4021 risultati
1980rif. KOS06200864TBD 1980. Soft Cover. Fine. KOS06200864 TBD paperback
1958rif. 54252Burbank California: Warner Brothers 1958. 1958. TEXAS. Vintage reference photograph of Angie Dickinson from the classic 1959 Western film Rio Bravo. The film starred Angie Dickinson John Wayne Dean Martin and Ricky Nelson with Howard Hawks as director and Leigh Brackett and Jules Furthman as screen writers. The film was shot on location in Arizona. Texas Sheriff John Chance arrests Joe Burdette for murder. Joe’s powerful and wealthy brother Nathan gathers hired guns and surrounds the town determined to free him. Subsequently Sheriff Chance must fend off the gang with the help of a young gunfighter a disabled man and the town drunk. Alongside the action Sheriff Chance develops a romantic relationship with Feathers played by Angie Dickinson a sharp-witted gambler. One of the most entertaining Western films ever made from the standpoint of cinematography dialogue story economy direction and acting. The basis for the film is the book "Rio Bravo" written by Leigh Brackett and published as a paperback original in 1959 by Bantam Books. Even light fading to the recto with a tide mark that is not visible on the recto else a near fine photograph. Warner Brothers, 1958. paperback
1984rif. 8622BASTEI 03/1984. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
1976rif. 21603BASTEI 1976. 1. softcover. Mit dem großem Jubiläums-Poster! DER JUNGE HÄUPTLING BASTEI paperback
rif. LDM0014718We ship worldwide. 100% guarentee. BRAND NEW unknown
rif. LDM0029278We ship worldwide. 100% guarentee. BRAND NEW unknown
rif. ZZ905286 Tragedies in two bindings some of which are rare:olume 1:1 Gabinia tragedy in French by Mr. De Brueys improved in this second edition 1756 64 pp.2 Romulus tragedy third edition 1754 56 pp.3 Pertharitus king of the Lombards tragedy after P. Cornelle second edition 1756 67 pp.4 Stilico tragedy after T. Corneille second edition 1755 72 pp.Volume 2:1 Pyrrhus second edition 1755 64 pp.2 Brutus second edition 1756 64 pp.3 Marius second edition 1757 56 pp.All with title pages with engraved vignettes see photos and published under the motto Studio Fovetur Ingenium. This is probably Sybrand Feitema who following the example of the Rhetoricists always signed his work with a motto: Studio Fovetur Ingenium The mind is cultivated through practice. Feitama became famous mainly for his excellent translations of plays.Printed by Izaak Duim in Amsteldam.Interior in very good condition: pages very fresh and bright. First page with stamp Library Gebr. A. van Lier Amsterdam. This is the Theater Library of the directors of the Amsterdam Grand Théâtre Abraham van Lier and his three sons Isouard Lion and Joseph the 'Lier Brothers'. See article by Paul Post in DBNL.org about this unique library. Hoogduitsche Schouwburg in the Amstelstraat in Amsterdam. The library was auctioned in 1931.Leather bindings with some damage. hardcover
1974rif. 2110502150907442Kyuryudo 1974. Soft Cover. Fine. Volume: 1 Kyuryudo paperback
rif. Laursen, Bodil RuskFront binding not in perfect condition. unknown
1936rif. 237922New York: Bachrach 1936. Half-length gelatin silver print. 10 x 8 inches. Mounted too artist's board. Slight silvering to photo mount a bit soiled and worn. Half-length gelatin silver print. 10 x 8 inches. Inscribed by FDR's campaign manager and Postmaster General "To my good friend Antonio C. Gonzalez Sincerely James A Farley". Gonzalez 1888-1965 born in New York City was U.S. Minister to Panama from 1933-35; to Ecuador from 1935-38; and to Venezuela in 1938. Bachrach unknown
1936rif. 237922New York: Bachrach 1936. Half-length gelatin silver print. 10 x 8 inches. Mounted too artist's board. Slight silvering to photo mount a bit soiled and worn. Half-length gelatin silver print. 10 x 8 inches. Inscribed by FDR's campaign manager and Postmaster General "To my good friend Antonio C. Gonzalez Sincerely James A Farley". Gonzalez 1888-1965 born in New York City was U.S. Minister to Panama from 1933-35; to Ecuador from 1935-38; and to Venezuela in 1938. Bachrach unknown books
rif. 3727459W. Chester Pa. West Chester Pennsylvania Belt Studio c.1920s. Mounted Photograph. 10 x 12 inches overall; 6½ x 8¼ inches image. Gelatin silver process. Some soil to mount; very good. C.1920s photograph taken in front of St. Luke’s Union American Methodist Episcopal U.A.M.E. Church in West Chester Pennsylvania. The photograph taken by long-time West Chester photographer Joseph W. Belt depicts a group of African-American men and women likely church leaders. A sign on the brick wall includes a reference to Peter Spencer founder of the African Union First Colored Methodist Protestant Church from which the U.A.M.E. church separated in 1865. The sign notes that the current pastor was Rev. E.S. Rice. Rev. Edward S. Rice later served as U.A.M.E. bishop of Pennsylvania-Maryland. unknown
1896rif. 20057Herisau Switzerland: Edwin Jucker 1896. Matted. A kooky Gay Nineties band of cross-dressers a la Suisse! Four of the eight member band are in comical drag in this large sepia-toned photograph taken place during Carnival when outrageous costumes partying and carousing are as much a tradition in the Teutonic world as they are in the Latin countries. The photo itself as visible in the window surrounded by matting is 17 by 22 cm. The photo is taped to the back of the matting and when we look behind the photo is on a thick card measuring about 18 by 23.5 cm. We haven't examined the photo removed from the matting but we would assume that there is a narrow margin and virtually all of the photo is visible. The matting included the dimensions are 27.5 by 35 cm. The band seems to be a more or less typical Tyrolean ensemble with a violin a double bass a trumpet a flute a clarinet we assume -- part of the instrument is hidden so we aren't 100 percent certain a bass drum and a trombone. The center figure in the photo is a man dressed like Uncle Sam with a top hat a long goatee etc. We think this was probably intentional -- the consciousness of America and American culture has become a thing in a Europe with the explosive growth of the American economy and the lure of emigration beckoning to so many at the time. Three of the cross-dressers are zaftig and they are dressed in fittingly matronly attire while the fourth mostly hidden behind his drum seems as if he might be a little more svelte and his attire looks more like that of a suffragette say. The men dressed as men are also in comical costume as well at least three of them. The thinner man holding a trumpet is in clothes that might be Tyrolean or might be from an earlier decade -- we can't tell from the photo that blurs his suit into just a dark undifferentiated shape. We also think it is possible but unlikely that one or more of the band members dressed as men might be a cross-dressing woman but we have no confidence that this is the case and it is probably unknowable. A close look at the faces of the band members suggests to us also that a few of them are closely related and probably siblings. Again probably unknowable for all intents and purposes. The backdrop of the photo is a paneled wall with four travel posters of Swiss resorts -- Rigi Lake Maggiore Ragaz-Wartenstein. We would think this was a photo studio backdrop. Again just a guess. Written on the photo is "Wartsaal III - Classe". This suggests that the band was participating in a contest. Herisau is in the Appenzell Canton of Switzerland or the Northeast of the country close to St. Gallen. The photo is foxed not terribly. The matting is also foxed and stained otherwise with three chips two of which are at corners. Although the matting might seem a candidate for replacement though we wouldn't since it is clearly original to the photo with its black impressed caption above and issued with the photo itself as a souvenir of the band and the event. Edwin Jucker unknown
1896rif. 20057Herisau Switzerland: Edwin Jucker 1896. Matted. A kooky Gay Nineties band of cross-dressers a la Suisse! Four of the eight member band are in comical drag in this large sepia-toned photograph taken place during Carnival when outrageous costumes partying and carousing are as much a tradition in the Teutonic world as they are in the Latin countries. The photo itself as visible in the window surrounded by matting is 17 by 22 cm. The photo is taped to the back of the matting and when we look behind the photo is on a thick card measuring about 18 by 23.5 cm. We haven't examined the photo removed from the matting but we would assume that there is a narrow margin and virtually all of the photo is visible. The matting included the dimensions are 27.5 by 35 cm. The band seems to be a more or less typical Tyrolean ensemble with a violin a double bass a trumpet a flute a clarinet we assume -- part of the instrument is hidden so we aren't 100 percent certain a bass drum and a trombone. The center figure in the photo is a man dressed like Uncle Sam with a top hat a long goatee etc. We think this was probably intentional -- the consciousness of America and American culture has become a thing in a Europe with the explosive growth of the American economy and the lure of emigration beckoning to so many at the time. Three of the cross-dressers are zaftig and they are dressed in fittingly matronly attire while the fourth mostly hidden behind his drum seems as if he might be a little more svelte and his attire looks more like that of a suffragette say. The men dressed as men are also in comical costume as well at least three of them. The thinner man holding a trumpet is in clothes that might be Tyrolean or might be from an earlier decade -- we can't tell from the photo that blurs his suit into just a dark undifferentiated shape. We also think it is possible but unlikely that one or more of the band members dressed as men might be a cross-dressing woman but we have no confidence that this is the case and it is probably unknowable. A close look at the faces of the band members suggests to us also that a few of them are closely related and probably siblings. Again probably unknowable for all intents and purposes. The backdrop of the photo is a paneled wall with four travel posters of Swiss resorts -- Rigi Lake Maggiore Ragaz-Wartenstein. We would think this was a photo studio backdrop. Again just a guess. Written on the photo is "Wartsaal III - Classe". This suggests that the band was participating in a contest. Herisau is in the Appenzell Canton of Switzerland or the Northeast of the country close to St. Gallen. The photo is foxed not terribly. The matting is also foxed and stained otherwise with three chips two of which are at corners. Although the matting might seem a candidate for replacement though we wouldn't since it is clearly original to the photo with its black impressed caption above and issued with the photo itself as a souvenir of the band and the event. Edwin Jucker unknown books
1974rif. 88983Studio Marconi 1974. Softcover. Very good/No jacket. A collection of 20 Studio Marconi issues. All are partially in a two ring binder or clipped together in a yellow slipcase. Issues are: Gianni Colombo / Hsiao / James Coleman / Laboratorio 1: Carlos Franqu / Mario Schifano / Laboratorio 2: Adami / Laboratorio 3: Richard Hamilton / Gastone Novelli / Laboratorio 5: Pardi "Echo" / Pino Spagnulo / Alexander Calder / Laboratorio 6: Arnaldo Pomodoro "Un centesimo de secondo" / Bruni di Bello / Elias / Emilio Tadini: Viaggio in Italia / Baj: Personaggio allo Speechio un multiplo di Baj 100 esemplari numerati e firmati / Gianfranco Pardi / Antonio Dias / Rebeyrolle / Bagier / Richard Hamilton. In Italian. Studio Marconi unknown
1934rif. 61783Philadelphia:: David McKay Company 1934. First edition. publisher's cloth with applied color illustration on front panel. Child's ownership signature and four inked letters to front ensheet; a few tiny spots to title page; slight use to cloth; tight and sound. 8vo. Story and Illustrations by Staff of Walt Disney Studio in color. David McKay Company, hardcover
rif. 74386Lausanne R. Marsens 1969. 128 x 90.5 cm Zustand A. AuftraggeberIn: Laitiers SA Lausanne. 010 Lausanne, R. Marsens, 1969 unknown
rif. DADAX1590694511Brand: Studio Mouse 0000-00-00. hardcover. New. 8.00x1.00x10.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Studio Mouse hardcover
1998rif. DADAX039373028XW. W. Norton & Company October 17 1998 1998-10-17. hardcover. New. 8.70x1.00x12.10. Buy with confidence. Excellent Customer Service & Return policy. W. W. Norton & Company (October 17, 1998) hardcover
rif. DADAX9089896627Lannoo Publishers 2016-07-28. First Edition. hardcover. New. 11.42x1.18x13.78. Buy with confidence. Excellent Customer Service & Return policy. Lannoo Publishers hardcover
2023rif. 933532London: Strange Attractor Press in association with The Magic Circle 2023 2024. NEW LIMITED DELUXE EDITION / Publisher Sealed see scan. Leatherette Spine ¾ Cloth w/ Bound-in Page Marker Ribbon. Revised Second Edition/Enlarged/Limited. Hard Cover. New. Illus. by Austin Osman Spare. 8vo - 9¼" tall. Strange Attractor Press in association with The Magic Circle hardcover
2023rif. 932537London: Strange Attractor Press in association with The Magic Circle 2023 2024. NEW LIMITED DELUXE EDITION / Publisher Sealed see scan. Leatherette Spine ¾ Cloth w/ Bound-in Page Marker Ribbon. Revised Second Edition/Enlarged/Limited. Hard Cover. New. Illus. by Austin Osman Spare. 8vo - 9¼" tall. Strange Attractor Press in association with The Magic Circle hardcover
1842rif. 6376Londra P. Rolandi 20 Berner's Street 1842/1843. Volumi 4 in 8° mezza tela con titoli oro ai dorsi. Pp. XXX 468 396 560 418. "Edizione originale del commento Foscoliano assai stimata e ricercata chiamata dal De Batines "bella e nitida" per la quale il F. collaziono' i Codici Mazzucchelli e quello del Roscoe con varianti." Mambelli 229. Qualche minima giallitura ma buona copia di questa rarissima edizione. Esemplare mancante delle tavole e con timbro di biblioteca duplicato. Copertine originali conservate hardcover
Acquatinta misure: 216 x 278 Antonio (Vaprio 1799 - Milano 1875), Giuseppe (Vaprio 1795 - Milano 1871) e Luigi (Vaprio 1801 - Milano 1860) furono disegnatori, incisori e calcografi molto attivi e conosciuti nella Milano del XIX secolo soprattutto per opere quali vedute e rilievi architettonici. Questa stampa riprende la tavola numero VIII facente parte della serie Descrizione dello studio di scultura del Prof. Pompeo Marchesi 1838, composta da dodici tavole disegnate dall'Architetto Antonio Rinaldi. Pompeo Marchesi (Saltrio 1783 - Milano 1858) fu un noto scultore allievo di Antonio Canova. Il suo studio in via S. Primo a Milano ospitava oltre a sculture monumentali anche modelli di gesso delle opere più celebri sia antiche che moderne. In questa incisione, attraverso giochi chiaroscurali, e grazie alla luce che entra da due archi finestrati sulla sinistra, assistiamo ad una elaborata scena animata. Uomini donne e militari commentano dipinti e sculture. Sulla destra possiamo riconoscere il ritratto di Goethe seduto che indossa una tunica, alle sue spalle un'allegoria della Fede forse di Canova, su mensole alle colonne le figure di Santi per il Duomo di Milano, su una lunga mensola in alto a destra i tanti busti realizzati da Marchesi e in fondo sopra l'arco di ingresso una copia del Mercurio di Giambologna oggi al Bargello. Oltre l'immagine in basso titolo inciso. Impressione eccellente, dai neri intensi. Ottimo stato di conservazione Bibliografia: P. Arrigoni, Milano nelle vecchie stampe, 1969, pag.65 n.183
Carboncino, matita rossa misure: mm 130 x 284 Pittore e incisore italiano. Si formò presso l'Accademia Abertina di Torino seguendo per tre mesi i corsi di Romolo Umbertalli (Biella 1871 - Torino 1928), essenzialmente autodidatta, ha lavorato con il pittore Carlo Follini (Domodossola 1848 - Pegli 1938) a sua volta allievo di Antonio Fontanesi. Realizzò circa 152 acqueforti e si dedicò alla pittura da cavalletto e al disegno a carboncino. Nelle sue opere, comunque pervase da uno stile del tutto personale, ritroviamo un richiamo ad altri artisti quali Fontanesi e Segantini e per il solo primo periodo, a Fattori. Partecipò a diverse esposizioni a Torino, Venezia e Roma. Il disegno è probabilmente uno studio per un dipinto. Il soggetto infatti e delimitato da una marcata linea di contorno e occupa solamente una porzione del foglio, come se l'autore fosse già consapevole dei limiti della superficie su cui avrebbe lavorato. Vediamo rappresentato un silenzioso e solitario paesaggio di pianura, un frutteto. File di tronchi spogli si ergono da un terreno smosso e più lontano sembrano addirittura mutarsi in fragili fuscelli mossi dal vento. La visione d'insieme è sintetica e una fievole luce fredda, molto probabilmente di una mattinata invernale, genera ombre sul terreno. In basso a sinistra a matita "20-x-02". Al verso rapidi studi a matita di vacche e uomini. Ottimo stato di conservazione, leggero foxing. Carta spessa color avorio. Al verso: Timbro Galleria Prandi, Reggio Emilia recante n 4532 e autentica del fratello dell'autore "disegno di mio fratello-Cino Bozzetti-/ avv.to Stefano Bozzetti" Bibliografia: Franca Dalmasso, Cino Bozzetti, in Dizionario biografico degli italiani, vol. 13, Roma, Istituto dell'Enciclopedia Italiana, 1971.