Crook, David 1957-Biblio.com
1 325 résultats
1994réf. 394337Princeton New Jersey : Princeton University Press 1994. First Edition. Hardcover. Fine cloth copy in a near-fine very slightly edge-dulled dust wrapper. Remains particularly well-preserved overall; tight bright clean and strong. Physical description; 295 pages : music. Notes; Revision of the author's thesis Ph.D.--University of Princeton 1991. Includes bibliographical references pages 211-295 and index. Contents; Frontmatter -- Contents -- Acknowledgments -- Abbreviations -- Pitch Clef and Chord Designations -- Chapter 1. Introduction: Orlando di Lasso and the Polyphonic Magnificat -- Chapter 2. Sixteenth-Century Vespers Polyphony for the Bavarian Court the Use of Freising and the Tridentine Reforms -- Chapter 3. The Patrona Bavarian: Music and the Counter-Reformation in Bavaria -- Chapter 4. The Representation of Psalm-Tone Categories in Imitation Magnificats -- Chapter 5. The Intertextuality of Lasso's Imitation Magnificats -- Appendix 1: The Magnificat Set to Lasso's Canticle Tone No. 2 -- Appendix 2: Catalog of Lasso Magnificats with First Publications and Approximate Dates of Composition -- Appendix 3: Instructions for the Elevation of the Image of the Risen Christ after None on Ascension -- Appendix 4: Correspondences between Lasso's Imitation Magnificats and Their Model Compositions -- Works Cited -- Index. Subjects; Lasso Orlando di 1532-1594. Magnificats. Magnificat Music History and criticism. Church music Germany Munich 16th century. MUSIC History & Criticism. MUSIC Instruction & Study Voice. Princeton, New Jersey : Princeton University Press hardcover
1994réf. 002964Princeton University Press 1994. first printing. Hardcover. Fine/fine. Black cloth 295 pages 9.5-in tall bibliography and index. Fine in a fine dust jacket. Princeton University Press hardcover
1994réf. 083204Princeton NJ: Princeton University Press 1994. First Edition 1st Printing. Hardcover. Good to Very Good/Very Good Dust Jacket. 8vo - over 7¾" - 9¾" tall. 295 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Very good dust jacket. NOTE: Foxing top fore-edge. First Edition / First Printing. 24681097531. Princeton University Press hardcover
réf. DADAX0691601178Princeton University Press 2014-07-14. paperback. New. 5.88x0.71x9.38. Buy with confidence. Excellent Customer Service & Return policy. Princeton University Press paperback
réf. 0691601178.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2014réf. x-0691601178Princeton University Press 2014. Paperback. New. 312 pages. 9.21x6.14x0.73 inches. Princeton University Press paperback
1994réf. SONG0691036144Princeton University Press 1994-07-05. First Edition. hardcover. Used: Good. 6.50x1.00x9.75. Buy with confidence. Excellent Customer Service & Return policy. Princeton University Press hardcover
réf. ria9780691601175_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; After the Mass Ordinary the Magnificat was the liturgical text most frequently set by Renaissance composers and Orlando di Lasso's 101 polyphonic settings form the largest and most varied repertory of Magnificats in the history of Eur paperback
réf. ria9780691630939_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; After the Mass Ordinary the Magnificat was the liturgical text most frequently set by Renaissance composers and Orlando di Lasso's 101 polyphonic settings form the largest and most varied repertory of Magnificats in the history of Eur hardcover
réf. B9780691601175Paperback / softback. New. After the Mass Ordinary the Magnificat was the liturgical text most frequently set by Renaissance composers and Orlando di Lasso's 101 polyphonic settings form the largest and most varied repertory of Magnificats in the history of European music. In the first detailed investigation of this repertory David Crook focuses on the forty parody or imitation Magnificats which Lasso based on motets madrigals and chansons written by such composers as Josquin and Rore. By examining these Magnificats in their social historical and liturgical contexts and in terms of composition theory Crook opens a new window on the breadth and subtlety of an important composer often harshly judged on his use of preexistent music. Crook places Lasso amidst the Counter-Reformation reforms at the Bavarian court where he composed the Magnificats and where there emerged a fanatical Marian cult that favored this genre. In a section on compositional procedure Crook explains that Lasso abandoned the traditional eight psalm-tone melodies in his imitation Magnificats considers the new ways he found to represent the tones and describes how Lasso's experimentation reflected the complex relationship between mode and tone in Renaissance theory and practice. Arguing that Lasso's varied uses of preexistent music defy current definitions of parody technique Crook in his final chapter reveals the imitation Magnificats as vastly more imaginative and innovative than previous characterizations suggest. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. paperback
réf. 1476695350.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2025réf. x-1476695350McFarland Publishing 2025. Paperback. New. 236 pages. 10.00x7.00x0.47 inches. McFarland Publishing paperback
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réf. ria9781476695358_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
réf. 0469367776.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
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1950réf. mon0003794210Long's College Book Co. 1950. Hardcover. Good. 1.1102 9.1299 6.5709. Long's College Book Co. hardcover
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réf. 697771934Wildside Press . Papeback. New. pp. 522 Wildside Press unknown
réf. 250706012Time Life. unknown_binding. New. 0x0x0. ~ Cover has some minor shelf wear. ~ NEW inside and Out! Clean & Crisp Pages w/No markings. Email for more info./pics Time Life unknown
1978Features: When Bob Dalton Hit the Longview Bank; Montana - the last frontier to be branded; Geronimo's Wives; Gold Beneath Toadstool Rock; The Tragic Punishment of James Black; Mademoiselle Nevada; Dodging Death along the Smoky Hill River; Bulkeley Wells - polite and lethal; The Crest and Crumble of Crook City; The Difference between Oregon and California Miners; Off to Indiana!; The Monarchs; and more. Average wear. Unmarked. A sound copy. Magazine
2022réf. 1130392022 Editions Les Liens qui Libèrent (LLL) - 2022 - In-8, broché couverture illustrée - 262 pages
