4 561 résultats
1900réf. List3340United States and the Philippines: West’s Studio and others 1900. Eight photographs mounted on heavy cardstock measuring 5 ½ x 6 ¼ inches and smaller. Some with manuscript captions verso. Some with manuscript captions verso. Some staining and damage to mounts especially at corners; overall excellent. A collection of eight photographs from the Spanish-American War with seven of stateside training camp scenes and one portrait of an unknown soldier taken at Fort McKinley near Manila. Three are captioned verso identifying their locations as Camp Presidio San Francisco; Camp Powers Augusta Maine now Camp Keyes; and Savannah Georgia likely Camp Onward. The latter photo which depicts a Thanksgiving scene also mentions in its caption that “Robert Golding was in the Army in Savannah at that time.” Golding from Eastport Maine was in Company I of the 2nd Infantry Regiment; interviews with Golding about his life and experience in the war are available from the American Folklore Society. Note that the portrait does not appear to be of Golding. Besides Thanksgiving shots include several of soldiers posing in front of their tents one of a haircut at the Presidio and an excellent shot from Augusta of a soldier being tossed in the air on a makeshift trampoline. Of interest to historians of the Spanish-American War and US training camps from the time. West’s Studio and others unknown
réf. 40640Circa 1913. Carbon print photograph 130 x 100 mm laid down on board mount with imprint of Monteath Melb. inscribed on mount 'To R.H. Croll with sincere regards John Shirlow. Octr. 1913' the carbon print in fine condition one tiny blemish at upper left edge the mount with some very light foxing scattered across the lower section. This studio portrait of the Melbourne etcher John Shirlow was presented by him to his close friend the literary figure R.H. Croll who would later contribute to two publications on the artist Etchings Sydney 1917 and Etched Work of John Shirlow Melbourne 1920. unknown
1890réf. 307318Constantinople Istanbul: Probably Sébah and Joaillier 1890. Perhaps the most well-known image from the photographer Pascal Sébah or his son Jean a view outside a Turkish coffee shop of a group of men drinking coffee and smoking. At the center of the image is a seated man with a white beard holding a cup in one hand and the hose of a hookah in the other. A waiter holds a glass-bottomed hookah for him. More men sit on either side of the central figure. However it is a man on the far right of the image staring fiercely at the camera a pipe in his mouth that adds drama to the scene returning the gaze of the viewer. This man and the waiter who are in front of the main row of men also add a nice compositional element dividing the foreground from the background a second image taken on the same day—based on the foliage and the shape of the knot of rope on the cafe wall—lacks these two elements and it is much less successful from an artistic perspective. Adding further interest to the careful view are the ghostly faces of two men inside the cafe who look at the scene through dusty windows. This photograph both documents a part of everyday life for men in Turkey but the subjects return the naked stare of the camera and look across space and time at the viewer of the photograph. It's an image whose meaning is as much about looking as seeing. While this image is titled in the negative it is not signed by the photographer. However other prints of this image are signed Sébah and Joaillier. The placement of that signature not present on this print over the left foot of the staring man suggests this is an earlier printing of the photograph. The quality of the print argues against this being printed from a copy negative. Those facts could argue that this could be an image by the founder of the firm the Turk Pascal Sébah 1823–1886. However Pascal is primarily known for his studio work. His son Jean took over the business and added Polycarpe Joallier as a partner soon after. They are much better known for outdoor street views hence the attribution to Sébah and Joaillier. An image with excellent tonality measuring 10-1/4 by 8-1/8 inches on a 14 by 11-7/8 mount. There is a bit of staining to the lower corners of the mount and the mount is slightly concave but overall this is an exceptional print of one of finest images from the best-known Turkish photography studio of its time. [Probably Sébah and Joaillier] unknown
1989réf. 159666San Francisco: Studio 4 1989. Vintage flyer for the 1989 film festival. The festival featured screenings of films by experimental filmmakers Phillip Guilbeau and Danny Plotnick Michael Conner Jim Sikora Julie Murray Chris Simons Jim Van Bebber "and other surprises" on Friday November 10 1989 at Studio 4 located at 2702 18th Street in San Francisco. 11 x 8.5 inches. Xerographic duplication on beige paper. Small pinholes to the corners else Near Fine. Studio 4 unknown books
1989réf. 159666San Francisco: Studio 4 1989. Vintage flyer for the 1989 film festival. The festival featured screenings of films by experimental filmmakers Phillip Guilbeau and Danny Plotnick Michael Conner Jim Sikora Julie Murray Chris Simons Jim Van Bebber "and other surprises" on Friday November 10 1989 at Studio 4 located at 2702 18th Street in San Francisco. 11 x 8.5 inches. Xerographic duplication on beige paper. Small pinholes to the corners else Near Fine. Studio 4 unknown
1930réf. 23735SAINT-NAZAIRE 1930 une photographie originale en noir : UN GROUPE COSTUMÉ LE JOUR DE LA BRADERIE (1930), format : 17 x 11,7 cm,
réf. 63-2729Rialto California Photography Studio ca. 1939. B&W Photograph 8 x 10 inches. Very Good. [Rialto, California Photography Studio, ca. 1939]. unknown
réf. 10140LE POINT. N° 38. (Novembre 1950). " Le Corbusier - L'Unité d'habitation de Marseille ". Photographies de Robert Doisneau, Lucien Hervé, Simone Hermant, Claudius Petit, Studio Vidal. Numéro rare et très recherché. Très bon état.
réf. 12750Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
réf. 12694Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
réf. 12695Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
réf. 12696Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
réf. 12697Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
réf. 12698Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
réf. 12699Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
réf. 12751Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
réf. 12693Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
réf. 12700Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
réf. 12701Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
réf. 12702Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
réf. 12703Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
réf. 12704Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
réf. 12752Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
réf. 12705Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
réf. 12706Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
