821 results
1713ref. 42311Paris (Hollande), Pierre le Grand, 1713. In-12 de (4)-222-(2) pp. (1 f.n.ch. de titre relié entre les pages 104 et 105), frontispice gravé, veau blond glacé, dos orné à nerfs, pièces de titre en maroquin rouge et vert, triple filet doré d'encadrement sur les plats, tranches dorées (Petit-Simier).
1806ref. 21439Lyon, Garnier, Reymann (Imprimerie de Ballanche père et fils), 1806 ; in-8, demi-veau et petits coins de parchemin, dos à nerfs décoré de filets dorés, pièce de titre rouge, tranches jaspées (reliure de l’époque) ; XVI, 341, [3] pp.
1510ref. 10154Coupé à la marque du cuivre . La marque Ant. Sal. Exc. a été effacée. Réparations anciennes visibles au verso. Bartsch XIV, 245. Une des plus belles et célèbres estampes du Maître. Beau papier vergé ancien moyen 1510-1520 29,5 x 43,5 cm
1553ref. 14197In Vinigia (Venice), Comin da Trino, 1553. 4to. Bound in full calf, Cambridge-binding from ab. 1750, raised bands. Top and foot of spine frayed. Back a little worn. Front board detached. Engraved coat of arms of Thomas Foley on verso of title pasted in. Title in ornamented wood-cut-frame. (26) pp. and 244 leaves. Fine wood-cut-initial. One full-page woodcut-illustration (Justitia). A few lvs. very slightly browned, otherwise fine and clean.
1553ref. 14197In Vinigia Venice Comin da Trino 1553. 4to. Bound in full calf Cambridge-binding from ab. 1750 raised bands. Top and foot of spine frayed. Back a little worn. Front board detached. Engraved coat of arms of Thomas Foley on verso of title pasted in. Title in ornamented wood-cut-frame. 26 pp. and 244 leaves. Fine wood-cut-initial. One full-page woodcut-illustration Justitia. A few lvs. very slightly browned otherwise fine and clean. One of the first Italian translations of this principal historical work which first appeared in Latin 1487. Graesse VI: p.202. Brunet V:p.6. hardcover
1573ref. 70326Lugduni: apud Guliel. Rovillium sub scuto veneto 1573. 8vo pp. 271 1 22; collating: A-T8 V8 -V7-V8 both blanks; printer's woodcut device on title page woodcut ornaments and initials; neat ink annotations in a later early 20th century hand; contemporary full parchment manuscript titling on spine; text a bit toned binding a little soiled else a very good sound and clean copy. Ownership signature of F. G. Rendall Cambridge 1910 - quite likely Francis Geoffrey Rendall one time keeper of Printed Books at the British Museum and the author of a history of the clarinet. Adams H-920; not in Mills College Check List or Riedel-Horatiana. Four in OCLC all in Europe. apud Guliel. Rovillium sub scuto veneto unknown
1573ref. 70326Lugduni: apud Guliel. Rovillium sub scuto veneto 1573. 8vo pp. 271 1 22; collating: A-T8 V8 -V7-V8 both blanks; printer's woodcut device on title page woodcut ornaments and initials; neat ink annotations in a later early 20th century hand; contemporary full parchment manuscript titling on spine; text a bit toned binding a little soiled else a very good sound and clean copy. Ownership signature of F. G. Rendall Cambridge 1910 - quite likely Francis Geoffrey Rendall one time keeper of Printed Books at the British Museum and the author of a history of the clarinet. Adams H-920; not in Mills College Check List or Riedel-Horatiana. Four in OCLC all in Europe. apud Guliel. Rovillium sub scuto veneto unknown books
1987ref. BN448921Editions du CNRS 1987. 1987. Médée Médée Marc-Antoine Charpentier Editions du CNRS unknown
1760ref. 340901760 Paris - Paris - La Compagnie des Libraires - 1742 - 4 volume in8 de 355; 501; 411; 432 pages - Reliures plein veau blond d'époque - coins un peu émoussés - toutes tranches dorées - Dos cinq nerfs - Mors un peu frottés - Triple filet doré d'encadrement et Chiffre couronné sur les plats - Taille de premier volume légérement inférieure à celle des autres -
ref. 2101438Venice: Domenico Venturati. 1613. 4to. Contemporary vellum spine lettered and ruled in gilt; pp. viii 152 8 pagination including engraved title-page and 5 full-page engraved illustrations by Giacomo Lauro after P. Gaia woodcut initials and tailpieces; binding minimally spotted; occasional light foxing but generally a very good copy.First edition very rare of this late Renaissance Italian pastoral drama set in Greek antiquity on the island of Crete and illustrated with five full-page engravings by Giacomo Lauro 1561-after 1635.Mirinda was first performed in Parma in 1612. Its author Count Marco Antonio Ferretti 1589-1629 of Ancona was a member of the Parma Accademia degli Innominati where he was known by the name Rugginoso ""the Rusty One"". Ferretti also published a collection of madrigals the play Nenia and the long poem Gli horti del sole 1621 dedicated to Federico Prince of Urbino.The volume is dedicated to Giulia Orsini second wife of Lotario Conti Duke of Poli d. 1635 whose engraved coat of arms appears on the title-page.In some copies the engraved title is undated and lacks the imprint year ""1613"".Very rare outside Italy: Library Hub shows Trinity College Cambridge only. hardcover
1667ref. 222108Venetiis : apud Guerilios 1667. First Edition. Hardback. Very good copy bound in late 19th-century vellum-backed modern boards. Some black surface stains on the spine cover. Minor dulling to ther spine and panel edges. New endpapers. Lacking original prelims. before title page. Previous owners signature and inscription to title page. Light foxing to title page - scattered elsewhere. Pages reasonably clean considering the age of the title with age-toning also evident. Remains quite well-preserved overall. Further scans images etc. and additional bibliographical material available on request.; 8vo 8"" - 9"" tall; 92 pages; Description: 392p. 43 p. ; 4o 22 cm. Publisher's device to title page. Text in double columns. Includes index. Subjects: Archbishops - Religion - Christianity - Canon Law - Italy - Naples - Works from the 17th century - Early works to 1800. Language: Latin. Venetiis : apud Guerilios hardcover
1786ref. 378066France 1786. 6pp plus integral blank. Folio. Modern boards. Provenance: Jay Snider booklabel. 6pp plus integral blank. Folio. An unpublished manuscript ode on the wonders of electricity written in 20 stanzas of decasyllabic 10-line units dizains. The author Marc-Antoine Lazare Malot was a lawyer and the King's prosecutor at Avallon in Burgundy and submitted this poem to l'Académie de Marseille on August 25 1786 for which he received a prize. The thirteenth stanza contains lines on Benjamin Franklin: Le Modeste Franklin s'arme contre l'orage Et va chercher la foudre en ses plus noirs foyers ; Il lui prescrit sa route ; et du sein du nuage Sans bruit la fait descendre et mourir à ses pieds. De cette même main qui termina la guerre Qui de la liberté dans un autre hémisphère Sur rappeller défendre et raffermir les droits Il impose silence au maître du tonnerre Il désarme les dieux du ciel et de la terre L'inclémence des airs la vengeance des rois. Roughly translated: The modest Franklin arms himself against the storm And goes to seek the lightning in its darkest lairs; He prescribes its path; and from the heart of the cloud Silently makes it descend and die at his feet. With that same hand that ended the war That in another hemisphere recalled defended And reasserted the rights of liberty He silences the master of the thunder He disarms the gods of sky and earth The inclemency of the skies the vengeance of kings. unknown
1786ref. 378066France 1786. 6pp plus integral blank. Folio. Modern boards. Provenance: Jay Snider booklabel. 6pp plus integral blank. Folio. An unpublished manuscript ode on the wonders of electricity written in 20 stanzas of decasyllabic 10-line units dizains. The author Marc-Antoine Lazare Malot was a lawyer and the King's prosecutor at Avallon in Burgundy and submitted this poem to l'Académie de Marseille on August 25 1786 for which he received a prize. The thirteenth stanza contains lines on Benjamin Franklin: Le Modeste Franklin s'arme contre l'orage Et va chercher la foudre en ses plus noirs foyers ; Il lui prescrit sa route ; et du sein du nuage Sans bruit la fait descendre et mourir à ses pieds. De cette même main qui termina la guerre Qui de la liberté dans un autre hémisphère Sur rappeller défendre et raffermir les droits Il impose silence au maître du tonnerre Il désarme les dieux du ciel et de la terre L'inclémence des airs la vengeance des rois. Roughly translated: The modest Franklin arms himself against the storm And goes to seek the lightning in its darkest lairs; He prescribes its path; and from the heart of the cloud Silently makes it descend and die at his feet. With that same hand that ended the war That in another hemisphere recalled defended And reasserted the rights of liberty He silences the master of the thunder He disarms the gods of sky and earth The inclemency of the skies the vengeance of kings. unknown books
1571ref. V69222Venice ITALY: Matthew Boselli 1st first edition 1571. Hardcover. Good. Woodcuts inc. small map of Constantinople 57 with repeats printer's mark of bull riden by Roman soldier 3 historiated large capitals Penelope weaving Sampson's hair being cut maid chased by soldier. . Quarto 21.5x15.5cm neatly rebound in newer vellum 49212 leaves titlepage remargined to top corner no loss of text and only about 1cm loss to corner paper lower corner with similar loss not repaired. Faint oval ownership stamp corner loss to 1st few leaves nowhere near text minor edge browning/foxing & some irregular page tanning becoming stronger towards end with last 4 leaves of index browned and with some marginal erosion only last leaf has some loss to page numbers and a few initial letters neatly repaired. A curious work with much occult & apocalyptic content see M. Reeves The influence of prophecy in the later Middle Ages Oxford Clarendon Press 1969 passim. The woodcuts show mythical beasts with multiple heads bears eating kings Babylonian whore riding a multiheaded beast etc with symbolic lettering & other cryptic messages. Brunet III 1190 calls this "A unique work rare and almost unknown. Following Esra and other Biblical prophets the author warns of the coming invasion of the Turks into all the countries of Europe." Lovisino seeks to ridcule Islam depicting a beast with the body of the Prophet. This first and probably only edition was published in the same year as the Ottoman defeat at Lepanto which heralded a decline in successful Ottoman conquests in Europe Referenced by Adams L1539. Matthew Boselli 1st first edition hardcover
2015ref. 124447Peter Lang AG Internationaler Verlag der Wissenschaften. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened – with a bonus offer--; English and German Edition . 2015. 3034316259 . Peter Lang AG, Internationaler Verlag der Wissenschaften hardcover
2020ref. 131081De Gruyter. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened. – From the publisher: "This volume explores the tremendous influence of Plato’s Phaedrus on the philosophical religious scientific and literary discussions in the West. Ranging from Plato’s first readers over the Church Fathers and the Platonic commentators to Byzantine and Renaissance thinkers the papers collected here introduce the reader to the first two millennia of the dialogue’s reception history. Thirteen contributions by both junior and established scholars study the engagement with the Phaedrus by such major figures as Aristotle Galen Origen Clemens of Alexandria Plotinus Augustine Proclus Psellus Ficino Erasmus and many others. Together they cover the wide range of topics discussed in the dialogue: the value of myth and allegory religion and theology love and beauty the soul and its immortality teaching and learning metaphysics and epistemology rhetoric and dialectic as well as the role and the limits of writing. By placing the dialogue in this broad perspective the volume will appeal to readers interested in the Phaedrus itself as well as to classicists literary theorists and historians of philosophy science and religion concerned with the dialogue’s reception history and its main protagonists. "---with a bonus offer--; Beiträge Zur Altertumskunde 384; 5.9 X 0.9 X 9.1 inches; 292 pages . 2020. 3110683636 . De Gruyter hardcover
ref. 5422XVIè siècle. Burin. 19,5 x 23,5. L’ensemble est présenté sous chemise de papier ancien. Suite de 32 pièces d’après Raphaël. Ces estampes sont numérotées de 1 à 32. Le n° de chaque estampe est gravé 2 fois à la gauche et en-bas. Cette suite a été gravée par le Maître au dé qui cependant n’a mis sa marque que sur 2 estampes (les numéros 6 et 9). trois seules sont gravées par Augustin Vénitien et marquées de ses lettres A.V. (4-7-13). Épreuves du 2è état sur 2 avec la marque Ant. Sal. exc. Bartsch T. XV, p. 211 Notre série, très rare, est incomplète de 2 estampes : 9 et 32. L’ensemble est présenté sous chemise de papier ancien. Très bon XVIè siècle 19,5 x 23,5
1982ref. 91151Picard Editeur; Et Al. New. 1982. Hardcover. 2708400843 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French and English. 424 pages. Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Life and Work Raisonnee Picard Editeur; Et Al hardcover
1554ref. L259QBH889VLVenice: Paulus Manutius 1554. Gold-tooled mottled calf ca. 1700 sewn on 5 supports vellum tapes each board with a frame made with a 2 mm roll the spine with a gold-tooled red morocco label in the 2nd of 6 compartments but otherwise decorated as a single field filled with a 7 mm roll of diagonal lines the bands on the spine are nearly flat gold-tooled board edges headbands in brown and beige dark brown ribbon marker marbled endpapers Dutch pattern curled close to Wolfe 12 red edges. Small 8vo 15.5 x 10 cm. With Alduss woodcut anchor and dolphin device on the title-page repeated on the verso of the otherwise blank final leaf and spaces with guide letters left for 2 5-line and about 60 3-line manuscript initials not filled in. Set in an Aldine italic with upright capitals with occasional words mostly names in roman and frequent passages in Greek. First edition to include Muret's important and influential commentaries of the poems of the passionate if self-centred Roman poet Catullus 84-ca. 54 BCE often given the collective title Carmina. Both the poems and the commentaries appear here in the original Latin. Poems 18 and 19 are addressed to the fertility god Pirapus best known for his enormous perpetual erection and poem 20 is also a Priapeia. Many are addressed to "Lesbia" whom Catullus passionately loved. He gave her this pseudonym in allusion to the Greek love poems of Sappho from the Island of Lesbos which influenced him strongly. She is generally identified as Clodia the wife of a Roman nobleman. Catullus was one of her several lovers and he names and rails against some of the others. While Catullus's greatest passions were heterosexual poems 48 50 and 99 express romantic and sexual interests in men. In his poems he is quick to attack others both politically and personally and after he fell out with two male friends he wrote poem 16 threatening to sexually abuse them.The French humanist Marc-Antoine Muret 1526-1585 recognised as a brilliant scholar in his teens taught at Paris from 1551 when he published his first book there. Accused of being a Huguenot and a homosexual he had to flee Paris in late 1553 but Adus Manutius's son Paulus who had taken charge of the family's Venice printing office offered him shelter. The present book was Muret's first publication in Venice.With minor damage to the lower outside corner of the first few leaves not approaching the text but still in very good condition. The hinges are slightly worn and the spine label has a small chip but the binding is otherwise also very good.l Adams C1145; EDIT 16 10364; Gay & Lemonnyer I col. 498; Renouard 162; Marilyn Skinner Companion to Catullus passim; USTC 821188. Paulus Manutius, hardcover
1712ref. 17086Benevento: Typographia Archiepiscopali 1712. Contemporary limp vellum with the manuscript title on the spine blue marbled edges. 4to. With the title in a double-line frame built up from short rules a woodcut tailpiece a factotum plus one repeat with a different letter and a factotum and other decorations built up of typographical ornaments. First and only edition of a very rare essay on the philosophical and scientific theses of René Descartes 1596-1650 by Marco Antonio Sancti dates unknown from Siena who lived in Benevento at the time. After the half-title and title-page follow the authors dedication to Cardinal Vincentio Maria Ursino archbishop of Benevento Ad lectorem two imprimaturs dated 1 & 4 February 1712 respectively and the Praeambula. The text is divided into two parts but they share a single series of page numbers 1-63 with a drop-title for the second part on F2 p. 43 so they were never issued separately. The work ends with indices and errata.The vellum is somewhat stained. Some of the leaves are somewhat water stained mostly in the margins. Otherwise in good condition.l WorldCat 27076303 458924247 4 copies. Typographia Archiepiscopali, hardcover
1555ref. 000865Dégagnac France Lot. Very Good. 1555. On offer is a fascinating handwritten medieval French manuscript book earliest date 1555 with entries through 1597 in original blindstamped calf with small Fleur-de-lis. This stunning book has approximately 300 pages of handwritten entries being a register of acts properties transactions loans personal notes and journal entries the majority concerning Marc-Antoine Hébrart a noted merchant in the village of Dégagnac in Lot in south-western France. Most certainly Jewish it is evident that the Hebrart family was one of the largest land-holding families in the area. "In 1504 and 1505 the two "headmen" of the village Antoine Hebrart and Pierre Peysson together accounted for 15 percent of the land of the village" Ref: By Le Roy Emmanuel and Ladurie John Day The Peasants of Languedoc . A pencil annotation indicates that Marc Hébrard was of Jewish origin. A fairly cursory examination of the manuscript lends no additional support to this assertion but it is possible given the history of the Jews of neighboring Languedoc and the fact that some Jews remained in France under Christian-like assumed names after their expulsion in 1306. The generic 'Marc-Antoine' is cited as a Jewish name in Sara Uckelman's "Jewish Given Names Found in "Les Noms Des Israélites en France." Handsome blindstamped 16th century calf legible bâtarde script some old and minor restoration but otherwise VG.; French; 4to - over 9¾" - 12" tall; KEYWORDS: HISTORY OF FRANCE MERCHANT TRADE COMMERCE ECONOMICS JUDAICA JUDAISM FRENCH REAL ESTATE MANUSCRIPT HANDWRITTEN HAND WRITTEN JOURNAL LEDGER MEMOIR PERSONAL LOG HOLOGRAPH AUTOGRAPH DIARY DIARIES ANCIENT ANTIQUE MEDIEVEL RENAISSANCE antiquité contrat vélin document manuscrit papier Antike Brief Pergament Dokument Manuskript Papier oggetto d'antiquariato atto velina documento manoscritto carta antigüedad hecho vitela documento manuscrito papel. . unknown
