réf. 120885aafLausanne, (Emmanuel Vincent pour) Bazar Vaudois, 1839, in-8°, 2 ff. + 256 p.; 264 p., qqs rousseurs, Original Halb- Schönes Exemplar.Lederband.
6 volumes in-8, demi-chagrin vert bronze de l'époque, dos à 4 faux nerfs filetés or, ornés de compartiments encadrés de triples filets dorés, large flet d'encadrement à froid sur les plats, titres et tomaisons dorés. "C'est en gouvernant que Guizot tire ici les enseignements de l'histoire anglaise, de la monarchie des Stuarts à l'avènement de son régime parlementaire moderne, en passant par la République de Cromwell. Réflexion d'un grand historien sur l'évolution de la société et de la politique britannique, où se reflète l'histoire de France" (L. Theis). (Rosanvallon, 'Le moment Guizot', p. 384) Très bon exemplaire, frais, bien relié à l'époque.
1927réf. 165181927 Illustration coloriée au pochoir sur le recto et le verso du feuillet, couverture titrée, Paris, Les Ateliers d'arts graphiques du Matin, 1927, 23 x 32 cm.
1983réf. 2880EBNeapel., Lucio Amelio Editore., 1983. 48 x 34 cm. 31 nicht paginierte S. Illustrierter OPappband., 2880E Stampa in trecento esemplari. Einband angestaubt und ganz leicht nachgedunkelt, ein weißer Fleck am oberen Rand. Private handschiftliche Widmung auf Schmutztitel in hellem Filzstift, sonst gutes Exemplar.
1921réf. 14021Paris, Tolmer 1921, 1 in-4 Paris, Tolmer, 1921, in-4, broché remplié, sous chemise demi-toilé, 26 pages non paginé.
réf. GMF-865CRETINEAU-JOLY (J.). Histoire de la Vendée militaire. Quatrième édition. Paris : Plon frères (1851). 4 volumes in-8 de 416, 483, 474 et 500 pages, 1 carte dépliante, reliure de l'époque en demi-veau bleu, dos lisse orné de rocailles dorées, plats ornés d'une plaque à froid. Rousseurs, carte fortement restaurée et renforcée. Envoi par Mondial Relay
réf. GMF-900FANTIN-DESODOARDS (Antoine). Histoire philosophique de la révolution de France depuis la première assemblée des notables en 1787 jusqu'à l'abdication de Napoléon Bonaparte. Sixième édition revue, corrigée et augmentée par l'auteur. A Paris, chez Barba et Hubert (1817). 6 volumes in-8 de vi-382, 391, 392, 391, 367 et 416 pages, reliure en basane marbrée, dos lisse avec pièce de titre et de tomaison. Précis de la Révolution française par un témoin qui en adopta les principes ; mais démocrate dans l'âme, l'auteur fustige les tyrans et les abus et cherche à dresser non un monument à la Révolution, mais son portrait véritable par les hommes qui l'ont faite. Cette histoire très riche conte "par le menu" tous les événements de la Révolution. Boursin et Challamel, p. 259 (Dictionnaire de la Révolution française) : "Il est le plus ancien historien de la Révolution, et c'est lui qu'il faut consulter si l'on veut avoir une idée des salons du Directoire et de la politique panachée qu'on y menait." La première édition date de 1796. Peu courant. Reliures frottées, coiffes du volume 2 un peu abimée, coins usés, rousseurs et brunissures. Envoi par Mondial Relay
réf. 15233Paris, H. J. Gouchon ; Tome I- 1935, in-8, broché, 422 pp. Tome II- 1937 ; in-8, broché ; 202 pp. ; (124) pp. de tableaux et figures. Tome III- 1940 ; in-8, broché ; 261 pp., figures.
1771réf. 412EDITION ORIGINALE. Ed. Chez Herissant, Paris :1771. 2 vol. In -12 ( 17 X 10 cm) , pleine reliure de l’époque de basane fauve mouchetée, dos à nerfs et à caissons ornés et dorés. Pièces de titre de maroquin grenat , pièces de tomaison de maroquin vert à caractères et filets dorés. T1 : 329 p.p., 4 p. De corrections et additions. T2 : 316 p.p.2 p. De corrections et additions , 2 p. Approbation et privilège du Roi.
1848réf. Cat360New York: Atwill 201 Broadway 1848. Folio. Complete at 9 pages. Two songs with lithographic portrait of Lola Montez by Sarony & Major. Soft rag paper. Light foxing else very good. A likely very early American printing of two pieces tied directly to the upheavals of 1848 issued just as news and personalities of the European revolutions were electrifying American audiences. The first “Der Lieben Warnun” Love’s Warning is attributed to Ludwig I King of Bavaria whose abdication in March 1848 followed the political scandal surrounding his relationship with Lola Montez. The second “Les Girondins: Mourir pour la Patrie” with text by Alexandre Dumas and music by Alphonse Varney is one of the most popular revolutionary hymns of the period here presented in English and French. At center is the finely printed lithographic portrait of Lola Montez born Eliza Rosanna Gilbert 1821–1861 identified as “Countess of Landsfeld.” Produced by Sarony & Major the image reflects her brief but consequential position in Bavaria where Ludwig elevated her to the nobility and granted her influence at court. Her presence became politically explosive; student unrest and ministerial crisis forced both her exile and the King’s abdication making her a widely discussed celebrity at the time. Montez arrived in the United States in late 1848 quickly converting this notoriety into a touring career. She performed her “Spanish dances” including the sensational “Spider Dance” on stages from New York to New Orleans and later turned to lecturing advertising appearances on “Heroines of History” beauty and personal independence. During the early 1850s she followed the western circuit appearing in San Francisco during the Gold Rush where she commanded high fees and played to packed houses of miners and merchants. She toured through Australia in 1855–56 before returning to the United States where she settled in New York and shifted increasingly toward writing and reform-minded lectures before her death in 1861 possibly of syphilis. The piece was published by Joseph Atwill at his 201 Broadway location which he would abandon soon after to board the steamer Crescent City to Chagres eventually making his way to San Francisco and opening Atwill’s Music Store on Washington St. possibly San Francisco’s first music store before heading off to the mines and then returning to San Francisco a year later to open another music store. OCLC #904564957 locating a single copy at Goucher College. Atwill, 201 Broadway unknown books
1848réf. Cat360New York: Atwill 201 Broadway 1848. Folio. Complete at 9 pages. Two songs with lithographic portrait of Lola Montez by Sarony & Major. Soft rag paper. Light foxing else very good. A likely very early American printing of two pieces tied directly to the upheavals of 1848 issued just as news and personalities of the European revolutions were electrifying American audiences. The first “Der Lieben Warnun” Love’s Warning is attributed to Ludwig I King of Bavaria whose abdication in March 1848 followed the political scandal surrounding his relationship with Lola Montez. The second “Les Girondins: Mourir pour la Patrie” with text by Alexandre Dumas and music by Alphonse Varney is one of the most popular revolutionary hymns of the period here presented in English and French. At center is the finely printed lithographic portrait of Lola Montez born Eliza Rosanna Gilbert 1821–1861 identified as “Countess of Landsfeld.” Produced by Sarony & Major the image reflects her brief but consequential position in Bavaria where Ludwig elevated her to the nobility and granted her influence at court. Her presence became politically explosive; student unrest and ministerial crisis forced both her exile and the King’s abdication making her a widely discussed celebrity at the time. Montez arrived in the United States in late 1848 quickly converting this notoriety into a touring career. She performed her “Spanish dances” including the sensational “Spider Dance” on stages from New York to New Orleans and later turned to lecturing advertising appearances on “Heroines of History” beauty and personal independence. During the early 1850s she followed the western circuit appearing in San Francisco during the Gold Rush where she commanded high fees and played to packed houses of miners and merchants. She toured through Australia in 1855–56 before returning to the United States where she settled in New York and shifted increasingly toward writing and reform-minded lectures before her death in 1861 possibly of syphilis. The piece was published by Joseph Atwill at his 201 Broadway location which he would abandon soon after to board the steamer Crescent City to Chagres eventually making his way to San Francisco and opening Atwill’s Music Store on Washington St. possibly San Francisco’s first music store before heading off to the mines and then returning to San Francisco a year later to open another music store. OCLC #904564957 locating a single copy at Goucher College. Atwill, 201 Broadway unknown
réf. 207581790 - 1794. In-8 relié en demi-veau brun à coins, dos muet à nefs orné de filets à froid, tranches mouchetées rouge.
réf. 615Paris : Imprimerie royale, 1837. EXEMPLAIRE RÉIMPOSÉ IN-4 SUR GRAND PAPIER VÉLIN
1902réf. 82433Imprimerie du Parti Socialiste-Révolutionnaire, 1902-1903, in-8, demi-reliure toilée,, 24, 28, 20, 28, 28, 28, 24, 24, 24, 20, 20, 20, 20, 20, 20, 20, 23, 20, 24, 26, 24, 24, 20, 24, 24, 24, 24, 24, 24, 24, 24 pp. Bon état.
réf. 47600Berlin: 1848: Vereins Buchdruckerei. Broadside 27cm x 20cm ca 10-3/4" x 8". Printed in blackletter on white wove stock. Slightly toned with old vertical and horizontal fold-lines; creased at margins; Very Good. Satirical broadside in the form of a fictional speech by King Friedrich Wilhelm IV in which he ironically expresses support for the demands made by liberal parliamentarians at the May 18th Parliamentary Assembly in Frankfurt-am-Main. These included expanded rights for the underprivileged classes including most importantly universal male suffrage; attenuation of executive power; the election of a permanent German parliament and monetary reforms including a unified German currency. The great wave of liberal revolt that washed over the European Continent in 1848 proved short-lived; by 1851 most of the newly-established liberal régimes had been quashed by reactionary movements with radical leaders either imprisoned murdered or driven into exile. Out of this crucible would arise the Franco-Prussian War and the militant Marxist nihilist and anarchist movements of later in the century. A highly evocative document of the first wave of German radical revolt. Rare; OCLC and KVK note three locations only all in Germany. Vereins Buchdruckerei unknown books
réf. 47600Berlin: 1848: Vereins Buchdruckerei. Broadside 27cm x 20cm ca 10-3/4" x 8". Printed in blackletter on white wove stock. Slightly toned with old vertical and horizontal fold-lines; creased at margins; Very Good. Satirical broadside in the form of a fictional speech by King Friedrich Wilhelm IV in which he ironically expresses support for the demands made by liberal parliamentarians at the May 18th Parliamentary Assembly in Frankfurt-am-Main. These included expanded rights for the underprivileged classes including most importantly universal male suffrage; attenuation of executive power; the election of a permanent German parliament and monetary reforms including a unified German currency. The great wave of liberal revolt that washed over the European Continent in 1848 proved short-lived; by 1851 most of the newly-established liberal régimes had been quashed by reactionary movements with radical leaders either imprisoned murdered or driven into exile. Out of this crucible would arise the Franco-Prussian War and the militant Marxist nihilist and anarchist movements of later in the century. A highly evocative document of the first wave of German radical revolt. Rare; OCLC and KVK note three locations only all in Germany. Vereins Buchdruckerei unknown
réf. 1220Hambourg : s. n., 1798. UNE RARE CHRONIQUE ANTI-RÉVOLUTIONNAIRE
réf. 17919Paris, Desenne, Nicolle et Desenne jeune, 1807. 4 volumes. (4), 75, (2), 346 pp.; (4), 505 pp.; (4), 469 pp.; (4), 431 pp. 8vo. Contemporary sprinkled calf, spines gilt in compartments, labels with gilt lettering, gilt ornamental border on sides, very lightly rubbed. Catalogue Russica, ii, R-1529; cf.: Zaleski, i, 16. First edition. Deals with the first partition of Poland in 1772, in an attempt to restore the balance of power in this part of Europe between Prussia, the Austrian Empire and Russia after Russia's successes against the Ottoman Empire and the danger of an Austrian-Russian war.In Paris the problem of Poland was discussed with extraordinary intensity. The circles of diplomats, writers, and economists were extraordinary sensitive. The work of Rulhière, published posthumously in 1807, but which circulated widely in manuscript from the seventies and eighties, is typical. The political element dominated: the struggles of men and circumstances, intrigues, betrayals, violence. But above this rose the desparate will of the Poles to live and act, even when everything around them was collapsing. Consult for an elaborate treatment of the Polish question and Rulhière's book: F. Venturi, The End of the Old Regime in Europe, 1768-1776. The First Crisis, chapter VII). The Anecdotes sur la révolution de Russie had appeared already before, in 1797. - A nice copy.
réf. 10257Paris, Chez Moutardier, An VII (1799). 3 volumes in-8 reliure plein vélin, pièces de tomaison veau brun ornées de fleurons dorés, tranches mouchetées, 426 + 534 + 448 pp. Cette édition rare et recherchée fût écrite par le Citoyen CHAS. Le 3e tome est entièrement consacré à la Guerre d'Indépendance américaine. Bon exemplaire très frais malgré quelques rousseurs.
1848réf. 47737Paris: Binet 1848. First Edition. Original oversized pictorial broadside 52.5x78cm.; adorned with calendars for the years 1849 and 1850 on left and right margins and eleven steel-engraved vignettes of scenes from the February Revolution in Paris 1848. Previous folds with some subsequent splitting touching text and images without loss general wrinkling and a few soil spots else Very Good overall. The movement to overthrow the July Monarchy burst on the scene following the highly unpopular outlawing of political campaign banquets a tradition used by middle class oppositionists to circumvent the laws banning political meetings and public demonstrations. When all political banquets were banned in February 1848 Republicans and Orleanists alike descended on the city of Paris quickly ousting Louis-Philippe I and establishing the Second Republic. The present calendar broadside is adorned with several momentous scenes from the days of the 22nd to the 24th including the capturing of the Place de la Concorde; the Chateau d'Eau now the Place de la République; the Tuileries; and the hotel de Ville. Also includes depictions of the transportation of a crucifix from the captured Tuileries to St. Roch as a symbol of its liberation from the captivity of the monarchy; and the Duchess of Orléans with her two young sons at the Chamber of Deputies unsuccessfully arguing that her young son Louis grandson of Louis-Philippe I be named the new monarch. Between eight small vignettes are three larger scenes of Lamartine declaring the Second Republic; a group portrait of the leading figures of the new government and the Revolution; and la Marianne uniting French citizens whether they be clergymen soldiers middle class laboring class white or black. We find none in commerce or the auction records as of February 2020 nor separately catalogued in OCLC. Binet unknown books
1848réf. 47737Paris: Binet 1848. First Edition. Original oversized pictorial broadside 52.5x78cm.; adorned with calendars for the years 1849 and 1850 on left and right margins and eleven steel-engraved vignettes of scenes from the February Revolution in Paris 1848. Previous folds with some subsequent splitting touching text and images without loss general wrinkling and a few soil spots else Very Good overall. The movement to overthrow the July Monarchy burst on the scene following the highly unpopular outlawing of political campaign banquets a tradition used by middle class oppositionists to circumvent the laws banning political meetings and public demonstrations. When all political banquets were banned in February 1848 Republicans and Orleanists alike descended on the city of Paris quickly ousting Louis-Philippe I and establishing the Second Republic. The present calendar broadside is adorned with several momentous scenes from the days of the 22nd to the 24th including the capturing of the Place de la Concorde; the Chateau d'Eau now the Place de la République; the Tuileries; and the hotel de Ville. Also includes depictions of the transportation of a crucifix from the captured Tuileries to St. Roch as a symbol of its liberation from the captivity of the monarchy; and the Duchess of Orléans with her two young sons at the Chamber of Deputies unsuccessfully arguing that her young son Louis grandson of Louis-Philippe I be named the new monarch. Between eight small vignettes are three larger scenes of Lamartine declaring the Second Republic; a group portrait of the leading figures of the new government and the Revolution; and la Marianne uniting French citizens whether they be clergymen soldiers middle class laboring class white or black. We find none in commerce or the auction records as of February 2020 nor separately catalogued in OCLC. Binet unknown
1978réf. 211131978 1 Mine de plomb et feutre, signée en bas à droite, (1989), 24.5 x 32,5 cm.
réf. 951Amsterdam : Desbordes, 1701. L'EXEMPLAIRE DE LA SCANDALEUSE MADEMOISELLE DE CHAROLAIS AU CHÂTEAU D'ATHIS, AYANT SUBI LE COURROUX DE LA RÉVOLUTION
1978réf. 211121978 1 Mine de plomb et feutre, signée en bas à droite, (1989), 27.2 x 36 cm.
1978réf. 211141978 1 Mine de plomb et feutre, signée en bas à gauche, (1989), 27 x 36 cm.
