Nilsson, Martin P.MareMagnum
755 résultats
1950Upper Corners lightly bumped. Lower corners a bit edgeworn. Scholar's bookplate to inner cover (G. P. Goold). Pages tanned. Front hinge cracked; Handbuch Der Altertumswissenschaft V.2.2; Vol. 2; 714 pages; Heavy book.
2001Faint shelfwear and minor pencilling to book. DJ has light creasing along upper edge. ; 9.4 X 6.1 X 1.2 inches; 448 pages
1958Tear to cloth at base of spine (~2cm) . Bottom corners are bumped. DJ has tears and chipping but intact. ; Nuovi Saggi, 21; 409 pages
1997Dustjacket is protected in mylar. ; Glorious Treasures Series; 93 pages
1997Light scratches to rear panel with minor edgewear to wraps. Light soiling to ffep. ; Text is Greek with short abstracts in English. ; 200 pages
1969Some pencil underlining and marginalia, else Very Good. ; 159 pages
1992Faint rubbing to titlepage. DJ has light creasing along upper edge. ; While the Olympics, because of their modern revival, enjoy the greatest fame today, in ancient Greece other religious festivals were equally elaborate and impressive spectacles. The lavishly illustrated Goddess and Polis is the first work devoted to the Panathenaia, the most significant of these festivals to be held in ancient Athens. Founded in 566 B. C. , this complex ritual performed for the goddess Athena vied with other Greek festivals in grandeur and importance and was particularly distinguished by the works of art commissioned in its service. Among these were the painted vases known as Panathenaic amphoras, each of which contained forty liters of olive oil, awarded to athletic and equestrian victors. The contests depicted on these vases are the best extant illustrations of Greek sport. Although women were excluded from the competitions, they had an important role to play in the weaving of the peplos, an elaborate textile that took nine months to produce. The culmination of the festival was a long procession bearing this new robe to the cult statue of the goddess; the procession in turn was the subject of another great work of art, the Parthenon frieze. Combining art, spectacle, and civic consciousness, the Panathenaia contributed to the development of the high classical style of Periklean Athens. This book deals with every aspect of the festival and produces a vivid portrait of the worship of the patron goddess of the city. Essays by eminent classical scholars examine in depth the musical and poetic competitions, the athletic and equestrian contests, the peplos, and the evolving image of Athena as documented in sculpture from the Acropolis. Jenifer Neils, the curator of the exhibition Goddess and Polis, held at the Hood Museum of Art at Dartmouth College, has contributed an introduction to the Panathenaia, an essay on the prize amphoras, and detailed entries for the seventy objects exhibited.; 4to 11" - 13" tall; 232 pages
1992A few pen and pencil markings to a few pages. From the library of Jenifer Neils. Lower part of spine cover torn and missing (6 cm). Tears to head of spine cover. Creasing to spine cover and wraps. ; While the Olympics, because of their modern revival, enjoy the greatest fame today, in ancient Greece other religious festivals were equally elaborate and impressive spectacles. The lavishly illustrated Goddess and Polis is the first work devoted to the Panathenaia, the most significant of these festivals to be held in ancient Athens. Founded in 566 B. C. , this complex ritual performed for the goddess Athena vied with other Greek festivals in grandeur and importance and was particularly distinguished by the works of art commissioned in its service. Among these were the painted vases known as Panathenaic amphoras, each of which contained forty liters of olive oil, awarded to athletic and equestrian victors. The contests depicted on these vases are the best extant illustrations of Greek sport. Although women were excluded from the competitions, they had an important role to play in the weaving of the peplos, an elaborate textile that took nine months to produce. The culmination of the festival was a long procession bearing this new robe to the cult statue of the goddess; the procession in turn was the subject of another great work of art, the Parthenon frieze. Combining art, spectacle, and civic consciousness, the Panathenaia contributed to the development of the high classical style of Periklean Athens. This book deals with every aspect of the festival and produces a vivid portrait of the worship of the patron goddess of the city. Essays by eminent classical scholars examine in depth the musical and poetic competitions, the athletic and equestrian contests, the peplos, and the evolving image of Athena as documented in sculpture from the Acropolis. Jenifer Neils, the curator of the exhibition Goddess and Polis, held at the Hood Museum of Art at Dartmouth College, has contributed an introduction to the Panathenaia, an essay on the prize amphoras, and detailed entries for the seventy objects exhibited.; 4to 11" - 13" tall; 232 pages
200178pp, nicely illustrated. The deities and heroes of the ancient Romans were popular subject matter for the frescoes that decorated the elaborate villas of Pompeii's wealthy citizens. This richly illustrated volume highlights various depictions of the heavenly and heroic pantheon of ancient Rome, while the text explores both the general characteristics of Pompeiian painting and their specific treatment of gods and heroes. ; 8vo - over 7¾" - 9¾" tall; 78 pages
1980Faint shelfwear. ; Excavations of the Athenian Agora Picture Book No. 19; 8.2 X 5.1 X 0.1 inches; 32 pages
1976Wraps have light rubbing with faint crease to 1 corner. ; Drawings; 0.81 x 9.25 x 5.95 Inches; 311 pages
1976Wraps have heavy rubbing with creasing. Colour loss along spine. Wraps are a bit worn. Scholar's name to ffep (Jenifer Neils). Some underlining in ink to a few pages. ; Drawings; 0.81 x 9.25 x 5.95 Inches; 311 pages
réf. 35313ABMünchen, C.H. Beck, 2016. 8° (22,5 x 14,5) cm. 900 S., mit 15 Illustrationen und Lesebändchen. Original-Ganzleinenband mit farbig illustriertem Schutzumschlag.
2011Very light shelfwear else Fine. ; Potsdamer Altertumswissenschaftliche Beitrage (Pawb) Band 34; 532 pages; English summary: The ability to translate the inner world of ideas into image displays is one of the original human characteristics. The figments of imagination translated into the communicative sphere as images represent not only external forms, but also memories, conveyed fears, hopes, or other emotions. This is especially true as it pertains to religion. But what image of God did the majority of Greeks of the ancient world hold, and what were their godly images? The book by Peter Eich focuses on the prevailing ideas that religious image production held in Greece, as well as on the community-building function of religious images over the course of time. Contemporary testimonies are fully investigated and reinterpreted in their idiom and their contexts of meaning. German text. German description: Die Fahigkeit, die innere Vorstellungswelt in Bilddarstellungen umzusetzen, gehort zu den ursprunglichen menschlichen Eigenschaften. Die aus der Vorstellung in die kommunikative Sphare ubersetzten Bilder reproduzieren nicht nur aussere Formen, sondern verankern auch Erinnerungen oder transportieren Angste, Hoffnungen oder andere Emotionen. Dies gilt besonders auf dem Gebiet der Religion. Doch welches Gottesbild hatte die Mehrheit der Griechen der Antike, und was waren Gotterbilder fur sie?Das Buch von Peter Eich konzentriert sich auf die in Hellas vorherrschenden Vorstellungen, die die religiose Bildproduktion bedingten, und die gemeinschaftsstiftende Funktion sakraler Bilder im Wandel der Zeit. Dazu werden die Aussagen der Zeitgenossen in ihrem Idiom und in ihren Sinnzusammenhangen umfassend untersucht und mit Hilfe eines verbreiterten Methodenkanons neu gedeutet.
1994Gift inscription to Slater/Dunbabin from author on half-title. Scholars' bookplate to inner cover (Slater & Dunbabin). Faint creasing to wraps. ; The historic American Journal of Ancient History. This volume contains a study by John Bodel on the legal and linguistic aspects of the so-called lex Lucerina inscription. Bodel argues that the ordinance - prohibiting dumping dung/refuse, abandoning corpses, and performing sacrifices in honor of the dead - pertains to civil rather than sacred law. ; American Journal of Ancient History Vol. 11 1986 [1994]; 133 pages; Signed by Author
1939Dustjacket is protected in mylar. DJ is missing a small piece at spine. Bookplates of former owner; According to Riffert, the Great Pyramid was built by the biblical king Enoch, as 'God's Bible in stone'. As such, its measurements and construction are supposed to represent various messages about the nature of god and to prophesy key occurrences in the history of the world. I present a few of the events supposedly foretold (by an arcane and contrived method of taking dates from measurements of the turnings in the internal passageways of the pyramid) : * 4000 BC. The year of man's creation. Any evidence of man before this date must obviously be wrong, as unbiblical. * 2344 BC. The Great Flood. * Saturday October 6, 4 BC. Birth of Christ. * Friday April 7, AD 30. Death of Christ. * AD 1558. Start of the reign of Queen Elizabeth I. * 25 January, 1844. Amongst other items, the passing of the Bank Charter Act. * August 2, 1909. Czar of Russia met King Edward and inspected the Great Fleet at Clowes. * December 2, 1924. 'On this date the new English Parliament met for the first time, after the Labour Party Parliament, which resigned, had been in power only 286 days'. You would be entitled to think it a little odd that good King Enoch went to all that trouble to forecast a relatively minor date in British political history, but in Riffert's loopy worldview this is perfectly natural. For Riffert was one of the British-Israelites, who believed that the British were in fact the ten lost tribes of Israel, and hence God's Chosen People. Contents include: Great Pyramid and Modern Thought; World's Greatest Wonder; God's Bible in Stone; Modern Science of the Great Pyramid; Christ and Salvation of the Great Pyramid; Astronomical Timing of Man's Creation; Great Pyramid Versus Evolution; Great Pyramid and the Ten Lost Tribes of Israel; What the Great Pyramid Proves etc.. ; 233 pages
1949Browning to spine. Small tears to base of spine. Creasing to upper corner of front wrap. Scholar's bookplate to inner cover (Jenifer Neils). Scholar's name to ffep (Jenifer Neils). ; Saint Louis University Studies Monograph Studies: Humanities, No. 1
2012The interpretation of animal sacrifice, now considered the most important ancient Greek and Roman religious ritual, has long been dominated by the views of Walter Burkert, the late J. -P. Vernant, and Marcel Detienne. No penetrating and general critique of their views has appeared and, in particular, no critique of the application of these views to Roman religion. Nor has any critique dealt with the use of literary and visual sources by these writers. This book, a collection of essays by leading scholars, incorporates all these subjects and provides a theoretical background for the study of animal sacrifice in an ancient context. ; 9.1 X 6.1 X 0.8 inches; 224 pages
1996Unwrapped in Plastic. ; Archaia Hellas; 278 pages; Four original essays on Greek archives at the time of the Pentekontaetia, the cults at Hyampolis and the early Thessalo-Phokian war, Thucydides' campaign of Tanagra, and the Hypate-Kallion route through central Greece. The book includes indexes, also covering Prof. Pritchett's previously published books 'Essays in Greek History' and 'Thucydides' Pentekontaetia and Other Essays'.
1990Minor rubbing to DJ. ; A collection of 38 papers by Lloyd-Jones covering his interest in fields of Greek Comedy, Hellenistic literature, Greek religion, and Greek culture. ; 424 pages
1990Minor rubbing to DJ. Top corners lightly bumped else Book is Fine. ; A collection of 38 papers by Lloyd-Jones covering his interest in fields of Greek Comedy, Hellenistic literature, Greek religion, and Greek culture. ; 424 pages
2013In ancient Greece, religion and politics were inextricably linked. This symbiosis manifests itself particularly clearly in Greek sanctuaries as locations of both cult practices and political activities. A colloquium held at Munster aimed at analysing the formative function of trans-regional sanctuaries in mainland Greece and on the Greek islands in the genesis and legitimisation of political order in Greek tribal alliances and federal states from the Archaic down to the Hellenistic period. Religion und Politik waren im antiken Griechenland auf das Engste miteinander verwoben. Besonders deutlich manifestiert sich diese Symbiose in griechischen Heiligtumern als Orten kultischer Handlungen und zugleich politischen Agierens. Das Munsteraner Kolloquium analysiert die formative Funktion uberregionaler Heiligtumer in Griechenland und der griechischen Inselwelt bei der Genese und Legitimation von politischer Ordnung in griechischen Stammesbunden und Bundesstaaten von der archaischen bis in die hellenistische Zeit. ; 244 pages
2001Light bumping to base of spine. Minor shelfwear to DJ. ; Getty Trust Publications: J. Paul Getty Museum; 12.4 X 9.2 X 0.8 inches; 182 pages
1989Light edgewear. Minor creasing; Acta Universitatis Upsaliensis Boreas. Uppsala Studies in Ancient Mediterranean and Near East Civilization 18; 10.2 X 7.3 X 0.3 inches; 120 pages
1995light shelfwear. ; Wisconsin Studies in Classics; 192 pages; This is the first book to show that the worship of heroines, as well as of gods and heroes, was widespread in the Greek world from the eighth through the fourth centuries B. C. Drawing upon textual, archaeological, and iconographic evidence as diverse as ancient travel writing, ritual calendars, votive reliefs, and Euripidean drama, Jennifer Larson demonstrates the pervasiveness of heroine cults at every level of Athenian society. Larson reveals that a broad range of heroic cults existed throughout the Greek world, encompassing not only individuals but couples (Pelops and Hippodameia, Alexandra and Agamemnon, Helen and Menelaos) and families such as those of Asklepios and the Dioskouroi. She shows how heroic cults reinforced the Greeks' gender expectations for both women and men through ritual status, iconography, and narrative motifs. Finally, Larson looks at the intersection of heroine cults with specific topics such as myths of maiden sacrifice, the Amazons, the role of the goddess Artemis, and folk beliefs about female "ghosts."