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Best.-Nr. SONG1466572841Used: Good unknown
Best.-Nr. DADAX1466572841New unknown
1945Best.-Nr. 20947ELos Angeles: Republic Pictures 1945. Original 1945 Studio Pass to Republic Pictures Studio for Hollywood columnist Jimmy Starr. Metallic gold cardstock 3 1/2” x 2 1/4”. Studio passes were given to press and industry representatives allowing the bearer access to the studio’s lot and sets. It reads in full: “Republic Press Pass April 1st to crossed out Dec. 31 1945 Republic Studios To Publicity Department Only Name Jimmy Starr typed Publication L.A. Herald Express typed Violations of the Requirements of this Pass Will Result in Its Permanent Cancellation. No. 23 Director of Studio Publicity signed This Pass Not Valid Unless Signed by Holder on Reverse Side.” On the verso is a printed set of basic terms regarding the holder of the pass without Mr. Starr’s signature. About fine with the most minute trace of use. Jimmy Starr 1902 - 1990 is best known as a Hollywood columnist though he was also a writer and actor known for The Corpse Came C.O.D. 1947 A Night for Crime 1943 and Pink Pajamas 1929. Republic Pictures specialized in Westerns and movie serials and was notable for developing the careers of John Wayne Gene Autry and Roy Rogers. Some of the 1945 Republic Pictures films for the time period Mr. Starr may have enjoyed include such popular productions as The Vampire’s Ghost with John Abbot and Peggy Stewart Flame of Barbary Coast with John Wayne and Ann Dvorak The Chicago Kid with Donald Barry and Otto Kruger Tell It To a Star with Ruth Taylor and Robert Livingston Scotland Yard Investigator with Sir Aubrey Smith and Erich von Stroheim and Dakota with John Wayne and Vera Ralston. Republic Pictures unknown
1957Best.-Nr. OS3057CPeople's Fine Arts Publishing House 1957. Hardcover. Very Good. WE SHIP DAILY. EX-Library. There are 73 color illustrations in a decorative outer box. Text is in Chinese without the added title page and commentary in English. Outer box spine has been reinforced with leather like tape. Minimal library markings. Elsewhere minor corner wear. PROMPT PROFESSIONAL SERVICE! People's Fine Arts Publishing House hardcover
Best.-Nr. 055321Constantinople Istanbul: R. Bahaeddin: Resne Fotografhânesi. Istanbul'da Bâb-i Âlî Caddesinde No. 85. pre 1923. No Binding. Very Good. Original large-sized silver gelatin photograph. Mounted on cardboard. 35x30 cm; photo area: 24x18 cm. The calligraphic studio title is embossed on the lower of the cardboard. Scratching "4" on the upper right of the printed area slight creasing on the upper right of the cardboard and chipped extremities. Overall a good image. Fine gelatin silver mounted on the original photographer's cardboard showing four children probably three girls and their brother in an attractive and highly collectible photographer's mise-en-scene. A dark and shadowy print. Bahaettin Rahmi Bediz one of the prominent Muslim photographers of nineteenth-century Crete witnessed many political upheavals including the 1896 Cretan uprising the Balkan and World wars the dissolution of the Ottoman Empire the foundation of the Republic of Turkey the population exchange between Turkey and Greece. Bediz was born in Istanbul in 1875. He attended schools in Istanbul and Crete due to his father Ibrahim Rahmi Efendi's civil service appointments in both towns. Following his father's death twenty-year-old Bediz dropped out of Mekteb-i Sultânî Galatasaray High School and moved to Crete. His interest in photography is believed to have begun by chance when he was once asked to take a photograph of a group who came to his stationery shop in Heraklion. Bediz's career is divided into four distinct periods. Between 1896 and 1909 he photographed Crete and published around 200 postcards. Fluent in French he followed European publications related to his profession and acquired equipment from Paris London and Vienna. Bediz also contributed to the development of photography on the island by organizing contests. In 1909 due to ongoing severe conflicts on the island he moved back to Istanbul and opened a studio called Resne across the Sublime Porte on the historical peninsula. In 1927 he moved to Izmir where he was commissioned by various museums as a private photographer and participated in a number of archeological excavations during the following nine years. From 1936 to 1948 he continued his career in Ankara working for various institutions such as the Turkish Historical Society and the Ulus Publishing House. Bediz left many historical photographs behind as well as an unpublished book on the theory and practice of photography when he died in Istanbul in 1951. These photographs in SALT Research collections not only provide clues on his personal journey but also constitute significant documents revealing the socio-political aspects of the time. Literature: SALT. R. Bahaeddin: Resne Fotografhânesi. Istanbul'da Bâb-i Âlî Caddesinde No. 85., [pre 1923] unknown
Very Good Turkish, Ottoman (1500-1928) Original large-sized silver gelatin photograph. Mounted on cardboard. 35x30 cm; photo area: 24x18 cm. The calligraphic studio title is embossed on the lower of the cardboard. Scratching "4" on the upper right of the printed area, slight creasing on the upper right of the cardboard, and chipped extremities. Overall a good image. Fine gelatin silver mounted on the original photographer's cardboard showing four children (probably three girls and their brother) in an attractive and highly collectible photographer's mise-en-scene. A dark and shadowy print. Bahaettin Rahmi Bediz, one of the prominent Muslim photographers of nineteenth-century Crete, witnessed many political upheavals including the 1896 Cretan uprising, the Balkan and World wars, the dissolution of the Ottoman Empire, the foundation of the Republic of Turkey, the population exchange between Turkey and Greece. Bediz was born in Istanbul in 1875. He attended schools in Istanbul and Crete due to his father Ibrahim Rahmi Efendi's civil service appointments in both towns. Following his father's death, twenty-year-old Bediz dropped out of Mekteb-i Sultânî (Galatasaray High School) and moved to Crete. His interest in photography is believed to have begun by chance when he was once asked to take a photograph of a group who came to his stationery shop in Heraklion. Bediz's career is divided into four distinct periods. Between 1896 and 1909, he photographed Crete and published around 200 postcards. Fluent in French, he followed European publications related to his profession and acquired equipment from Paris, London, and Vienna. Bediz also contributed to the development of photography on the island by organizing contests. In 1909, due to ongoing severe conflicts on the island, he moved back to Istanbul and opened a studio called Resne across the Sublime Porte on the historical peninsula. In 1927, he moved to Izmir, where he was commissioned by various museums as a private photographer, and participated in a number of archeological excavations during the following nine years. From 1936 to 1948, he continued his career in Ankara, working for various institutions such as the Turkish Historical Society and the Ulus Publishing House. Bediz left many historical photographs behind, as well as an unpublished book on the theory and practice of photography when he died in Istanbul in 1951. These photographs in SALT Research collections not only provide clues on his personal journey but also constitute significant documents revealing the socio-political aspects of the time. (Literature: SALT).
1978Best.-Nr. 16858Rio Piedras Puerto Rico: Ediciones Huracan Inc. 1978. IN THE SPANISH LANGUAGE. The story of Marcantonio - the only true radical in modern times to ever serve in the United States Congress - and his relationship with the Puerto Ricans who became the dominant ethnic group in his formerly Italian American district in East Harlem in New York City. Contains some great b&w photos of Marcantonio and his era. First Edition. Soft Cover. Very Good. Ediciones Huracan Inc. Paperback
2011Best.-Nr. Q-0736427570RH/Disney 2011-01-11. Paperback. New. In shrink wrap. Looks like an interesting title! RH/Disney paperback
2003Best.-Nr. Q-0736421653RH/Disney 2003-09-09. Paperback. New. In shrink wrap. Looks like an interesting title! RH/Disney paperback
2002Best.-Nr. 56060Gottingen Steidl 2002. Softcover. Very good condition in red tin box. . 40p. Illus. 21 color plates. Gottingen, Steidl paperback
1993Brossura pocket in cartoncino flessibile, dalla copertina illustrata, leggermente annerita. Buonissimo lo stato di conservazione, pagine perfettamente tenute, velate da tonalità seppia, come i tagli. Volume n. III ( 3) della collana. Numero pagine 229. USATO
1834Mm 150x220 Due volumi rilegati in uno. Volume in robusta tela marrone coeva con titolo oro su etichetta applicata al dorso, 240 + 495 pagine. Leggere fioriture nel testo e una gora alle ultime carte del secondo tomo, peraltro il libro è in buone condizioni nelle sue legature ben salde, Spedizione in 24 ore dalla conferma dell'ordine.
1997Best.-Nr. B12NS1165Premiere Vision Paris 1997. 1st Edition. HARDCOVER. Extra Large Quarto size 4to. in colour printed glossy boards unpaginated approx. 48pp illustrated in colour throughout __CONDITION : An extremely well preserved almost AS NEW copy. . __To see more of our Costume fashion etc type DbbCOSTUME in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Premiere Vision, Paris hardcover
1963Legatura editoriale n. 7 di collana, Prima Edizione, traduzione di Quirino Maffi; la copertina rigida in tela non presenta imperfezioni ma solo lieve scoloritura al dorso da fattore luce, l'interno è in ottimo stato con pagine pulite e come mai sfogliate, con solo minima brunitura ai tagli, corredate di 56 illustrazioni su tavole nel testo, modesto ingiallimento e sottile puntinatura marrone ai risguardi posteriori. N. pag. 486. USATO
194750 pages. Photos of lovely Marion Carr of Chicago, inside front cover. Short Stories: No Other Place; Sorry For You, Paul. Artticles: Truman Wants to be President; The Heartbreak of Babe Ruth - great photo-illustrated article of his desire to manage a team; A Good Car for $500? - article with great photo of "The Bug" designed by George Bartell of Detroit; How Nervous Can You Get?; TheTrouble with College - today's students have too many problems and too few dollars - with photos of students living low-budget lives; A Drink with Susan Hayward - article with great photos of the star of movie "Smash-Up"; Hell in Hoboken - Bald Mayor McFeely prohibits photos of his head, while local children must play in squalor; Salute's Pin-up is a one-page photo of Marguerite Champman; Meet Me at the Astor; Sheila Bond Stops the Show - nice photos of her dancing with Danny Daniels in Broadway production "Street Scene"; Stillman's Gym; Movie - The Trouble with Women - with great photos of Iris Adrian; Singing Seamen - Paul Villard; Kill That Picture - studio cameramen assigned to vacationing movie stars can't photograph wrinkles or bulges; Photos of Austin Hogan and Walter G. McMullen; Interesting article inside back cover by Glenn Ford entitled "Actors Should Meet People"; and more. Light wear. Unmarked. Light age-toning to contents. A nice vintage copy. Book
1898Mm 160x250 Volume rilegato in mezza pelle con titolo in oro al dorso, piatti marezzati, xxxv-453 pagine. Prima edizione in lingua francese - french text. Una minuscola firma al frontespizio, tagli inevitabilmente un poco ingialliti, perafltro copia in ottime condizioni con legature ben salde. Mantenute le copertine della brossura originale. Spedizione in 24 ore dalla conferma dell'ordine.
2006Best.-Nr. 142746Ararteko 2006. tapa dura. 2ª Mano/2ª Mano. Ararteko. 2006. Tapa en tela verde con dorados y retrato. Edicion numerada de 999 ejemplares este el Nº 999. En 1998 la institución del Ararteko la Defensoría del Pueblo del País Vasco dio inicio a una colección de textos de autores vascos del siglo XVIII publicados en edición facsimilar. El quinto volumen de dicha colección acoge una obra teatral de la vizcaína María Rita de Barrenechea Condesa del Carpio a la que acompañan los escritos de otras siete autoras dieciochescas de orígenes geográficos diversos. La selección de esos textos y el amplio estudio preliminar que acompaña la edición corren a cargo de Inmaculada Urzainqui. El propio Ararteko en la«Presentación» del volumen señala que la edición de la obra de la Condesa del Carpio supone reparar una injusticia históricapuesto que la que puede considerarse como la primera pluma femenina que dio el País Vasco ha sido ignorada por la propia historiografía literaria vascaVIII. Otro tanto podría decirse de casi todas las autoras que la acompañan en esta edición y en general de las voces femeninas del XVIII. Los estudios sobre la mujer han conocido un desarrollo extraordinario en los últimos años y la creación literaria femenina no ha permanecido ajena a esta corriente de interés creciente por todos los aspectos históricos y socio-culturales relacionados con la mujer. Tapa dura 128257 pag 23x17 cm Ararteko hardcover
Fotografia in formato cartolina postale b.n. datata agosto 1914 (cm. 8,5x13). Studio fotografico Renato Goiorani presso i Bagni di Montecatini. Perfette condizioni.
Fotografia b.n. databile 1870 circa (cm. 6x9,5). Studio fotografico Saro Prinzi di Messina. Il fotografo Prinzi fu anche un patriota, attivo a Messina con studio in via della Pace dal 1860 al 1870. Sul retro è specificato l’utilizzo del sistema Crozat. Piccola piega insignificante sul retro. Perfette condizioni. Rara.
Fotografia in formato cartolina b.n. databile anni ‘60 (cm. 9x14). Studio fotografico Lillo di Palermo. Perfette condizioni.
Fotografia b.n. all’albumina databile fine ‘800 (cm. 6x13) montata su cartoncino rigido. Studio fotografico Pilade Cini di Napoli in via Roma. Perfette condizioni.
Fotografia b.n. databile anni ‘40 (cm. 12x9,5). Studio fotografico Stone’s di Londra in Fleet Street. Perfette condizioni.
Fotografia b.n. all’albumina databile fine ‘800 (cm. 6x10) montata su cartoncino rigido. Studio fotografico Ganzini di Milano, fondato nel 1862 da Giovanni Battista, famoso per i ritratti della buona borghesia milanese e degli aderenti al movimento della Scapigliatura. Leggera abrasione sul retro. Ottime condizioni.
Fotografia b.n. all’albumina databile fine ‘800 (cm. 7,5x12) montata su cartoncino rigido. Studio fotografico F.lli Conte di Napoli in via Carrozzieri. Perfette condizioni.
Fotografia b.n. all’albumina databile fine ‘800 (cm. 6x13) montata su cartoncino rigido. Studio fotografico Pilade Cini di Napoli in via Roma. Leggere abrasioni sul retro. Perfette condizioni.
