William G CrookBiblio.com
1 325 résultats
1992réf. 1-0933478208New Leaf Distribution Company 1992. Paperback. New. 9.25x7.50x1.00 inches. New Leaf Distribution Company paperback
1998réf. AME_9780582289789Longman 1998. 1. Soft Cover. New/New. _ Longman paperback
réf. A9780199739417Hardback. New. hardcover
réf. B9781538101377Hardback. New. Taipei is a gourmet's destination where people buy fresh produce almost every morning of the year; where weddings are celebrated with streetside banquets; and where baristas craft cups of world-class coffee. Crook and Hung invite readers to learn more about the city's fascinating foodways and the diverse culture behind them. hardcover
1998réf. USD_9780130951311PrenticHall 1998. 3rd. Paperback. Used - Like New/Used - Like New. _ PrenticHall paperback
1983réf. 310793New York: Bluejay Books 1983. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Light bumping on spine heel. Light foxing on text block edges.; 402 pages. Bluejay Books hardcover
réf. A9781138309159Hardback. New. hardcover
réf. B9780691601175Paperback / softback. New. After the Mass Ordinary the Magnificat was the liturgical text most frequently set by Renaissance composers and Orlando di Lasso's 101 polyphonic settings form the largest and most varied repertory of Magnificats in the history of European music. In the first detailed investigation of this repertory David Crook focuses on the forty parody or imitation Magnificats which Lasso based on motets madrigals and chansons written by such composers as Josquin and Rore. By examining these Magnificats in their social historical and liturgical contexts and in terms of composition theory Crook opens a new window on the breadth and subtlety of an important composer often harshly judged on his use of preexistent music. Crook places Lasso amidst the Counter-Reformation reforms at the Bavarian court where he composed the Magnificats and where there emerged a fanatical Marian cult that favored this genre. In a section on compositional procedure Crook explains that Lasso abandoned the traditional eight psalm-tone melodies in his imitation Magnificats considers the new ways he found to represent the tones and describes how Lasso's experimentation reflected the complex relationship between mode and tone in Renaissance theory and practice. Arguing that Lasso's varied uses of preexistent music defy current definitions of parody technique Crook in his final chapter reveals the imitation Magnificats as vastly more imaginative and innovative than previous characterizations suggest. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. paperback
réf. A9780415216036Paperback / softback. New. Radio Drama brings together the practical skills needed for radio drama such as directing writing and sound design with media history and communication theory. paperback
réf. B9781906055172Hardback. New. hardcover
2016réf. 2-1138814032Routledge 2016. Paperback. New. 146 pages. 7.00x9.75x0.25 inches. Routledge paperback
réf. A9781442252776Paperback / softback. New. paperback
réf. B9780419195405Paperback / softback. New. The third book in this series is written by a team of interdisciplinary teachers and professionals led by Mike Waterhouse and Geoff Crook is aimed at students and professionals in the built environment who wish to develop their management and paperback
réf. B9781274884671Paperback / softback. New. paperback
réf. B9781274892799Paperback / softback. New. paperback
réf. B9781274884565Paperback / softback. New. paperback
réf. 0786918829.Gmass_market. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
2008réf. AME_9780572034511Foulsham 2008. 1st. Paperback. New/New. _ Foulsham paperback
1998réf. AME_9780130951311PrenticHall 1998. 3rd. Paperback. New/New. _ PrenticHall paperback
1994réf. AME_9780415105675Routledge 1994. 1st. Library Binding. New/New. _ Routledge unknown
réf. 66354London John Murray 1972. Gr.8° 204 S. 250 selten farb. Abb. a. Taf. OLwd. Rücken min. beschienen feine An- und Unterstreichungen in Bleistift. Erstausgabe. 010 London, John Murray, 1972 unknown
1988réf. 62067Morristown NJ: Silver Burdett & Ginn 1988. First Edition; First Printing. Hardcover. Very Good in boards.; 9.90 X 8.20 X 0.70 inches. Silver, Burdett & Ginn hardcover
réf. 6490098Walter de Gruyter Incorporated . Hardback. New. pp. xv 310 Walter de Gruyter, Incorporated hardcover
1981réf. 958New York NY: Summit Books. 8vo - 8" to 9" tall; 383 pages; Gift inscription SIGNED BY AUTHOR DJ lightly rubbed at edges one very tiny tear. Book solid small bump at bottom edge of the front board. . Very Good in Very Good Dust Jacket. First Edtion; 1st Printing. Hardcover. 0671447769 . 1981. Summit Books hardcover
1969réf. G0688027296I5N10William Morrow and Company Inc. 1969. Hardcover. Acceptable. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. William Morrow and Company, Inc. hardcover
