771 résultats
1998Minor shelfwear. Scholar's name to inner cover (Jenifer Neils). ; 284 pages; For the Greeks, the sharing of cooked meats was the fundamental communal act, so that to become vegetarian was a way of refusing society. It follows that the roasting or cooking of meat was a political act, as the division of portions asserted a social order. And the only proper manner of preparing meat for consumption, according to the Greeks, was blood sacrifice. The fundamental myth is that of Prometheus, who introduced sacrifice and, in the process, both joined us to and separated us from the gods—and ambiguous relation that recurs in marriage and in the growing of grain. Thus we can understand why the ascetic man refuses both women and meat, and why Greek women celebrated the festival of grain-giving Demeter with instruments of butchery. The ambiguity coded in the consumption of meat generated a mythology of the "other"—werewolves, Scythians, Ethiopians, and other "monsters." The study of the sacrificial consumption of meat thus leads into exotic territory and to unexpected findings. In The Cuisine of Sacrifice, the contributors—all scholars affiliated with the Center for Comparative Studies of Ancient Societies in Paris—apply methods from structural anthropology, comparative religion, and philology to a diversity of topics: the relation of political power to sacrificial practice; the Promethean myth as the foundation story of sacrificial practice; representations of sacrifice found on Greek vases; the technique and anatomy of sacrifice; the interaction of image, language, and ritual; the position of women in sacrificial custom and the female ritual of the Thesmophoria; the mythical status of wolves in Greece and their relation to the sacrifice of domesticated animals; the role and significance of food-related ritual in Homer and Hesiod; ancient Greek perceptions of Scythian sacrificial rites; and remnants of sacrificial ritual in modern Greek practices.
1999Zeus and the other gods of shining Olympus were in reality divine only by popular consent. Over the course of time Olympian luster diminished in favor of religious experiences more immediate to the concerns of people living in an increasingly cosmopolitan ancient world. These experiences were provided by the mysteries, religions that flourished particularly during the Hellenistic period and were secretly practiced by groups of adherents who decided, through personal choice, to be initiated into the profound realities of one deity or another. Unlike the official state religions, in which people were expected to make an outward show of allegiance to the local gods, the mysteries emphasized an inwardness and privacy of worship within a closed band of initiates. In this book, Marvin W. Meyer explores the sacrifices and prayers, the public celebrations and secret ceremonies, the theatrical performances and literary works, the gods and goddesses that were a part of the mystery religions of Greece in the seventh century B. C. To the Judaism and Christianity of the Roman world of the seventh century A. D.; 9.0 X 6.1 X 0.7 inches; 280 pages
1992Scholar's name to ffep (Jenifer Neils). DJ spine is sunned. Minor shelfwear to DJ. ; The religious imagination of the Greeks, Robert Garland observes, was populated by divine beings whose goodwill could not be counted upon, and worshipers faced a heavy burden of choice among innumerable deities to whom they might offer their devotion. These deities—and Athenian polytheism itself—remained in constant flux as cults successively came into favor and waned. Examining the means through which the Athenians established and marketed cults, this handsomely illustrated book is the first to illuminate the full range of motives—political and economic, as well as spiritual—that prompted them to introduce new gods. ; 234 pages
2012Very minor shelfwear to book and DJ. ; The first English volume dedicated specifically to the topic of aniconism in Greek antiquity since 1903 Challenges the perception and place of non-figural objects in Greek religious art and is likely to become the standard work on the subject of Greek aniconism Fully illustrated throughout with 94 in-text illustrations; Oxford Studies In Ancient Culture & Representation; 9.8 X 7.5 X 0.9 inches; 456 pages
2012The interpretation of animal sacrifice, now considered the most important ancient Greek and Roman religious ritual, has long been dominated by the views of Walter Burkert, the late J. -P. Vernant, and Marcel Detienne. No penetrating and general critique of their views has appeared and, in particular, no critique of the application of these views to Roman religion. Nor has any critique dealt with the use of literary and visual sources by these writers. This book, a collection of essays by leading scholars, incorporates all these subjects and provides a theoretical background for the study of animal sacrifice in an ancient context. ; 9.1 X 6.1 X 0.8 inches; 224 pages
1995Book is fine. Hard creasing to top section of DJ. ; Hierà kalá presents a collection, analysis and interpretation of the representations of animal sacrifice from ancient Greece. The Archaic and Classical material is dealt with comprehensively. Later evidence is adduced more selectively, for the sake of comparison. All aspects of Greek sacrifice that are (or appear to be) represented in the iconographical material are treated in depth; interpretations are based on a combined study of the archaeological, the epigraphical and the literary data. Full catalogues of vase paintings and votive reliefs with depictions of sacrifice are included. A generous selection of these are illustrated in more than 200 figures. ; Religions in the Graeco-Roman World, 127; 9.7 X 6.5 X 1.3 inches; 374 pages
2002Light bump to base of spine. Minor crease to upper part of book (book does not lay flat). Sticky note with author's dedication to ffep. ; This study questions the traditional view of sacrifices in hero-cults during the Archaic to the early Hellenistic periods. The analysis of the epigraphical and literary evidence for sacrifices to heroes in these periods shows, contrary to the traditional notion, that the main ritual in hero-cults was a thysia at which the worshippers consumed the meat from the animal victim. A particular handling of the animal’s blood or a holocaust, rituals previously taken to be typical for heroes, can rarely be documented and must be considered as marginal features in hero-cults. The terms eschara, escharon, bothros, enagizein, enagisma, enagismos and enagisterion, believed to be characteristic for hero-cults, are seldom used in hero-contexts before the Roman period and occur mainly in the Byzantine lexicographers and in the scholia. Since the main kind of sacrifice in hero-cults was a thysia, a ritual intimately connected with the social structure of society, the heroes must have fulfilled the same role as the gods within the Greek religious system. The fact that the heroes were dead seems to have been of little significance for the sacrificial rituals and it is questionable whether the rituals of hero-cults are to be considered as originating in the cult of the dead. ; Kernos Supplément 12; 429 pages
1991Pencil notes and underlining to some pages (by Jenifer Neils). 2 cm tear to top edge of DJ. ; 229pp. This book analyzes the relationships between Athenian myths and the institutions that informed them. In particular, it examines how myths encode thoughts on ritual, the code of the warrior, marriage, and politics. Combining traditional historical and literary criticism with the approaches of anthropologists, feminist critics, and cultural historians, the authors study specific examples of the epic and tragedy, as well as funeral orations and the Parthenon marbles, to illuminate the ways mythic media exploited the beliefs, concepts, and practices of fifth-century Athens, simultaneously exemplifying and shaping that culture. ; 229 pages
1998Pp. 240, 136 pages of ills. ; 376 pages
1992Light rubbing. Minor creasing to book. ; Contents: tullia Linders: Sacred finances; Signe Isager: Sacred animals in Classical and Hellenistic Greece; Jacques Tréheux: l'unité de pesée et l'unité de compte des hiéropes à Délos; Carmine Ampolo: Economics of the sanctuaries in southern Italy and Sicily; Robin Hägg: Sanctuaries and workshops in Bronze Age Aegean; Christina Risberg: Metal working in Greek Sanctuaries; Ingrid Strom: Obeloi of pre- and proto-monetary value in the Greek Sanctuaries; Michael Vickers: metrology of gold and silver plate in Classical Greece; Cecilia Beer: Ethnic diversity and financial differentiation in Cypriote sanctuaries; Sara B. Aleshire: economics of dedication at the Athenian Asklepieion. ; Boreas, Uppsala Studies in Ancient Mediterranean and Near Eastern Civilizations 21; 99 pages
1988Minor creasing to spine. Light shelfwear. ; Skrifter Utgivna Av Svenska Institutet I Athen / Acta Instituti Atheniensis Regni Sueciae, Series in 4°, XXXVIII; 303 pages; The purpose of the Fifth International Symposium at the Swedish Institute at Athens, the papers and discussions of which are contained in this volume, was to initiate a discussion of the various phenomena characteristic of Greek cult practice of the pre-Hellenistic periods, ranging from sacrifice and libations to the handling of cult images and the placing of votive gifts in a sanctuary. It was planned as a cross-discipline symposium so as to allow the problems to be addressed by scholars from diverging points of view, by diverse methods and on the basis of the available evidence, be it archaeological, architectural, iconographical, literary or epigraphical. We also invited an anthropologist, Professor W. Arens, of the State University of New York at Stony Brook, in order to put Greek cult practice in the more general perspective of cultural anthropology. These efforts notwithstanding, it proved impossible to even touch upon all relevant aspects of the topic within the limited time of three days of sessions (and a one day field-trip). The result was a concentration of papers and discussions on a few central phenomena, such as animal sacrifice, votive offerings and ritual meals, and a number of single contributions dealing with a wide range of other aspects. It is our hope that the proceedings will inspire further research in this fascinating field. Robin Hägg
1996Light rubbing. Minor shelfwear to book. ; Boreas, Uppsala Studies in Ancient Mediterranean and Near Eastern Civilizations 24; 10.2 X 7.4 X 0.4 inches; 204 pages
1989Light edgewear. Minor creasing; Acta Universitatis Upsaliensis Boreas. Uppsala Studies in Ancient Mediterranean and Near East Civilization 18; 10.2 X 7.3 X 0.3 inches; 120 pages
2003Very light pencilling to 1 page. Light shelfwear to DJ. ; Worshippers dedicated hundreds of statues to Athena on the Acropolis during the period between Solon's reforms and the end of the Peloponnesian War. This work brings together the evidence for statue dedications on the Acropolis in the sixth and fifth centuries B. C. , including inscribed statues bases that preserve information about the dedicators and the evidence for lost bronze sculptures. Catherine Keesling questions the standard interpretation of the korai as generic and anonymous votaries, while revealing more about the origins and significance of Greek portraiture.; 10.0 X 7.2 X 0.9 inches; 290 pages
1996Minor shelfwear. From the library of Jenifer Neils. ; The foremost religious festival of ancient Athens—the city dedicated to Athena, goddess of war, fertility, arts, and wisdom—was the Panathenaia. Challenging old assumptions and refuting new theories, Worshipping Athena addresses the many problems of interpretation and understanding that have swirled for years around the Panathenaia. Among the issues discussed is the recent sensational controversy over the Parthenon frieze, perhaps the best known but least understood work of Greek art. For centuries the frieze has been thought to represent the Panathenaia procession, but recently the argument has been advanced that it depicts the sacrifice of the daughters of the Athenian king Erechtheus. Worshipping Athena offers compelling evidence that the frieze does indeed depict the festal procession and also demonstrates that scenes of contemporary ritual were not unique to the Parthenon. Editor Jenifer Neils and the contributors—eminent classicists, archaeologists, and art historians—explore the role of the Panathenaia in Athenian life and compare it with similar festivals held throughout the ancient Greek world. They discuss such topics as the Panathenaia’s mythical origins, the phenomenon of the festival’s valuable prizes (oil-filled amphoras, rather than the customary laurel wreath) , and the architecture, sculpture, and painting related to the festival. ; Wisconsin Studies in Classics; 224 pages
2007Very faint shelfwear. ; Studies in Ancient Folklore and Popular Culture; 344 pages; Drawing upon the latest research in gender studies, history of religion, feminism, ritual theory, performance, anthropology, archaeology, and art history, Finding Persephone investigates the ways in which the religious lives and ritual practices of women in Greek and Roman antiquity helped shape their social and civic identity. Barred from participating in many public arenas, women asserted their presence by performing rituals at festivals and presiding over rites associated with life passages and healing. The essays in this lively and timely volume reveal the central place of women in the religious and ritual practices of the societies of the ancient Mediterranean. Readers interested in religion, women's studies, and classical antiquity will find a unique exploration of the nature and character of women's autonomy within the religious sphere and a full account of women's agency in the public domain
2007Very mionr shelfwear. Faint creasing to wraps. ; Studies in Ancient Folklore and Popular Culture; 344 pages; Drawing upon the latest research in gender studies, history of religion, feminism, ritual theory, performance, anthropology, archaeology, and art history, Finding Persephone investigates the ways in which the religious lives and ritual practices of women in Greek and Roman antiquity helped shape their social and civic identity. Barred from participating in many public arenas, women asserted their presence by performing rituals at festivals and presiding over rites associated with life passages and healing. The essays in this lively and timely volume reveal the central place of women in the religious and ritual practices of the societies of the ancient Mediterranean. Readers interested in religion, women's studies, and classical antiquity will find a unique exploration of the nature and character of women's autonomy within the religious sphere and a full account of women's agency in the public domain
1992Faint rubbing to titlepage. DJ has light creasing along upper edge. ; While the Olympics, because of their modern revival, enjoy the greatest fame today, in ancient Greece other religious festivals were equally elaborate and impressive spectacles. The lavishly illustrated Goddess and Polis is the first work devoted to the Panathenaia, the most significant of these festivals to be held in ancient Athens. Founded in 566 B. C. , this complex ritual performed for the goddess Athena vied with other Greek festivals in grandeur and importance and was particularly distinguished by the works of art commissioned in its service. Among these were the painted vases known as Panathenaic amphoras, each of which contained forty liters of olive oil, awarded to athletic and equestrian victors. The contests depicted on these vases are the best extant illustrations of Greek sport. Although women were excluded from the competitions, they had an important role to play in the weaving of the peplos, an elaborate textile that took nine months to produce. The culmination of the festival was a long procession bearing this new robe to the cult statue of the goddess; the procession in turn was the subject of another great work of art, the Parthenon frieze. Combining art, spectacle, and civic consciousness, the Panathenaia contributed to the development of the high classical style of Periklean Athens. This book deals with every aspect of the festival and produces a vivid portrait of the worship of the patron goddess of the city. Essays by eminent classical scholars examine in depth the musical and poetic competitions, the athletic and equestrian contests, the peplos, and the evolving image of Athena as documented in sculpture from the Acropolis. Jenifer Neils, the curator of the exhibition Goddess and Polis, held at the Hood Museum of Art at Dartmouth College, has contributed an introduction to the Panathenaia, an essay on the prize amphoras, and detailed entries for the seventy objects exhibited.; 4to 11" - 13" tall; 232 pages
2009Minor creasing to wraps. ; 367 pages
1961Wraps are a bit browned. Scholar's name to ffep (de Montmollin). Institution stamp to ffep (Dept. Of Classics- University of Toronto). Light edgewear to wraps. Lower corner of first few pages creased. ; 738 pages; The Golden Bough describes our ancestors' primitive methods of worship, sex practices, strange rituals and festivals. Disproving the popular thought that primitive life was simple, this monumental survey shows that savage man was enmeshed in a tangle of magic, taboos, and superstitions. Revealed here is the evolution of man from savagery to civilization, from the modification of his weird and often bloodthirsty customs to the entry of lasting moral, ethical, and spiritual values.
1924Inner hinges broken. A few pages loose but present. Pages tanned. Tear along spine joint. Former owner's name in ink to ffep. ; 360 pages
1894Attractively bound in 1/2 black leather binding with Marbled boards with gilt lettering to spine. 4 raised bands. Edgewear along foreedges of boards. Some rubbing to leather. Former owner's name to ffep. Very light pencilling. ; Volume 1 Only. ; Vol. 1; 964 pages
1902Book has been rebound in maroon boards with dark red spine label. Pages browned. Pencilling to titlepage. A few pages are close to falling out. Contents a bit shaken. ; 534 pages
1967Former owner's name stamped to ffep and titlepage (James Fitton). Minor shelfwear. Pencil notes to about 10 pages of text. ; Greek Text with Latin introduction. Xlvi, 202 Joannes Laurentius Lydus was an early Byzantine administrator and writer on antiquarian subjects. During his retirement he occupied himself in the compilation of works on the antiquities of Rome, three of which have been preserved. ; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; 183 pages
1995Minor shelfwear. Scholars' bookplate to inner cover (Slater & Dunbabin). Light creasing to spine and a couple of corners of wraps. ; 9.2 X 6.3 X 0.9 inches; 245 pages