( Bandes Dessinées et Philatélie ) - Willy Vandersteen ( Studio Vandersteen ) - De Wulf - De Marck - Jean Auquier.Livre Rare Book
4 149 résultats
2003réf. 27878Centre Belge de la BD / La Poste 2003. In-8 cartonnage de 80 pages au format 15,5 x 22 cm. Couvertures illustrées du Studio Vandersteen. Dos carré. Plats et intérieur frais. Dossier biographique consacré à la Croix-Rouge, par Jean Auquier, avec illustrations et documents, suivi d'une longue histoire inédite en album de Robert et Bertrand, réalisé par le Studio Vandersteen, intitulé : L'Enfer de Solferino, et d'un portfolio de Stam & Pilou par De Wulf et De Marck. Tirage édité à l'occasion de l'émission de trois timbres consacrés à la Croix-Rouge. Un des 1200 exemplaires numérotés, ( n° 1198 ) mais sans timbres. L'ouvrage fait partie d'un petit lot d'albums, non mis dans le commerce qui étaient offerts aux collaborateurs du CBBD. Edition originale. Etat de neuf.
réf. 7591Studios Harcourt, sans date ( années 50 ). Belle carte postale en noir et blanc de Yves Montand, avec photo Harcourt, au format 15 x 10 cm. Superbe état. Carte avec belle dédicace autographe, signée, de Yves Montand. Provient de la très importante collection de Denyse Trivier, qui fut une collectionneuse acharnée d'autographes.
réf. 11148Studios Harcourt, sans date ( années 50 ). Belle carte postale en noir et blanc de Jean Marais, avec photo Harcourt, au format 14 x 10 cm. Superbe état. Carte avec belle dédicace autographe, signée, de Jean Marais. Provient de la très importante collection de Denyse Trivier, qui fut une collectionneuse acharnée d'autographes.
2023réf. 29313Editions le Visage Vert 2023. In-8 broché de 520 pages au format 24 x 15,5 cm. Superbe couverture illustrée par Nicolas Fructus. Dos carré. Plats et intérieur frais. Etude sur le Studio Hammer et le cinéma fantastique anglais, à travers des films mettant en scène : Dracula, Frankenstein, Sherlock Holmes, le Loup-Garou, etc. Nombreuses photographies en couleurs dont Peter Cushing et Christopher Lee, acteurs phares du studio Hammer. Nombreuses participations sous la direction de Mélanie Boissonneau, Gilles Menegaldo, Anne-Marie Paquet-Deyris. Filmographie et index. Edition originale en superbe état.
réf. 138463Espasa Calpe 1943. tapa dura. 2ª Mano - Bueno/2ª Mano. Espasa Calpe. 1943. Crónicas Españolas V. Encuadernado en tela con lomo en piel rojo con. nervios y dorados. Ilustrado con laminas fuera de texto Tapa dura 456 pag 24x18 cm Espasa Calpe hardcover
1983réf. 32175Etats-Unis, Illustration Magazine 2007. In-4 broché et agrafé de 112 pages au format 28 x 21,5 cm. Couvertures illustrées par Allen Anderson et Joseph De Mers. Plats et intérieur frais. Numéro spécial de cette revue d’art consacré aux artistes et illustrateurs américains suivants : Allen Anderson ( avec nombreuses illustrations et reproductions de couvertures de Pulps ), Murray Tinkelman, Jack Potter et Alberto Vargas. Essai sur les dessinateurs intitulé : The Charles E. Cooper Studio. Textes en anglais accompagnés d'une foultitude d'illustrations en couleurs et en noir. Edition originale en superbe état de fraicheur. Epuisé. Rare.
réf. 29409Heavy Metal Magazine Vol. III. N° 4, August 1979. In-4 agrafé de 100 pages au format 28 x 21 cm. Couvertures illustrées par Montxo Algora. Plats et intérieur frais. Textes et dessins de Val Mayeric, Denis Sire, Lee Marrs, Chantal Montellier, John Pocsik, Bruce Jones Studio, Moebius, Vaughn Bodé, Byron Preiss, Michael Reaves, Peter A. Kuper, Philippe Caza, Kenneth Smith, Paul Kirchner, Frank Margerin, Walt Simonson, Joseph Zucker, " Sympathy for the Devil ", scénario de Mick Jagger et Keith Richards ( paroles ) adapté par James Waley et Gene Day, Arthur Suydam, Jim Starlin. Complet de l'insert " certificat " pour s'abonner. Rare édition originale en superbe état général.
1895réf. 029637Southampton Long Island New York: Lakeside Studio 1895. Image with the studio name & location at lower margin of the mount subject unidentified undated; wearing an elaborate thick sash-cummerbund with large tassels and with decorative lapel insignia. Approx. 4" x 6 1/2" overall size edges lightly gilt as are the lettering. Light wear; in very good condition. . Photography. Very Good. Lakeside Studio
1920réf. 97240Prescott AZ: Bate Studio circa 1920's. 1920's. Very good. - Eight original real photo postcards by Bate Studio each measuring 3-1/2 inches high by 5-1/2 inches wide depicting scenes from the "Prescott Arizona. Frontier Days" rodeo & performances. The images predominantly depict bronco riding and cattle roping with 2 images depicting Native Americans. The postcards are each identified in white together with the name "Bate" at the bottom of the image. For the most part the white print is very difficult to read. The postcards are also numbered as follows: 11 21 39 50 53 54 57 70. There are creases to the top corners of the postcard numbered 11 and bottom corners of number 54 with minor bumping to the corners of the other postcards. There is some occasional minor soiling. Very good. The first organized rodeo was probably held in Cheyenne Wyoming in 1872. Prescott Arizona claims to have held the first "professional" rodeo charging admission and awarding trophies in 1888. Prescott, AZ: Bate Studio, circa [1920's]. unknown
1936réf. 237922New York: Bachrach 1936. Half-length gelatin silver print. 10 x 8 inches. Mounted too artist's board. Slight silvering to photo mount a bit soiled and worn. Half-length gelatin silver print. 10 x 8 inches. Inscribed by FDR's campaign manager and Postmaster General "To my good friend Antonio C. Gonzalez Sincerely James A Farley". Gonzalez 1888-1965 born in New York City was U.S. Minister to Panama from 1933-35; to Ecuador from 1935-38; and to Venezuela in 1938. Bachrach unknown
1936réf. 237922New York: Bachrach 1936. Half-length gelatin silver print. 10 x 8 inches. Mounted too artist's board. Slight silvering to photo mount a bit soiled and worn. Half-length gelatin silver print. 10 x 8 inches. Inscribed by FDR's campaign manager and Postmaster General "To my good friend Antonio C. Gonzalez Sincerely James A Farley". Gonzalez 1888-1965 born in New York City was U.S. Minister to Panama from 1933-35; to Ecuador from 1935-38; and to Venezuela in 1938. Bachrach unknown books
1864réf. 42820809Oval albumen print 8 x 6 in. original printed mount trimmed at bottom removing caption signed "BRADY & CO. PHOTOGRAPHERS." Browning and offsetting to mount light toning to image. Very good. Matted and framed. The classic Brady $5 bill photograph. This celebrated portrait the basis for the five-dollar bill engraving used for most of the 20th century is one of seven poses taken by Anthony Berger at Mathew Brady's Washington D. C. studio on February 9 1864. The most prolific photographer of Lincoln Brady himself did not actually operate his cameras during the war years instead training and employing men like Alexander Gardner and his successor Anthony Berger who took this picture to operate the camera. Lincoln's son Robert Todd Lincoln declared this famous portrait to be "the most satisfactory likeness" of Abraham Lincoln. Mathew Brady Gallery
1960réf. 480941960s. 22 loose sheets. 21 of which measure 250 x 370 mm and one 410 x 330 mm on brown paper stock. . Set and costume designs in watercolour and gouache most with pencilled annotations. A large collection of original designs for 'The Merchant of Venice'.The collection consists of a highly striking gouache of a masked scene at night on a large sheet of brown paper 410 x 330 mm a further scene marked 'Belmont' various costume studies for groups of actors 4 sheets and the majority 16 sheets are costume studies for single characters as follows: - 'Antonio of Belmont' unnamed female study verso- 'Portia as the Doctor of Law'- 'Portia at End' - 'Jessica' 'Taffeta dress painted stripes black pearls' 2 versions 2nd unnamed- 'Bassanio at Belmont'- 'Arragon'- 'Jessica at End' with rudimentary pencil sketch verso- 'Count dignitary' on thick card- 'Gratiano Venice' rudimentary pencil sketch verso- 'Gratiano at End'- 'Morocco' 'wine and gelatine crown.' with sketch verso- 'Figure at Carnival' sketch verso- 'Old bobbo'- 'Venetian Gadler' sketch verso- One unnamed in green and black design sketch verso.These works closely resemble designs by Motley. They were likely created for the 1967 production of The Merchant of Venice at the Theatre Royal Haymarket London. unknown
1991Milano, Giorgio Mondadori, 1991, 4to (cm. 29 x 22) tutta tela editoriale sovraccopertina illustrata a colori, pp. 143 completamente illustrazioni a colori.
Fra la 2a e la 3a opera è legato un manoscritto bifolio, scritto in chiara grafia a inchiostro nero (2 facciate) su carta vergellata, firmato e datato al verso: "Lod.° Ant.° Muratori" in cui l'erudito modenese, corrispondente degli arcadi Petracchi (Lettore di Filosofia Morale presso lo Studio cittadino), Formagliari (Cancelliere maggiore) e Bianconi (poligrafo ed insegnante di greco all'Archiginnasio), si pronuncia in merito alla controversia storiografica circa la legittimità del diploma teodosiano che avrebbe istituito come primario lo Studio di Bologna. Di grande interesse perché il manoscritto s'inserisce nella schermaglia erudita fra Petracchi e Formagliari. Le 5 opere e il manoscritto rilegati in un unico volume in bella legatura posteriore in mezza pelle ed angoli, dorso a 5 nervi con titolo e fregi oro negli scomparti, piatti marmorizzati. Mancanza ben reintegrata all'angolo inferiore esterno del frontespizio. Gora non deturpante che interessa la metà superiore di gran parte delle carte e in specie l'ultima opera, ma buone condizioni. La Congregazione dei Celestini di cui l'accademico Petracchi era membro, fondata da Pietro da Morrone divenuto papa col nome di Celestino V, aveva il controllo dell'Abbazia di S. Stefano dal sec. XV e la mantenne fino alle soppressioni del 1797.
1885réf. 30592Chacago: Smith's Studio of Photography 1885. Housed in an elaborately decorated wood frame with gilt fabric and hand-painted mat. 1 vols. Image 5 x 3-1/2 inches; overall frame is 14-1/4 x 12-1/4 inches. Fine condition. Housed in an elaborately decorated wood frame with gilt fabric and hand-painted mat. 1 vols. Image 5 x 3-1/2 inches; overall frame is 14-1/4 x 12-1/4 inches. The elaborately dressed child wearing a pensive look sits on a low plush-covered bench; the photographer's advertisement on back for "Children's Photos par excellence" gives the firm's address as 206 N. Clark Street in what was Chicago's fashionable Near North Side. The frame is a bravura creation of rich complexity easier viewed than described. A splendid piece of late-19th century upscale Americana. Smith's Studio of Photography unknown
1885réf. 30592Chacago: Smith's Studio of Photography 1885. Housed in an elaborately decorated wood frame with gilt fabric and hand-painted mat. 1 vols. Image 5 x 3-1/2 inches; overall frame is 14-1/4 x 12-1/4 inches. Fine condition. Housed in an elaborately decorated wood frame with gilt fabric and hand-painted mat. 1 vols. Image 5 x 3-1/2 inches; overall frame is 14-1/4 x 12-1/4 inches. The elaborately dressed child wearing a pensive look sits on a low plush-covered bench; the photographer's advertisement on back for "Children's Photos par excellence" gives the firm's address as 206 N. Clark Street in what was Chicago's fashionable Near North Side. The frame is a bravura creation of rich complexity easier viewed than described. A splendid piece of late-19th century upscale Americana. Smith's Studio of Photography unknown books
1931réf. 75562Philadelphia PA.: David McKay Company. Very Good. 1931. Softcover. This book is soft-bound in color pictorial printed covers with blue cloth tape covering the spine. The covers show edge-wear. The binding is solid. The contents are bright and clean with illustrations. The image of Mickey Mouse on the title-page has been colored in by a previous owner child. . David McKay Company paperback
1931réf. 75562Philadelphia PA.: David McKay Company. Very Good. 1931. Softcover. This book is soft-bound in color pictorial printed covers with blue cloth tape covering the spine. The covers show edge-wear. The binding is solid. The contents are bright and clean with illustrations. The image of Mickey Mouse on the title-page has been colored in by a previous owner child. . David McKay Company paperback books
1918réf. A105070London: The Studio 1918. 1st edition. Very Good. folio. hardback in decorated cloth 132pp. col. & b/w pls. index Superb reference inc. many nice plates. Scarce Wartime volume The Studio hardcover
1912réf. A105067London: The Studio 1912. 1st edition. Very Good. folio. hardback in decorated cloth 340pp. col. & b/w pls. index Superb reference inc. many nice plates still with tissue-guards. Hinges a trifle weak o/w nice tight volume The Studio hardcover
1928réf. 116198New York: Boni 1928. hardcover. very good. Profusely illustrated including several color plates facsimiles paper specimens etc. 186pp. 4to vellum-backed patterned boards rubbed darkened spine with library marking d.w. New York & London 1928. With studies of book production by country including Europe Russia and U.S. with indices of publishers illustrators and presses. Ex-libris on the inside front cover. Boni unknown
1928réf. 116198New York: Boni 1928. hardcover. very good. Profusely illustrated including several color plates facsimiles paper specimens etc. 186pp. 4to vellum-backed patterned boards rubbed darkened spine with library marking d.w. New York & London 1928. With studies of book production by country including Europe Russia and U.S. with indices of publishers illustrators and presses. Ex-libris on the inside front cover. Boni unknown books
réf. 239Londres, The Studio Library, 1902. In-folio, portefeuille de l'édition. Bien complet des 8 fascicules. 64 reproductions en couleurs sous serpentes légendées.
réf. mon0000446939Grolier. hardcover. Acceptable. in x in x in. Ex-library book usual marking. Clean copy but with wear to cover's edges. Good otherwise. Grolier hardcover
