Offices of The StudioBiblio.com
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1893Best.-Nr. 50966London: Offices of The Studio 1893. hard cover. G. Good condition with shelf wear and edge wear to covers some soiling slight damp staining to lower page edges not affecting text a little foxing primarily to endpages and page edges. Covers have been removed from each issue prior to binding./No Jacket. Illustrated in black and white. 29 cm. Offices of The Studio hardcover
Best.-Nr. 419262Offices of The Studio. Paperback. Poor. Fairly good condition for year Offices of The Studio paperback
1897Best.-Nr. 401252London: Offices of the Studio 1897. First Edition. Hardcover. Poor copy disbound. Some foxing and water-staining to prelims. Text remains clear and without blemish. Physical description; 306 pages. Subjects; The Studio. Art Magazine. Fine Art. Applied Art. London: Offices of the Studio hardcover
1913Best.-Nr. 40769AB1913. London / Paris / New York "The Studio" Ltd. 1913 4° 248 S. mit sehr zahlr. Farb- und s/w-Abb. Illustr. Architekturabb. etc. Text: englisch Halbleinen-Einband der Zeit mit Musterpapierbezügen nur noch kümmerliche Reste eines weißen Rückenschildchens auf dem Rücken handschriftl. Nummern-Vignette auf dem Vorderdeckel sonst ein altersgemäß gutes sauberes Exemplar ganz wunderbares Abbildungsmaterial! Und natürlich auch das Original und kein öder print-on-demand-Müll von 2023! Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. unknown
1909Best.-Nr. 375447London: Offices of The Studio 1909. First Edition. Hardcover. Very good copy in the original gilt-blocked cloth over beveled boards. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: 340 pages illustrations. Subjects: Art; Periodicals.Art Decorative; Periodicals.Decoration and ornament; Periodicals. London: Offices of The Studio hardcover
1907Best.-Nr. 375449London: Offices of The Studio 1907. First Edition. Hardcover. Good copy in the original gilt-blocked cloth over beveled boards. Slight suggestion only of dust-dulling to the spine bands and panel edges. Hinges starting. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: 338 pages illustrations. Subjects: Art; Periodicals. Art Decorative; Periodicals. Decoration and ornament; Periodicals. London: Offices of The Studio hardcover
1900Best.-Nr. 375445London: Offices of The Studio 1900. First Edition. Hardcover. Very good copy in the original gilt-blocked cloth over beveled boards. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: 300 pages illustrations. Subjects: Art; Periodicals.Art Decorative; Periodicals.Decoration and ornament; Periodicals. London: Offices of The Studio hardcover
1910Best.-Nr. 359734London: Offices of The Studio 1910. 1st Edition. Hardcover. Very good copy in the original gilt-blocked over beveled boards cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: 340 pages illustrations. Subjects: Art; Periodicals.Art Decorative; Periodicals.Decoration and ornament; Periodicals. London: Offices of The Studio hardcover
1910Best.-Nr. 359733London: Offices of The Studio 1910. 1st Edition. Hardcover. Very good copy in the original gilt-blocked cloth over beveled boards. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong Physical description: 338 pages illustrations. Subjects: Art; Periodicals. Art Decorative; Periodicals. Decoration and ornament; Periodicals. London: Offices of The Studio hardcover
1909Best.-Nr. 359729London: Offices of The Studio 1909. 1st Edition. Hardcover. Very good copy in the original gilt-blocked cloth over beveled boards. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: 330 pages illustrations. Subjects: Whistler James McNeill 1834-1903. May Phil 1864-1903. Art; Periodicals. Art Decorative; Periodicals. Decoration and ornament; Periodicals. London: Offices of The Studio hardcover
1909Best.-Nr. 359735London: Offices of The Studio 1909. 1st Edition. Hardcover. Very good copy in the original gilt-blocked cloth over beveled boards. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: 338 pages. Subjects: Art; Periodicals. Art Decorative; Periodicals. Decoration and ornament; Periodicals. London: Offices of The Studio hardcover
1907Best.-Nr. 359731London: Offices of The Studio 1907. 1st Edition. Hardcover. Very good copy in the original gilt-blocked cloth over beveled boards. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong Physical description: 338 pages illustrations. Subjects: Art; Periodicals. Art Decorative; Periodicals. Decoration and ornament; Periodicals. London: Offices of The Studio hardcover
Best.-Nr. 68-1275London UK: Ballantyne Hanson And Co. 1899. Folio. String-bound Wraps 74 pp. advertisements. Illustrated. Good with minor losses & small tears. Some pages uncut.Text in English & En Francais. London, UK: Ballantyne, Hanson And Co., 1899. paperback
Best.-Nr. 17-5974London: Offices of The Studio 1897. 4to. 68 pp. Four color softcover wraps. Many B&W illustrations. Good. Covers separated at spine. Loses and tears to cover and sheet edges. London: Offices of The Studio, [1897]. paperback
1983Best.-Nr. 79692Sunderland Arts Centre, Ceolfrith Press, 1983. Original-Broschur, kl.4°, 73 Seiten.
1972in-8°, pp. 318. Leg. in tela edit. con sovrac. figurata. Legg. ingiallimento sulle carte interne.
1991Best.-Nr. 2080202103000368Opening up history Ryukyu culture secret exhibition 1991. Soft Cover. Fine. Number of books: 1 book Opening up history, Ryukyu culture secret exhibition paperback
2000Best.-Nr. 97530País Vasco. Servicio Central de Publicaciones 2000. tapa dura. 2ª Mano - Bueno/2ª Mano. País Vasco. Servicio Central de Publicaciones. 2000. Clásicos del pensamiento económico vasco 5 Simil piel con dorados. 860 p. ; 24x17 cm País Vasco. Servicio Central de Publicaciones hardcover
2005No marks or inscriptions. No creasing to covers or to spine. A lovely clean crisp very tight copy with bright boards and no bumping to corners. No dust jacket, possibly as published. 247pp. This book presents 200 images of contemporary glass chosen from 25 years of New Glass Review which is the annual publication of the Corning Museum of Glass in New York. Each issue documents the work of 100 artists, which are selected by a jury from an average of about 900 artist submissions. The book is organised into five sections devoted to vessels, sculptures, flat/painted glass, installations/architectural glass, and design and is a superb reference work on the most important contemporary glass and associated artists over the period.
1987Best.-Nr. 203029Puebla: Gobierno del Estado de Puebla 1987. Paperback. xxxiii 151p. 11x8.25 inches landscape format text in Spanish line drawings and photos very good monograph trade paperback in decorative wraps. Gobierno del Estado de Puebla paperback books
Bari, Laterza, 1924, in-16, brossura editoriale, pp. 151. Dalla collana "Piccola biblioteca filosofica".
Best.-Nr. 9881876966.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. SONG0914407244Used: Good unknown
Carboncino e matita misure: mm 165 x 225 Pittore italiano del quale si hanno poche notizie, fu attivo soprattutto nel Comasco a metà dell’Ottocento. Nel 1857 affrescò il battistero nella Basilica del SS. Crocifisso in Como; altre sue opere si trovano nel battistero di S. Fedele a Como e nelle chiese parrocchiali di Casasco, Pellio Superiore e Castiglione d’Intelvi. A Nesso nella Chiesa dei Santi Pietro e Paolo, nell’area presbiterale si trovano dipinti raffiguranti la Consegna delle chiavi a san Pietro, la Disputa di san Paolo nell’Areopago e la Trinità con gli Evangelisti realizzati nel 1864. In questo foglio, che reca la tracce di quadratura per definire le posizione reciproche delle figure, vengono rappresentati tre putti a figura intera. Sono colti stanti in pose ed atteggiamenti differenti; quello di sinistra di profilo ma con il busto e il volto rivolti verso lo spettatore, diversi ripensamenti dell'artista alla ricerca dell'esatta posizione del braccio destro forse pensato per tenere uno strumento. Il putto centrale è colto frontalmente, con la gamba sinistra avanti rispetto l'altra, fissa lo spettatore e sembra, con il gesto della mano sinistra protesa in avanti, lo stia invitando. Il putto a destra è di profilo, molti sono i ripensamenti di braccia e volto, sembra tenere tra le mani un flauto. Disegno eseguito su cartoncino ocra. Ottimo stato di conservazione.
Matita misure: mm 311 x 235 Pittore italiano del quale si hanno poche notizie, fu attivo soprattutto nel Comasco a metà dell’Ottocento. Nel 1857 affrescò il battistero nella Basilica del SS. Crocifisso in Como; altre sue opere si trovano nel battistero di S. Fedele a Como e nelle chiese parrocchiali di Casasco, Pellio Superiore e Castiglione d’Intelvi. A Nesso nella Chiesa dei Santi Pietro e Paolo, nell’area presbiterale si trovano dipinti raffiguranti la Consegna delle chiavi a san Pietro, la Disputa di san Paolo nell’Areopago e la Trinità con gli Evangelisti realizzati nel 1864. Nel foglio viene rappresentata una figura stante, colta frontalmente e piegata leggermente in avanti. L'uomo non è indagato nel volto, lasciato allo stato di abbozzo, l'autore si concentra sullo studio dei movimenti della veste. Questa tunica avvolge completamente il soggetto e cade pesante sul suo corpo; il braccio sinistro piegato alla vita regge parte della veste lasciando così visibili le caviglie e i piedi nudi. Attraverso una fitta intersezione di linee si vengono a creare giochi chiaroscurali che rendono tangibile il tessuto. La figura nella sua maestosa ieraticità sembra una scultura di un filosofo o un magistrato romano. Disegno eseguito su carta bianca spessa. Ottimo stato di conservazione.
