples including Morfontaine Saint-Leu Beauregard Marly-le-Roi and Bougival. The suite also includes views from Ermenonville and the gardens of the Pitti Palace greenhouse details in France and England plans for public promenades and gardens and the plan of the farm at Aubetin. Several plates use folding or overlay elements to clarify changes of level layout or design sequence making the volume especially valuable as a practical visual manual. Narcisse Vergnaud was born in Orléans and trained in architecture at the École des Beaux-Arts in Paris under Antoine-Laurent-Thomas Vaudoyer. Active in Paris as an architect and designer of gardens Vergnaud is now often obscured in catalogues under the name Nicolas Vergnaud though contemporary and modern authority records identify him as Narcisse. His treatise places him within the French reception of English landscape gardening while retaining a strongly architectural understanding of design one in which plan elevation perspective horticulture and execution form part of a single discipline. Very rare. We can trace only one other coloured copy last offered in London in 1935. De Ganay 220; Berlin Katalog 3313. Librairie Encyclopédique de Roret unknown books
