213 résultats
Together 27 vols., 8vo., First Edition, with 2 large folding charts; original printed wrappers, one or two backstrips scuffed at head and tail else a remarkably well-preserved, bright, clean set. The extended set comprises: Part 1: 20 Nov 1945 to 1 Dec 1945 (1946); Part 2: 3 Dec 1945 to 14 Dec 1945 (1946); Part 3: 17 Dec 1945 to 4 Jan 1946 (1946); Part 4: 7 Jan 1946 to 19 Jan 1946 (1946); Part 5: 21 Jan 1946 to 1 Feb 1946 (1946); Part 6: 2 Feb 1946 to 13 Feb 1946 (1947); Part 7: 14 Feb 1946 to 26 Feb 1946 (1947); Part 8: 27 Feb 1946 to 11 March 1946 (1947); Part 9: 12 March 1946 to 22 March 1946 (1947); Part 10: 23 March 1946 to 3 April 1946 (1947); Part 11: 4 April 1946 to 15 April 1946 (1947); Part 12: 16 April 1946 to 1 May 1946 (1947); Part 13: 2 May 1946 to 13 May 1946 (1947); Part 14: 14 May 1946 to 24 May 1946 (1947); Part 15: 27 May 1946 to 6 June 1946 (1948); Part 16: 7 June 1946 to 19 June 1946 (1948); Part 17: 20 June 1946 to 1 July 1946 (1948); Part 18: 2 July 1946 to 15 July 1946 (1948); Part 19: 16 July 1946 to 27 July 1946 (1949); Part 20: 29 July 1946 to 8 August 1946 (1949); Part 21: 9 August 1946 to 21 August 1946 (1949); Part 22: 22 August 1946 to 31 August 1946; 30 Sept 1946 and 1 October 1946 (1950); Part 23: Index (1951). WITH Opening Speeches of the Chief Prosecutors (1946); Speeches of the Prosecutors against the Indicted Organisations (1946); Speeches of the Chief Prosecutors against the Individual Defendants (1946); Judgement of the International Military Tribunal (with the Dissenting Opinion of the Soviet Member) (1946). Volume 1 includes the folding chart of the organisation of the NSDAP; Volume 3 contains the folding chart of the organisation of the SS. EXTENDED SETS ARE EXCEEDINGLY SCARCE.
1968réf. 58898Nurnberg Germany: Albrecht Durer Gesellschaft; Et Al. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 92 pp. With 53 ills. 3 col. . 20 x 20 cm. -- with a bonus offer-- . 1968. Albrecht Durer Gesellschaft; Et Al paperback
1967réf. 58873Nuremberg Germany: Germanisches Nationalmuseum. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 100 pp. With 65 ills. 2 col. > 20 x 18 cm. -- with a bonus offer-- . 1967. Germanisches Nationalmuseum paperback
2014réf. 108762Hirmer Publishers. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English and German. -- with a bonus offer-- . 2014. 3777422185 . Hirmer Publishers paperback
1853réf. 18762n.p. Nuremberg: n.p. Verlag Georg Maar 1853. First edition. Stiff card wraps. Very good. A single lithographed scene 6½ inches by approximately 275 inches nearly 26 feet. Individual leaves are pasted together accordion style. The Nuremberg Folk Festival began in 1826 and included a large parade. This 1853 Festival was no exception and was commemorated by the present lithograph reputedly executed by Leopold Itzel. A glorious example of lithography: The Herold der Stadt Nürnberg and Trompeter are followed by the Ehrenfahnenträgen für Bauern; Noris the Representation of Nuremberg follows in a Roman chariot; then trade representatives: artists plumbers armour carpenters locksmith a Flora and Pomona in chariots triumphal cart of Gartner a train of brewers Buttner and hosts and finally floats from rural communities Steinbuhl Mogeldorf and Rednizhembach the last as a canal boat. The captions along the bottom are in German. The first 8 panels are hand colored thereafter the lithograph is uncolored. Some light soiling some folds repaired occasionally trimmed closely; housed in original cardboard covers worn at edges with their ribbon ties replaced. In all 27 participants or groups on 19 panels. Rare to start with and hardly ever found complete. n.p. (Verlag Georg Maar) paperback books
1750réf. B4SB1E23SY47Nuremberg 1750. Ca. 39.5 x 71.5 cm. Kept in a white passe-partout. One large etching. Large etching with a spectacular night view of the fireworks display held during the Nuremberg Peace Festival. The festival took place in July 1650 to celebrate the end of the Thirty Years' War 1618-1648 one of the most devastating conflicts in European history. It was intended as a sign of hope for a better future in Europe and particularly in Germany. The present etching may have been printed to spread this message of peace.The Thirty Years' War began as a civil war within the Holy Roman Empire but eventually developed into a wider European conflict. Although fought primarily in present-day Germany it brought widespread disease starvation and the depopulation of large parts of the region. After five years of negotiations the Peace of Westphalia was signed in October 1648. The remaining unresolved issues were settled during a major diplomatic congress held in Nuremberg between May 1649 and July 1650. To mark the successful conclusion of the negotiations a grand festival was organised culminating in an elaborate fireworks display. The present etching captures this spectacular event with countless rockets launched from all sides of the castle. Particularly striking are the burning statue in the centre and the figures wielding flaming swords that surround it.The image was engraved after designs by the German artists Peter Troschel ca. 1620-after 1667 and Michael Herr 1591-1661. It was first published in 1650 with a title at the top and a legend below. The present version most likely dating from the mid-18th century has been significantly enlarged particularly in width. These altered proportions give the composition an even more dramatic effect.The work has been folded in the past the lower part of the left margin has been restored insect droppings in a small area on the left side of the head margin not affecting the etched image. Otherwise in good condition. ART ARCHITECTURE & PHOTOGRAPHY DRAWINGS PRINTS & WATERCOLOURS HISTORY Ceremonial Festivities & Fireworks Prints & Print Series unknown
247 pages. Black and white photographic frontis portrait of author. "This is a book written by a German after a war which brought defeat to his country and a great civilized people to a condition of dependence and subordination... The German Inflation can only be understood as part of the general history of the time. May we all learn from the past and emerge from the destructive era of reciprocal hostility into a new constructive period of international well-being." - from Foreward. Chapters include: The Inflation of the War Period; From the Armistice to the Invasion of the Ruhr; From the Invasion of the Ruhr to the Stabilization of the Mark; The Stabilization of the Mark; From Rentenbank to Golddiskontbank; From Currency Crisis to Economic Crisis; The Dawes Plan; The Reconstruction of German Money and Capital Markets; Foreign Credits; International Co-operation. "(Schacht) became one of the directors of the Reichsbank in 1916 and in 1923 became currency commissioner for the Reich. After his economic policies helped reduce German inflation and stabilize the German mark, Schacht was appointed president of the Reichsbank. He collaborated with other prominent figures in economics to form the Young Plan to modify the way that war reparations were paid after Germany's economy was destabilizing under the Dawes Plan. Though on March 7, 1930, six months after the beginning of the Great Depression, he stepped down from the position of Reichsbank Chairman, but returned on March 17, 1933 after Hitler's rise to power." - from wikipedia dot org. Binding intact. Unmarked with average wear. Bright gilt lettering upon black cloth backstrip. Mild foxing to endpapers. A sound copy. Aldcroft & Rodger p.83, Peterson p.367. Book
1564réf. 702761564. Nuremberg: Valentin Geiszler 1564. Nuremberg: Valentin Geiszler 1564. First Edition of the 1564 Nuremberg City Law Filled with Contemporary Annotations Nuremberg. Der Stat Nurmberg Verneute Reformation. Nuremberg: Valentin Geissler 1564. xlv 240 1 ff. Woodcut title page and allegorical leaf. Folding table of consanguinity lacking. 35 added leaves of manuscript notes the last dated 1620. Folio 12-1/4" x 8". Contemporary paneled pigskin stained brown rebacked in calf with raised bands and lettering piece recent metal bosses to corners of boards clasps lacking hinges reinforced. Light rubbing to boards restoration to edges of endleaves title page and final two added leaves of notes. Title page has a handsome elaborate woodcut architectural border main text preceded by handsome full-page woodcut allegorical leaf large woodcut initials. Light toning to text occasional faint dampstaining to foot of text block faint dampspotting in places minor tears to a few leaves. Extensive annotations in early hand in several places. $6500. First edition. Nuremberg was the center of the Renaissance in Germany and was its leading cultural and intellectual center until the end of the sixteenth century. These qualities are reflected in the contents and design of this volume. The Reformation or civic legal code of Nuremberg is known for its humanistic orientation clear straightforward language elegant typography and fine woodcuts. It revised the code enacted in 1498. The highly skilled engraver known today only by the monogram M.S. designed the title and following cut as allegories on the wealth and unity of Nuremberg. The title has a striking architectural border featuring Moses and the Holy Roman emperor and following leaf depicts God the city of Nuremberg and figures representing the city flanked by figures representing peace justice and generosity. Most of the annotations note amendments to the printed statutes the 35 manuscript leaves update the statutes to 1620. OCLC locates 15 copies in North America 4 of these in law libraries Harvard UC-Berkeley University of Michigan Yale. Verzeichnissen der im Deutschen Sprachraum Erschienenen Drucke des 16. Jahrhunderts N2029. unknown books
Signed and inscribed by author upon front free endpaper. 552 pages. Index. Black and white photographic plates. "One of the most important autobiographies of the post-war period, for there can be few personalities still alive who have been so intimately connected with the march of world events for so many years... His first great triumph was to rescue the German Mark from the inflation of 1921... As the Nazi avalanche swelled, Hitler persuaded him to occupy the Presidential chair at the Reichsbank... but (Schacht) soon saw that the Fuhrer was driving relentlessly towards war. A quarrel resulted and he left the Government, remaining under a cloud until he was arrested towards the close of the regime." - from dust jacket. Schact was aquitted of war crimes at Nuremberg. Moderate wear to book. Binding intact. Several patches and touch-ups to dust jacket which is now preserved in archival-grade Brodart. Kehr & Langmaid 1217, Aldcroft & Rodger p.83. Book
1522réf. 606091522. Nuremberg 1522. First edition. Nuremberg 1522. First edition. With a Full-Page Allegorical Frontispiece by Albrecht Durer Featuring Lady Justice Her First Appearance in a Book Nuremberg. Durer Albrecht 1471-1528. Reformacion der Stat Nuremberg. Nuremberg: Fridrichen Peypus 1522. xxxvi 30 208 ff. Folio 12" x 8" 30.5 x 20 cm. Contemporary panel-stamped reversed calf with traces of gilt stamping early repairs to spine ends clasps present and intact endpapers renewed at some point. Some rubbing to extremities chipping to head of spine a few scuffs and stains to boards small crack to front joint rear hinge cracked due to worming minor worming to fol. 208. Allegorical frontispiece by Durer featuring Lady Justice and a female figure representing charity attractive woodcut decorated initials throughout. Light toning to text some leaves lightly browned faint stains and foxing to a few leaves wide margins. "1522/ jahre" to title page in near-contemporary hand interior otherwise clean. $12500. First edition and only edition with Durer's frontispiece which includes an image of Lady Justice. This was the first time her image appeared in a book. Nuremberg was the center of the Renaissance in Germany and was its leading cultural and intellectual center until the end of the sixteenth century. These qualities are reflected in the contents and design of this volume. Enacted in 1479 the Reformacion or Reformed Civic Legal Code of Nuremberg is known for its humanistic orientation straightforward language and elegant production. It is also notable as the collection of German city laws to be issued in print. The 1522 issue by Peypus is notable for its splendid full-page frontispiece by the great Nuremberg artist Albrecht Durer which was originally issued as an independent print in 1521. The bottom half depicts two putti displaying the arms of the city and empire. The upper half depicts Lady Justice holding scales and a sword and a female figure representing charity who is pouring coins from a purse and opening her bodice to bear her heart which is represented by a flame. The woodcut initials are finely carved and possibly the work of Durer or his workshop. OCLC locates 4 copies in North America 1 in a law library Harvard. Verzeichnis der im Deutschen Sprachraum Erschienenen Drucke des 16. Jahrhunderts N2027. Meder Dure. unknown books
1482réf. 372091Nuremberg: Anton Koberger 1482. Eighth edition of the Bible printed by Koberger his first was 1475. Date from the colophon at end of text on fol. 427. Text in black letter two columns 53 lines. Red initials rubricated throughout. Foliation irregular. Bound without first and last blanks. 460 of 462 leaves. 1 vols. Folio. Twentieth century orange morocco by Zaehnsdorf preserving earlier gauffered and gilt edges. Spine darkened from smoke minor rubbing. First leaf remargined at foot; some traces of damp and stains from old marginal tabs internally clean overall closed tear in fol. 388. Very good plus. Eighth edition of the Bible printed by Koberger his first was 1475. Date from the colophon at end of text on fol. 427. Text in black letter two columns 53 lines. Red initials rubricated throughout. Foliation irregular. Bound without first and last blanks. 460 of 462 leaves. 1 vols. Folio. ISTC ib00575000; GW 4250; Goff B575. Provenance: George Livermore Harvard bookplate recording 1859 deposit with ink release dated 1894; General Theological Seminary gift of Cornelius Vanderbilt and Dean Augustus Hoffman bookplates and blindstamps Anton Koberger unknown
réf. 667022 leaves including some blanks or pages ruled in ink for entries. Agenda format 315 x 100 mm. stitched as issued uncut. Nuremberg: 1598. A fascinating document of a type that rarely survives: the manuscript account book for the spring 1598 Leipzig fair of Hans Straub I or the Elder 1541-1610 the prominent Nuremberg gold- and silversmith alderman and son-in-law of Wenzel Jamnitzer the best-known German goldsmith of his time. The first leaf bears Straub's hallmark interwined initials "HS" over an arrow pointing upward within a plain shield & also containing the inscription "No. 72". Our manuscript sheds important light on the business relations in the late 16th century between the Nuremberg goldsmiths and their trade at the Leipzig fairs. Our account book is a list of sales orders and expenditures of Nuremberg goldsmith Hans Straub the Elder during the Leipzig Easter fair held in May 1598. While Straub is not expressly named he can be identified by his hallmark on the first leaf. At the fair trade was done in goblets rings knife-sheaths cutlery jewelry gemstones etc. Several business partners are named including the Nuremberg goldsmiths Heinrich Hahn Haan David Lauer and Paulus Koch. As an example of a transaction we see that the council of Halle paid over 33 florins for a goblet. In 1596 Straub was elected Alderman of the Artisans the most elevated and honorable office to which a Nuremberg artisan could aspire. Straub retained this position until his death in 1610. In 1569 he married Anna daughter of the famous goldsmith Wenzel Jamnitzer. On his father-in-law's death in 1585 Straub inherited his casting molds and used them extensively in his own creations. Despite his long period of activity relatively few pieces made by Hans Straub have survived see Nürnberger Goldschmiedekunst 1541-1868 2007 ed. by Karin Tebbe et al. Vol. I p. 409. In fine condition. ❧ The mark is similar to Marc Rosenberg Der Goldschmiede Merkzeichen Frankfurt 1925 Vol. III no. 3969. unknown books
1598réf. 66701598. 22 leaves including some blanks or pages ruled in ink for entries. Agenda format 315 x 100 mm. stitched as issued uncut. Nuremberg: 1598. A fascinating document of a type that rarely survives: the manuscript account book for the spring 1598 Leipzig fair of Hans Straub I or the Elder 1541-1610 the prominent Nuremberg gold- and silversmith alderman and son-in-law of Wenzel Jamnitzer the best-known German goldsmith of his time. The first leaf bears Straub’s hallmark interwined initials “HS” over an arrow pointing upward within a plain shield & also containing the inscription “No. 72”. Our manuscript sheds important light on the business relations in the late 16th century between the Nuremberg goldsmiths and their trade at the Leipzig fairs. Our account book is a list of sales orders and expenditures of Nuremberg goldsmith Hans Straub the Elder during the Leipzig Easter fair held in May 1598. While Straub is not expressly named he can be identified by his hallmark on the first leaf. At the fair trade was done in goblets rings knife-sheaths cutlery jewelry gemstones etc. Several business partners are named including the Nuremberg goldsmiths Heinrich Hahn Haan David Lauer and Paulus Koch. As an example of a transaction we see that the council of Halle paid over 33 florins for a goblet. In 1596 Straub was elected Alderman of the Artisans the most elevated and honorable office to which a Nuremberg artisan could aspire. Straub retained this position until his death in 1610. In 1569 he married Anna daughter of the famous goldsmith Wenzel Jamnitzer. On his father-in-law’s death in 1585 Straub inherited his casting molds and used them extensively in his own creations. Despite his long period of activity relatively few pieces made by Hans Straub have survived see Nürnberger Goldschmiedekunst 1541-1868 2007 ed. by Karin Tebbe et al. Vol. I p. 409. In fine condition. ⧠The mark is similar to Marc Rosenberg Der Goldschmiede Merkzeichen Frankfurt 1925 Vol. III no. 3969. unknown
