3 995 résultats
réf. B38258-3Berlin/Milano 1981. 10pp. 9 plates. Wraps. Berlin/Milano, 1981. paperback books
1996Sotto-Passages nella critica d'arte e d'architettura, Statuti discorsivi dell'architettura Guerini Studio
2002brossura Testo dell'incontro tenutosi a Milano con numerosi studenti, nell'ambito delle iniziative "Vivere le dimensioni del mondo", organizzato dal Centro di aiuto allo studio Portofranco. Marco Bersanelli ha risposto alle domande degli studenti sul perché dello studio, domande nate dal confronto quotidiano tra la ricerca del proprio destino e gli impegni faticosi che la scuola chiede.
In 4 (30x21,5) Brossura illustrata; pp. 32 con numerose illustrazioni a colori e in b/n e mappe; Buono
2014réf. 1253212014 Editions de La Martinière - 2014 - In-4, cartonné, avec son bandeau éditeur - 188 pages - Nombreux portraits en N&B hors texte dans l'ouvrage
1951318 pages. Features: Town of the Month - Crescent City, California; Woodbury ad features wedding photos of Pat Burrage and Bob Young; Lovely color Camay ad features Mrs. Jules Alexander, the former Jean Pugsley of Rochester, NY; Color Fig Newtons ad; Assignment in Hollywood; Kidney Infection; Nice photo ad for Warner's foundations and bras; Great two-page color ad for Kelvinator ranges; Nice color Prell ad features photo of redhead; Canada tourism ad; Lux color ad features Linda Darnell; Lovely Ivory Soap color ad features Sue Jenks; Tomorrow and Tomorrow - story by Val Teal; The New Laws of Canasta; The Big Dream - story by Elva Williams; Pattern - story by Rachel MacKenzie; The case for Privacy; A New Boss Every Hour; Revenge - story by Alice G. Craft; The Meeker Sex; My Mother-In-Law Stayed Four Years; Gorgeous color and black and white fashion photos; Lovely photos of children in Easter fashions; Curious George comic in Zozo ad; Color Tide ad mentions Mrs. Jean Riche of Dallas, Texas; Why children quite taking lessons; Photo of Mrs. David Anthony Drexel in Pond's ad; Gloria Swanson photo in Jergens ad; Little Lulu in Kleenex ad; Colour Duz detergent ad; Color ad for the (green) 1951 Chevrolet; Color Avon ad features Mrs. Gary Cooper with her rep., Mrs. Billie Sussman; Satina ad features photo of Mrs. David Johnson of Studio City, California; Photos of Ginger Rogers in Jergens ad; Star-Kist ad features photo of Dan Dailey, star of movie "Call Me Mister"; Color Raytheon TV ad; Nice color ad for 1951 Dodge cars features Betty Hutton; Color ad for film "September Affair"; Many nice fashion ads; and much, much more. Average wear. A worthy vintage copy of this charming issue. Magazine
réf. BN376168Biblia de Estudio Arco Iris Reina Valera 1960 con cierre Indice simil piel color estuche de lujo para proteccion Biblia de Estudio Arco Iris Reina Valera 1960 con cierre Indice simil piel color estuche de lujo para proteccion Biblia de Estudio Arco Iris Reina Valera 1960 con cierre Indice simil piel color estuche de lujo para proteccion unknown
2013réf. Q-1467715204Graphic Universe ™ 2013-08-01. Paperback. New. In shrink wrap. Looks like an interesting title! Graphic Universe ™ paperback
2019br. Questo libro vi aiuta a scrivere bene a scuola: a produrre con buona regolarità temi soddisfacenti e arrivare all'esame di maturità pronti per affrontare l'analisi del testo letterario, l'analisi e produzione di un testo argomentativo e il tema di attualità senza troppi timori, e magari con la voglia di sfruttare l'occasione per dire cose che vi stanno a cuore. Ma non solo: tutto quello che troverete qui dentro vi servirà anche a stendere una buona e-mail, un bel post su Facebook, una lettera di accompagnamento a un curriculum. A scrivere bene in generale, insomma. Massimo Birattari propone un metodo senza regole fisse, tabelle, schemi: piuttosto, un'immersione totale nella scrittura, un viaggio nella mente di chi scrive, attraverso le scelte, i ripensamenti, le strade scartate. Attraverso il contagio di molti buoni esempi (di bravi scrittori, saggisti, giornalisti), questo libro vi fornisce gli anticorpi che vi libereranno dagli errori più comuni, per condurvi, passo dopo passo, a esprimere nel modo più semplice, diretto, brillante e personale il vostro pensiero.
2017br. Questo libro vuole aiutarvi a scrivere bene a scuola: a produrre con buona regolarità temi soddisfacenti e arrivare all'esame di maturità pronti per affrontare l'analisi del testo, il saggio breve, l'articolo di giornale, il tema storico o quello di attualità senza troppi timori, e magari con la voglia di sfruttare l'occasione per dire cose che vi stanno a cuore. Ma non solo: tutto quello che troverete qui dentro vi servirà anche a stendere una buona email, un bel post su Facebook, una lettera di accompagnamento a un curriculum. A scrivere bene in generale, insomma. Massimo Birattari propone un metodo senza regole fisse, tabelle, schemi: piuttosto, un'immersione totale nella scrittura, un viaggio nella mente di chi scrive, attraverso le scelte, i ripensamenti, le strade scartate. Si impara per imitazione, anzi per assorbimento, e attraverso il contagio di molti buoni esempi (di bravi scrittori, saggisti, giornalisti) questo libro vi fornisce gli anticorpi che vi libereranno dagli errori più comuni, per condurvi, passo dopo passo, a esprimere nel modo più semplice, diretto, brillante e personale il vostro pensiero.
1984réf. DYTWW10497Asahi Shimbun Company 1984. Soft Cover. Fine. Number of books£º1 Asahi Shimbun Company paperback
réf. SLIVCN-9782930451442PRISME
1942In-8 (Cm 21 x 15,5), pp. 66 brossura editoriale illustrata, In appendice 10 disegni del Prof. C. Vitoli Russo. MOLTO BUONO
1942In-8 (Cm 21 x 15,5), pp. 67 brossura editoriale illustrata, In appendice 10 disegni del Prof. C. Vitoli Russo. Piccola mancanza allangolo alto esterno della brossura anteriore, marginale ingiallitura della br. post. MOLTO BUONO
2000réf. 1214572000 Editions Centre Pompidou - 2000 - In-8, broché, couverture illustrée en N&B - 64 pages - Très nombreuses reproductions photographiques en N&B hors-texte
2020réf. 2-1654827835Independently published 2020. Paperback. New. 100 pages. 10.00x7.00x0.24 inches. Independently published paperback
1916réf. 01062471 King Street West Toronto Ontario: Blakemore Studio 1916. No Binding. Very Good. A fine piece of Canadian Military history showing a panoramic photo view of CFB Borden Camp Borden 1916. This view was taken by the Blakemore Studio of Toronto and measures 8 X 62 inches. Several areas on the photo are marked in negative to identify buildings training facilities and construction camp Headquarters Jail Post Office Bank of Montreal Hughes Avenue Maneuver Camp and Musketry School Longer than most panoramic images available this photo is in very good condition with typical light smudges shallow creases and a bit of paper loss along the top left corner.see photos This area would be outside a framing margin when properly matted. An excellent image of this historic camp under construction preparing for more than 30000 men to train for the Canadian Expeditionary Force of World War I. Note: this item will be shipped rolled. A difficult sized item to photograph so I have divided the image into 4 sections. Other photos are available as needed. Inquiries welcome. Blakemore Studio unknown
1920réf. 240221920. Portrait album of a young woman believed to have been visually impaired tentatively identified as Alice Erdman. The sitter appears alone in all nine photographs her gaze fixed and directed beyond or away from the camera. These formal studio portraits of the early 1920s offer a visual record of a blind woman whose life remains only partly documented. Eugene newspapers also document Alice Erdman's musical performances and prize-winning embroidery providing a possible connection between the sitter and a woman active in the local community. Album containing nine original gelatin silver photographs each approximately 6.5 x 4.5 inches mounted one per page on patterned brown cardstock leaves with silver-colored borders and corner mounts. Original gray cord-bound paperboard covers; album measures 10 x 6.25 inches. One photograph shows the sitter seated in an elaborately carved chair while another depicts her standing in profile holding a closed umbrella. Two further portraits show her in a light-colored satin dress beside the same studio furnishings. Her bobbed hair and loosely fitted dresses reflect the changing silhouettes of the early 1920s while glossy elbow-length gloves and pearls retain the formality of earlier portrait conventions. The album offers an opportunity to examine disability history through the photographic record of a young blind or visually impaired woman. Her fixed gaze solitary presentation and carefully arranged poses are visible features of the portraits though the photographs alone cannot establish the nature or extent of her visual impairment. The sitter's identification as Alice Erdman remains tentative. Elizabeth Erdman Romane a professional woman photographer apprenticed under Eugene Oregon photographer Sue Dorris and acquired her own studio in 1918 maintaining an independent photographic business for decades. She moved from Minnesota to Lane County Oregon in 1909 with her parents Mr. and Mrs. Albert Erdman and her sister Alice Erdman. She later married Harry Romane and spent more than 50 years living and working in the Lane County area. Operating under the name Romane Studio she became one of Eugene's most prolific photographers from the 1920s through the 1950s managing her business at multiple locations along downtown Willamette Street. Her portraiture earned national and international awards. Although the family connection makes Romane a relevant figure in the album's history the photographer of these particular portraits has not been established. Minor fading and cover wear; overall very good condition. unknown
1920réf. 240221920. Portrait album of a young woman believed to have been visually impaired tentatively identified as Alice Erdman. The sitter appears alone in all nine photographs her gaze fixed and directed beyond or away from the camera. These formal studio portraits of the early 1920s offer a visual record of a blind woman whose life remains only partly documented. Eugene newspapers also document Alice Erdman's musical performances and prize-winning embroidery providing a possible connection between the sitter and a woman active in the local community. Album containing nine original gelatin silver photographs each approximately 6.5 x 4.5 inches mounted one per page on patterned brown cardstock leaves with silver-colored borders and corner mounts. Original gray cord-bound paperboard covers; album measures 10 x 6.25 inches. One photograph shows the sitter seated in an elaborately carved chair while another depicts her standing in profile holding a closed umbrella. Two further portraits show her in a light-colored satin dress beside the same studio furnishings. Her bobbed hair and loosely fitted dresses reflect the changing silhouettes of the early 1920s while glossy elbow-length gloves and pearls retain the formality of earlier portrait conventions. The album offers an opportunity to examine disability history through the photographic record of a young blind or visually impaired woman. Her fixed gaze solitary presentation and carefully arranged poses are visible features of the portraits though the photographs alone cannot establish the nature or extent of her visual impairment. The sitter's identification as Alice Erdman remains tentative. Elizabeth Erdman Romane a professional woman photographer apprenticed under Eugene Oregon photographer Sue Dorris and acquired her own studio in 1918 maintaining an independent photographic business for decades. She moved from Minnesota to Lane County Oregon in 1909 with her parents Mr. and Mrs. Albert Erdman and her sister Alice Erdman. She later married Harry Romane and spent more than 50 years living and working in the Lane County area. Operating under the name Romane Studio she became one of Eugene's most prolific photographers from the 1920s through the 1950s managing her business at multiple locations along downtown Willamette Street. Her portraiture earned national and international awards. Although the family connection makes Romane a relevant figure in the album's history the photographer of these particular portraits has not been established. Minor fading and cover wear; overall very good condition. unknown books
réf. 18-7655Florence Italy: Quadrante / Studio d’Arte Contemporanea di Matilde Giorgini 1962. . Exhibition catalogue. 8vo. 10 pp. Soft stapled glossy black and white photographic wraps with orange design. Good with marginal soiling along spine. Black and white plates including frontis. Includes writings by Berto Morucchio and G. Gassiot-Talabot. Exhibition catalogue created to accompany the exhibition of works by Andre Bloc held from November 10 through December 5 1962 at the Studio d’Arte Contemporanea di Matilde Giorgini in Florence Italy. Number 16 November 1962 issue of the Studio d’Arte Contemporanea di Matilde Giorgini’s newsletter. En Francais ed in Italiano. From the Collection of the Art Historian Peter Selz. Florence, Italy: Quadrante / Studio d’Arte Contemporanea di Matilde Giorgini, 1962. paperback
2000réf. 180337Sydney N.S.W.: Studio Magazines 2000. Paperback. Good Covers have normal wear and interior has very light toning at the periphery. Black and color-pictorial wrap cover with white lettering; 211 pages : color illustrations. Special edition - photography of men. Studio Magazines paperback books
2022réf. 205233Sydney N.S.W.: Australia Studio Magazines 2022. Softcover. VG. A matte softcover magazine with white text on a black background. Pages: 11 12-112. Profusely illustrated with color images. Issue 38 of not only Blue magazine featuring Pierre et Gilles Mark Simpson Hayden Christensen Vanity Faire. Australia Studio Magazines paperback books
2008réf. DADAX159583267XLaughing Elephant 2008-02-01. hardcover. New. 7.64x0.42x9.64. Buy with confidence. Excellent Customer Service & Return policy. Laughing Elephant hardcover
2004réf. Q-1595830030Laughing Elephant 2004-08-01. Paperback. New. In shrink wrap. Looks like an interesting title! Laughing Elephant paperback
2004réf. DADAX1595830030Laughing Elephant 2004-08-01. paperback. New. 8.08x0.43x10.84. Buy with confidence. Excellent Customer Service & Return policy. Laughing Elephant paperback
