712 résultats
réf. 29251Amsterdam Chez Michel Charles Le Cene 1722 in 12 (17x9,5) 2 volumes reliures pleine basane foncée de l'époque, dos à nerfs ornés, pièces de titre de maroquin rouge (la moitié droite de la pièce de titre du tome 2 manque), 559 pages, 459 pages [11], petite trace de mouillure claire sur quelques feuillets. Abraham Nicolas Amelot De La Houssaie, 1634-1706. Edition originale posthume. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1997(Signet Regency Romance) Beautiful and spirited Jane Stanfield had made her choice between her two childhood friends, the dashing Lord Langston and the devoted Stephen Middleton. She had chosen to listen to Langston's impassioned proposal and turned her back on Stephen's gentle sweetness. That was before her family's ruin wrecked her marriage plans. That was before she was reduced to being paid companion to Langston's mother while Langston himself had to hunt a wealthy wife in the marriage mart. Now Stephen had returned from abroad a new man, determined this time to get what he wanted. And Langston refused to let her love any man but him. Which left Jane to choose once again--having learned all too well that the last thing in the world she could trust was her heart.... Book
1989In his lifetime, Harry was a rogue and a rake. Now he's a ghost--visible only to those in love. He roams the halls of Steadford Abbey, atoning for his romantic sins by helping others find romance.sometimes with the most unexpected--and charming--results. Giles Steadford has inherited the Abbey--and is about to see it for the first time. He arrives, having been wounded in battle, and creates instant chaos. Giles is put under the care of Elizabeth, a nurse who finds him as cantankerous a patient as she's ever had. Giles, in turn, is too jaded from war to appreciate her tender ministrations. But if Harry has his way, Elizabeth will not only heal Giles' pain, but heal his heart--and open it to at true and lasting love. Book
1972People thought Miss Jonas a very odd lady indeed, still unmarried at fifty, with an outspoken way of talking and a habit of wearing exotic costumes she had picked up in her youthful travels. But Miss Jonas was also very rich, so her relatives tended to tolerate her eccentricities. Until, that is, she astonished everyone by deciding to take in an orphaned refugee from the French Revolution. Then her drunken spendthrift brother Thomas saw the fat inheritance he had been expecting going to some adopted 'French brat', and he began to lay some rather unpleasant plans. Particularly when the 'child' turned out to be Serge, Vicomte de Valmont, a handsome, arrogant, six-foot tall young aristocrat.... Book
1984'I wish,' Philadelphia Smith said wistfully, 'that something would happen to me.' Nothing ever happened to Philadelphia until she made that wish one fine autumn evening, Her dreams came true that very night when she got more attention than she bargained for: Jamie, her handsome fiance, was tired of waiting to marry her. He was going to jilt Philadelphia that evening - or was she going to jilt him? Mr. Artherton, her rich and jaded neighbor, was enchanted by her fresh young beauty. The more he attempted to console the weeping, distraught Philadelphia, the more he wanted to seduce her. Ferdy, Mr. Atherton's gambling companion, was the blackest sheep in the noblest of families. He had designs on Philadelphia - every one of them evil." Book
1977Little did Octavia dream that the lurid novel she penned in secret would become the most sensational scandal of the London season. She was even less prepared to have her identity as the author revealed, and to be branded as a shocking adventuress. And when the man she loved accused her of using him as the model for her novel's villain, Octavia thought life could hold nothing worse than his cruel accusations. But that was before she realized that the sophisticated drawing-rooms she had so accurately captured in fiction concealed a smooth-tongued traitor. For England was at war with France, and Octavia had unwittingly revealed more than the foibles of the aristocracy--she had exposed the treachery of a spy.... Book
1967réf. 500310642Editions de l'erable 1967 298 pages 1967. capa dura. 298 pages. Le Chevalier d'Harmental premier grand roman historique d'Alexandre Dumas publié en 1842 raconte l'histoire de Raoul d'Harmental un jeune aristocrate monté à Paris en 1711. Après s'être illustré sous Louis XIV il se retrouve mêlé à la conspiration de Cellamare un complot de la noblesse contre le régent Philippe d'Orléans tout en tombant amoureux de sa voisine Bathilde
2010réf. 412199New Haven London New Haven : Yale Center for British Art ; National Portrait gellery ; in association with Yale University Press 2010. First Edition. Hardcover. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight bright clean and strong. Physical description; xxvi 314 pages : color illustrations ; 30 cm. Notes; Publsished to accompany the exhibition ""Thomas Lawrence: Regency power and brilliance"" co-organized by the Yale Center for Britiish Art and the National Portrait Gallery London on view at the National Portrait Gallery from 21 October 2010 to 23 January 2011 and at the Yale Center for British Art from 24 February to 5 June 2011. Includes bibliographical references pages 302-306 and index. Contents; Lawrence among men : friends patrons and the male portrait / Peter Funnell -- The construction of desire : Lawrence's portraits of women / A. Cassandra Albinson -- ""Charming little brats"" : Lawrence's portraits of children / Marcia Pointon -- Catalogue. Arrival on the scene : the 1790's ; Delineating a life : Lawrence as draughtsman ; New ambition : experimentation and innovation in portraiture practice ; Lawrence in Europe : international career and reputation ; Court academy and society : the 1820s -- Photographic copyright and credits -- A survey of the literature / A. Cassandra Albinson. Subjects; Lawrence Thomas 1769-1830 ; Exhibitions. Lawrence Thomas 1769-1830 Criticism and interpretation. Art British 18th century. Art British 19th century. Portrait painting British 19th century ; Exhibitions. New Haven London New Haven : Yale Center for British Art ; National Portrait gellery ; in association with Yale University Press hardcover
réf. 9484Albin-Beaumont, 1910. In-4, plaquette agrafée sous couverture illustrée, 17 pp. Avant-propos - Par qui fut scindée l'Enseigne? - Côté moral. - L'état civil du tableau - Le côté scientifique - A Monsieur Seidel, conservateur des Collections Impériales - Bibliographie.
1865réf. LFA-126716226Un ouvrage de 569 pages, format 140 x 225 mm, broché, publié en 1865, Didier et Cie Libraires-Editeurs, bon état
19838vo. First Edition with frontispiece and very numerous illustrations throughout; burgundy cloth backstrip lettered in silver a near fine copy in price-clipped dustwrapper the latter sunned at backstrip.
réf. DADAX082176795XNew unknown
réf. DADAX1611940575New unknown
réf. DADAX0451180143New unknown
réf. DADAX0821770659New unknown
réf. 23652Circa 1820. She is jointed at the knees and if suspended by a cotton thread she can be dangled and give the impression of dancing. Height overall 10 inches. Some of the foil decoration lacking. Her right hand detached at her wrist but not loose A charming item in generally excellent condition.Circa 1820. A rare survival. Circa 1820. unknown
réf. 123625Oxford At the Clarendon Press 1828. . 24mo 12.5 x 7.5 cm; MS notes in pen & pencil to endpapers bookplate to front pastedown; contemporary straight-grained green morocco covers panelled in gilt with an ovoid-design gilt spine in 3 compartments all edges gilt minor wear near fine. An excellent example of a pocket-edition King James Bible in a contemporary Regency binding of straight-grained green morocco tooled in gilt to an ovoid design. With provenance for the antiquary Matthew Gregson 1749-1824 who amassed a library at his house on St Anne's Street Liverpool. He was elected a member of the Society of the Arts in 1801 and was in 1803 awarded a gold medal '"for his very great attention to render useful the articles remaining after public fires". He had shown that paint varnish and printers' ink could be produced from burnt grain and sugar'. ODNB. Oxford, At the Clarendon Press, 1828. unknown
réf. 203296Paris, Imprimerie nationale, 1791 in-8, 12 pp., dérelié.
réf. 203297Paris, Chez Baudouin, (1791) in-8, 16 pp., dérelié.
réf. 234044Paris, Chez Baudouin, (1791) in-8, 16 pp., en feuilles
1729réf. 112617Amsterdam, Chez Zacharie Chatelain, 1729, 2 vol. in-12, (36)-415 et (8)-404 pp, 10 planches gravées en taille douce (dont 2 dépliantes), culs-de-lampe, reliures plein veau moucheté, dos à 5 nerfs guillochés et caissons ornés, titres dorés (rel. de l'époque), dos frottés, un mors faible, sinon bon état
1745réf. 1441745 Couverture rigide Amsterdam, aux dépens de la Compagnie, 1745. In-12, demi-maroquin rouge à coins, dos à cinq nerfs orné, reliure du XIXème siècle. Grandes marges, coupes parfois irrégulières sans atteindre le texte. 4 feuillets non chiffrés, 302 pages, (11) pages d'index des noms propres cités. Ouvrage attribué tour à tour à Antoine Pecquet, au chevalier de Resseguier, ou encore à Madame de Vieux-Maisons, "une des femmes les plus méchantes de son temps". BARBIER (Dictionnaire des Anonymes, III, 245) ne consacre pas moins de deux colonnes à cet ouvrage et à ses diverses attributions. C'est le premier ouvrage où l'on parle du Masque de Fer. Bon état intérieur, belle reliure, pour cette édition originale.
réf. 53581P., Amyot, 1863, in 12 broché, VII-204 pages ; des rousseurs ; couverture poussiéreuse.
1820réf. 3567Paris Le Normant 1820 in-8 reliure signée Paris, Chez Le Normant, 1820. 21,5 x 13 cm (R), in-8, XII - 626 pp. (la dernière mal chiffré : 606) - 1 planche dépliante hors texte (vue d'Alger prise de la mer), reliure de l'époque de plein veau fauve, dos lisse orné, filets noirs en encadrement sur les plats avec petits fers dans les coins, roulette sur les coupes, tranches marbrées à l'égal des gardes (reliure signée Thouvenin).
In-8, broché, couverture de papier marbré moderne, (2), vj, 298 p., qqs rouss. Edition originale. Biographie scandaleuse de l'âme damnée du régent, présentée comme provenant d'un manuscrit laissé par le secrétaire de Dubois. On attribuait au cardinal Dubois l'essentiel de son ascendant sur le Régent à sa capacité à lui trouver des maîtresses à son goût, d'où l'aphorisme rapporté par Roger Peyrefitte à propos de son élévation au cardinalat : "le pape est un fin cuisinier qui sait faire d'un maquereau un rouget". "Ouvrage spirituel, très curieux et peu commun" (Gay, III, 1351). Exemplaire enrichi d'un portrait gravé en frontispice.