3 666 résultats
1980réf. KOS00300070TBD 1980. Soft Cover. Fine. KOS00300070 TBD paperback
1890réf. 164158Japan. 1890s. 46 albumen photographs some handcoloured 34 captioned with studio stock references approx. 20 x 25.5 cms on 23 gilt-edged leaves in an attractive pictorial lacquer album 27 x 26 cm spine renewed and hinges professionally secured some fading and spotting to the images and toning to the margins of the card leaves lacquer a little chipped the images in good condition. Large album containing prints of professionally-taken images of Japan from the 1890s. The Images show the landscapes of Nagasaki Kobe HakoneYokohama Nikko and Lake Chuzenji street scenes in Tokyo Nagoya Castle views of Mt. Fuji from various angles images of Japanese junks and of women preparing dinner. A number of these are well-known images by famous photographers of the day including "Fuji from Kashiwabara" by Enami Tamotsu who opened his photographic business in 1892 "Front of Fall Hakone" by Kajima Seibei 1866-1924 and "Mississipy Bay" a bay near Yokohama by Kusakabe Kimbei 1841-1932. There are also some black-and-white photos of travellers in unidentified landscapes. From the collection of the late Arthur Hacker MBE. . unknown
réf. 68-7580Hollywood CA: 20th Century Hollywood Studio ca. 1945. B&W Photo. 10" x 8" Very Good. Hollywood, CA: [20th Century Hollywood Studio], [ca. 1945] unknown
réf. 68-7544Hollywood CA: 20th Century Hollywood Studio ca. 1950. B&W Photo. 9" x 7.5" Very Good. Hollywood, CA: [20th Century Hollywood Studio, ca. 1950]. unknown
réf. 68-7538Hollywood CA: 20th Century Hollywood Studio ca. 1950. B&W Photo. 20 x 14.5 cm. Very Good Hollywood, CA: [20th Century Hollywood Studio], [ca. 1950]. unknown
réf. 68-7546Hollywood CA: 20th Century Hollywood Studio ca. 1940. B&W Photo. 8" x 6" Very Good. Hollywood, CA: [20th Century Hollywood Studio, ca. 1940]. unknown
réf. 68-7552Paris France: 20th Century French Film Studio ca. 1950. B&W Photo. 9" x 7.25" Very Good with minor stain to verso. France Libre Jorge Cinema written on verso. [Paris, France: 20th Century French Film Studio, ca. 1950]. unknown
réf. 63-9540Hollywood CA: 20th Century Film Studio ca. 1945. 8 x 10 B&W Photo VG. Hollywood, CA: [20th Century Film Studio], [ca. 1945]. unknown
réf. 63-9541Hollywood CA: 20th Century Film Studio 1940. 8 x 10 B&W Photo VG. Hollywood, CA: [20th Century Film Studio], 1940. unknown
1910réf. BK0065Philadelphia: Murdock Studios 1910. Real photo postcard portrait 3 ½ x 5 ½ inches. Studio stamp verso reading "Murdock Studio / 4047 Market St. / Philadelphia Pa. / Extra Copies of this Photo can be had at any time. Excellent contrast light wear Near Fine. A particularly attractive studio portrait of an unidentified African American man dressed in a three-piece suit and tie and seated next to a small table with flowers. The photographer Murdock Studio has proven difficult to trace though the address on the verso places the studio at 4047 Market Street near 40th Street in West Philadelphia. The location is interesting in relation to the development of the Black Bottom the predominantly African American neighborhood which extended roughly from 33rd to 40th Streets around the Market Street corridor. The neighborhood grew during the first half of the twentieth century before being largely destroyed during urban renewal in the 1960s. We have not been able to determine whether Murdock Studio was Black-owned or to identify the sitter. A strong example of African American studio portraiture from West Philadelphia during the period. Murdock Studios unknown
1910réf. BK0065Philadelphia: Murdock Studios 1910. Real photo postcard portrait 3 ½ x 5 ½ inches. Studio stamp verso reading "Murdock Studio / 4047 Market St. / Philadelphia Pa. / Extra Copies of this Photo can be had at any time. Excellent contrast light wear Near Fine. A particularly attractive studio portrait of an unidentified African American man dressed in a three-piece suit and tie and seated next to a small table with flowers. The photographer Murdock Studio has proven difficult to trace though the address on the verso places the studio at 4047 Market Street near 40th Street in West Philadelphia. The location is interesting in relation to the development of the Black Bottom the predominantly African American neighborhood which extended roughly from 33rd to 40th Streets around the Market Street corridor. The neighborhood grew during the first half of the twentieth century before being largely destroyed during urban renewal in the 1960s. We have not been able to determine whether Murdock Studio was Black-owned or to identify the sitter. A strong example of African American studio portraiture from West Philadelphia during the period. Murdock Studios unknown books
réf. 69-7082USA: Unkown Photo Studio Ca. 1950. Print of B&W Photograph. 7.5 x 10 cm. Very Good. En Francais.Provenance: Thérèse Bénard Tours France. USA: [Unkown Photo Studio], [Ca. 1950] unknown
réf. 362Paris, Editions du 'Studio', 1913. In-4 broché. Iconographie très documentée.
1991réf. LIQ-7248P. Artstudio 1991. In-4° broché, couverture souple illustrée en couleurs, 174 pages.
1914réf. 734701914 Paris, Editions du Studio, 1914, in 4° broché, IX-264 pages.
réf. 13274P., Studio, 1913, in 4° broché, VIII-279 pages
1923réf. 47258London, The Studio Ltd., 1923. 4°. Mit zahlr. tlw. ganzs. bzw. farb. Abbildungen. VIII, 175 (1) S., HLwd. d. Zt. m. goldgepr. Rückentitel u. dem nachgeb. Vorderdeckel des OUmschlages.
1914réf. 47259London-Paris-New York, Le Studio, 1914. 4°. Mit zahlr. tlw. ganzs. bzw. farb. Abbildungen. 4 Bll., 276 S., HLwd. m. goldgepr. Rückenschild u. dem eingeb. OUmschlag.
1975réf. 221284Beijing. 1975. Duplicate of a handwritten documentary film run sheet by Central Newsreel and Documentary Film Studio 17pp text in simplified Chinese characters 18.5 x 25.7cm paper wrapper. Wrapper and leaves a little browned at the edges one leaf torn at right margin not affecting text. In very good condition. This is a television documentary camera run sheet or shot list produced for coverage of the 1973 visit of the Guangzhou Acrobatic Troupe. The document features a handwritten table outlining the planned shot sequence. Its columns specify shot numbers camera shot size i.e. close up wide angle etc. shot description footage and voice-over narration. This primary source document illustrates the mechanics of China's cultural diplomacy during the 1970s. Meticulous effort went into documenting and controlling the narrative of what was a significant international tour for domestic and international audiences. . unknown
réf. 98101501Canton 1860-80's Cheungqua. A group of 7 pith or Tongcao color paintings usual minimal issues mostly clean & solid sold "as is" as a collection with the typical chips & a few fox spots else very good clean examples. A RARE GROUP ! . . . . A SUITE OF 7 FINE CHINESE COLOR PITH PAINTINGS . . . SHOWING BEAUTIFULLY DRESSED CHINESE WOMEN . . . PLAYING MUSICAL INSTRUMENTS . . . EXECUTED IN STUNNING & BRILLIANT COLORS . . . AKA: CHINESE EXPORT WATERCOLOURS . A group of typical "trade paintings" executed by Chinese native artists for foreign traders visiting Canton or Macao during the early to mid-19th century. . A SUPERB SUITE OF FABULOUS COLOR PITH PAINTINGS: A stunningly beautiful group of hand-painted color pith paintings depicting a woman playing a musical instrument. . "GOLDEN LOTUS" or "LOTUS FEET" BOUND FEET Chanzu: This like most illustrations of the period show the women with bound feet. Chanzu bound feet was an erotic obsession and fetish in ancient China. The erotic ramifications are outlined in the references below. . The paintings illustrate Chinese women in a domestic scene with furniture playing musical instruments. Subjects are: . a. Yue1in Ruan Moon Guitar Moon Zither 4 stringed . b. Yanqin Chinese Dulcimer . c. Sanxian three-stringed Chinese lute . d. Drumming on the back of a Chinese ceramic bowl . e. Dizi Chinese bamboo flute . f. Huqin Chinese violin . g. Tong Luo Chinese Brass Gong . DESCRIPTION OF THE PAINTING ART WORK AND CONDITION: . Each painting is in brilliant vivid and stunning colors. Each is skillfully painted with a fine hand delicate fine-point brush with great detail incredible reality texture and appeal. . As usual the set paintings were tipped to a contemporary backing period Each painting is backed with a contemporary stiff paper or a more current back card. . Items "a" & "b" are matted see cover.jpg & title.jpg photos posted to our website. . Each painting is approximately 21 x 34 cm. most have a blue silk ribbon border partial border or border lacking chipped and the like on has restorations on the verso in the margin only. . Each painting has some chips parts missing on the edges or with small holes here and there 'e' by and large the images are complete but some may have usual and often typical age-related cracks or splits a touch of fox spots on "c." . Suitable for framing & display. Please review photographs posted to our website for details. . "RICE PAPER" PAINTINGS: Several authors refer to this name rather than the proper name "Pith" paper paintings also can be called "Tung Tsao." . THE CANTON ARTIST OR 'SCHOOL' OF CHEUNG QUA: Cheung Qua was an export watercolor painter in Canton. He and followers of his school produced various single and albums of these paintings which were sold from his studio. . Often his in-house artists began painting on their own thus replicating the techniques subjects and essence of their masters. Because these paintings were rarely signed the one and only identification ever found was occasionally on the album cover or spine with the studio name. . Often these paintings were sold in various shops in Macao the main resting and gathering place of foreigners during part of the year. . REFERENCE: . CLUNAS Craig.: CHINESE EXPORT WATERCOLOURS. This entire book is devoted to Pith or Rice paper paintings. For musical instruments see color plates on pp.50-53 especially plates on pp.66-67 plates 39 & 40 are particularly similar to our examples that is to say by the same or an artist who was in the same house of Cheungqua or that school. CHU Arthur. et al.: ORIENTAL ANTIQUES AND COLLECTIBLES: A GUIDE pp.62-66. THE CHINESE PITH PAINTING COLLECTION AT THE NATIONAL LIBRARY OF AUSTRALIA: An Annotated Guide. Crossman Carl L. The decorative arts of the China trade : paintings furnishings and exotic curiosities. LEVY Howard S.: CHINESE FOOT BINDING: The History of a Curious Erotic Custom. . --. THE LOTUS LOVERS: The Complete History of the Curious Erotic Custom of Foot binding in China. JACKSON Beverly.: SPLENDID SLIPPERS: A THOUSAND YEARS OF AN EROTIC TRADITION. . . unknown
réf. 38044201Canton 1860-80's Cheungqua. A single pith or Tongcao color painting usual minimal issues clean & solid example brilliantly vivid colors rarely found in such clean & fine condition. A RARE EXAMPLE ! . . . . FINE CHINESE COLOR PITH PAINTINGS . . . SHOWING BEAUTIFULLY DRESSED CHINESE IMPERIAL COURT LADY . . . EXECUTED IN STUNNING & BRILLIANT COLORS . . . AKA: CHINESE EXPORT WATERCOLOURS . A stunning Chinese Imperial Court. She wears a golden-embroidered outer dress with elaborate collar sleeves and hem. She wears pink silk-embroidered pants and her "lotus" bound feet are on a wooden stool. She sits on a Ming dynasty style Huahuali wood chair with a fan in her right hand and silk-embroidered accessory in her left. Adjacent to her is a matching Ming table with three ripe 'You' fruits pommel. . This is a typical studio trade painting" executed by Chinese native artists hand-painted color pith painting for foreign traders visiting Canton or Macao during the early to mid-19th century. . "GOLDEN LOTUS" or "LOTUS FEET" BOUND FEET Chanzu: This like most illustrations of the period show the woman with bound feet peeking out below her pant cuff. Chanzu bound feet was an erotic obsession and fetish in ancient China. The erotic ramifications are outlined in the references below. . DESCRIPTION OF THE PAINTING ART WORK AND CONDITION: . This painting is in brilliant vivid and stunning colors. Skillfully painted with a fine hand delicate fine-point brush with great detail incredible reality texture and appeal. . As usual this paintings was tipped to a contemporary stiff backing paper card. . This painting is approximately 19.5 x 27.5 cm. . There are a few old mends on the verso the image is not impacted it remains quite solid and very stable. By and large a far and above average excellent example. Suitable for framing and display. . Please review the photograph posted to our website for details. . "RICE PAPER" PAINTINGS: Several authors refer to this name rather than the proper name "Pith" paper paintings also can be called "Tung Tsao." . THE CANTON ARTIST OR 'SCHOOL' OF CHEUNG QUA: Cheung Qua was an export watercolor painter in Canton. He and followers of his school produced various single and albums of these paintings which were sold from his studio. . Often his in-house artists began painting on their own thus replicating the techniques subjects and essence of their masters. Because these paintings were rarely signed the one and only identification ever found was occasionally on the album cover or spine with the studio name. . Often these paintings were sold in various shops in Macao the main resting and gathering place of foreigners during part of the year. . REFERENCE: . CLUNAS Craig.: CHINESE EXPORT WATERCOLOURS. This entire book is devoted to Pith or Rice paper paintings. For musical instruments see color plates on pp.50-53 especially plates on pp.66-67 plates 39 & 40 are particularly similar to our examples that is to say by the same or an artist who was in the same house of Cheungqua or that school. CHU Arthur. et al.: ORIENTAL ANTIQUES AND COLLECTIBLES: A GUIDE pp.62-66. THE CHINESE PITH PAINTING COLLECTION AT THE NATIONAL LIBRARY OF AUSTRALIA: An Annotated Guide. Crossman Carl L. The decorative arts of the China trade : paintings furnishings and exotic curiosities. LEVY Howard S.: CHINESE FOOT BINDING: The History of a Curious Erotic Custom. . --. THE LOTUS LOVERS: The Complete History of the Curious Erotic Custom of Foot binding in China. JACKSON Beverly.: SPLENDID SLIPPERS: A THOUSAND YEARS OF AN EROTIC TRADITION. . . unknown
réf. 68-6881Paris France: Chevojon Studio ca.1925. . Black & white post card 14.5 x 10.5 cm. Very Good. En FrancaisRepertoire d'artistes lyriques Opera.Provenance: Thérèse Bénard Tours France. [Paris, France: Chevojon Studio, ca.1925]. unknown
2008réf. 170535福州.Fuzhou.: 福建教育出版社.Fujian jiao yu chu ban she. 1st Edition 1st Printing. 2008. Profuse illustrations some in colour 206pp very good paperback copy. Text in Chinese only. 28.5 x 21cm. This album includes western engravings and etchings of 19th century China covering the Sino-French War Naval Battle of Mawei Battle of Taiwan Battle of Northern Vietnam and the Social Customs of Fujian Taiwan and Vietnam. . 福建教育出版社.[Fujian jiao yu chu ban she]. paperback
réf. 6476Tirage argentique 17,5 x 23,5 cm. contrecollé sur fort bristol ivoire. Beau tirage, avec quelques mots de Danièle Darrieux et sa signature sur le bristol, sous la photographie.