Morgan, CatherineMareMagnum
778 résultats
1997Digitally reprinted. Very light shelfwear else fine. ; Cambridge Classical Studies; 8.5 X 5.6 X 1.2 inches; 340 pages
1925Scholar's name to inner cover (Cedric Boulter). Endpapers browned. Spine has minor dampstaining and colour loss. ; 4to 11" - 13" tall; 316 pages
2007Some light creasing to DJ. ; In this sumptuously illustrated book, Joan Breton Connelly gives us the first comprehensive cultural history of priestesses in the ancient Greek world. Connelly presents the fullest and most vivid picture yet of how priestesses lived and worked, from the most famous and sacred of them--the Delphic Oracle and the priestess of Athena Polias--to basket bearers and handmaidens. Along the way, she challenges long-held beliefs to show that priestesses played far more significant public roles in ancient Greece than previously acknowledged. Connelly builds this history through a pioneering examination of archaeological evidence in the broader context of literary sources, inscriptions, sculpture, and vase painting. Ranging from southern Italy to Asia Minor, and from the late Bronze Age to the fifth century A. D. , she brings the priestesses to life--their social origins, how they progressed through many sacred roles on the path to priesthood, and even how they dressed. She sheds light on the rituals they performed, the political power they wielded, their systems of patronage and compensation, and how they were honored, including in death. Connelly shows that understanding the complexity of priestesses' lives requires us to look past the simple lines we draw today between public and private, sacred and secular. The remarkable picture that emerges reveals that women in religious office were not as secluded and marginalized as we have thought--that religious office was one arena in ancient Greece where women enjoyed privileges and authority comparable to that of men. Connelly concludes by examining women's roles in early Christianity, taking on the larger issue of the exclusion of women from the Christian priesthood. This paperback edition includes additional maps and a glossary for student use.; 10.1 X 7.4 X 1.3 inches; 415 pages
1995DJ Spine is sunned and very discolored. Very light shelfwear to book. ; This book offers a series of in-depth studies of the beliefs, attitudes, and rituals surrounding death in ancient Greece, from the Minoan and Mycenean period to the end of the classical age. Drawing on a wide range of evidence--from literary texts, to inscriptions, to images in art--Sourvinou-Inwood sheds light on many key, still problematic, aspects of Greek life, myth, and literature. She also looks at the problem of "reading" this material within the context of our own culturally-determined beliefs. ; 512 pages
19961.25 x 10 x 6.75 Inches; 288 pages; In recent years, the topic of ancient Greek hero cult has been the focus of considerable discussion among classicists. Little attention, however, has been paid to female heroized figures. Here Deborah Lyons argues for the heroine as a distinct category in ancient Greek religious ideology and daily practice. The heroine, she believes, must be located within a network of relations between male and female, mortal and immortal. Using evidence ranging from Homeric epic to Attic vase painting to ancient travel writing, she attempts to re-integrate the feminine into our picture of Greek notions of the hero. According to Lyons, heroines differ from male heroes in several crucial ways, among which is the ability to cross the boundaries between mortal and immortal. She further shows that attention to heroines clarifies fundamental Greek ideas of mortal/immortal relationships. The book first discusses heroines both in relation to heroes and as a separate religious and mythic phenomenon. It examines the cultural meanings of heroines in ritual and representation, their use as examples for mortals, and their typical "biographies." The model of "ritual antagonism," in which two mythic figures represented as hostile share a cult, is ultimately modified through an exploration of the mythic correspondences between the god Dionysos and the heroines surrounding him, and through a rethinking of the relationship between Iphigeneia and Artemis. An appendix, which identifies more than five hundred heroines, rounds out this lively work.
1976Wraps have heavy rubbing with creasing. Colour loss along spine. Wraps are a bit worn. Scholar's name to ffep (Jenifer Neils). Some underlining in ink to a few pages. ; Drawings; 0.81 x 9.25 x 5.95 Inches; 311 pages
1994Pencil Underlining or marginalia to some pages; 1 page with pen marginalia (line). Else minor shelfwear. Scholar's name to ffep (Jenifer Neils). ; 320 pages
1987American Excavations in Old Corinth. Corinth Notes No. 2; 8.2 X 5.3 X 0.5 inches; 32 pages
2010Creasing to book through lower section. ; Books Guides; 9.9 X 7.2 X 0.7 inches; 240 pages
1998Very minor shelfwear to book and DJ. ; Drawings; 9.8 X 7.5 X 0.8 inches; 224 pages
1976DJ spine a bit sunned. Some creasing to DJ. Signed by author to copyright page. Colour loss along spine. ; 159 pages; Signed by Author
1980Faint shelfwear. ; Excavations of the Athenian Agora Picture Book No. 19; 8.2 X 5.1 X 0.1 inches; 32 pages
1987American Excavations in Old Corinth. Corinth Notes No. 2; 8.2 X 5.3 X 0.5 inches; 32 pages
1995Review of book tipped in. Dustjacket has faint creasing; 0.85 x 9.32 x 6.32 Inches; 240 pages; Theseus is celebrated as the greatest of Athenian heroes. This work explores what he meant to the Athenians at the height of their city-state in the fifth century B. C. Assembling material that has been scattered in scholarly works, Henry Walker examines the evidence for the development of themyth and cult of Theseus in the archaic age. He then looks to major works of classical literature in which Theseus figures, exploring the contradictions between the archaic, primitive side of his character and his refurbished image as the patron of democracy. His ambiguous nature as outsider, flouting accepted standards of behavior, while at the same time being a hero-king and a representative of higher ideals, is analyzed through his representations in the work of Bacchylides, Euripides, and Sophocles. This is the only work of scholarship that examines the literary representation ofTheseus so thoroughly. It brings to life a literary character whose virtues, flaws, and contradictions belong in no less a degree to his creators, the people of Athens.
2003Light edgewear along top edge of DJ. Very faint shelfwear to book else fine. ; This book deals specifically with sixteenth-century depictions of the Olympian deities, the twelve supreme deities of ancient Greece and Rome. As the Renaissance revived several aspects of antiquity, some great works of art represented the Olympians in imitation of the classical style. These deities were rendered as autonomous figures, in the form of representation adapted for depicting saints and Christian rulers. This form of depicting the Olympians, or the pagan gods, was not unanimously accepted by sixteenth-century viewers. The book highlights the problematic framework surrounding the creation, display and acceptance of such thought-provoking works of art. ; 9.7 X 7.2 X 1.0 inches; 318 pages
1996Large stamp to verso of dedication page for the John Deyell company with number written in. Else book is fine. ; An important contribution to social history, linking the life and nature of the polis with its festivals and rituals and the legends which went with them and used for the elucidation of a state's self-identity. ; Phoenix Supplementary Volume; 1 x 9.5 x 6.5 Inches; 287 pages
1967Yellowing to wraps. Pencil underlining to a few pages. Scholar's name to ffep (Jenifer Neils). ; Gives a general picture of oracular activity up to the end of paganism. Delphi is the most famous oracle but recent archaeology gives further indications of the history of other oracles. Parke discusses the various methods of divination and the changes in importance and popularity of the different centres. ; 160 pages
2005This book provides an exploration of the Oracle of Apollo at Delphi, where the god Apollo was believed to speak to inquirers through his priestesses. In particular, it examines Athens' use of the oracle c. 500-300 BC. Demonstrating the importance of communication with the gods, and doing their will, in classical Athenian society, Hugh Bowden concludes that ancient Athens was not a secular Westernized democracy as we understand the term today. ; 8.4 X 5.4 X 0.6 inches; 206 pages
1999Minor creasing to front wrap. A few pages have pencil underlining. ; This is a book about the religious life of the Greeks from archaic times to the fifth century AD, looked at in the context of a variety of different cities and periods. Simon Price examines local practices and concepts in the light of general Greek ideas, relating them to such issues as gender roles, political life, and the trial of Socrates. He lays emphasis on the reactions to Greek religions of ancient thinkers--Greek, Roman and Christian. The evidence drawn on is of all kinds: literary, inscriptional and archaeological. ; Key Themes in Ancient History; 230 pages
1996Minor pencilling to a few pages. Scholar's initial o inner cover (Jenifer Neils). DJ is creased and does not sit square. DJ has a couple of small open tears. ; 1 x 9.75 x 6.75 Inches; 400 pages; Inadequately documented, ancient Greek religion can all too easily be reduced to the dry analysis of archaeological remains and so-called `ritual objects'. This authoritative new work attempts to bridge the gap that usually divides Greek religion from Greek history, setting it firmly in the thick of contemporary events and politics. How did people actually worship the gods? Was Socrates's trial a crisis for religion or the state, or both? These are among the key issues addressed in what promises to be the definitive work on the subject for many years to come.
1902Ex-library stamp to titlepage but no other markings. Endpaper has creasing and minor tears. Else VG. ; 463 pages
2009Light edgewear to wraps. ; Kernos Supplément 23; 337 pages
1995light shelfwear. ; Wisconsin Studies in Classics; 192 pages; This is the first book to show that the worship of heroines, as well as of gods and heroes, was widespread in the Greek world from the eighth through the fourth centuries B. C. Drawing upon textual, archaeological, and iconographic evidence as diverse as ancient travel writing, ritual calendars, votive reliefs, and Euripidean drama, Jennifer Larson demonstrates the pervasiveness of heroine cults at every level of Athenian society. Larson reveals that a broad range of heroic cults existed throughout the Greek world, encompassing not only individuals but couples (Pelops and Hippodameia, Alexandra and Agamemnon, Helen and Menelaos) and families such as those of Asklepios and the Dioskouroi. She shows how heroic cults reinforced the Greeks' gender expectations for both women and men through ritual status, iconography, and narrative motifs. Finally, Larson looks at the intersection of heroine cults with specific topics such as myths of maiden sacrifice, the Amazons, the role of the goddess Artemis, and folk beliefs about female "ghosts."
2009Minor shelfwear. Slight spine slant. ; A General analysis of the nature of myth is followed by a splendid account of the Greek myths. ; Barnes & Noble Rediscovers; 9.0 X 6.2 X 1.1 inches; 276 pages