4138 resultados
1896ref. 20057Herisau Switzerland: Edwin Jucker 1896. Matted. A kooky Gay Nineties band of cross-dressers a la Suisse! Four of the eight member band are in comical drag in this large sepia-toned photograph taken place during Carnival when outrageous costumes partying and carousing are as much a tradition in the Teutonic world as they are in the Latin countries. The photo itself as visible in the window surrounded by matting is 17 by 22 cm. The photo is taped to the back of the matting and when we look behind the photo is on a thick card measuring about 18 by 23.5 cm. We haven't examined the photo removed from the matting but we would assume that there is a narrow margin and virtually all of the photo is visible. The matting included the dimensions are 27.5 by 35 cm. The band seems to be a more or less typical Tyrolean ensemble with a violin a double bass a trumpet a flute a clarinet we assume -- part of the instrument is hidden so we aren't 100 percent certain a bass drum and a trombone. The center figure in the photo is a man dressed like Uncle Sam with a top hat a long goatee etc. We think this was probably intentional -- the consciousness of America and American culture has become a thing in a Europe with the explosive growth of the American economy and the lure of emigration beckoning to so many at the time. Three of the cross-dressers are zaftig and they are dressed in fittingly matronly attire while the fourth mostly hidden behind his drum seems as if he might be a little more svelte and his attire looks more like that of a suffragette say. The men dressed as men are also in comical costume as well at least three of them. The thinner man holding a trumpet is in clothes that might be Tyrolean or might be from an earlier decade -- we can't tell from the photo that blurs his suit into just a dark undifferentiated shape. We also think it is possible but unlikely that one or more of the band members dressed as men might be a cross-dressing woman but we have no confidence that this is the case and it is probably unknowable. A close look at the faces of the band members suggests to us also that a few of them are closely related and probably siblings. Again probably unknowable for all intents and purposes. The backdrop of the photo is a paneled wall with four travel posters of Swiss resorts -- Rigi Lake Maggiore Ragaz-Wartenstein. We would think this was a photo studio backdrop. Again just a guess. Written on the photo is "Wartsaal III - Classe". This suggests that the band was participating in a contest. Herisau is in the Appenzell Canton of Switzerland or the Northeast of the country close to St. Gallen. The photo is foxed not terribly. The matting is also foxed and stained otherwise with three chips two of which are at corners. Although the matting might seem a candidate for replacement though we wouldn't since it is clearly original to the photo with its black impressed caption above and issued with the photo itself as a souvenir of the band and the event. Edwin Jucker unknown
1896ref. 20057Herisau Switzerland: Edwin Jucker 1896. Matted. A kooky Gay Nineties band of cross-dressers a la Suisse! Four of the eight member band are in comical drag in this large sepia-toned photograph taken place during Carnival when outrageous costumes partying and carousing are as much a tradition in the Teutonic world as they are in the Latin countries. The photo itself as visible in the window surrounded by matting is 17 by 22 cm. The photo is taped to the back of the matting and when we look behind the photo is on a thick card measuring about 18 by 23.5 cm. We haven't examined the photo removed from the matting but we would assume that there is a narrow margin and virtually all of the photo is visible. The matting included the dimensions are 27.5 by 35 cm. The band seems to be a more or less typical Tyrolean ensemble with a violin a double bass a trumpet a flute a clarinet we assume -- part of the instrument is hidden so we aren't 100 percent certain a bass drum and a trombone. The center figure in the photo is a man dressed like Uncle Sam with a top hat a long goatee etc. We think this was probably intentional -- the consciousness of America and American culture has become a thing in a Europe with the explosive growth of the American economy and the lure of emigration beckoning to so many at the time. Three of the cross-dressers are zaftig and they are dressed in fittingly matronly attire while the fourth mostly hidden behind his drum seems as if he might be a little more svelte and his attire looks more like that of a suffragette say. The men dressed as men are also in comical costume as well at least three of them. The thinner man holding a trumpet is in clothes that might be Tyrolean or might be from an earlier decade -- we can't tell from the photo that blurs his suit into just a dark undifferentiated shape. We also think it is possible but unlikely that one or more of the band members dressed as men might be a cross-dressing woman but we have no confidence that this is the case and it is probably unknowable. A close look at the faces of the band members suggests to us also that a few of them are closely related and probably siblings. Again probably unknowable for all intents and purposes. The backdrop of the photo is a paneled wall with four travel posters of Swiss resorts -- Rigi Lake Maggiore Ragaz-Wartenstein. We would think this was a photo studio backdrop. Again just a guess. Written on the photo is "Wartsaal III - Classe". This suggests that the band was participating in a contest. Herisau is in the Appenzell Canton of Switzerland or the Northeast of the country close to St. Gallen. The photo is foxed not terribly. The matting is also foxed and stained otherwise with three chips two of which are at corners. Although the matting might seem a candidate for replacement though we wouldn't since it is clearly original to the photo with its black impressed caption above and issued with the photo itself as a souvenir of the band and the event. Edwin Jucker unknown books
1974ref. 88983Studio Marconi 1974. Softcover. Very good/No jacket. A collection of 20 Studio Marconi issues. All are partially in a two ring binder or clipped together in a yellow slipcase. Issues are: Gianni Colombo / Hsiao / James Coleman / Laboratorio 1: Carlos Franqu / Mario Schifano / Laboratorio 2: Adami / Laboratorio 3: Richard Hamilton / Gastone Novelli / Laboratorio 5: Pardi "Echo" / Pino Spagnulo / Alexander Calder / Laboratorio 6: Arnaldo Pomodoro "Un centesimo de secondo" / Bruni di Bello / Elias / Emilio Tadini: Viaggio in Italia / Baj: Personaggio allo Speechio un multiplo di Baj 100 esemplari numerati e firmati / Gianfranco Pardi / Antonio Dias / Rebeyrolle / Bagier / Richard Hamilton. In Italian. Studio Marconi unknown
1934ref. 61783Philadelphia:: David McKay Company 1934. First edition. publisher's cloth with applied color illustration on front panel. Child's ownership signature and four inked letters to front ensheet; a few tiny spots to title page; slight use to cloth; tight and sound. 8vo. Story and Illustrations by Staff of Walt Disney Studio in color. David McKay Company, hardcover
ref. Laursen, Bodil RuskFront binding not in perfect condition. unknown
1974ref. 2110502150907442Kyuryudo 1974. Soft Cover. Fine. Volume: 1 Kyuryudo paperback
ref. ZZ905286 Tragedies in two bindings some of which are rare:olume 1:1 Gabinia tragedy in French by Mr. De Brueys improved in this second edition 1756 64 pp.2 Romulus tragedy third edition 1754 56 pp.3 Pertharitus king of the Lombards tragedy after P. Cornelle second edition 1756 67 pp.4 Stilico tragedy after T. Corneille second edition 1755 72 pp.Volume 2:1 Pyrrhus second edition 1755 64 pp.2 Brutus second edition 1756 64 pp.3 Marius second edition 1757 56 pp.All with title pages with engraved vignettes see photos and published under the motto Studio Fovetur Ingenium. This is probably Sybrand Feitema who following the example of the Rhetoricists always signed his work with a motto: Studio Fovetur Ingenium The mind is cultivated through practice. Feitama became famous mainly for his excellent translations of plays.Printed by Izaak Duim in Amsteldam.Interior in very good condition: pages very fresh and bright. First page with stamp Library Gebr. A. van Lier Amsterdam. This is the Theater Library of the directors of the Amsterdam Grand Théâtre Abraham van Lier and his three sons Isouard Lion and Joseph the 'Lier Brothers'. See article by Paul Post in DBNL.org about this unique library. Hoogduitsche Schouwburg in the Amstelstraat in Amsterdam. The library was auctioned in 1931.Leather bindings with some damage. hardcover
ref. LDM0014718We ship worldwide. 100% guarentee. BRAND NEW unknown
ref. LDM0029278We ship worldwide. 100% guarentee. BRAND NEW unknown
1984ref. 8622BASTEI 03/1984. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
1976ref. 21603BASTEI 1976. 1. softcover. Mit dem großem Jubiläums-Poster! DER JUNGE HÄUPTLING BASTEI paperback
1958ref. 54252Burbank California: Warner Brothers 1958. 1958. TEXAS. Vintage reference photograph of Angie Dickinson from the classic 1959 Western film Rio Bravo. The film starred Angie Dickinson John Wayne Dean Martin and Ricky Nelson with Howard Hawks as director and Leigh Brackett and Jules Furthman as screen writers. The film was shot on location in Arizona. Texas Sheriff John Chance arrests Joe Burdette for murder. Joe’s powerful and wealthy brother Nathan gathers hired guns and surrounds the town determined to free him. Subsequently Sheriff Chance must fend off the gang with the help of a young gunfighter a disabled man and the town drunk. Alongside the action Sheriff Chance develops a romantic relationship with Feathers played by Angie Dickinson a sharp-witted gambler. One of the most entertaining Western films ever made from the standpoint of cinematography dialogue story economy direction and acting. The basis for the film is the book "Rio Bravo" written by Leigh Brackett and published as a paperback original in 1959 by Bantam Books. Even light fading to the recto with a tide mark that is not visible on the recto else a near fine photograph. Warner Brothers, 1958. paperback
1980ref. KOS06200864TBD 1980. Soft Cover. Fine. KOS06200864 TBD paperback
1998ref. 103810White Wolf Games Studio April 1998. Hardcover. VG. White Wolf Games Studio hardcover
1970ref. 014351Paris ICART Instutut Supérieur des Carrières Artistiques 1970 In-8 carré Relié par deux vis en laiton
ref. 22273The Studio, London - Paris - New York, 1905.
1971ref. 2092902140600693Kurosaki Publishing 1971. Soft Cover. Fine. The book is in fine condition. Kurosaki Publishing paperback
1993ref. 2091502135708002Azu shuppan 1993. Soft Cover. Fine. The book is in fine condition. Azu shuppan paperback
ref. 57778no date circa 1940s. Children's Adventure Artwork ORIGINAL PAINTING 38 x 57cm. Gouache painted directly onto a Winsor & Newton Fashion-Plate Drawing Board details printed on reverse. A little rubbed chipped and bumped to edges but clean and bright generally. Very good. An original painting produced by Leslie Stead or one of the members of 'Studio Stead' believed for a Biggles title but apparently never published. Winsor and Newton's art supplies factory in Wealdstone Middlesex opened in 1937 providing a terminus post quem. The style of their advertisement on the back suggests a date between the late 1930's and the early 1950's but otherwise there is no direct evidence to suggest a date for the painting unless the title of the book it was intended to illustrate could be established. no date [circa 1940s] unknown
1931ref. 017463David McKay 1931. Book. Very Good. Hardcover. 1st Edition. 12mo - over 6¾ - 7¾" tall. Very Good Copy Of Book 1. First Edition 1931. Wear To The Green .Spine. Very Scarce Original Title of The Great Disney Mouse. . David McKay Hardcover
1931ref. 017463David McKay 1931. Book. Very Good. Hardcover. 1st Edition. 12mo - over 6¾ - 7¾" tall. Very Good Copy Of Book 1. First Edition 1931. Wear To The Green .Spine. Very Scarce Original Title of The Great Disney Mouse. . David McKay Hardcover books
1938ref. 9047Walt Disney Enterprises Whitman 1938 1938 Soft Cover. No Jacket. First Edition. PBO 1938 1st edition Oversized Bright Color Wraps Cover minor rub wear & small Tear near Spine Small corner Crease & scuff spine NF-/VG AS-IS SOFTCOVER Interior Nice Tight Clean pgs slightly darkened from Age few very small stains couple pgs some pencil numbers or outlinefew pgs small chip tear. First Edition. Soft Cover. Walt Disney Enterprises Whitman, 1938 paperback
1885ref. 30592Chacago: Smith's Studio of Photography 1885. Housed in an elaborately decorated wood frame with gilt fabric and hand-painted mat. 1 vols. Image 5 x 3-1/2 inches; overall frame is 14-1/4 x 12-1/4 inches. Fine condition. Housed in an elaborately decorated wood frame with gilt fabric and hand-painted mat. 1 vols. Image 5 x 3-1/2 inches; overall frame is 14-1/4 x 12-1/4 inches. The elaborately dressed child wearing a pensive look sits on a low plush-covered bench; the photographer's advertisement on back for "Children's Photos par excellence" gives the firm's address as 206 N. Clark Street in what was Chicago's fashionable Near North Side. The frame is a bravura creation of rich complexity easier viewed than described. A splendid piece of late-19th century upscale Americana. Smith's Studio of Photography unknown
1885ref. 30592Chacago: Smith's Studio of Photography 1885. Housed in an elaborately decorated wood frame with gilt fabric and hand-painted mat. 1 vols. Image 5 x 3-1/2 inches; overall frame is 14-1/4 x 12-1/4 inches. Fine condition. Housed in an elaborately decorated wood frame with gilt fabric and hand-painted mat. 1 vols. Image 5 x 3-1/2 inches; overall frame is 14-1/4 x 12-1/4 inches. The elaborately dressed child wearing a pensive look sits on a low plush-covered bench; the photographer's advertisement on back for "Children's Photos par excellence" gives the firm's address as 206 N. Clark Street in what was Chicago's fashionable Near North Side. The frame is a bravura creation of rich complexity easier viewed than described. A splendid piece of late-19th century upscale Americana. Smith's Studio of Photography unknown books
ref. 38044201Canton 1860-80's Cheungqua. A single pith or Tongcao color painting usual minimal issues clean & solid example brilliantly vivid colors rarely found in such clean & fine condition. A RARE EXAMPLE ! . . . . FINE CHINESE COLOR PITH PAINTINGS . . . SHOWING BEAUTIFULLY DRESSED CHINESE IMPERIAL COURT LADY . . . EXECUTED IN STUNNING & BRILLIANT COLORS . . . AKA: CHINESE EXPORT WATERCOLOURS . A stunning Chinese Imperial Court. She wears a golden-embroidered outer dress with elaborate collar sleeves and hem. She wears pink silk-embroidered pants and her "lotus" bound feet are on a wooden stool. She sits on a Ming dynasty style Huahuali wood chair with a fan in her right hand and silk-embroidered accessory in her left. Adjacent to her is a matching Ming table with three ripe 'You' fruits pommel. . This is a typical studio trade painting" executed by Chinese native artists hand-painted color pith painting for foreign traders visiting Canton or Macao during the early to mid-19th century. . "GOLDEN LOTUS" or "LOTUS FEET" BOUND FEET Chanzu: This like most illustrations of the period show the woman with bound feet peeking out below her pant cuff. Chanzu bound feet was an erotic obsession and fetish in ancient China. The erotic ramifications are outlined in the references below. . DESCRIPTION OF THE PAINTING ART WORK AND CONDITION: . This painting is in brilliant vivid and stunning colors. Skillfully painted with a fine hand delicate fine-point brush with great detail incredible reality texture and appeal. . As usual this paintings was tipped to a contemporary stiff backing paper card. . This painting is approximately 19.5 x 27.5 cm. . There are a few old mends on the verso the image is not impacted it remains quite solid and very stable. By and large a far and above average excellent example. Suitable for framing and display. . Please review the photograph posted to our website for details. . "RICE PAPER" PAINTINGS: Several authors refer to this name rather than the proper name "Pith" paper paintings also can be called "Tung Tsao." . THE CANTON ARTIST OR 'SCHOOL' OF CHEUNG QUA: Cheung Qua was an export watercolor painter in Canton. He and followers of his school produced various single and albums of these paintings which were sold from his studio. . Often his in-house artists began painting on their own thus replicating the techniques subjects and essence of their masters. Because these paintings were rarely signed the one and only identification ever found was occasionally on the album cover or spine with the studio name. . Often these paintings were sold in various shops in Macao the main resting and gathering place of foreigners during part of the year. . REFERENCE: . CLUNAS Craig.: CHINESE EXPORT WATERCOLOURS. This entire book is devoted to Pith or Rice paper paintings. For musical instruments see color plates on pp.50-53 especially plates on pp.66-67 plates 39 & 40 are particularly similar to our examples that is to say by the same or an artist who was in the same house of Cheungqua or that school. CHU Arthur. et al.: ORIENTAL ANTIQUES AND COLLECTIBLES: A GUIDE pp.62-66. THE CHINESE PITH PAINTING COLLECTION AT THE NATIONAL LIBRARY OF AUSTRALIA: An Annotated Guide. Crossman Carl L. The decorative arts of the China trade : paintings furnishings and exotic curiosities. LEVY Howard S.: CHINESE FOOT BINDING: The History of a Curious Erotic Custom. . --. THE LOTUS LOVERS: The Complete History of the Curious Erotic Custom of Foot binding in China. JACKSON Beverly.: SPLENDID SLIPPERS: A THOUSAND YEARS OF AN EROTIC TRADITION. . . unknown