CARRION, UlisesBiblio.com
2 979 résultats
réf. 1122470 pp. Small 4to 210 x 160 mm. pictorial semi-stiff wrappers title on spine. Amsterdam: VOID distributors 1980. The essential compendium of Ulises Carrión’s polemical essays; printed in an edition of 500 by Hetty Huisman’s VOID Distributors. His trailblazing theories and beliefs about artists’ books and mail art remain influential to this day. “The New Art of Making Books” first published in Plural no. 41 1975 is frequently cited by contemporary book artists. The book includes his most important essays: “The New Art of Making Books” “From Bookworks to Mailworks” “Rubber Stamp Theory and Praxis” “Rubber Stamp Art” “Mail Art and the Big Monster” “Table of Mail Art Works” “Personal Worlds or Cultural Strategies” “Bookworks Revisited.” Each has printed notes in the margins providing clarifications or revealing Carrión’s latest views on a subject. Fine copy. This book is now rather rare on the market. ⧠John Held Jr. ed. Mail Art: An Annotated Bibliography 1991 6–”Highly recommended.”. unknown
1982réf. 29489Amsterdam 1982. Fine condition. Ref. Hill 63. First Edition. Xerographic flyer printed recto/verso to A4 sheet. Announcement for the only film made by Ulises Carrión a structuralist 16mm performance in which Carrión cradles a television set playing scenes from Max Ophüls' The Reckless Moment 1949 and moves his body and the set according to the direction in which the camera pans in the film—right left down up—resulting in a strangely stabilized image. The performance abruptly concludes when Ophüls' protagonist throws the body of a gangster ex-art dealer into the sea. Amsterdam unknown
réf. 1122470 pp. Small 4to 210 x 160 mm. pictorial semi-stiff wrappers title on spine. Amsterdam: VOID distributors 1980. The essential compendium of Ulises Carrión’s polemical essays; printed in an edition of 500 by Hetty Huisman’s VOID Distributors. His trailblazing theories and beliefs about artists’ books and mail art remain influential to this day. “The New Art of Making Books” first published in Plural no. 41 1975 is frequently cited by contemporary book artists. The book includes his most important essays: “The New Art of Making Books” “From Bookworks to Mailworks” “Rubber Stamp Theory and Praxis” “Rubber Stamp Art” “Mail Art and the Big Monster” “Table of Mail Art Works” “Personal Worlds or Cultural Strategies” “Bookworks Revisited.” Each has printed notes in the margins providing clarifications or revealing Carrión’s latest views on a subject. Fine copy. This book is now rather rare on the market. ⧠John Held Jr. ed. Mail Art: An Annotated Bibliography 1991 6–”Highly recommended.”. unknown books
1992réf. 321218New York: American Classics Library 1992. Facsimile. hardcover. fine. Some b/w illustrations. 2 volumes. Thick 8vos full gilt-decorated gray leather all edges gilt marble endpapers. New York: American Classics Library/Gryphon Editions. Fine. A facsimile of the first editions from 1885/86. American Classics Library unknown
1992réf. 321218New York: American Classics Library 1992. Facsimile. hardcover. fine. Some b/w illustrations. 2 volumes. Thick 8vos full gilt-decorated gray leather all edges gilt marble endpapers. New York: American Classics Library/Gryphon Editions. Fine. A facsimile of the first editions from 1885/86. American Classics Library unknown books
1915réf. 014965J. B. Lyon. First Printing. xii 371 pp. Bound in publisher's original deep green ribbed cloth with titles and design stamped in gilt on front and spine. The fourth volume in the celebrated series of horticultural monographs published under the auspices of the New York State Agricultural Experiment Station. The Cherries of New York offers a scientific study of cherry botany a history of cherry cultivation throughout the world and like its companion volumes a comprehensive beautifully illustrated survey of cherry varieties grown in the state. Slight shelf wear to cloth corners bumped; hinges cracked. . Very Good. Hardcover. 1st Edition. 1915. J. B. Lyon hardcover
1941réf. 014794The Citadel Press. Publisher's blind stamped blue cloth with black ands and silver gilt titles on front and spine. Slight sunning on spine and to top edge of cover. Scarce. . Near Fine. Hardcover. 1st Edition. 1941. The Citadel Press hardcover
1885réf. 98849Charles L. Webster 1885-01-01. Hardcover. Good. 9x5x1. 2 volume set 1885-1886 Webster volume one has tender binding and is missing the tissue guard for the frontis. Volume two intact. oversized and overweight. Please email for photos. Charles L. Webster hardcover
1883réf. 70569Paris: A. Quantin imprimeur-éditeur rue Saint-Benoît 1883. 16mo pp. 4 vi 220; 14 oval cul-de-lampe vignette engravings in the text by Méaulle printed in color after watercolors by Meyeré; text within chromolithograph border contemporary and likely original full blue morocco gilt rules on covers with fleurons in the corners and enclosing a central gilt lozenge gilt-decorated spine in 6 compartments gilt-lettered direct in 1; the whole lightly rubbed but overall very good clean and sound. Issued as no. 10 in the publisher's Petits Chefs-d'Oeuvre Antiques series. Mills College Check List 1874a. A. Quantin, imprimeur-éditeur, rue Saint-Benoît unknown
1883réf. 70569Paris: A. Quantin imprimeur-éditeur rue Saint-Benoît 1883. 16mo pp. 4 vi 220; 14 oval cul-de-lampe vignette engravings in the text by Méaulle printed in color after watercolors by Meyeré; text within chromolithograph border contemporary and likely original full blue morocco gilt rules on covers with fleurons in the corners and enclosing a central gilt lozenge gilt-decorated spine in 6 compartments gilt-lettered direct in 1; the whole lightly rubbed but overall very good clean and sound. Issued as no. 10 in the publisher's Petits Chefs-d'Oeuvre Antiques series. Mills College Check List 1874a. A. Quantin, imprimeur-éditeur, rue Saint-Benoît unknown books
réf. 986Saint-Maurice, 1971. En feuille 19,5x27 cm. EDITION ORIGINALE sur papier pur vélin à la cuve, présentée en cahiers de huit pages en portefeuille avec jaquette rempliée, coffret, et fourre toilée blanche aux armes de la ville de Saint-Maurice. Titre en lettres noires sur le dos. Une page de garde ôtée (probablement pour faire disparaître le nom d'un ancien propriétaire), sinon ouvrage en excellent état. Papier d'une grande fraîcheur. Peu courant.
2008réf. BN421255Ulisses Spiele 2008. 2008. Iron Kingdoms. Bd. 2. Kampagnenhandbuch Iron Kingdoms. Bd. 2. Kampagnenhandbuch Hrsg. Christopher Bodan . Autoren Rob Baxter . Dt. Übers. Ulisses Spiele mit Jörg Hübner und Judith Wallerius Ulisses Spiele unknown
réf. 105956Amsterdam, Time Based Arts, Bloemengracht 121, affiche 468x318mm, 1983, impression offset en violet et rouge, pliée en deux. Figure majeure de l'art conceptuel mexicain, Ulises Carrión (San Andrés Tuxtla, Mexique, 1941 – Amsterdam, Pays-Bas, 1989) fut artiste, éditeur, commissaire d'exposition et théoricien de l'avant-garde artistique internationale de l'après-1960.
2026réf. x-3032251516Springer Nature Switzerland Ag 2026. Hardcover. New. 369 pages. 6.14x0.88x9.21 inches. Springer Nature Switzerland Ag hardcover
2017réf. x-3319478761Springer 2017. Hardcover. New. 552 pages. 9.25x6.25x1.25 inches. Springer hardcover
1894réf. 481241894 MONTBELIARD, S.A. d'Imp. Montbéliardaise - 1894/9 & 1903 - Complet en 2 volumes, forts In-4 - Edition Originale - Reliure 1/2 basane - Dos à nerfs orné - Plats & Gardes marbrés -Texte imprimé sur 2 colonnes, 3384 colonnes, pagination continue - Ex-libris-cachet "Biblio-Dioc Laval" - Tirage limité à 2000 exemplaires - Bon exemplaire, Propre - RARE - Réf. 48124
2004réf. SONG2894645082Brand: Ulysses Travel Guide Phrasebooks 2004-01-01. 4. paperback. Used: Good. 5.25x1.25x8.25. Buy with confidence. Excellent Customer Service & Return policy. Brand: Ulysses Travel Guide Phrasebooks paperback
1998réf. SONG2894640862Brand: Ulysses Travel Guide Phrasebooks 1998-05-01. 2nd. paperback. Used: Good. 5.28x0.47x8.23. Buy with confidence. Excellent Customer Service & Return policy. Brand: Ulysses Travel Guide Phrasebooks paperback
réf. 4510ULYSSES S. GRANT 1822-1885. Grant was the Eighteenth President and the head of the Union Army during the Civil War. Manuscript. 3pg. 8 x 12 . No date circa 1888. No place likely New York. A lengthy manuscript entitled Grants Last Review of Veterans done by an unknown soldier. He wrote The final farewell which the representatives of the Army took other old chief for the scene so memorable and so touching that it will never be if faced from the memories of those who participated in it or of those who viewed it. It occurred on decoration day three years ago. On that day the old veterans rose earlier than was there want spent more time than usual in unfurling their old battle flags in burnishing their metals of honor which decorated their breasts. They seem for time to forget ever the pain of their old wounds for they had resolved on that day to March by the house of their dying commander give a final marching salute the knew that one year from that day there would be a new made grave to decorate one which their children's children down through all the years would keep decked with the choicest of flowers. Outside that house the street was filled with the sound of marching men and martial music. Inside that house the chief lay upon a bed of anguish the power of approaching death already beginning to His features for his disease with doing the work which even the enemies bullets had shrunk from. The hand which it sees the surrender sounds of countless thousands was scarcely able to return the pressure of a friendly grasp. The voice which had cheered on to triumph and victory the legions of American manhood was no longer able to call for the cooling draft which lacked the thirst of a fever tongue and prostrate upon that bed of suffering lay the form which is the New World had written at the head of concrete columns in the old world had marched through the palaces of crown heads with the descendants of a line of kings rising and standing uncovered before him. His ears caught the sound of the movement of marching men. The bands were playing the grand strains which had mingled with the echo of his guns at Vicksburg playing the same quick steps to which his men had stepped in hot haste in pressuring Lee through Virginia and there came the measured tread swinging past of trained men which seem to shake the earth. He understood it all then it was the approaching tread of the old veterans. He seized his crutch with his little remaining strength and dragged himself painfully and slowly to the window. And as he gazed upon those banners bullet ridden battle stained those kindled in his eyes the flame which had lit them at Chattanooga at the Wilderness and amid the glories of Appomattox. And as he gazed upon those banners dipping to him in the salute he once more drew himself into the position of a soldier. And as they saw him standing cheeks which had been bronzed by Southern suns and begrimed with powder were now bathed in the tears of a manly grief. And then they saw a rising hand which had so often pointed out to them the path of victory he raises slowly and feebly to his head in acknowledgment of their salutations. The last the column had passed. The hand fellto his side. It was his last military salute. In late May 1885 the Union veterans knowing that Grant was dying had a military parade outside his 66th Street home. The document has light staining and chipping; the two pages have some separation and the lower right corner of the third page is missing but it affects no text. A fine firsthand account of the love the troops had for their general. unknown
réf. 4510ULYSSES S. GRANT 1822-1885. Grant was the Eighteenth President and the head of the Union Army during the Civil War. Manuscript. 3pg. 8 x 12 . No date circa 1888. No place likely New York. A lengthy manuscript entitled Grants Last Review of Veterans done by an unknown soldier. He wrote The final farewell which the representatives of the Army took other old chief for the scene so memorable and so touching that it will never be if faced from the memories of those who participated in it or of those who viewed it. It occurred on decoration day three years ago. On that day the old veterans rose earlier than was there want spent more time than usual in unfurling their old battle flags in burnishing their metals of honor which decorated their breasts. They seem for time to forget ever the pain of their old wounds for they had resolved on that day to March by the house of their dying commander give a final marching salute the knew that one year from that day there would be a new made grave to decorate one which their children's children down through all the years would keep decked with the choicest of flowers. Outside that house the street was filled with the sound of marching men and martial music. Inside that house the chief lay upon a bed of anguish the power of approaching death already beginning to His features for his disease with doing the work which even the enemies bullets had shrunk from. The hand which it sees the surrender sounds of countless thousands was scarcely able to return the pressure of a friendly grasp. The voice which had cheered on to triumph and victory the legions of American manhood was no longer able to call for the cooling draft which lacked the thirst of a fever tongue and prostrate upon that bed of suffering lay the form which is the New World had written at the head of concrete columns in the old world had marched through the palaces of crown heads with the descendants of a line of kings rising and standing uncovered before him. His ears caught the sound of the movement of marching men. The bands were playing the grand strains which had mingled with the echo of his guns at Vicksburg playing the same quick steps to which his men had stepped in hot haste in pressuring Lee through Virginia and there came the measured tread swinging past of trained men which seem to shake the earth. He understood it all then it was the approaching tread of the old veterans. He seized his crutch with his little remaining strength and dragged himself painfully and slowly to the window. And as he gazed upon those banners bullet ridden battle stained those kindled in his eyes the flame which had lit them at Chattanooga at the Wilderness and amid the glories of Appomattox. And as he gazed upon those banners dipping to him in the salute he once more drew himself into the position of a soldier. And as they saw him standing cheeks which had been bronzed by Southern suns and begrimed with powder were now bathed in the tears of a manly grief. And then they saw a rising hand which had so often pointed out to them the path of victory he raises slowly and feebly to his head in acknowledgment of their salutations. The last the column had passed. The hand fellto his side. It was his last military salute. In late May 1885 the Union veterans knowing that Grant was dying had a military parade outside his 66th Street home. The document has light staining and chipping; the two pages have some separation and the lower right corner of the third page is missing but it affects no text. A fine firsthand account of the love the troops had for their general. unknown books
réf. 10479New York: The Dryden Press 1941. 8vo 8.25" x 5.75" blue cloth gilt spine and title. xvii 1082 pp. Ownership inscription in ink at front paste-down: "From the Library of T. Earl Pardoe." CONDITION: Very good front cover lightly scratched in two places minimal wear. First edition of this "one-thousand-eighty-two-page anthology that not only defined the field of African American literature as a legitimate academic discipline for the first time but by soberly assessing black authors 'without sentimental allowances' on an equal rather than separate basis 'served notice that the Negro author has come of age" Weinstein. Collects African American writers working across short stories novels poetry folk literature drama speeches biography and essays including works by Frederick Douglass Langston Hughes Chester Himes Charles W. Chesnutt Zora Neale Hurston Phillis Wheatley W. E. B. Du Bois Booker T. Washington Katherine Dunham and many others. The breadth of selection not only represents the range of Black writing but allows readers to "appreciate the evolution of black writing in style subject matter and theme in each genre not to mention having the sheer pleasure of reading works of which one had only heard or had never known existed" Lester. Most importantly this anthology presents a counternarrative to the dominant mode of Black representation-characterization by White persons and authors who "believed that "they knew blacks better than blacks knew themselves." As the editors state in their introduction this anthology claimed for African Americans "the responsibility of being the ultimate portrayers of their own." REFERENCES: Blockson 5948; Weinstein 249; Lester Julius. "Journey Through Black Literature: The Negro Caravan" The New York Times November 30 1969. New York: The Dryden Press, 1941 unknown
réf. 10479New York: The Dryden Press 1941. 8vo 8.25" x 5.75" blue cloth gilt spine and title. xvii 1082 pp. Ownership inscription in ink at front paste-down: "From the Library of T. Earl Pardoe." CONDITION: Very good front cover lightly scratched in two places minimal wear. First edition of this "one-thousand-eighty-two-page anthology that not only defined the field of African American literature as a legitimate academic discipline for the first time but by soberly assessing black authors 'without sentimental allowances' on an equal rather than separate basis 'served notice that the Negro author has come of age" Weinstein. Collects African American writers working across short stories novels poetry folk literature drama speeches biography and essays including works by Frederick Douglass Langston Hughes Chester Himes Charles W. Chesnutt Zora Neale Hurston Phillis Wheatley W. E. B. Du Bois Booker T. Washington Katherine Dunham and many others. The breadth of selection not only represents the range of Black writing but allows readers to "appreciate the evolution of black writing in style subject matter and theme in each genre not to mention having the sheer pleasure of reading works of which one had only heard or had never known existed" Lester. Most importantly this anthology presents a counternarrative to the dominant mode of Black representation-characterization by White persons and authors who "believed that "they knew blacks better than blacks knew themselves." As the editors state in their introduction this anthology claimed for African Americans "the responsibility of being the ultimate portrayers of their own." REFERENCES: Blockson 5948; Weinstein 249; Lester Julius. "Journey Through Black Literature: The Negro Caravan" The New York Times November 30 1969. New York: The Dryden Press, 1941 unknown books
1895réf. 14412New York: The Century Co 1895. Second Edition. Hardcover. Very good. Octavo 2 volumes illustrated. A very good set bound in publisher's contemporary 3/4 brown morocco and marbled boards. Mild general wear to the board extremities spine gilt dulled the inner hinges tender but holding and the contens fresh and clean. Civil War-themed bookplate to the verso of the front flyleaf in each volume. The second edition of Grant's memoirs published a decade after the first with marginal citations referencing either official US Government records or other books or publications which shed more light on the various statements made by Grant in his narrative. Also expanded with more illustrations. This second edition of the most popular presidential memoir was edited and overseen by Grant's son Frederick. Though the first edition so storied for its dramatic publication history is naturally more sought after this edition--less common in the trade--is probably superior for its enhanced scholarship. The binding is definitiely contemporary and is not signed and looks similar to other examples of this set which we have seen. As such we presume it to be the publisher's deluxe binding. The Century Co hardcover
1885réf. 2349284New York: Charles L. Webster & Company 1885. First Edition. Hard Cover. Good/Very Good. 9x5x1. First edition of first volume 1892 reprint of second volume. Boards of second volume stained and discolored front hinge of first volume just beginning to weaken. Text clean and unmarked. 1885 Hard Cover. 584; 647 pp. 8vo. Original green cloth with gilt titles and rules. Engravings and maps throughout text as well as fold-out facsimiles of the original terms of Lee's surrender which Grant wrote himself and of General Buckner's dispatch regarding terms of capitulation with Grant's reply and Buckner's response surrendering Fort Donelson. The famous memoirs of the leader of the Union army during the American Civil War including accounts of his boyhood and early career during the Mexican War. Mark Twain can be partially credited for the release of Grant's memoirs: Grant's health was ailing he soon died of cancer and Twain encouraged Grant to write them as a way to provide for his family after his death. The books were barely completed before Grant passed away and were published posthumously. Charles L. Webster & Company hardcover
1885réf. 2340247New York: Charles L. Webster & Company 1885. First Edition. Hard Cover. Good/No Jacket. 9x5x1. First edition. Hinges loosening boards rubbed with a couple tears to spine corners of second volume a few smudges on spine and front board of first volume ink name and date on front endpaper of each volume. Text clean and unmarked. 1885 Hard Cover. 584; 647 pp. 8vo. Original green cloth with gilt titles and rules. Engravings and maps throughout text as well as fold-out facsimiles of the original terms of Lee's surrender which Grant wrote himself and of General Buckner's dispatch regarding terms of capitulation with Grant's reply and Buckner's response surrendering Fort Donelson. The famous memoirs of the leader of the Union army during the American Civil War including accounts of his boyhood and early career during the Mexican War. Mark Twain can be partially credited for the release of Grant's memoirs: Grant's health was ailing he soon died of cancer and Twain encouraged Grant to write them as a way to provide for his family after his death. The books were barely completed before Grant passed away and were published posthumously. Charles L. Webster & Company hardcover
