Amulet

ref. 9814 — Of various heights & lengths ranging from 48 to 80 mm. in height & 4000 to 10500 mm. in length all in very good condition some with silk front endpapers four with orig. core rollers. Japan: mid- to late Edo. Ten very rare examples of kokonoe no mamori good luck talismans printed in the form of extremely long and narrow scrolls; because of their ephemeral nature they are rare today. These talisman scrolls were not really meant to be unrolled and studied; instead they were intended to be tightly rolled and kept in a small pouch close to the chest for good luck. “Such narrow but extremely long handscrolls veritable encyclopedias of Buddhist iconography received the name kokonoe no mamori amulet in nine layers during the Edo period because they begin with a red seal but not always there are many without; we have two with the red seal in the shape of a cauldron containing characters that can be read kokonoe no mamori. All the scrolls start with an image but not always there are many without of Ususama Myoo S: Ucchushma the king who has the power to burn away impurity and evil which is followed by powerful magical syllables J: shingon S: mantra various ‘seed’ mandalas in Sanskrit and sutras in Chinese. Next Buddhist deities including Esoteric icons are depicted along the length of the handscroll; buddhas bodhisattvas the four guardian kings the five great kings of light Yakushi Buddha with sixteen protectors and a thousand-armed Kannon S: Sahasrabhuja with twenty-eight attendants. Many cosmological deities are included: the nine luminaries and Taizanfusei related to the Big Dipper. Such popularized Esoteric icons as Shoten S: Nandikeshvara Dakiniten S: Dakini Idaten S: Skanda Gozu Tenno and Tawara Daikokuten S: Mahakala are also shown. The last section of the scroll contains a series of dharani sutras in Sanskrit magical formulas of knowledge that are composed of syllables with symbolic content… “Two types of kokonoe no mamori became popular in the Edo period as talismans for journeys and pilgrimages and as a part of the wedding trousseau. One type has at the end of the scroll a portrait of Kukai the founder of Shingon Esoteric Buddhism while the other portrays Saicho the founder of Tendai Esoteric Buddhism.”–Masako Watanabe The Written Image. Japanese Calligraphy and Painting from the Sylvan Barnet and William Burto Collection item 22 pp. 86-88. As noted these scrolls are in very good to excellent condition. A few have some wear at the beginning. Two of the scrolls are in their original wooden boxes and all of the scrolls are preserved in a modern wooden box. unknown books