3.215 Ergebnisse
2000Best.-Nr. 8Hermoso libro editado por el Consejo Nacional para la Cultura y las Artes y la casa Estudio Diego Rivera y Frida Khalo. Con hermosas fotografías el tema es visto desde varios puntos como es el lietrario artístico religioso etcetera. El libro esta lastimado en las puntas de las tapas pero las hojas estan en perfecto estado Tapa dura forrada en tela primera edición año 2000. Instituto Nacional de Bellas Artes hardcover
Best.-Nr. 85063902Tokio 1901 Yamamoto. Oblong album color pictorial stiff wrs. purple silk ties mild/faint center fold a remarkably clean bright copy 58p. 40 large photos 26.5 x 20 cm. 21 smaller photos ca. 12.5 x 8.5 cm. album size 39 x 26.5 cm. . . . PHOTOGRAPHED BY THE EMINENT YAMAMOTO SANSHICHIRO . . . THE LEGENDARY AND OBSCURE PHOTO ALBUM OF . . . THE NORTH CHINA AFFAIR OR THE BOXER REBELLION . . . PRINTED IN A VERY SMALL FIRST & ONLY OBSCURE EDITION . . . WORLDCAT LOCATES ONLY 3 COPIES ! . THE BOXER UPRISING 1900 This work documents the results of the Boxer Uprising of 1899-1900 where in anti-foreign sentiments reached a boiling point. Several foreigners were killed mostly missionaries later when foreign embassies were besieged some diplomats were also killed. This resulted in the combined efforts of these foreign countries who teamed up to suppress this rebellion. This rebellion was mostly limited to North China where it began in Shandong province under German control and spread Westward across Northern China through Beijing. . This superb work contains a total of 114 b.w. photogravures. This work shows historic photographs of the foreign troops occupying Beijing Peking China. Good photographs of these troops in and around the Forbidden City namely those from Japan Russia France America and Germany. . What makes this graphic work important is that it shows a large part of the Palace and other Forbidden City buildings as they were before the troops actually damaged or pillaged these historic sights. Each country garrisoned their troops in a select group of old buildings hither to unseen by commoners and especially never by any foreigner. It is a superb look at the inner world of the Emperor of China. . THE PHOTOGRAPHER: YAMAMOTO Sanshichiro 1855-1943: . He was an eminent Meiji era photographer born in Okayama. From 1882 to about 1897 he had a photographic studio in Tokyo. Later when news of the Boxer Rebellion swept the world he quickly went to Peking to photograph the historic activities of foreign troops in the capitol including the Japanese living there. . After photographing the destruction & aftermath in Peking he finally settled down in Tianjin and opened his third photographic studio. . Color photos are posted to our website. . CONDITION: This work is truly an excellent copy externally and internally. There is a very tiny bit of edge wear at the lower right a tiny chip loss and upper left front corners. The purple silk ties are bright solid and very clean. There is a very slight hint of where this book was probably lightly folded in half but not hard and there is a mild hint remaining. From about the middle onwards there is not much evidence of this at all. By and large we feel this work is an excellent copy. There is NO damp or other condition issues with this item. Overall exceptionally clean and solid throughout. This is a very RARE book has seldom been found let alone in such lovely condition. A REMARKABLE COPY ! See photographs posted to our website from this copy. . RARITY: WorldCat only locates three copies in the world. This is indeed a very RARE book ! . See references below for more information. . BIBLIOGRAPHY: The author/photographer was noted for photographing and publishing two other superb photographic books on China: "Peking" published in 1906 and his stunning "View and Custom of North China" in 1909. . REFERENCE: Please see WorldCat: worldcat-org/title/views-of-the-north-china-affai r/oclc/25266060&referer=brief_results Yamamoto Sanshichiro is amazingly NOT FOUND in any of the 3 Terry BENNETT books: . History of Photography in China 1842-1860 vol. 1 2009 . History of Photography in China: Western Photographers 1861-1879 vol. 2 2010. . History of Photography in China: Chinese Photographers 1844-1879 vol. 3 2013. . . unknown
Best.-Nr. 12691 Album personnel de Willy Godenne, imprimeur à Malines et membre du Studio Novio avec le graphiste Jos Léonard. Il compte 83 travaux d'imprimerie et/ou publicitaire du Studio Novio, documents internes comme travaux réalisés pour d'autres comme le photographe René Malevez ou le sculpteur (!!) Willy Kessels, bientôt photographe également. Album oblong, 25,1 x 33,9 cm, couverture à motifs répétés imprimés + un ensemble de 15 feuillets. Malines, Godenne, [c. 1928] pour l'album.
Best.-Nr. 12691 Album personnel de Willy Godenne, imprimeur à Malines et membre du Studio Novio avec le graphiste Jos Léonard. Il compte 83 travaux d'imprimerie et/ou publicitaire du Studio Novio, documents internes comme travaux réalisés pour d'autres comme le photographe René Malevez ou le sculpteur (!!) Willy Kessels, bientôt photographe également. Album oblong, 25,1 x 33,9 cm, couverture à motifs répétés imprimés + un ensemble de 15 feuillets. Malines, Godenne, [c. 1928] pour l'album.
Inchiostro e matita rossa misure: mm 291 x 214 Pittore italiano. Dopo un primo periodo a Como presso il ritrattista Girolamo Caprera, si trasferisce a Bologna dove frequenta la bottega del pittore Gabriele Ferrantini. Scoperto poi da Girolamo Curti, detto il Dentone, caposcuola dei quadraturisti bolognesi, diviene suo collaboratore. Inizialmente apprezzato come prospettico, il Colonna si perfezionò nella pittura di figura. Proprio come figurista segue il Curti a Ravenna, a Ferrara, a Parma nel 1628, e ancora a Modena nel 1631-32 e nel frattempo nell'atelier del Curti vediamo anche Agostino Mitelli. Tra i due artisti inizia una forte collaborazione che li vede impegnati in moltissimi e importanti cantieri fra cui nel 1665-67 quello di Bologna per la cappella del Rosario nella chiesa di S. Domenico. Il soggetto di questo straordinario foglio è lo studio preparatorio per uno degli angeli che reggono la grande corona di fiori nella Cappella del Rosario, l'artista studia diverse prospettive scorciate della figura. Opera inedita caratterizzata da un tratto fine e deciso. Due disegni ex collezione Villani oggi presso i Musei Civici di Reggio Emilia e relativi al medesimo cantiere sono un puntuale termine di confronto stilistico. Disegno applicato su carta antica del XVIII secolo, a sua volta montato su controfondo azzurro della fine del XVIII secolo. Iscrizione a penna sul montaggio in basso al centro: "Michele Colona Bolognese”. Il disegno è stato vincolato dalla Sovrintendenza archeologia belle arti e paesaggio di Milano in data 29 ottobre 2019 perché ritenuto di "interesse storico e artistico particolarmente importante" Bibliografia: R.Roli, Pittura bolognese 1650-1800. Dal Cignani ai Gandolfi, Bologna 1977, p. 165; A.D'Amato, I Domenicani a Bologna. 2 1600-1987,II, Bologna 1988, pp.637-669; A Mazza, “Angelo Michele Colonna: frammenti ricomposti di un antico fondo grafico” in Di segno antico. I disegni della collezione Villani donati ai Musei Civici di Reggio Emilia, catalogo della mostra di R. Emilia, Bologna 2000, scheda n 24.
1931Best.-Nr. 140941772Philadelphia: David McKay Publisher 1931. First Edition. Near Fine/Very Good. First edition. Unpaginated. Bound in illustrated paper-covered boards. Near Fine with wear along bottom edge and tips faint occasional thumbsoil and foxing in Very Good price-clipped dust jacket with a few short closed tears to edges sticker wear to bottom of front panel rectangular chip to top of back panel with associated closed tear and creasing a little foxing. Illustrated in color throughout. The very first book of Mickey Mouse published by Disney in its rare dust jacket. David McKay, Publisher unknown
Penna, acquerello grigio e acquerello color bistro chiaro misure: mm 424 x 255 L’imponente studio architettonico è composto da un solido basamento a forma circolare su cui poggiano delle colonne con capitelli delineati in un riecheggiante stile corinzio. Al centro della composizione vi è la Sacra Famiglia, con la Vergine inginocchiata posta sulla sinistra mentre sorregge il Bambino in fasce. Sopra di esso tre cherubini lo vegliano. A destra San Giuseppe stante osserva il tenero gruppo tenendo le mani appena alzate in un delicato atteggiamento di amorevole contemplazione. Nella parte superiore la porzione centrale della trabeazione e il tetto sono spettacolarmente squarciati da un trionfo di angeli e angioletti; che emergono dall’apparizione celestiale emanata dalla figura del Padre, posto sull’apice della composizione. La luce propagata dal divino intervento si diffonde in tutte le direzioni, concentrandosi con grande effetto scenografico sulla Sacra Famiglia sottostante. Nonostante a tutt’oggi rimanga ancora anonimo, l’autore ci rivela qualcosa di sé grazie ad un linguaggio che riporta con una certa immediatezza alla cultura grafica francese del XVIII secolo, ed in particolare al vasto seguito di Francois Boucher, maestro incontrastato del gusto Rococò. Le fisionomie delle figure, le anatomie infantili affrontate con soffici volumi, le acquerellature dai toni leggeri stese con veloci campiture attentamente distribuite e ancora l’ariosità e teatralità della composizione fanno propendere per la cultura figurativa d’oltralpe. Nonostante ciò vi sono elementi che curiosamente riportano anche al linguaggio barocco, come ad esempio le vesti di San Giuseppe e della Vergine, che nel loro complesso svolgimento rimembrano i panneggi della Roma del ‘600. La stessa accentuata teatralità strizza l’occhio ai grandi progetti barocchi della lunga stagione berniniana. Segno forse di un viaggio di formazione in Italia che l’autore, come del resto molti del suo tempo, può aver affrontato per scoprire i tesori della Penisola e studiare da vicino i Maestri del passato. Ed è forse a quel periodo della vita dell’artista che il disegno risale, magari come esercizio di copia di un progetto o di un altare ad oggi noi ignoto o non ancora identificato; oppure come prova in cui il disegnatore mette in pratica le nozioni apprese a seguito del lungo pellegrinaggio in Italia. Opera in ottimo stato di conservazione, con le parti acquerellate ben apprezzabili in tutti i delicati passaggi tonali. Leggero foxing nella parte superiore a destra. Una piega centrale orizzontale appena visibile. Foglio applicato su supporto cartaceo del XVIII secolo. In basso a sinistra a china color seppia: “Boucher”. Filigrana: “Serpente”. Bibliografia: J. Bean, “15th-18th Century French Drawings in the Metropolitan Museum of Art”, the Metropolitan Museum of Art, 1986.
In-folio, (32) carte, inclusa antiporta, 560 [i.e. 558] pagine, (30) carte, errori di numerazione. Bellissima antiporta figurata allegorica incisa in rame da Conelis Bloemaert su disegno di Giovanni Angelo Canini, ritratto di Innocenzo X, 1 grande tavola più volte ripiegata, 5 incisioni in rame a piena pagina (di Pietro Miotte), numerose xilografie nel testo, iniziali xilografiche, testo in carattere romano, corsivo, arabo, greco ed ebraico, marca tipografica in fine volume, brunitura su qualche carta, legatura in pergamena coeava, piccoli difetti.
Best.-Nr. 85063902Tokio 1901 Yamamoto. Oblong album color pictorial stiff wrs. purple silk ties mild/faint center fold a remarkably clean bright copy 58p. 40 large photos 26.5 x 20 cm. 21 smaller photos ca. 12.5 x 8.5 cm. album size 39 x 26.5 cm. . with a total of 114 b.w. photogravures. . . THIS IS A VERY RARE BOOK WORLDCAT ONLY LOCATES 3 COPIES ! . THE BOXER UPRISING 1900 This work documents the results of the Boxer Uprising of 1899-1900 where in anti-foreign sentiments reached a boiling point. Several foreigners were killed mostly missionaries later when foreign embassies were besieged some diplomats were also killed. This resulted in the combined efforts of these foreign countries who teamed up to suppress this rebellion. This rebellion was mostly limited to North China where it began in Shandong province under German control and spread Westward across Northern China through Beijing. . This work shows historic photographs of the foreign troops occupying Beijing Peking China. Good photographs of these troops in and around the Forbidden City namely those from Japan Russia France America and Germany. . What makes this graphic work important is that it shows a good part of the Palace and other Forbidden City buildings as they were before the troops actually damaged or pillaged these historic sights. Each country garrisoned their troops in a select group of old buildings hither to unseen by commoners and especially never by any foreigner. It is a superb look at the inner world of the Emperor of China. . THE PHOTOGRAPHER: Yamamoto Sanshichiro was a Meiji era photographer born in 1855 in Okayama Japan. From 1882 to about 1897 he had a photographic studio in Tokyo. Later when news of the Boxer Rebellion swept the world he quickly went to Peking to photograph the historic activities of foreign troops in the capitol including the Japanese. After photographing the aftermath in Peking he finally settled down in Tianjin and opened his third photographic studio. . CONDITION: This work is truly an excellent copy externally and internally. There is a very tiny bit of edge wear at the lower right a tiny chip loss and upper left front corners. The purple silk ties are bright solid and very clean. There is a very slight hint of where this book was probably lightly folded in half but not hard and there is a mild hint remaining. From about the middle onwards there is not much evidence of this at all. By and large we feel this work is an excellent copy. There is NO damp or other condition issues with this item. Overall exceptionally clean and solid throughout. This is a very RARE book has seldom been found let alone in such lovely condition. A REMARKABLE COPY ! See photographs posted to our website from this copy. . RARITY: Worldcat only locates three copies in the world. This is indeed a very RARE book ! See reference below for more information. . BIBLIOGRAPHY: The author/photographer was noted for photographing and publishing two other superb photographic books on China: "Peking" published in 1906 and his stunning "View and Custom of North China" in 1909. . EDITION: This is the FIRST and ONLY SMALL EDITION of this book. . REFERENCE: Please see worldcat: worldcat.org/title/views-of-the-north-china-affai r/oclc/25266060&referer=brief_results Yamamoto Sanshichiro is amazingly NOT FOUND in any of the 3 Terry BENNETT books: . History of Photography in China 1842-1860 vol. 1 2009 . History of Photography in China: Western Photographers 1861-1879 vol. 2 2010. . History of Photography in China: Chinese Photographers 1844-1879 vol. 3 2013. . . unknown books
1939Best.-Nr. ZB445259Columbus etc.: Design Publishing Co. 1939. volumes 41-60 1939-1959 mostly bound with covers and ads retained ex library else texts clean & bindings tight. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Columbus, etc.: Design Publishing Co. unknown
2 volumi in folio, pp. (20), 690; (2), 462, (38). Frontespizio inciso, ritratto dell'arciduca Leopoldo, entrambi su disegno di J.P. Schor, e 21 tavole numerate a 23, di cui 4 ripiegate. Numerose illustrazioni xilografiche, di cui tre a piena pagine. Foglio di Errata alla fine del vol. II. Legatura coeva in piena pergamena rigida con titolo su tassello al dorso. Piccolo strappo alla cuffia superiore
Best.-Nr. 02-0060London: The Studio. 1893-1910. A complete run of the first 17 years with 100 original graphic works. The preeminent art journal of the Arts and Crafts movement. All volumes with original graphics are present including the five lithographs by Whistler. The Studio commissioned original graphic works for inclusion in its periodical magazine as opposed to the Special Numbers.The artists include Whistler 5 original lithographs Pennell Nicholson Brangwyn and Riviére among others. 20.5 x 28.5 cm. Original cloth. Some front covers dampstained. A list of all the prints is available. London: The Studio. 1893-1910. hardcover
Best.-Nr. 146130N.p.: N.p. 1978. Archive of 14 iconic vintage photographs of Studio 54 celebrities and revelers by photographer William Coupon all from 1978. Ten of these are signed and dated by Coupon at the bottom right and one bears a tag on the verso noting "Two Dancers Studio 54 August 1978." Images of Andy Warhol Truman Capote Grace Jones Patti Smith and Divine are included in the collection along with a variety of other glamorous and fascinating visitors to the exclusive New York night club. Coupon's Studio 54 photographs were included in the International Center of Photography exhibition "Fleeting Gestures: Treasures of Dance Photography" in late 1978 his first major exhibition. The photographs in this collection were exhibited at Photo London 2019 and on display at Tenderbooks in London in conjunction with Rare Photo Gallery in Toronto. Coupon was born in New York City and after attending Syracuse University returned there in 1978. He began to photograph the disco/celebrity scene at Studio 54 and the punk/New Wave scene at the Mudd Clubb in lower Manhattan. During this time he also became a successful commercial photographer working for a variety of international magazines record companies and advertising agencies. In the 1980s and 1990s Coupon did several series on various subcultures and indigenous peoples that he called "Social Studies." In 1992 he was invited to photograph the world's tribal leaders during Earth Summit in Rio de Janeiro Brazil. The work at the request of the United Nations and the United States Congress was exhibited in 1994 in the United States Senate Rotunda as part of the UN's "Year of the Indigenous People." Coupon's vast catalog of portraits include world leaders noted writers artists and musicians as well as his highly regarded indigenous portraits. He has photographed covers for Newsweek Rolling Stone and the New York Times Sunday Magazine as well as assignments for Esquire The Washington Post The Los Angeles Times People and many more. He photographed 15 covers for Time magazine including the Bill Clinton and George W. Bush "Person of the Year" covers and has photographed all of the Presidents of the United States from Richard Nixon going forward. 8 x 10 inches archivally matted to 16 x 20 inches. Near Fine overall. N.p. unknown
1978Best.-Nr. 146130N.p.: N.p. 1978. Archive of 14 iconic vintage photographs of Studio 54 celebrities and revelers by photographer William Coupon all from 1978. Ten of these are signed and dated by Coupon at the bottom right one with a tag on verso "Two Dancers Studio 54 August 1978." Images of Andy Warhol Truman Capote Grace Jones Patti Smith and Divine are included in the collection along with a variety of other glamorous and fascinating visitors to the exclusive New York night club. Coupon's Studio 54 photographs were included in the International Center of Photography exhibition "Fleeting Gestures: Treasures of Dance Photography" in late 1978 his first major exhibition. The photographs in this collection were exhibited at Photo London 2019 and on display at Tenderbooks in London in conjunction with Rare Photo Gallery in Toronto. Coupon was born in New York City and after attending Syracuse University returned there in 1978. He began to photograph the disco/celebrity scene at Studio 54 and the punk/New Wave scene at the Mudd Clubb in lower Manhattan. During this time he also became a successful commercial photographer working for a variety of international magazines record companies and advertising agencies. In the 1980s and 1990s Coupon did several series on various sub-cultures and indigenous peoples that he called "Social Studies." In 1992 he was invited to photograph the world's tribal leaders during Earth Summit in Rio de Janeiro Brazil. The work at the request of the United Nations and the United States Congress was exhibited in 1994 in the United States Senate Rotunda as part of the UN's "Year of the Indigenous People." Coupon's vast catalog of portraits include world leaders noted writers artists and musicians as well as his highly regarded indigenous portraits. He has photographed covers for Newsweek Rolling Stone and the New York Times Sunday Magazine as well as assignments for Esquire The Washington Post The Los Angeles Times People and many more. He photographed 15 covers for Time magazine including the Bill Clinton and George W. Bush "Person of the Year" covers and has photographed all of the Presidents of the United States from Richard Nixon going forward. 8 x 10 inches archivally matted to 16 x 20 inches. Near Fine overall. N.p. unknown books
1930Best.-Nr. I7D9LIPN5PS6London 1930. In a wooden frame ca. 53 x 64 cm under glass. Matt silver print ca. 28 x 36 cm watercolour pastel gouache and oil paint. Mounted on paper in a passe-partout. Signed "Lafayette" in pencil on the mount. Impressively coloured photographic portrait of the Saudi crown prince Saud 1902-1969 by the eminent London photographic studio Lafayette. Prince Saud the future King Saud of Saudi Arabia had been appointed crown prince in 1933 and fought in the 1934 war against Yemen. After the war his father encouraged him to travel abroad and over the next few years he visited Saudi-Arabia's neighbours Europe and the United States. While in London Prince Saud had his portrait taken by the Lafayette studio originally established in Dublin in 1880. It is no coincidence that Prince Saud chose a firm that had photographed numerous emperors kings sultans earls early movie stars etc. The firm would also provide hand coloured prints on request and the current photograph is an example of the very high quality they provided. The photograph of Prince Saud was coloured by painting over the photograph with watercolours and pastel. A subsequent treatment made it possible to use tiny drops of oil paint to highlight the gold trimming on his robe the jewels and pearls on his sword and the small lights in his eyes. In very good condition with only very minor craquelure. A colour portrait of the future King Saud of Arabia: a photograph enhanced by an expert painter from the leading British firm for the genre.l For Lafayette: Russell Harris Narrated in calm prose. unknown
