3 034 résultats
2016réf. 127141Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . 2016. 0891780734 . Museum paperback
2014réf. 117073Rm/Museo/Jeu De Paume. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Most of text in Spanish and English with portions exclusively in Spanish. -- with a bonus offer-- . 2014. 8415118732 . Rm/Museo/Jeu De Paume hardcover
1989réf. 74684Institute. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English and Spanish. 40 pp. With 30 ills. And 14-page inserted checklist. 28 x 19 cm. -- with a bonus offer-- . 1989. Institute paperback
2007réf. 93859Turner. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 116 pp. ; 51 color illustrations. -- with a bonus offer--; Thomas Struth's most recent project "Making Time" was exhibited at the Prado Madrid in the winter and spring of 2007 and is now compiled in this handsome catalogue from Turner. Making Time continues Struth's established work on the subject of public art venues and consists of photographs depicting the Prado's famous collection and its visitors photographs that were displayed throughout the Prado during his exhibit as part of the museum's current ambition to open up fresh perspectives on its holdings. Over the course of two years Struth made more than 400 images in and around the Prado showing an "inhabited" public space and highlighting the interactions between the exhibited paintings and their viewers. This volume also marks the first presentation of Struth's earlier work from the spring of 2005 on Velazquez's great "Las Meninas" 1656 itself a classic study of spectatorship. The result is a multilayered dialogue between Struth the Prado its collection and its visitors. . 2007. 8475067883 . Turner paperback
2007réf. 77841Actar D/Actar Distribution Inc. . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 368 pp. With 288 ills. 129 col. . 33 x 23 cm. -- with a bonus offer--; Warhol was an extremely public figure but a very private person. His guardedness offset by his desire to place himself in front of the media has created a confounding situation. While Warhol masterfully presented a honed persona to the world his façade also drove critics fans acquaintances and perfect strangers to hunt for evidence of his personal life. As a result many observers who did not directly know Warhol feel a personal claim to the white-wigged phenomenon and often refer to him as Andy. Rather than using Warhol s formal surname his given name hints at heightened familiarity and understanding. . 2007. 849691710X . Actar D/Actar Distribution Inc. hardcover
réf. 13145Kaufman TX: Lone Star Autographs. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- with a bonus offer--; 013145 . Lone Star Autographs paperback
réf. 28281Kaufman TX: Lone Star Autographs. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - ND -- with a bonus offer--; T-LONESTARYAR; Lone Star Autographs Special Catalog - Senator Ralph W. Yarborough Collection Part IX - Lone Star Autographs - Catalogue #933 . Lone Star Autographs paperback
2015réf. 111147La Fábrica. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2015. 8415691793 . La Fábrica hardcover
2011réf. 94728La Fabrica. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English and Spanish. 172 pages; 134 illustrations. -- with a bonus offer--; Deriving its theme from the "Interface" theme of the 2011 PHotoEspaña festival Face Contact looks at the myriad registers of the human face as interpreted by photography. It sets aside the conventional category of "portrait" to assess the idea of photographing the face as if it were an anthropological occasion or semiotic act rather than merely an artistic genre. Broaching this reframing of portraiture as sociology are photographers and artists such as Liliana Angulo Ananké Asseff Lauren Olney Richard Lawrence Jorge Brantmayer Nancy Burson Luis Camnitzer Jeanette Chávez Colectivo MR Luc Fosther Diop Eugenio Dittborn Juan Downey Hans-Peter Feldmann Jérôme Fortin Shadi Ghadirian Simryn Gill Shilpa Gupta Mona Hatoum José Iraola Kan Xuan Pedro Lemebel Cristina Lucas Dulce Pinzón Liliana Porter Libia Posada Jorge Ribalta Yoani Sánchez Stephanie Sinclair Dayanita Singh Marta Soul Remy Zaugg Jarbas Lopes and Giselle Victoria. . 2011. 8492841893 . La Fabrica paperback
réf. 152527N.p.: N.p. 1970. Dialogue transcript for the infamous unfinished film musical undated circa 1968. Copy belonging to Frank Zappa with a single annotation in Zappa's hand on the top of the first page. Full provenance available. A transcript detailing multiple takes of ten scenes shot by Zappa for his long-planned but never finished experimental film. Transcript primarily addresses scenes featuring Don Preston and Phyllis Smith Altenhaus but also contains dialogue intended to be spoken by Carl Zappa Billy Mundi Aynsley Dunbar Jimmy Carl Black and Zappa himself. Originally innovated in 1967 by Zappa featuring his then-band the Mothers of Invention the film would morph in various ways over the course of the next decade but would ultimately never come to fruition due to a lack of financing. In 1969 the Mothers of Invention released the acclaimed double album "Uncle Meat" an instrumental soundtrack to the unfinished film. Finally in 1987 a direct-to-video "making of" documentary of the uncompleted film was released. Transparent front wrapper with orange back wrapper and spine. 59 leaves with last page of text numbered 58. Mimeograph duplication rectos only. Pages with light stain on first leaf else Near Fine wrapper Very Good plus bound internally with three silver brads. N.p. unknown
2021réf. 1-1119488877Wiley-Blackwell 2021. Hardcover. New. 2nd edition. 7081 pages. 18.25x12.00x10.00 inches. Wiley-Blackwell hardcover
réf. 160904N.p.: N.p. 1977. Early First Draft script for the seminal 1980 film here under the working title "California Girls." Copy belonging to uncredited crew member Jim Brown no relation to the actor we suspect with his name in manuscript ink on the title page. A bleak seminal coming-of-age drama about four teenage girls grappling with their families drugs and relationships in Los Angeles in the late 1970s. Adrian Lyne's directorial debut. Shot on location in San Fernando Hollywood and Los Angeles California. Blue untitled wrappers. Title page present dated Nov. 28 1977 noted as First Draft with credits for screenwriter Gerald Ayres. 138 leaves with last page of text numbered 137. Xerographiic duplication with the exception of the title page which is a carbon typescript copy rectos onl. Pages Near Fine wrapper Very Good plus bound with two gold brads. McPadden Heavy Metal Movies. McPadden Teen Movie Hell. N.p. unknown
1838réf. 49473Paris, Bachelier, 1838 a. 1840. 4to. No wrappers. In: ""Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences"", Tome 7, No 19 and Tome 10, No 17/18. With title-ages to vol. 7 and 10. Pp. (769-) 803 a. pp. (671-) 717. (Entire issues offered). Bessel's papers: pp. 785-793 a. pp. 703-710. Stamp on both titlepages. The second titlepage with a fes brownspots, otherwise clean and fine.
1838réf. 49473Paris Bachelier 1838 a. 1840. 4to. No wrappers. In: "Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences" Tome 7 No 19 and Tome 10 No 17/18. With title-ages to vol. 7 and 10. Pp. 769- 803 a. pp. 671- 717. Entire issues offered. Bessel's papers: pp. 785-793 a. pp. 703-710. Stamp on both titlepages. The second titlepage with a fes brownspots otherwise clean and fine. First appearance of a milestone paper in astronomy giving the solution of the great problem of distances in the universe which had baffled astronomers ever since the time of Copernicus announcing the FIRST SUCCESSFUL DISPLACEMENT OR PARALLAX OF A FIXED STAR and hence deducing the FIRST RELIABLE DISTANCE OF THE EARTH TO A FIXED STAR. The parallax observed corresponded to ab. 600.000 times that of the earth from the sun. On these grounds Bessel calculated the distance to about 11 light years and this was confirmed by fresh investigations by Bessel in 1839-40 the second paper offered. In 1842-43 it was also confirmed by C.A.F. Peters at Pulkowa. It is the first published instance of the fathom-line thrown into celestial space.Bessel communicated his observations in Comptes Rendus in a letter to Humboldt the offered paper dated Nov. 5 1838 in "Monthly Notices" in letter to J. Herschel and in "Astronomische Nachrichten" Vol. 16 No 365-66 pp. 65-96 1838 where a more detail account was published.Ther paper "Bestimmung der Entfernung des 61sten Stern des Schwans" in "Astronomische Nachrichten" is dated at the end: Altona 1838 Dec. 13.Bessel's investigation was hailed by John Herschel when Bessel was awarded the R.A.S. gold medal "The greatest and most glorious triumph which practical astronomy has ever witnessed". "For determining the parallax of 61 Cygni Bessel selected two comparison stars of magnitude 9-10 at distances of roughly eight and twelve minutes of arc. 61 Cygni is a physical double star whose components differ in brightness by less than one magnitude. The distance of sixteen seconds of arc between the components favored the accuracy of the determination of the parallax because pointing could be carried out with two star images. After observing for eighteen months by the fall of 1838 Bessel had enough measurements for the determination of a reliable parallax. He found that p = 0.314 with a mean error of ±:0.020. This work was published in the Astronomische Nachrichten 1838 the first time the distance of a star became known. Bessel’s value for the parallax shows excellent agreement with the results obtained by extensive modern photographical parallax determinations." DSB.Parkinson "Breakthroughs" 1838 A. - Shapley & Howarth "A Source Book in Astronomy" pp. 216 ff. unknown
1969réf. 32779Holywood: Desilu Studios unpublished Circa 1969-1971. A reel of original black and white 16mm film containing a film print of the full footage of the blooper reels Roddenberry had assembled following seasons one and two of STAR TREK September 8 1966 to March 29 1968. Roughly fifteen minutes of black and white footage from film originally rescued from the cutting-room floor at Deslu Studios. On a contemporary 12.5 inch film spool and in a film can from the same period. The digital print is made from the actual film provided and is on modern "thumb-drive" media. Request for conversion to DVD. The celluloid film appears to be very well preserved there is no odor of acetate or evidence of brittleness associated with degraded film the actual projected images range from scene to scene but are as in virtually all known examples generally of fairly low quality. The history of the their creation and early distribution explains this. A VERY ENJOYABLE AND YET ALSO AN IMPORTANT HISTORICAL ITEM FROM THE MOST FAMOUS TELEVISION SCIENCE FICTION SERIES OF ALL TIME. STAR TREK has lived on to be a cultural phenomenon with an almost 60 year life comprised of twelve television series twelve major motion pictures and a countless array of books graphic novels parodies and various merchandise. In the history of modern Science Fiction only STAR WARS rivals its popularity. The STAR TREK bloopers were also the first generally viewed or distributed films of their kind. In the decades since bloopers have become big business spawning a popular television series and commonly shown at the end of movies such as the Marvel film series and Dreamworks productions. But prior to STAR TREK unusable footage such as this was in virtually all cases simply discarded. The making of the STAR TREK Blooper Reels began as a labor of love. Series creator Gene Roddenberry hand-assembled the first original reel from film scraps rescued from the cutting room floor of things such as goof-ups horseplay practical jokes etc. This first reel was made to show to the cast production staff and other studio personal at a 1966 Desilu Christmas party. It was a hit and he had a few copies made to give as gifts to the studio execs. At the conclusion of season one he created a second reel using film from reel one combined with additional new footage from the episodes produced after Christmas. Copies of this reel were also produced again as gifts to studio execs. Another reel was made using clips from season two. STAR TREK was canceled in 1968 but knowing it had a broad base of mostly well educated fans the studio heavily promoted it for syndication. These afternoon "reruns" quickly gave the series a second life. Roddenberry began as early as 1969 going to colleges to give public speaking appearances and occasionally brought along his copies of the popular "bloopers". These appearances eventually led to the early S.T. conventions where Roddenberry would speak and often show his film reels. Eventually as the conventions grew in popularity copies were made from Roddenberry's copies for wider distribution. And occasionally copies of those copies were made to sell to the devoted fans. While the original broadcast episodes of the series were protected by copyright the editing room scraps were not. The conventions could show these as they pleased; and in fact the series owners by this time Paramount/Gulf Western encouraged it as free advertising for the franchise; they would later try to clamp down on this but the genie was already out of the bottle. The distribution reels being made from Roddenberry's already well-loved and often-shown originals is what accounts for the generally poor audio and video to be found on the film. Fan complaints about the viewing quality go back as far as the early 1970s. No official effort to restore or market the bloopers has ever been made though parts of them showed up on unauthorized VHS anthologies in the 1980s and later on unauthorized DVDs. The reel of film offered here contains the full season one reel combined with the full reel from season two making for just over 15 minutes of viewing pleasure. It is also an uncommon example as it was produced in black and white. The bloopers themselves provide a rare behind-the-scenes glimpse not only into STAR TREK but into the television industry of the era. They show us a typically good-natured group of fun and creative people who seem to be genuinely enjoying their work. Many of the scenes are physical mishaps such as tripping falling dropping things or walking into doors that happens a lot. Others are line flubs and slips of the tongue and many more are the cast of actors just goofing around horse-playing or pulling gags on one and other. Much of the activity is clearly from a different era and would be considered highly "workplace inappropriate" by today's standards! [Desilu Studios, unpublished] unknown
1970réf. 011169Paris Maeght 1970 In-2 En feuilles, couverture illustrée Edition originale Dédicacé par l'illustrateur
1579réf. 17643Lutetiae, apud Marnerum Patissorum typographum Regius, in officina Roberti Stéphani, 1579 ; deux parties avec titre propre reliées en un volume in-8, veau marbré, dos à nerfs décoré et doré avec le chiffre de Mathieu Molé, armes de Mathieu Molé au centre des plats ; (12)-136 pp. , (6) p. , (1) f. blanc ; 292, (12) pp.volume in-8, veau marbré, dos à nerfs décoré et doré avec le chiffre de Mathieu Molé, armes de Mathieu Molé au centre des plats ; (12)-136 pp. , (6) p. , (1) f. blanc ; 292, (12) pp.
1977réf. 16625JNew York 1977. Measuring 8 by 10 inches. Signed in blue ink: Best wishes Alec Guinness. Former ownership stamp and writing on verso in fine condition. When Guinness read the script for Star Wars was reluctant to do the film but Lucas badly wanted a major star and he offered Guinness $150000 plus 2% of profits and Guinness agreed and became Obi-Wan Kenobi and later was nominated for the Best Supporting Actor Academy Award. Guinness had made a stipulation his character would die before the end of the movie so he would not have to appear in the inevitable sequels which he actually did briefly appear in! Guinness was shocked by the huge success of Star Wars and the financial windfall it gave him. He would occasionally sign photographs from Stars War but they are not common. unknown
réf. 158636N.p.: N.p. 1971. Vintage two-color poster for an unseen performance by punk icons the Stooges queer hippie theatre troupe the Cockettes all-girl rock group The GTOs and John Mendelsohn's short-lived rock band Super Star held at the Hollywood Palladium on July 16 1971. The show would ultimately be canceled after The Stooges formally broke up on July 9 1971. A preview of The Cockettes' satirical 1971 film "Tricia's Wedding" was also to have been shown. The film featured The Cockettes reenacting President Nixon's daughter Tricia's wedding to Edward Cox interspersed with a number of humorous scenes including Eartha Kitt spiking the punch bowl with LSD. Even before it was canceled it's hard to imagine how this concert would have come together given the clashing styles of the acts. Founded in 1969 in San Francisco the Cockettes were a performance art group that performed improvised musical numbers in elaborate genderbending costumes and had become a sensation among the West Coast arts and culture scene. The GTOs were a satirical rock band formed in Los Angeles with ties to Captain Beefheart and Frank Zappa who would produce the band's only album Permanent Damage 1969. And the Stooges were simply the Stooges. 11.25 x 26 inches. About Near Fine. N.p. unknown
réf. OTASG001Comiskey Park Chicago: Major League Baseball 1983 July 5 1983. 4pp. Original printed wrappers printed yellow red and blue. Signed by Roger Maris in blue sharpie to front cover signed by virtually every participating former player on or near their photo. Approximately 100 signatures including: Hank Greenberg Joe and Dom DiMaggio Bob Feller Larry Doby Don Larsen Lefty Gomez Frank Robinson Brooks Robinson Al Kaline Bob Lemon Charlie Gehringer Joe Cronin Bobby Doerr Roger Maris signed twice Earl Weaver Leo Durocher Buck Leonard Ernie Banks Lou Brock Carl Hubbell Willie McCovey Pee Wee Reese Willie Mays Johnny Mize Stan Musial Enos Slaughter Duke Snider Warren Spahn Willie Stargell Bobby Thomson Travis Jackson Ralph Kiner and Joe Torre. Some light wear to the extremities several creases otherwise very good. . First Edition. Original Wraps. Near Fine. Comiskey Park, Chicago: Major League Baseball, 1983 (July 5, 1983). paperback books
1954réf. 146173Burbank CA: Walt Disney Productions 1954. Final Shooting Script for the 1954 film with blue yellow and green revisions throughout. Based on the 1870 novel "Twenty Thousand Leagues Under the Sea" by Jules Verne. Walt Disney's "20000 Leagues Under the Sea" was one of the most expensive and ambitious productions of its time. A 200 foot submarine a 225 pound diving suit a specially built soundstage with a 90 x 165 foot tank and a giant squid which weighed two tons and required a crew of 28 to operate were just some of the monumental challenges of the production. Disney's first CinemaScope motion picture "20000 Leagues Under the Sea" was a resounding success and went on to be considered one of greatest live-action adventure movies ever made. In 1868 off the coast of San Francisco Professor Aronnax Paul Lukas his assistant Conseil Peter Lorre and master harpooner Ned Land Kirk Douglas set sail upon a armed frigate to investigate a spate of sinkings rumored to be caused by a sea monster. After months of searching the "monster" is spotted sinking a merchant vessel and the frigate attacks only to be sunk themselves. Adrift in the ocean the three come upon a strange metal vessel and realize the "monster" is a "submerging boat." The trio are captured by Captain Nemo James Mason and taken aboard the submarine the Nautilus and journey on a voyage of adventure and discovery under the sea. Nominated for three Academy Awards winning two for Art Direction and Special Effects. Shot on location in California Jamaica and the Bahamas. Blue titled wrappers with affixed Walt Disney Productions label as called for with Disney scripts from this era noted as FINAL SHOOTING SCRIPT on the front wrapper with credits for screenwriter Earl Felton. Title page present with credits for screenwriter Earl Felton. 146 leaves with last page of text numbered 141. Mimeographed rectos only with blue yellow and green revision pages throughout dated variously between 1/30/54 and 3/1/54. Pages Near Fine plus wrapper Near Fine bound internally with three gold brads. Walt Disney Productions unknown books
1983réf. 791983. Very good. Ps. Sensational original presentation color photograph 16" X 20" of Carrie Fisher as Princess Leia in her slave costume. Boldly inscribed by Fisher in black ink to her psychiatrist Dr. Arnold Klein "For my own crazy. Who loves you darling Guess again. Princess Leia. Opiates for sure." With the original hologram sticker "Officially Licensed Star Wars Photograph" in the lower left corner. 2 dozen surface scratches else very good. Framed. If you like this sort of thing this is the sort of thing you'll like. My take Carrie's Leia is one of the 2 late 1970s world-wide magnetic babe fantasies see page 19 in this catalog for the other but needless to say we don't number our pages. And speaking of babes when we do employment interviews at Biblioctopus we give the women a bite-sized Snickers. If they take the wrapper off before eating it we make them catalogers. If they eat it with the wrapper still on they get hired for Security. unknown books
1943réf. 53630Tunisia 1943. Nearly Fine. Five-pointed yellow cloth star sewn onto plain beige cloth 7.3 by 9 cm. Yellow dye somewhat faded else in fine state of preservation. Specimen of the yellow star imposed on the Jewish population of Tunisia in March 1943 as a mark of the slave laboror. Tunisia was the only Islamic country to come under Nazi rule at first indirectly through the Vichy regime in France between 1940 and its liberation by Allied forces on May 7 1943. In response to the Allied invasion of Algeria and Morocco German and Italian forces invaded Tunisia on November 9 1942. By the end of November the Germans took the first anti-Jewish move by arresting four of the community leaders including Moïse Borgel the president of the Jewish congregation. "In addition to the governor-general's sympathetic attitude -- and in some degree to the pro-Jewish attitude of Bey Sidi Mohammed al-Mounsaf -- the Italians also in practice interfered with the application of the anti-Jewish laws" E.H. The dignitaries were released after a week following the intervention of the mayor of Tunis and the Italian consul. Because of objections by the Italians the edict to wear the star does not appear to have been generally enforced with rigor and was only formally imposed in two cities Sfax and Tunis. While 5000 Jews had originally been put on forced labor in thirty locations and camps along the front line "at the time of the collapse and surrenter in early May 1943 only sixteen hundred Jews were employed on forced labor" E.H. Given the relatively small labor force and the lack of zeal in imposing the anti-Jewish ordinances it is clear why so few of these yellow badges have survived. References: I. Gutman ed. Encyclopedia of the Holocaust vol. 4 pp. 1521-23. unknown
réf. 3490New. DESCRIPTION: Outtake: Red Star The Breaker 2012. Limited Edition Archival inkjet print 10 x 10" image on 12 x 12" paper. Edition of 50 signed and numbered by the artist. CONDITION: FINE/NEW. SIGNED. unknown
réf. 166560N.p.: N.p. 1972. Early Draft script for the 1974 film file copy belonging to director Sam Peckinpah. Dated July 8 1972 over a year before production commenced and notably featuring the original ending with Bennie getting away-in true Peckinpah fashion the director would later rewrite the ending to show Bennie dying in a shootout. With Peckinpah's brief annotations in manuscript ink on the title page and two leaves of the script. Warren Oates stars as Bennie a bartender who travels through the Mexican underworld accompanied by his sex worker girlfriend to collect the bounty on the head of a gigolo. The only Peckinpah film not re-cut by the studio. Shot on location in Mexico. Yellow titled wrappers. Title page present dated July 8 1972 with credits for Peckinpah and screenwriter Gordon Dawson. 128 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Ebert II. Nilsen Warped and Faded. Rosenbaum 1000. Twilight Time 497. N.p. unknown
