3.666 Ergebnisse
1957Best.-Nr. 191474Peking: People's Art Publishing House 1957. Hardcover. Good shelfwear and handwritten name in marker on front of cardboard box light foxing spots to title page and some borders plates are all present and otherwise very clean. Silk over boards portfolio with red Chinese lettering and yellow illustrations with bone clasp closures; 5 pp text with bw illustrations 73 color plates some with two or three per page. Issued in cardboard box with black Chinese lettering. Edited by the Research Studio of the Northeast Drama Institute. Designs reproduced by Lu Hua and Ma Chiang. Eng & Chinese. 16x15x1.5" People's Art Publishing House hardcover books
1982Best.-Nr. 021040Japan: Interia Shuppan 1982. Book. About Fine. Soft cover. Superstudio was an architecture firm founded in 1966 in Florence Italy by Adolfo Natalini and Cristiano Toraldo di Francia. Superstudio was a major part of the Radical architecture movement of the late 1960s. Softcover with dust jacket designed by Tadanori Yokoo. Text in Japanese and English. Interia Shuppan Paperback
Best.-Nr. 54-0283London: Offices of The Studio 1907. 270 xxii pp. Illustrated in color and black and white. With a lithograph by Joseph Pennell "Le Puy" a color lithograph by Thoma Hans "Rest During the Flight Into Egypt" and a lithograph by James McNeill Whistler "The Smith's Yard". Way 88; Levy 126; Wuerth No. 124. Small 4to. Green cloth titled and decorated in gilt. London: Offices of The Studio, 1907. hardcover
1940Best.-Nr. 58555Boston:: D. C. Heath and Company 1940. First edition. publisher's illustrated cloth in dust jacket. Ink name on front free endpaper; a tight sound unworn copy in a bright price-clipped jacket with a few short closed tears and some light dust-soiling and creasing along the top edge. 8vo. Illustrated by the Walt Disney Studio. D. C. Heath and Company, hardcover
1931Best.-Nr. 62956Philadelphia:: David McKay Company 1931. First edition. publisher's cloth-backed boards illustrated in color. There is a slight rusty mark from a paper clip on the verso of the title page and p. 1; otherwise a beautiful bright copy. . 8vo. Story and Illustrations by Staff of Walt Disney Studio. David McKay Company, hardcover
1931Best.-Nr. 61856Philadelphia:: David McKay Company 1931. First edition. publisher's cloth with applied illustration on front panel. . Loss 1" x 2-1/2" to the lower margin of one leaf affecting no text and barely touching the bottom of one illustration; neat tissue repairs to the same region of several other leaves; also some creasing to the lower margins of other leaves; the binding sound and quite attracitve. 8vo. Illustrated throughout in color. Story and Illustrations by Staff of Walt Disney Studio. David McKay Company, hardcover
1972Best.-Nr. L3 boxtemp218 hgPoesia Espanola Del Siglo Veinte Antologia. Estudio preliminar seleccion y notes de Gustavo Correa. Published by Appleton-Century-Crofts 1972. Hardcover xxii613 pages. Library withdraw book. Appleton-Century-Crofts. hardcover
1957Best.-Nr. OS3057CPeople's Fine Arts Publishing House 1957. Hardcover. Very Good. WE SHIP DAILY. EX-Library. There are 73 color illustrations in a decorative outer box. Text is in Chinese without the added title page and commentary in English. Outer box spine has been reinforced with leather like tape. Minimal library markings. Elsewhere minor corner wear. PROMPT PROFESSIONAL SERVICE! People's Fine Arts Publishing House hardcover
1960Best.-Nr. 403653London : Longacre Press 1960. 1st edition. Softcover. Very good paperback copies; edges slightly dust-dulled and nicked. Remains a particularly well-preserved set overall; tight bright and clean. Contents; 85 issues of ""The Studio"" spanning from 1960 to 1963. 115 issues of ""The Studio. The leading magazine of contemporary art"" spanning from 1953 to 1960. Some issues repeated. More information upon request. Subjects; Art ; Periodicals. Painting Periodicals. Decorative arts. Arts and crafts movement. Great Britain. London : Longacre Press paperback
1982Best.-Nr. KOS02201766Interior Publishing 1982. Soft Cover. Fine. KOS02201766 Interior Publishing paperback
1980Best.-Nr. KOS02201645Interior Publishing 1980. Soft Cover. Fine. KOS02201645 Interior Publishing paperback
1973Best.-Nr. 18187BASTEI 1973. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
1900Best.-Nr. List3340United States and the Philippines: West’s Studio and others 1900. Eight photographs mounted on heavy cardstock measuring 5 ½ x 6 ¼ inches and smaller. Some with manuscript captions verso. Some with manuscript captions verso. Some staining and damage to mounts especially at corners; overall excellent. A collection of eight photographs from the Spanish-American War with seven of stateside training camp scenes and one portrait of an unknown soldier taken at Fort McKinley near Manila. Three are captioned verso identifying their locations as Camp Presidio San Francisco; Camp Powers Augusta Maine now Camp Keyes; and Savannah Georgia likely Camp Onward. The latter photo which depicts a Thanksgiving scene also mentions in its caption that “Robert Golding was in the Army in Savannah at that time.” Golding from Eastport Maine was in Company I of the 2nd Infantry Regiment; interviews with Golding about his life and experience in the war are available from the American Folklore Society. Note that the portrait does not appear to be of Golding. Besides Thanksgiving shots include several of soldiers posing in front of their tents one of a haircut at the Presidio and an excellent shot from Augusta of a soldier being tossed in the air on a makeshift trampoline. Of interest to historians of the Spanish-American War and US training camps from the time. West’s Studio and others unknown
1900Best.-Nr. List3340United States and the Philippines: West’s Studio and others 1900. Eight photographs mounted on heavy cardstock measuring 5 ½ x 6 ¼ inches and smaller. Some with manuscript captions verso. Some with manuscript captions verso. Some staining and damage to mounts especially at corners; overall excellent. A collection of eight photographs from the Spanish-American War with seven of stateside training camp scenes and one portrait of an unknown soldier taken at Fort McKinley near Manila. Three are captioned verso identifying their locations as Camp Presidio San Francisco; Camp Powers Augusta Maine now Camp Keyes; and Savannah Georgia likely Camp Onward. The latter photo which depicts a Thanksgiving scene also mentions in its caption that “Robert Golding was in the Army in Savannah at that time.” Golding from Eastport Maine was in Company I of the 2nd Infantry Regiment; interviews with Golding about his life and experience in the war are available from the American Folklore Society. Note that the portrait does not appear to be of Golding. Besides Thanksgiving shots include several of soldiers posing in front of their tents one of a haircut at the Presidio and an excellent shot from Augusta of a soldier being tossed in the air on a makeshift trampoline. Of interest to historians of the Spanish-American War and US training camps from the time. West’s Studio and others unknown books
1890Best.-Nr. 287341890. A large studio photo album with large albumen photographs of Italian architecture and sculpture in and around Siena 3 Florence 27 Ravenna 4 Bologna 3 Venice 12 Padua 2 Verona 12 Lombardi 1 Lake Como 4 Massagno 1 Napoli 1 Milan 4 Pompei 1 2 unidentified. 63 images 13 by Alinari 2 by Noack Geneva 3 Edizioni Brogi 1 Sommer and other photographers most with studio numbers and captions in Italian. Fratelli Alinari was a photographic studio founded in 1852 in Florence and run by the three Alinari brothers and is today considered one of the world's oldest photographic firms. Maroon diced leather binding gold dentelles 6 chambers 14 3/4 x 10 3/4" 63 images image size 9 3/4 x 8" 6pp blank at back marble endpapers no titles. Covers rubbed at edges binding strong images vgc. unknown
1945Best.-Nr. 20947ELos Angeles: Republic Pictures 1945. Original 1945 Studio Pass to Republic Pictures Studio for Hollywood columnist Jimmy Starr. Metallic gold cardstock 3 1/2” x 2 1/4”. Studio passes were given to press and industry representatives allowing the bearer access to the studio’s lot and sets. It reads in full: “Republic Press Pass April 1st to crossed out Dec. 31 1945 Republic Studios To Publicity Department Only Name Jimmy Starr typed Publication L.A. Herald Express typed Violations of the Requirements of this Pass Will Result in Its Permanent Cancellation. No. 23 Director of Studio Publicity signed This Pass Not Valid Unless Signed by Holder on Reverse Side.” On the verso is a printed set of basic terms regarding the holder of the pass without Mr. Starr’s signature. About fine with the most minute trace of use. Jimmy Starr 1902 - 1990 is best known as a Hollywood columnist though he was also a writer and actor known for The Corpse Came C.O.D. 1947 A Night for Crime 1943 and Pink Pajamas 1929. Republic Pictures specialized in Westerns and movie serials and was notable for developing the careers of John Wayne Gene Autry and Roy Rogers. Some of the 1945 Republic Pictures films for the time period Mr. Starr may have enjoyed include such popular productions as The Vampire’s Ghost with John Abbot and Peggy Stewart Flame of Barbary Coast with John Wayne and Ann Dvorak The Chicago Kid with Donald Barry and Otto Kruger Tell It To a Star with Ruth Taylor and Robert Livingston Scotland Yard Investigator with Sir Aubrey Smith and Erich von Stroheim and Dakota with John Wayne and Vera Ralston. Republic Pictures unknown
1968Best.-Nr. 92685New York: The Studio Museum in Harlem 1968. Very Good. Two-page exhibition list probably produced on a photocopier. Accompanying the exhibition list also probably produced on a photocopier is a two-page Press Release dated November 14 1968 and issued by Eleanor Haas on behalf of the Studio Museum. titled. Both items are printed on one side and stapled in upper left corners. 28 cm. The exhibition was organized by Henri Ghent director of the Brooklyn Museum's Community. 42 works by 21 African American artists are listed as included in the exhibition. The Press Release is titled "Blacks Talk Back to the Whitney Museum and states in part: The Whitney Museum left them out. Not a single black artist is inclued in its current survey of American art of the 1930's . "Our title of course refers to Ralph Ellison's superb image for the exclusion of blacks from consciousness by the white establishment" said Mr. Ghent . "They refuse to see us. Small wonder our artists have not been taken seriously. The Studio Museum in Harlem unknown
1968Best.-Nr. 92685New York: The Studio Museum in Harlem 1968. Very Good. Two-page exhibition list probably produced on a photocopier. Accompanying the exhibition list also probably produced on a photocopier is a two-page Press Release dated November 14 1968 and issued by Eleanor Haas on behalf of the Studio Museum. titled. Both items are printed on one side and stapled in upper left corners. 28 cm. The exhibition was organized by Henri Ghent director of the Brooklyn Museum's Community. 42 works by 21 African American artists are listed as included in the exhibition. The Press Release is titled "Blacks Talk Back to the Whitney Museum and states in part: The Whitney Museum left them out. Not a single black artist is inclued in its current survey of American art of the 1930's . "Our title of course refers to Ralph Ellison's superb image for the exclusion of blacks from consciousness by the white establishment" said Mr. Ghent . "They refuse to see us. Small wonder our artists have not been taken seriously. The Studio Museum in Harlem unknown books
1937Best.-Nr. 20946EHollywood CA: Universal Pictures 1937. Original 1937 Studio Pass to Universal Pictures Studios for Hollywood columnist Jimmy Starr. Blue cardstock 3 3/4” x 2” with Universal Pictures logo. Studio passes were given to press and industry representatives allowing the bearer access to the studio’s lot and sets. It reads in full: “Identification Card Void After April 1 1937 Admit to Studio Lot for Parking and to Publicity Dept. Only No. 29 stamped Issued to Jimmy Starr L.A. Herald & Express typed Authorized by signed.” Blank on the verso. About fine with the most minute trace of use. Jimmy Starr 1902 - 1990 is best known as a Hollywood columnist though he was also a writer and actor known for The Corpse Came C.O.D. 1947 A Night for Crime 1943 and Pink Pajamas 1929. Some of the 1937 Paramount Studios films Mr. Starr may have enjoyed include such popular productions as Jungle Jim with Grant Withers and Betty Jane Rhodes We Have Our Moments with Sally Ellers and James Dunn and When Love Is Young with Virginia Bruce Kent Taylor and Walter Brennan. Universal Pictures unknown
1950Best.-Nr. 28317New York: Golden Press 1950. 1st edition. Oversize Hardcover in color illus boards; no jacket as issued. VeryGood unmarked bright boards & bright contents; traces of light wear & minor touch-up. Collectible first edition. Bright crisp clean tight copy slight damage at rear upper spine traces of wear to corners but overall an exceptional copy of this icon of Disney Americana at 65 years old. 9-1/2 x 12-3/4 unnumbered pp color illus every page color-illus endpapers. Golden Press hardcover
Best.-Nr. 2041The Push Pin Studio. 1967. Impression en offset. Dim: 71 x 46 cm. Pliures d'origine. Parfait état. Rare.
Best.-Nr. 2041The Push Pin Studio. 1967. Impression en offset. Dim: 71 x 46 cm. Pliures d'origine. Parfait état. Rare.
1721Best.-Nr. 41271Paris, Montalant, 1721. Fol. (40 x 26 cm). Titel in Rot u. Schwarz. Mit zahlr. Holzschn.-Vignetten u. -Initialen. 27 Bll., 707 (1) S., 40 Bll.; 2 Bll., 215 (1) S., Pgmt. d. Zt. m. handschriftl. Rückentitel.
Matita misure: mm 300 x 437 Pittore e scultore italiano. Sin da giovane, sotto la spinta dal padre Antonio, si dedica alla scultura e già nel 1827 si fa conoscere per un gruppo di quaranta busti giganteschi, oggi dispersi, a soggetto mitologico e rurale, per la Villa dei Conti Sabatini a Udine. Contemporaneamente collaborava con il padre dimostrando capacità nel cogliere i dettami dello stile neoclassico allora in voga. Precocemente si avvicina alla pittura; realizza pochi soggetti religiosi, si afferma nella pittura di genere, in quella storica e in quella satirica. Con piglio originale ed estroso attira l'attenzione sia di capi di Stato, nobili ma anche collezionisti italiani che vedevano il suo studio come un ritrovo mondano, un passaggio obbligato durante i soggiorni veneziani. Gli affibbiarono il soprannome di "Goldoni della pittura veneziana". Soddisfatto della posizione sociale ed economica conquistata, abbandonò il lavoro a quarant'anni per godersi la vita. Sue opere sono conservate nei musei di Trieste, Padova e Venezia. In questo disegno l'attenzione dello spettatore è catturata dal michelangiolesco corpo maschile di spalle. Il modello è seduto come su un argine di un torrente. La torsione del corpo, con le mani adagiate a terra come nell'atto di sollevarsi, mostra le braccia muscolose, la schiena in tensione e il volto rivolto a destra caratterizzato da una bocca socchiusa, naso alla greca, lo sguardo fisso verso un punto in lontananza e capelli mossi dal vento. La capigliatura è tipicamente neoclassica. Sembra di vedere uno studio per un dio fluviale, un allegoria. Evidente è la conoscenza della statuaria classica Il tratto è rapido, la linea di contorno è morbida su tutta la figura e l'intersezione fitta del tratteggio regala giochi chiaroscurali che mostrano l'attenzione per gli effetti della luce sul nudo atletico. In basso a destra, a matita, firma. Al verso veloci schizzi a matita. Disegno su carta vergellata color avorio. Buono stato di conservazione, leggero foxing e qualche piega. Filigrana: tre mezze lune (Veneto, XVIII secolo) Bibliografia: A. De Alisi, Le arti figurative nella Venezia Giulia, ms. (sec. XX), ad vocem.
Best.-Nr. 66090Luzern Bösch AG 1983. 128 x 905 cm Zustand A. Konzertplakat «Jazz in Willisau» im Hotel Mohren in Willisau. 010 Luzern, Bösch AG, 1983 unknown
