3 656 résultats
1993réf. 63096Diputación de Alicante 1993. hardcover. MuyBueno. Diputacion Alicante. 1993. Facsimil de la impresa en Orihuela por Joseph Vicente Alagarda en 1760.Facsimil estudio preliminar en estuche. 7 desplegables fuera de texto Diputación de Alicante hardcover
1598réf. 64755Lich, Nikolaus Erben, 1598. 4°. Titel m. Holzschn.-Vignette. 22 S., Geheftet (ausgebunden; ohne Einband).
réf. 54987Köln: Oppenheim Studio 1975. Quarto 29.6 × 21 cm. Original printed wrappers; 2 189 3 pp. with numerous reproductions of video stills. Wrappers lightly stained and with adhesive trace of an old price tag; else good or better. Catalog of the Cologne video studio Oppenheim which was founded in October 1974 as one of the first venues for the then new art genre. The institution quickly developed into a showcase and production site for the first generation of video artists in West Germany. The gallery also founded by Ingrid Oppenheim and attached to the studio represented artists such as Sigmar Polke Katharina Sieverding Ulrike Rosenbach Imi Knoebel and Klaus vom Bruch. Alongside Gerry Schum and Ursula Wevers Oppenheim became one of the central protagonists who significantly advanced the establishment of video art. Her video collection is now part of the Kunstmuseum Bonn. Documented here are works by Klaus vom Bruch Michael Buthe Jon Gibson Bruno De Mattio Christov Kohlhoffer Darcy Lange Ernst Mitzka Dennis Oppenheim Charlemagne Palestine C.O. Paeffgen Ulrike Rosenbach. Texts by Jean-Cristoph Ammann Bruno De Mattio Jon Gibson Darcy Lange Interview with Willoughby Sharp Ernst Mitzka Georg Jappe Dennis Oppenheim and Ulrike Rosenbach. As of September 2025 KVK OCLC find only three copies in North America. unknown
1905Volume in 8° di 713 pp 2°edizione del 1905 cartonato nero con dorature su dorso leggerissima screpolatura in alto a sinistra,numerose figure
réf. 92162Paris 1 vol. tirage argentique d'époque (16,2 x 13,5 cm) contrecollé sur carton gris à l'adresse du studio (19,5 x 13,5) puis sur feuillet cartonné crème in-4. Beau portrait de trois quart d'un Valéry élégant au regard clair et presque rieur.
réf. 92162Paris 1 vol. tirage argentique d'époque (16,2 x 13,5 cm) contrecollé sur carton gris à l'adresse du studio (19,5 x 13,5) puis sur feuillet cartonné crème in-4. Beau portrait de trois quart d'un Valéry élégant au regard clair et presque rieur.
1910réf. 015883New York: The International Studio John Lane Company 1910. Near Fine condition. Mild EX-LIBRARY. A bright shiny tight copy see photos. Handsomely bound in three-quarter brown morocco leather corners and spine with 5 raised bands. The leather is remarkably well preserved. Gilt stamping on the spine is still bright and shiny. Corners are NOT bumped. Inner hinges are perfect. NO external library evidence except for an area at the foot of the spine where a small label has been neatly removed see photos. WITHDRAWN stamp on a bookplate on the front pastedown endpaper. NO pocket. Attractive contemporary marbled endpapers see photos. Text is clean and crisp. NO underlining or margin notes. Lavishly illustrated throughout including numerous full-page tissue-guarded plates many in beautiful full color. Volume Forty-One Vol. 41 Comprising July August September and October 1910 Numbers 161 to 164 complete. There are 452 total pages 12-page double column Index civ 336pp. Oversize Hardcover. 8.25" wide by 11.75" tall. This large heavy book will require extra postage for Priority and International shipments but only the standard charge for media mail. First Edition. Oversize Hardcover. Near Fine EX-LIBRARY. civ 336pp. 12 page Index. The International Studio, John Lane Company Hardcover
1867réf. 054908Constantinople 1867. Hardcover. Very Good. Original b/w photograph by Pascal Sebah. 30x20 cm. In Ottoman script. Slightly chipped on corners and margins a stain on the descriptive text area. Otherwise a good photo. Original print photograph from 'Les costumes populaires de la Turquie en 1873 ouvrage publie sous le patronage de la Commission Imp. de l'Exposition Universelle de 1873 a Vienne'. Photograph depicts three Ottoman civilians of Rhodes Island in their local costumes; one is an outdoor dress of Muslim women living in Rhodes the second is a standard dress for Muslim men and the last one is a home dress of Muslim women. Pascal Sébah 1823-1886 was a photographer in Constantinople now Istanbul and Cairo who produced a prolific number of images of Egypt Turkey and Greece to serve the tourist trade and the founder of Sebah & Joaillier Photograph Studio. He established a valuable working relationship with Turkish painter Osman Hamdi Bey taking photographs as part of the artist's preparation and in which he experimented with light and shade. In turn Hamdi Bey selected Sébah to illustrate his text on the popular costumes worn by Turkish and other ethnic groups entitled Les Costumes Populaires de la Turquie en 1873: ouvrage publié sous le patronage de la Commission impériale ottomane pour l'Exposition universelle de Vienne and published in 1873. hardcover
1908réf. 154498Toronto ca. 1908-36. Very good. 10 9x14 cm b&w photo postcards on front side. Each in its own clear pocket attached to backerboard and covered with cellophane. On rear are 6 more cards with addresses postmarks and messages exposed. Backerboard is a bit cracked on this side and the cards are sliding around. A more secure form of permanent display will be needed. One photo is of nine young men. The other photos are of various members of the group usually in cowboy or hunting attire. However we think they're playing dress-up not real cowboys since they're seated on barrels holding rifles in front of a painted backfrop of a log cabin and wilderness lake. unknown
réf. SONG1506710093Dark Horse Books 2019-04-30. hardcover. Used: Good. 11.30x0.92x10.29. Buy with confidence. Excellent Customer Service & Return policy. Dark Horse Books hardcover
1904réf. AUB-113Paris, bureau du Studio, librairie Ollendorf 1904. Bon in-4 broché, couverture ornée d'éd., plus de 180 pages sur beau papier avec notes et planches.
1929réf. 00544903Keramic Studio 1929. First Edition. Hardcover. Near Fine/No Jacket. Folio - between 12" - 15" Tall. Complete run of issues from Volume 31 No. 1 through Volume 32 No. 11 May 1929 to April 1932. Each issue is bound with its front cover. The contents are fine essentially as new. Bound in a stirdy black cloth stamped in gilt floral patterned endpapers minor stain to front cover. No owner's marks of any kind. Color b/w Illustrations. Keramic Studio hardcover
réf. 125771850s. Carte-de-visite size c.6 x 10cm faded photograph of Bridget Winthrop or engraving of sl. spotted on reverse the following information in MS. Bridget Winthrop married to Wm Maunsell Mrs Wm Maunsell gt grandmother of H.O. DonnellMA CLK space great great Grandmother to Mrs Petronella O'Donnell and to Mr Elliot O'Donnell". Printed on reverse: Mrs. C. Flynn Bookseller & Stationer Circulating Library Photographic Studio 20 George Street Limerick".From the archive of Elliot O'Donnell Irish ghost-hunter. Note: Limerick: Mrs. C. Flynn 40 Great George's-street one of the publishers of "The Celt" periodical c.1857. Unusual in being a female bookseller and involved in the new art of photography I have found no other information about her yet. Image available by request or on my website. [1850s?] unknown
1928réf. 180402Salvat 1928. Tapa dura. 2ª Mano. . I Edad Media; Tomo II S. XVI; Tomo III S. XVII; Tomo IV S. XVIII; Tomo V 1790-1817; Tomo VI 1818-1842; Tomo VII 1843-1878; Tomo VIII 1879-1914; Tomo IX 1900-1920; Tomo X 1921-1934; Tomo XI 1935-1947; Tomo XII Accesorios de la moda. 12 tomos Obra completa ed. años 1928-1947. Ilustrado a color y B/N. un tomo deslucido moteado. Sellos ant.prop. Tapa dura tela 21x15cm 12vol. Salvat hardcover
Carboncino e matita misure: mm 165 x 225 Pittore italiano del quale si hanno poche notizie, fu attivo soprattutto nel Comasco a metà dell’Ottocento. Nel 1857 affrescò il battistero nella Basilica del SS. Crocifisso in Como; altre sue opere si trovano nel battistero di S. Fedele a Como e nelle chiese parrocchiali di Casasco, Pellio Superiore e Castiglione d’Intelvi. A Nesso nella Chiesa dei Santi Pietro e Paolo, nell’area presbiterale si trovano dipinti raffiguranti la Consegna delle chiavi a san Pietro, la Disputa di san Paolo nell’Areopago e la Trinità con gli Evangelisti realizzati nel 1864. In questo foglio, che reca la tracce di quadratura per definire le posizione reciproche delle figure, vengono rappresentati tre putti a figura intera. Sono colti stanti in pose ed atteggiamenti differenti; quello di sinistra di profilo ma con il busto e il volto rivolti verso lo spettatore, diversi ripensamenti dell'artista alla ricerca dell'esatta posizione del braccio destro forse pensato per tenere uno strumento. Il putto centrale è colto frontalmente, con la gamba sinistra avanti rispetto l'altra, fissa lo spettatore e sembra, con il gesto della mano sinistra protesa in avanti, lo stia invitando. Il putto a destra è di profilo, molti sono i ripensamenti di braccia e volto, sembra tenere tra le mani un flauto. Disegno eseguito su cartoncino ocra. Ottimo stato di conservazione.
Matita misure: mm 311 x 235 Pittore italiano del quale si hanno poche notizie, fu attivo soprattutto nel Comasco a metà dell’Ottocento. Nel 1857 affrescò il battistero nella Basilica del SS. Crocifisso in Como; altre sue opere si trovano nel battistero di S. Fedele a Como e nelle chiese parrocchiali di Casasco, Pellio Superiore e Castiglione d’Intelvi. A Nesso nella Chiesa dei Santi Pietro e Paolo, nell’area presbiterale si trovano dipinti raffiguranti la Consegna delle chiavi a san Pietro, la Disputa di san Paolo nell’Areopago e la Trinità con gli Evangelisti realizzati nel 1864. Nel foglio viene rappresentata una figura stante, colta frontalmente e piegata leggermente in avanti. L'uomo non è indagato nel volto, lasciato allo stato di abbozzo, l'autore si concentra sullo studio dei movimenti della veste. Questa tunica avvolge completamente il soggetto e cade pesante sul suo corpo; il braccio sinistro piegato alla vita regge parte della veste lasciando così visibili le caviglie e i piedi nudi. Attraverso una fitta intersezione di linee si vengono a creare giochi chiaroscurali che rendono tangibile il tessuto. La figura nella sua maestosa ieraticità sembra una scultura di un filosofo o un magistrato romano. Disegno eseguito su carta bianca spessa. Ottimo stato di conservazione.
1991réf. 1254311991-1993 Librairie Parallèles, Paris - 1991/1993 - Complet en 2 volumes in-4 brochés, couvertures illustrés - 111 + 159 pages - Nombreuses illustrations en N&B et en couleurs dans le textePrésentation alphabétique avec biographies et discographies des groupes américains de ce rock apparu au début années 60 à la suite de l'expérimentation de nouvelles drogues hallucinogènes.
réf. SONG9089896627Lannoo Publishers 2016-07-28. First Edition. hardcover. Used: Good. 11.42x1.18x13.78. Buy with confidence. Excellent Customer Service & Return policy. Lannoo Publishers hardcover
1900réf. D11289Brooklyn c. 1900. Hardcover. Very Good. Contemporary green morocco gilt-stamped lettering and ornament in spine compartments 5 raised bands; 3 volumes 120 x 190 mm; containing a total of 37 silver prints 92 x 140 mm mounted to the recto only of grey heavy cardstock leaves with the name of the studio blindstamped in the lower right corner of the mount. Features one mustachioed gentleman "trying on" different postures identities and costumes in the studio including businessman's attire tuxedos ethnic costume sombrero! swimming costume behold the Speedo!. He flexes his biceps he smokes a cigar -- he WORKS IT for the camera. Spine somewhat sunned; some light scuffing along edges of boards. One leaf detached otherwise internally bright and clean. hardcover
1900réf. D11289Brooklyn c. 1900. Hardcover. Very Good. Contemporary green morocco gilt-stamped lettering and ornament in spine compartments 5 raised bands; 3 volumes 120 x 190 mm; containing a total of 37 silver prints 92 x 140 mm mounted to the recto only of grey heavy cardstock leaves with the name of the studio blindstamped in the lower right corner of the mount. Features one mustachioed gentleman "trying on" different postures identities and costumes in the studio including businessman's attire tuxedos ethnic costume sombrero! swimming costume behold the Speedo!. He flexes his biceps he smokes a cigar -- he WORKS IT for the camera. Spine somewhat sunned; some light scuffing along edges of boards. One leaf detached otherwise internally bright and clean. hardcover books
réf. 63-6875Del Mar CA: Harrison Studio 1996. 8vo. Stapled Wraps 48 pp. Color Plates VG. Stapled Section of Letter-Sized Pages 16 pp. Text in English & German.Provenance: Peter Selz Files on the artists Helen Mayer Harrison 1927 - 2018 & Newton Harrison Harrison Studio. Del Mar, CA: Harrison Studio, 1996. paperback
réf. 63-6874Sacramento CA: Harrison Studio 1976-77. Quarto Stapled & Paper-Clipped Sheets 13 pp. Color Plates VG. Unique.Provenance: Peter Selz Files on the artists Helen Mayer Harrison 1927 - 2018 & Newton Harrison Harrison Studio. Sacramento, CA: Harrison Studio, 1976-77. unknown
réf. 132266Lannoo Publishers Acc 2016-07-28. First Edition. hardcover. Like New. 11x1x13. Signed by Author. Piet Boon inscribed to previous owners and signed in gold marker on the flyleaf. Massive hardcover in patterned boards. First edition first printing. oversized and overweight. Please email for photos. Lannoo Publishers (Acc) hardcover
1931réf. 81532Philadelphia: David McKay Company 1931. Hardcover. Good. 21.5 x 16 cm. 32pp. Red cloth with paste-on cover illustraiton. Color endpapers and illustrations throughout. Fraying to corners. Name on second page. Some soiling to pages. The first Mickey Mouse book. This being the variant with a blank back cover another version has characters on the back. David McKay Company hardcover
1937réf. 157097Philadelphia: David McKay 1937. First Edition. Hardcover. Good/Good. 20 p. 27 cm. Colour illustrations. Pictorial hardcover in matching dustjacket. Light wear to both book and jacket edges. Jacket has some scratches and rubbing to rear panel scuffing to spine. A little thumbing and small ink stamp to front endpaper. Inspired by Longfellow's poem The Song of Hiawatha this Disney story features the Ojibway warrior as a cute child. Based on the 1937 movie short by the same name in which little Hiawatha befriends the local forest animals who later help him out when he's in a bind. David McKay hardcover
