[STAR TREK] RODDENBERRY, GENEBiblio.com
3106 resultados
ref. 5097Roddenberry has signed in black ink above his printed name "Gene Roddenberry" on his 3 x 2 inch Star Trek visiting card showing the star ship Enterprise in the blue background sky. Roddenberry is identified under his name as "President Norway Productions Inc." Roddenberry established Norway Productions in 1959. The address for the company is Paramount Studios Melrose Place Hollywood CA unknown
ref. 5097Roddenberry has signed in black ink above his printed name "Gene Roddenberry" on his 3 x 2 inch Star Trek visiting card showing the star ship Enterprise in the blue background sky. Roddenberry is identified under his name as "President Norway Productions Inc." Roddenberry established Norway Productions in 1959. The address for the company is Paramount Studios Melrose Place Hollywood CA unknown books
1980xiii, 1190 pages. Glossary. Index. Hundreds of black and white reproductions of archival photos. Map endpapers. "Into the wilderness came the tough, the persistent, the adventuresome, and the colorful. Here they met people from a great variety of backgrounds and learned to live together and benefit from one another's differences. We could not leave this history to die with our pioneers - their lifetimes will become permanent through this history book." - Foreword. Gift greetings atop front free endpaper, otherwise unmarked with moderate wear. Binding intact. A sound copy of this invaluable local history and genealogical reference. Wetherell 6-54, Krotki (2) 917. Book
197480 pages. Profusely illustrated with archival black and white photos of breweries, bottles, labels, etc. Provides an impressive alphabetical list of breweries and whatever additional details the authors were able to glean about them. Also included are bottle details and contemporary pricing information. Pages mildly age-toned at periphery. Large hand-written gift greetings upon front free endpaper, otherwise unmarked. Moderate wear to book. Binding sound. Average wear and two short closed openings to handsomely illustrated dust jacket which is now preserved in archival-grade Brodart. A sound copy of this excellent reference. Book
ref. BN354914Stgt. B. G. Teubner 1998. Hardcover. De rebus indicis. Ad Philippum Catholicum Hispaniarum et Indiarum regem libri septem. De rebus indicis. Ad Philippum Catholicum Hispaniarum et Indiarum regem libri septem. Calvete de Estrella Juan Christoval. Stgt., B. G. Teubner 1998. hardcover
ref. BN370266Morning Star Trilogy Boxed Set Paperback Morning Star Trilogy Boxed Set Paperback Morning Star Trilogy Boxed Set Paperback paperback
1909Features: The People of the Caves; My Journey in Bhutan - I; An Arctic Man-Hunt; The Sydney "Flying-Machine"; An Odd Voyage; The Rescue Dogs of St. Bernard; How we Bluffed the Bushrangers; Life in a Japanese Prison; Short Stories - An Adventure in the "Towers of Silence", Hassan's Bride, Prospecting for Yaqui Gold; The Sportsmen of the Near East; Ning Wo the Wonderful; The Golden Beetle; The Riddle of the Zambesi; A Hero's Life Story; "The Hermit of Rotheneuf"; Marooned on a Sandbank; The "Tank Scrap"; Short Stories - A Luncheon Party in Rhodesia, The Ordeal of Mrs. Benns; The Deputation That Failed; An Island of Mystery; The Ghost of No. 1 Jetty; My Journey in Bhutan - II; The One-Eyed Parrot; The "Pearl of the Mediterranean"; A North Atlantic Tragedy; An Englishman's Pilgrimage to Mecca and Medina; A Lost Hamlet; How I Climbed Mount Popocatepetl; The Masked Bandit of Tucson; Under the Star and the Crescent - I; Pegging out the Empire; Short Stories - The Jail-break at Kungyangon, The Missing Bracelet, The Story of a Glass Eye; Earnst's Luck;; Through the Rocky Mountains on a Raft - I; The Gipsy Polka; Abalone-Fishing; The Old Mexican Mine; A Mystery of the Bush; An Artist's Adventure; The Exploits of the Duke of the Abruzzi - I; The Rival Rain-Makers; Pegging Out the Empire - II; The Clue of the Marked Bamboo; Earthquakes from a Japanese Point of View; The Robbery at Goldsmiths; The Experiences of a Deputy-Postmaster; Some Adventures with Sea-Lions; Under the Star and Crescent - II; Through the Rocky Mountains on a Raft - II; Lost in an Underground Maze; An Englishman's Pilgrimage to Mecca and Medina - II; On the Hill Crest Patrol; Stories of "Stripes" - the Tiger and the Tow-Boat, The Phantom Tiger; The Exploits of the Duke of the Abruzzi - II; The Dynamite Smuggler; A House Built in a Day; Bulstrode and the Bear; With Pen and Camera in Nigeria - I; The Castaways of Guadalupe Island; An Englishman's Pilgrimage to Mecca and Medina - III; Sport in India; Phaulkon's Treasure; The Balinese and Their Ways; Trooper Lovelace, T.T.P. - I; My Most Exciting Ballooning Experiences; Through the Rocky Mountains on a Raft - III; The Gum-Hunter; A Himalayan Arcadia; The Jealously of Pepe; A Texan "Snake-Farm"; One New Year's Day; Twelve Hundred Miles in a Paper Boat; Fishing on the Molopo; Locating a Leak; Two Men in a Cave; A Wanderer in Asia Minor - I; Wilson's "Scoop"; With Pen and Camera in Nigeria - II; A Race for a Gold-Mine; In the Far North-West - I; Trooper Lovelace, T.T.P. - II; How I Lassoed a Moose. Average wear. Binding intact. A sound copy. Book
Paris, Aux éditions de la Belle étoile, s.d. [1935]. Petit et fort in-4 (21 cm x 27) ; 367 pp. Plein maroquin havane, dos à 5 nerfs, contre plats à encadrement, tête dorée, couvertures illustrées en couleurs et dos conservés. (reliure signée U.C.A.D) Tirage à 3.000 exemplaires numérotés sur vélin des Papeteries Navarre. Très bel ex.
ref. 20636Paris, Aux éditions de la Belle étoile, s.d. [1935]. Petit et fort in-4 (21 cm x 27) ; 367 pp. Plein maroquin havane, dos à 5 nerfs, contre plats à encadrement, tête dorée, couvertures illustrées en couleurs et dos conservés. (reliure signée U.C.A.D)
1931ref. 35081New York: The Clayton Magazines Inc. 1931. Tanning to text paper light edge wear a very good to nearly fine copy. Scarce. 35081. Octavo single issue cover by Joseph Doolin pictorial wrappers. Pulp magazine. Articles and fiction. Stories by Tom Curry Steuart Emery C. B. Russell and others. Reference: Cook Mystery Detective and Espionage Magazines p. 24. The Clayton Magazines, Inc. unknown
1967ref. 157986N.p.: N.p. 1967. Four vintage studio still photographs from the 1967 film. One with annotations in manuscript ink and pencil on the verso regarding cropping. From the archive of film historian and author Joel Finler. A bold film adaptation of the controversial allegorical drama by Amiri Baraka writing here as he often did in the 1960s as Leroi Jones. An erratic white woman meets an African American man on a subway car. When he begins to respond to her erotic advances she begins to taunt him viciously goading him until he explodes into violence. Anthony Anthony Harvey's important and still impactful first directorial effort followed by many successful films including "The Lion in Winter" 1968 "They Might Be Giants" 1971 and "The Glass Menagerie" 1973. Set in New York with subway exteriors shot in Manhattan and interiors shot in London. 10 x 8 inches. Near Fine. N.p. unknown
1967ref. 157986N.p.: N.p. 1967. Four vintage studio still photographs from the 1967 film. One with annotations in manuscript ink and pencil on the verso regarding cropping. From the archive of film historian and author Joel Finler. A bold film adaptation of the controversial allegorical drama by Amiri Baraka writing here as he often did in the 1960s as Leroi Jones. An erratic white woman meets an African American man on a subway car. When he begins to respond to her erotic advances she begins to taunt him viciously goading him until he explodes into violence. Anthony Anthony Harvey's important and still impactful first directorial effort followed by many successful films including "The Lion in Winter" 1968 "They Might Be Giants" 1971 and "The Glass Menagerie" 1973. Set in New York with subway exteriors shot in Manhattan and interiors shot in London. 10 x 8 inches. Near Fine. N.p. unknown books
1953ref. 137621Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1953. Draft script for the 1953 film musical. Based on the original story "Why Should I Cry" by I.A.R. Wylie first seen in the 1949 Saturday Evening Post. Joan Crawford's first Technicolor feature. Ruthless and demanding Broadway musical star Jenny Stewart Joan Crawford meets her match in a blind rehearsal pianist Tye Graham Michael Wilding who unbeknownst to Jenny has held a soft spot for the tyrannical star since his days as a novice Broadway reporter. Blue titled wrappers noted as VAULT COPY on the front wrapper rubber-stamped copy No. 5537 dated 02/25/53 with credits for producer Henry Berman and screenwriter John Michael Hayes. Title page integral with first page of text dated 02/25/53. 107 leaves with last page of text numbered 78. Mimeograph on yellow stock dated variously between 02/24/53 and 02/28/53. Pages Near Fine wrapper Near Fine bound with two gold brads. Hirschhorn p. 338. Metro-Goldwyn-Mayer [MGM] unknown
1953ref. 137621Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1953. Draft script for the 1953 film musical. Based on the original story "Why Should I Cry" by I.A.R. Wylie first seen in the 1949 Saturday Evening Post. Joan Crawford's first Technicolor feature. Ruthless and demanding Broadway musical star Jenny Stewart Joan Crawford meets her match in a blind rehearsal pianist Tye Graham Michael Wilding who unbeknownst to Jenny has held a soft spot for the tyrannical star since his days as a novice Broadway reporter. Blue titled wrappers noted as VAULT COPY on the front wrapper rubber-stamped copy No. 5537 dated 02/25/53 with credits for producer Henry Berman and screenwriter John Michael Hayes. Title page integral with first page of text dated 02/25/53. 107 leaves with last page of text numbered 78. Mimeograph on yellow stock dated variously between 02/24/53 and 02/28/53. Pages Near Fine wrapper Near Fine bound with two gold brads. Hirschhorn p. 338. Metro-Goldwyn-Mayer [MGM] unknown books
1958ref. 140666N.p.: Regal Films 1958. Draft script for the 1958 film. Copy belonging to actress Lyn Thomas with annotations throughout relating to her character in the film Laura. A space probe returns to earth bearing an unusual extraterrestrial fungus which when accidentally mixed with human blood turns into space rust. The rust expands rapidly threatening to consume the entire planet. Produced on a tight budget $12500 with $25000 for the screenwriters and rushed to production so that the release would coincide with the Explorer launch. Shot on location in California. Red untitled wrapper lacking front wrapper. Title page present dated March 7 1958 with credits for screenwriters Daniel Mainwaring and George Worthing Yates. 108 leaves with last page of text numbered 102. mechanical duplication with blue pink and yellow revision pages throughout dated variously between 3/4/58 and 3/13/58. Pages Near Fine wrapper Near Fine lacking front wrapper. Bound with two gold brads. Regal Films unknown
1958ref. 140666N.p.: Regal Films 1958. Draft script for the 1958 film. Copy belonging to actress Lyn Thomas with annotations throughout relating to her character in the film Laura. A space probe returns to earth bearing an unusual extraterrestrial fungus which when accidentally mixed with human blood turns into space rust. The rust expands rapidly threatening to consume the entire planet. Produced on a tight budget $12500 with $25000 for the screenwriters and rushed to production so that the release would coincide with the Explorer launch. Shot on location in California. Red untitled wrapper lacking front wrapper. Title page present dated March 7 1958 with credits for screenwriters Daniel Mainwaring and George Worthing Yates. 108 leaves with last page of text numbered 102. mechanical duplication with blue pink and yellow revision pages throughout dated variously between 3/4/58 and 3/13/58. Pages Near Fine wrapper Near Fine lacking front wrapper. Bound with two gold brads. Regal Films unknown books
1958ref. 162526N.p.: N.p. 1958. Two vintage reference photographs of director Richard Brooks on the set of the 1958 film one showing Brooks talking with Elizabeth Taylor the other showing Brooks with Paul Newman. Printed mimeo snipes affixed to the versos along with the printed labels of Stillphoto in Amsterdam. Based on the 1955 Pulitzer Prize-winning play by Tennessee Williams about the deeply dysfunctional family of a dying plantation owner on the Mississippi Delta. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. N.p. unknown
1958ref. 162526N.p.: N.p. 1958. Two vintage reference photographs of director Richard Brooks on the set of the 1958 film one showing Brooks talking with Elizabeth Taylor the other showing Brooks with Paul Newman. Printed mimeo snipes affixed to the versos along with the printed labels of Stillphoto in Amsterdam. Based on the 1955 Pulitzer Prize-winning play by Tennessee Williams about the deeply dysfunctional family of a dying plantation owner on the Mississippi Delta. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. N.p. unknown books
1964ref. 155108Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Two vintage borderless reference photographs one double weight of director John Huston and playwright Tennessee Williams on location of the 1964 film. One photo with a National FIlm Archive stamp on verso and one with a Sunday Telegraph stamp on the verso. Based on Williams' 1961 play. An alcoholic former priest finds himself caught between the attentions of three women while leading a failing tour of Puerto Vallarta. Nominated for four Academy Awards winning one. Set and shot on location in Mismaloya and Puerto Vallarta Mexico the latter of which became a popular tourist destination after the film's release. 9 x 11 inches and 8 x 10 inches. Very Good plus to Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1964ref. 153070Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Vintage borderless reference photograph of actress Sue Lyons and playwright Tennessee Williams sharing a script on the set of the 1964 film. Mimeo snipe to the verso. From the archive of film historian and author Joel Finler. Based on Williams' 1961 play. An alcoholic former priest finds himself caught between the attentions of three women while leading a failing tour of Puerto Vallarta. Nominated for four Academy Awards winning one. Set and shot on location in Mismaloya and Puerto Vallarta Mexico the latter of which became a popular tourist destination after the film's release. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1964ref. 153070Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Vintage borderless reference photograph of actress Sue Lyons and playwright Tennessee Williams sharing a script on the set of the 1964 film. Mimeo snipe to the verso. From the archive of film historian and author Joel Finler. Based on Williams' 1961 play. An alcoholic former priest finds himself caught between the attentions of three women while leading a failing tour of Puerto Vallarta. Nominated for four Academy Awards winning one. Set and shot on location in Mismaloya and Puerto Vallarta Mexico the latter of which became a popular tourist destination after the film's release. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1964ref. 155108Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Two vintage borderless reference photographs one double weight of director John Huston and playwright Tennessee Williams on location of the 1964 film. One photo with a National FIlm Archive stamp on verso and one with a Sunday Telegraph stamp on the verso. Based on Williams' 1961 play. An alcoholic former priest finds himself caught between the attentions of three women while leading a failing tour of Puerto Vallarta. Nominated for four Academy Awards winning one. Set and shot on location in Mismaloya and Puerto Vallarta Mexico the latter of which became a popular tourist destination after the film's release. 9 x 11 inches and 8 x 10 inches. Very Good plus to Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1980ref. 159604Tokyo: Nikkatsu 1980. Five vintage studio still photographs from the 1980 Japanese pink film. 10 x 8 inches. About Fine faintly age toned. Nikkatsu unknown
1980ref. 159604Tokyo: Nikkatsu 1980. Five vintage studio still photographs from the 1980 Japanese pink film. 10 x 8 inches. About Fine faintly age toned. Nikkatsu unknown books
1977ref. 197301977. Lucas George. Star Wars: A New Hope 1977 reshaped American cinema through its synthesis of mythic storytelling science fiction and commercial spectacle establishing the modern blockbuster model. The film follows a young protagonist drawn into an interplanetary conflict integrating archetypal narrative structures with advanced visual effects. Its unprecedented global commercial success becoming the first film to surpass $500 million in worldwide revenue contributed to a reorientation of studio production toward franchise development merchandising and serialized storytelling supporting research into late twentieth-century media economics and popular culture. George Lucas's Star Wars: A New Hope. Los Angeles: 20th Century Fox 1977. Archive of 6 original vintage silver gelatin photographic stills. Glossy black-and-white prints measuring approximately 7.5 x 10 inches. The images depict staged scenes from the film including the trash compactor escape sequence with principal characters in confined mechanical space and the closing award ceremony featuring formal assembly and costumed figures. Additional compositions include appearances by Mark Hamill Harrison Ford Carrie Fisher and Alec Guinness shown in character within spacecraft interiors battle environments and ceremonial settings. The photographs emphasize costume design spatial staging and group dynamics central to the film's visual identity. Produced during a period of transition in the American film industry Star Wars contributed to the emergence of effects-driven storytelling and long-form franchise planning. Its influence extended across subsequent science fiction and fantasy productions shaping visual expectations and narrative scope in global cinema. Light handling wear with minor surface marks; overall very good condition. A cohesive group of early production stills from the first installment of a major cinematic franchise. unknown
