3 036 résultats
réf. 7894Unpaginated. Square 4to 247 x 204 mm. printed covers with flaps as issued. Mexico City: Taller Ditoria 2007. First printed edition of Ulises Carrión's typewritten manuscript of the same name. Carrión 1941-89 added handwritten punctuation to this work but it was never realized during his lifetime. Entirely letterpress-printed this book is now scarce on the market. It was co-produced by Martha Hellión one of the founders of Beau Geste Press. Near fine. This is a beautifully designed book printed on several special papers from a numbered edition of 600. â§ Juan J. Agius & Ricardo Ocampo eds. Ulises Carrión: Books & More Catalogue Raisonné 2013 pp. 78-79 pictured. Guy Schraenen ed. Dear reader. Don't read. 2016 p. 84. unknown books
réf. lc_93888SLATKINE REPRINT (1 janvier 1977)
réf. 139078326X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1391755944.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 48654Paris, directeur: Michel Deguy. Editions Belin. Un volume 24x17cm broché de 128 pages. Bon état. Excellente revue de poésie et d’essais animée pendant 45 ans par Michel Deguy.
réf. 9788546904495-11-27775WMF MARTINS FONTES. New. WMF MARTINS FONTES unknown
2006réf. Q-1933032103Lectorum Publications 2006-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Lectorum Publications hardcover
réf. 8080Single A4 sheet printed on both sides illus. on recto. Amsterdam: 1982. Rare flyer for the lone film made by Ulises Carrión 1941-89. In the years after the closing of Other Books and So the artist focused much of his efforts on video works eventually founding Time Based Arts a gallery dedicated to supporting video artists. On the verso Carrión describes the film which was “originally produced for the International Media Meeting organized by the Agora Foundation in Maastricht from 19 to 25 April 1982.” “Ever since his participation in the activities of the In-Out Center Carrión along with other Amsterdam artists shared an increasing interest in the possibility of film and video to document their numerous ephemeral activities and to work with the question of time…Carrión found in the language of film a support for his questioning of narrative widening the possibilities beyond what was previously limited to literature…In his only film the record of a performance The Death of the Art Dealer 1982 Carrión transfers into performance and film the type of processes he had applied to the literary text. Holding a small television set showing a 1940s film by Max Ophuls Carrión moves to the right or left to the rhythm of the movements of the characters in the film. The soundtrack is that of the original film but the narrative itself is ignored. Instead what one observes is a fairly unnoticed and typically forgettable structural aspect. In a way Carrión’s movements are like the parentheses and punctuation marks that he had previously used to strikethrough text in his pieces on certain literary works.”–Joao Fernandes “Art as Subversion: Make and Remake to Make Anew” in Dear reader. Don’t read. p. 45. Pristine copy. â§ Guy Schraenen ed. Dear reader. Don’t read. 2016 pp. 128 130-31 pictured. unknown books
réf. 8080Single A4 sheet printed on both sides illus. on recto. Amsterdam: 1982. Rare flyer for the lone film made by Ulises Carrión 1941-89. In the years after the closing of Other Books and So the artist focused much of his efforts on video works eventually founding Time Based Arts a gallery dedicated to supporting video artists. On the verso Carrión describes the film which was “originally produced for the International Media Meeting organized by the Agora Foundation in Maastricht from 19 to 25 April 1982.” “Ever since his participation in the activities of the In-Out Center Carrión along with other Amsterdam artists shared an increasing interest in the possibility of film and video to document their numerous ephemeral activities and to work with the question of time…Carrión found in the language of film a support for his questioning of narrative widening the possibilities beyond what was previously limited to literature…In his only film the record of a performance The Death of the Art Dealer 1982 Carrión transfers into performance and film the type of processes he had applied to the literary text. Holding a small television set showing a 1940s film by Max Ophuls Carrión moves to the right or left to the rhythm of the movements of the characters in the film. The soundtrack is that of the original film but the narrative itself is ignored. Instead what one observes is a fairly unnoticed and typically forgettable structural aspect. In a way Carrión’s movements are like the parentheses and punctuation marks that he had previously used to strikethrough text in his pieces on certain literary works.”–Joao Fernandes “Art as Subversion: Make and Remake to Make Anew” in Dear reader. Don’t read. p. 45. Pristine copy. â§ Guy Schraenen ed. Dear reader. Don’t read. 2016 pp. 128 130-31 pictured. unknown
réf. 71865Paris, Librairie Plon 1902, 240x155mm, IV- 482pages, broché. Couverture moderne, sur laquelle ont a collé la couverture d’origine sur le plat supérieur.
réf. 0543952495.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. FLFR0155Paris Plon-Nourrit 1902. gr.-8° IV 482 S. mit 5 Taf. OBrosch. unaufgeschnitt. verstaubt abgegriff. Datum auf Vorderdeckel eine Ecke geknickt. In Französisch. Paris, Plon-Nourrit 1902. unknown
réf. 0366610260.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0366610236.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1776réf. 28646Frankfurt a. M. 1776. Vorrede von Ulysses von Salis Handschriftliche saubere Bemerkungen alter Hand auf Vorsatzblatt Eichenberg 8°. Pbd. d. Zt. Raetica unknown
réf. 29884Lausanne, Bridel - Chantrens 1849, 175x100mm, 240pages, cartonnage de l'éditeur, déchirures au dos.
réf. 46599Lausanne, A. Delafontaine - J. Chantrens 1864, 170x105mm, 239pages, cartonnage de l'éditeur.
réf. 79752Lausanne - Neuchâtel, chez tous les Libraires 1875, 175x100mm, 240pages, cartonnage de l'éditeur.
1999réf. 2350141New York: The Modern Library 1999. Reissue. Trade Paperback. Near Fine. 6x1x9. Reissue. Minor blemish to top edge faint wrinkle to jacket from mylar applied too tightly now removed. 1999 Trade Paperback. xxx 702 pp. Edited by Caleb Carr with an introduction by Geoffrey Perret. The memoirs of Ulysses S. Grant are compelling and powerful. In this autobiography the former president of the United States guides us through his campaigns as a General during the Civil War. He gives insight in how strategic decisions are made but also shows the human and emotional side of war without losing his sense of humour. A great book of and by an extraordinary gentleman and leader. A must-read. The Modern Library paperback books
1886réf. 20527New York: Charles L. Webster & Co 1886. 1/2 leather. Very Good. The 1885 1st edition in the publisher's less common 1/2 deluxe brown morocco over chocolate-brown boards. Complete in 2 volumes the first published in 1885 the second and final volume published in 1886. Both volumes solid and very presentable with lightly-rubbed gilt-titling along the spines and bright gilt-medallions at the front panels. A bit of light wear to the outer hinges and mild scuffing at the panels. Internally all plates present and no writing or markings to speak of save for 2 blank preliminary pages in Vol. II with light crayon. Thick uniform octavos matching edges pastedowns and endsheets. THIS COPY ALSO INCLUDES SOME VERY INTERESTING EPHEMERA such as the original 1885 printed receipt for the purchase of the set and a well-executed late 19th century pencil sketch of the set's "erudite" first owner a woman named Matilda Ziegler. Opposite the sketch is an original pasted-on memorial card of Matilda produced by the family. Charles L. Webster & Co unknown books
1885réf. 50227New York: Charles L. Webster & Company 1885. Very Good. New York: Charles L. Webster & Company 1885 1886. First Edition in publisher's half morocco deluxe binding. Two large octavo volumes; original half pebbled morocco over dark brown boards gilt medallions to front and rear boards gilt decorations to spine all edges marbled marbled endpapers; 584pp. & 647pp. All maps illustrations and foldouts present including frontispieces with tissue guards. Boards moderately worn with some scuffing rubbing and brief exposure to extremities. Bindings sound; ownership inscription of Jas. James A. Remick in pencil to preliminaries with his private library bookplate mounted to top of preface page; blindstamp of H.G. Allen Pub. Co. of Grand Rapids Michigan to endpapers; overall a Very Good copy. Nevins notes: "Written frantically while in a race with death these recollections rank with the best of the Civil War Period" Nevins II-59. Charles L. Webster & Company unknown books
1885réf. 47293New York: Charles L. Webster & Company 1885. Very Good. New York: Charles L. Webster & Company 1885 1886. First Edition. Two large octavo volumes; rebound in modern full brown morocco with leather labels and raised bands to spine; all edges marbled new marbled endpapers; 584pp. & 647pp. All maps illustrations and foldouts present including frontispieces with tissue guards. Mild shelfwear to boards; bindings sound; chipping to endpapers along margins with professional repair; light staining and toning; overall a Very Good and sound set in full leather. Nevins notes: "Written frantically while in a race with death these recollections rank with the best of the Civil War Period" Nevins II-59. Charles L. Webster & Company unknown books
1990réf. 350676New York: Literary Classics of the United States 1990. 1191p. & 1136p. hardcover reprints bound in blue cloth boards and gilt with unclipped dust jackets and slipcase in very good condition. Library of America #50 & 51. Literary Classics of the United States unknown books
1885réf. 2349284New York: Charles L. Webster & Company 1885. First Edition. Hard Cover. Good/Very Good. 9x5x1. First edition of first volume 1892 reprint of second volume. Boards of second volume stained and discolored front hinge of first volume just beginning to weaken. Text clean and unmarked. 1885 Hard Cover. 584; 647 pp. 8vo. Original green cloth with gilt titles and rules. Engravings and maps throughout text as well as fold-out facsimiles of the original terms of Lee's surrender which Grant wrote himself and of General Buckner's dispatch regarding terms of capitulation with Grant's reply and Buckner's response surrendering Fort Donelson. The famous memoirs of the leader of the Union army during the American Civil War including accounts of his boyhood and early career during the Mexican War. Mark Twain can be partially credited for the release of Grant's memoirs: Grant's health was ailing he soon died of cancer and Twain encouraged Grant to write them as a way to provide for his family after his death. The books were barely completed before Grant passed away and were published posthumously. Charles L. Webster & Company hardcover books
1885réf. 2340247New York: Charles L. Webster & Company 1885. First Edition. Hard Cover. Good/No Jacket. 9x5x1. First edition. Hinges loosening boards rubbed with a couple tears to spine corners of second volume a few smudges on spine and front board of first volume ink name and date on front endpaper of each volume. Text clean and unmarked. 1885 Hard Cover. 584; 647 pp. 8vo. Original green cloth with gilt titles and rules. Engravings and maps throughout text as well as fold-out facsimiles of the original terms of Lee's surrender which Grant wrote himself and of General Buckner's dispatch regarding terms of capitulation with Grant's reply and Buckner's response surrendering Fort Donelson. The famous memoirs of the leader of the Union army during the American Civil War including accounts of his boyhood and early career during the Mexican War. Mark Twain can be partially credited for the release of Grant's memoirs: Grant's health was ailing he soon died of cancer and Twain encouraged Grant to write them as a way to provide for his family after his death. The books were barely completed before Grant passed away and were published posthumously. Charles L. Webster & Company hardcover books