4.149 Ergebnisse
1908Best.-Nr. 021388Paris 1908 Librairie Ollendorf Hardcover
1908Best.-Nr. 021389Paris 1908 Librairie Ollendorf Hardcover
1905Best.-Nr. 021390Paris 1905 Librairie Ollendorf Hardcover
1904Best.-Nr. 021391Paris 1904 Librairie Ollendorf Hardcover
1906Best.-Nr. 021392Paris 1906 Librairie Ollendorf Hardcover
1904Best.-Nr. 021393Paris 1904 Librairie Ollendorf Hardcover
1905Best.-Nr. 021394Paris 1905 Librairie Ollendorf Hardcover
1993Best.-Nr. 63096Diputación de Alicante 1993. hardcover. MuyBueno. Diputacion Alicante. 1993. Facsimil de la impresa en Orihuela por Joseph Vicente Alagarda en 1760.Facsimil estudio preliminar en estuche. 7 desplegables fuera de texto Diputación de Alicante hardcover
1598Best.-Nr. 64755Lich, Nikolaus Erben, 1598. 4°. Titel m. Holzschn.-Vignette. 22 S., Geheftet (ausgebunden; ohne Einband).
Best.-Nr. 54987Köln: Oppenheim Studio 1975. Quarto 29.6 × 21 cm. Original printed wrappers; 2 189 3 pp. with numerous reproductions of video stills. Wrappers lightly stained and with adhesive trace of an old price tag; else good or better. Catalog of the Cologne video studio Oppenheim which was founded in October 1974 as one of the first venues for the then new art genre. The institution quickly developed into a showcase and production site for the first generation of video artists in West Germany. The gallery also founded by Ingrid Oppenheim and attached to the studio represented artists such as Sigmar Polke Katharina Sieverding Ulrike Rosenbach Imi Knoebel and Klaus vom Bruch. Alongside Gerry Schum and Ursula Wevers Oppenheim became one of the central protagonists who significantly advanced the establishment of video art. Her video collection is now part of the Kunstmuseum Bonn. Documented here are works by Klaus vom Bruch Michael Buthe Jon Gibson Bruno De Mattio Christov Kohlhoffer Darcy Lange Ernst Mitzka Dennis Oppenheim Charlemagne Palestine C.O. Paeffgen Ulrike Rosenbach. Texts by Jean-Cristoph Ammann Bruno De Mattio Jon Gibson Darcy Lange Interview with Willoughby Sharp Ernst Mitzka Georg Jappe Dennis Oppenheim and Ulrike Rosenbach. As of September 2025 KVK OCLC find only three copies in North America. unknown
1905Volume in 8° di 713 pp 2°edizione del 1905 cartonato nero con dorature su dorso leggerissima screpolatura in alto a sinistra,numerose figure
Best.-Nr. 92162Paris 1 vol. tirage argentique d'époque (16,2 x 13,5 cm) contrecollé sur carton gris à l'adresse du studio (19,5 x 13,5) puis sur feuillet cartonné crème in-4. Beau portrait de trois quart d'un Valéry élégant au regard clair et presque rieur.
Best.-Nr. 92162Paris 1 vol. tirage argentique d'époque (16,2 x 13,5 cm) contrecollé sur carton gris à l'adresse du studio (19,5 x 13,5) puis sur feuillet cartonné crème in-4. Beau portrait de trois quart d'un Valéry élégant au regard clair et presque rieur.
1910Best.-Nr. 015883New York: The International Studio John Lane Company 1910. Near Fine condition. Mild EX-LIBRARY. A bright shiny tight copy see photos. Handsomely bound in three-quarter brown morocco leather corners and spine with 5 raised bands. The leather is remarkably well preserved. Gilt stamping on the spine is still bright and shiny. Corners are NOT bumped. Inner hinges are perfect. NO external library evidence except for an area at the foot of the spine where a small label has been neatly removed see photos. WITHDRAWN stamp on a bookplate on the front pastedown endpaper. NO pocket. Attractive contemporary marbled endpapers see photos. Text is clean and crisp. NO underlining or margin notes. Lavishly illustrated throughout including numerous full-page tissue-guarded plates many in beautiful full color. Volume Forty-One Vol. 41 Comprising July August September and October 1910 Numbers 161 to 164 complete. There are 452 total pages 12-page double column Index civ 336pp. Oversize Hardcover. 8.25" wide by 11.75" tall. This large heavy book will require extra postage for Priority and International shipments but only the standard charge for media mail. First Edition. Oversize Hardcover. Near Fine EX-LIBRARY. civ 336pp. 12 page Index. The International Studio, John Lane Company Hardcover
1900Best.-Nr. 141South Bend Washington 1900. Very Good. Columbia Box and Lumber Co. General Merchandise and Loggers Supplies Staple and Fancy Groceries Photo on Board. Circa 1900 photo measuring 6.25 x 8 inches on 10 x 12 inch board. Loomis Studio written in pencil on verso of photo. Silver gel photo is in very condition with light silvering. Mounted on rust colored board which has light soiling and moisture damage which does not go into the photo. Verso is blank save for a light pencil annotation noting the photographer and location. The town of South Bend Washington was incorporated in 1890 and is the self-proclaimed oyster capital of the world. We find numerous newspaper references to the Columbia Box and Lumber Company especially in regard to lumber activities. This photo perhaps taken before a 4th of July parade showcases products sold at the Columbia Box and Lumber Company. It appears that the float has Hammonds Best Flour Sacks in addition to rows of merchandise including a display of MJB Coffee cans. The ton is located on the Willapa River and the store appears to be built entirely on a boardwalk. Classic photo of turn of the century Western Americana. unknown
1867Best.-Nr. 054908Constantinople 1867. Hardcover. Very Good. Original b/w photograph by Pascal Sebah. 30x20 cm. In Ottoman script. Slightly chipped on corners and margins a stain on the descriptive text area. Otherwise a good photo. Original print photograph from 'Les costumes populaires de la Turquie en 1873 ouvrage publie sous le patronage de la Commission Imp. de l'Exposition Universelle de 1873 a Vienne'. Photograph depicts three Ottoman civilians of Rhodes Island in their local costumes; one is an outdoor dress of Muslim women living in Rhodes the second is a standard dress for Muslim men and the last one is a home dress of Muslim women. Pascal Sébah 1823-1886 was a photographer in Constantinople now Istanbul and Cairo who produced a prolific number of images of Egypt Turkey and Greece to serve the tourist trade and the founder of Sebah & Joaillier Photograph Studio. He established a valuable working relationship with Turkish painter Osman Hamdi Bey taking photographs as part of the artist's preparation and in which he experimented with light and shade. In turn Hamdi Bey selected Sébah to illustrate his text on the popular costumes worn by Turkish and other ethnic groups entitled Les Costumes Populaires de la Turquie en 1873: ouvrage publié sous le patronage de la Commission impériale ottomane pour l'Exposition universelle de Vienne and published in 1873. hardcover
1908Best.-Nr. 154498Toronto ca. 1908-36. Very good. 10 9x14 cm b&w photo postcards on front side. Each in its own clear pocket attached to backerboard and covered with cellophane. On rear are 6 more cards with addresses postmarks and messages exposed. Backerboard is a bit cracked on this side and the cards are sliding around. A more secure form of permanent display will be needed. One photo is of nine young men. The other photos are of various members of the group usually in cowboy or hunting attire. However we think they're playing dress-up not real cowboys since they're seated on barrels holding rifles in front of a painted backfrop of a log cabin and wilderness lake. unknown
Best.-Nr. SONG1506710093Dark Horse Books 2019-04-30. hardcover. Used: Good. 11.30x0.92x10.29. Buy with confidence. Excellent Customer Service & Return policy. Dark Horse Books hardcover
1904Best.-Nr. AUB-113Paris, bureau du Studio, librairie Ollendorf 1904. Bon in-4 broché, couverture ornée d'éd., plus de 180 pages sur beau papier avec notes et planches.
1981Best.-Nr. 2091502135702266Maria shobo 1981. Soft Cover. Fine. The book is in fine condition. Maria shobo paperback
1929Best.-Nr. 00544903Keramic Studio 1929. First Edition. Hardcover. Near Fine/No Jacket. Folio - between 12" - 15" Tall. Complete run of issues from Volume 31 No. 1 through Volume 32 No. 11 May 1929 to April 1932. Each issue is bound with its front cover. The contents are fine essentially as new. Bound in a stirdy black cloth stamped in gilt floral patterned endpapers minor stain to front cover. No owner's marks of any kind. Color b/w Illustrations. Keramic Studio hardcover
Best.-Nr. 125771850s. Carte-de-visite size c.6 x 10cm faded photograph of Bridget Winthrop or engraving of sl. spotted on reverse the following information in MS. Bridget Winthrop married to Wm Maunsell Mrs Wm Maunsell gt grandmother of H.O. DonnellMA CLK space great great Grandmother to Mrs Petronella O'Donnell and to Mr Elliot O'Donnell". Printed on reverse: Mrs. C. Flynn Bookseller & Stationer Circulating Library Photographic Studio 20 George Street Limerick".From the archive of Elliot O'Donnell Irish ghost-hunter. Note: Limerick: Mrs. C. Flynn 40 Great George's-street one of the publishers of "The Celt" periodical c.1857. Unusual in being a female bookseller and involved in the new art of photography I have found no other information about her yet. Image available by request or on my website. [1850s?] unknown
1928Best.-Nr. 180402Salvat 1928. Tapa dura. 2ª Mano. . I Edad Media; Tomo II S. XVI; Tomo III S. XVII; Tomo IV S. XVIII; Tomo V 1790-1817; Tomo VI 1818-1842; Tomo VII 1843-1878; Tomo VIII 1879-1914; Tomo IX 1900-1920; Tomo X 1921-1934; Tomo XI 1935-1947; Tomo XII Accesorios de la moda. 12 tomos Obra completa ed. años 1928-1947. Ilustrado a color y B/N. un tomo deslucido moteado. Sellos ant.prop. Tapa dura tela 21x15cm 12vol. Salvat hardcover
Carboncino e matita misure: mm 165 x 225 Pittore italiano del quale si hanno poche notizie, fu attivo soprattutto nel Comasco a metà dell’Ottocento. Nel 1857 affrescò il battistero nella Basilica del SS. Crocifisso in Como; altre sue opere si trovano nel battistero di S. Fedele a Como e nelle chiese parrocchiali di Casasco, Pellio Superiore e Castiglione d’Intelvi. A Nesso nella Chiesa dei Santi Pietro e Paolo, nell’area presbiterale si trovano dipinti raffiguranti la Consegna delle chiavi a san Pietro, la Disputa di san Paolo nell’Areopago e la Trinità con gli Evangelisti realizzati nel 1864. In questo foglio, che reca la tracce di quadratura per definire le posizione reciproche delle figure, vengono rappresentati tre putti a figura intera. Sono colti stanti in pose ed atteggiamenti differenti; quello di sinistra di profilo ma con il busto e il volto rivolti verso lo spettatore, diversi ripensamenti dell'artista alla ricerca dell'esatta posizione del braccio destro forse pensato per tenere uno strumento. Il putto centrale è colto frontalmente, con la gamba sinistra avanti rispetto l'altra, fissa lo spettatore e sembra, con il gesto della mano sinistra protesa in avanti, lo stia invitando. Il putto a destra è di profilo, molti sono i ripensamenti di braccia e volto, sembra tenere tra le mani un flauto. Disegno eseguito su cartoncino ocra. Ottimo stato di conservazione.
Matita misure: mm 311 x 235 Pittore italiano del quale si hanno poche notizie, fu attivo soprattutto nel Comasco a metà dell’Ottocento. Nel 1857 affrescò il battistero nella Basilica del SS. Crocifisso in Como; altre sue opere si trovano nel battistero di S. Fedele a Como e nelle chiese parrocchiali di Casasco, Pellio Superiore e Castiglione d’Intelvi. A Nesso nella Chiesa dei Santi Pietro e Paolo, nell’area presbiterale si trovano dipinti raffiguranti la Consegna delle chiavi a san Pietro, la Disputa di san Paolo nell’Areopago e la Trinità con gli Evangelisti realizzati nel 1864. Nel foglio viene rappresentata una figura stante, colta frontalmente e piegata leggermente in avanti. L'uomo non è indagato nel volto, lasciato allo stato di abbozzo, l'autore si concentra sullo studio dei movimenti della veste. Questa tunica avvolge completamente il soggetto e cade pesante sul suo corpo; il braccio sinistro piegato alla vita regge parte della veste lasciando così visibili le caviglie e i piedi nudi. Attraverso una fitta intersezione di linee si vengono a creare giochi chiaroscurali che rendono tangibile il tessuto. La figura nella sua maestosa ieraticità sembra una scultura di un filosofo o un magistrato romano. Disegno eseguito su carta bianca spessa. Ottimo stato di conservazione.
