[REVUE].Livre Rare Book
[Push-Pin Studio] MULLAN (James Mc)Livre Rare Book
HEAD OUT TO OZ
réf. 2041The Push Pin Studio. 1967. Impression en offset. Dim: 71 x 46 cm. Pliures d'origine. Parfait état. Rare.
Librairie Michaël Seksik · France400,00 €
4 149 résultats
réf. 8939THE STUDIO. " An illustrated magazine of fine and applied arts ". L'année 1916, complète en 3 tomes. Edition française. Les 12 livraisons sont réunies en 3 volumes in-4°, reliure demi-percaline grise, avec titre, date et tomaison sur pièce de maroquin. Quelques rousseurs, peu nombreuses et lègères. Bon état.
1899réf. 115705librairie P. Ollendorf 1899 Livre en français, anglais. In-4 relié 29,8 cm sur 20,8. 44 pages. Dos muet. Très bon état d’occasion.
réf. 2041The Push Pin Studio. 1967. Impression en offset. Dim: 71 x 46 cm. Pliures d'origine. Parfait état. Rare.
réf. 2041The Push Pin Studio. 1967. Impression en offset. Dim: 71 x 46 cm. Pliures d'origine. Parfait état. Rare.
réf. 1824Impression en offset. 1967. Dim: 91 x 60, 7 cm. Petites déchirures.
réf. 1824Impression en offset. 1967. Dim: 91 x 60, 7 cm. Petites déchirures.
réf. 2042The Push Pin Studio. 1967. Impression en offset. Dim: 27,3 x 19,2 cm. Deux agrafes. Léger défaut angle sup gauche. Peu courant.
réf. 2042The Push Pin Studio. 1967. Impression en offset. Dim: 27,3 x 19,2 cm. Deux agrafes. Léger défaut angle sup gauche. Peu courant.
réf. BB10037Softcover paper binding first page alsmost loose small damages on the binding 21 x 16 cm. Foxing and edges frayed. Rare edition in French language. Illustrated.Pulchri Studio is een schilderkundig genootschap en galerie voor hedendaagse kunst sinds 1847 in Den Haag. Sinds 1898 is Pulchri Studio gevestigd in het monumentale pand aan het Lange Voorhout 15 in het centrum van Den Haag. Deze tentoonstelling was in de ""Pulchri Studio"" aan de Prinsengracht 57. paperback
1959réf. 48400Madrid, Victoriano Suarez, 1959. 4°. Mit zahlr. meist ganzs. Abbildungen. 281 S., 2 Bll., Lwd. d. Zt. m. goldgepr. Rückentitel u. dem eingeb. OUmschlag.
réf. 146130N.p.: N.p. 1978. Archive of 14 iconic vintage photographs of Studio 54 celebrities and revelers by photographer William Coupon all from 1978. Ten of these are signed and dated by Coupon at the bottom right and one bears a tag on the verso noting "Two Dancers Studio 54 August 1978." Images of Andy Warhol Truman Capote Grace Jones Patti Smith and Divine are included in the collection along with a variety of other glamorous and fascinating visitors to the exclusive New York night club. Coupon's Studio 54 photographs were included in the International Center of Photography exhibition "Fleeting Gestures: Treasures of Dance Photography" in late 1978 his first major exhibition. The photographs in this collection were exhibited at Photo London 2019 and on display at Tenderbooks in London in conjunction with Rare Photo Gallery in Toronto. Coupon was born in New York City and after attending Syracuse University returned there in 1978. He began to photograph the disco/celebrity scene at Studio 54 and the punk/New Wave scene at the Mudd Clubb in lower Manhattan. During this time he also became a successful commercial photographer working for a variety of international magazines record companies and advertising agencies. In the 1980s and 1990s Coupon did several series on various subcultures and indigenous peoples that he called "Social Studies." In 1992 he was invited to photograph the world's tribal leaders during Earth Summit in Rio de Janeiro Brazil. The work at the request of the United Nations and the United States Congress was exhibited in 1994 in the United States Senate Rotunda as part of the UN's "Year of the Indigenous People." Coupon's vast catalog of portraits include world leaders noted writers artists and musicians as well as his highly regarded indigenous portraits. He has photographed covers for Newsweek Rolling Stone and the New York Times Sunday Magazine as well as assignments for Esquire The Washington Post The Los Angeles Times People and many more. He photographed 15 covers for Time magazine including the Bill Clinton and George W. Bush "Person of the Year" covers and has photographed all of the Presidents of the United States from Richard Nixon going forward. 8 x 10 inches archivally matted to 16 x 20 inches. Near Fine overall. N.p. unknown books
réf. 146130N.p.: N.p. 1978. Archive of 14 iconic vintage photographs of Studio 54 celebrities and revelers by photographer William Coupon all from 1978. Ten of these are signed and dated by Coupon at the bottom right and one bears a tag on the verso noting "Two Dancers Studio 54 August 1978." Images of Andy Warhol Truman Capote Grace Jones Patti Smith and Divine are included in the collection along with a variety of other glamorous and fascinating visitors to the exclusive New York night club. Coupon's Studio 54 photographs were included in the International Center of Photography exhibition "Fleeting Gestures: Treasures of Dance Photography" in late 1978 his first major exhibition. The photographs in this collection were exhibited at Photo London 2019 and on display at Tenderbooks in London in conjunction with Rare Photo Gallery in Toronto. Coupon was born in New York City and after attending Syracuse University returned there in 1978. He began to photograph the disco/celebrity scene at Studio 54 and the punk/New Wave scene at the Mudd Clubb in lower Manhattan. During this time he also became a successful commercial photographer working for a variety of international magazines record companies and advertising agencies. In the 1980s and 1990s Coupon did several series on various subcultures and indigenous peoples that he called "Social Studies." In 1992 he was invited to photograph the world's tribal leaders during Earth Summit in Rio de Janeiro Brazil. The work at the request of the United Nations and the United States Congress was exhibited in 1994 in the United States Senate Rotunda as part of the UN's "Year of the Indigenous People." Coupon's vast catalog of portraits include world leaders noted writers artists and musicians as well as his highly regarded indigenous portraits. He has photographed covers for Newsweek Rolling Stone and the New York Times Sunday Magazine as well as assignments for Esquire The Washington Post The Los Angeles Times People and many more. He photographed 15 covers for Time magazine including the Bill Clinton and George W. Bush "Person of the Year" covers and has photographed all of the Presidents of the United States from Richard Nixon going forward. 8 x 10 inches archivally matted to 16 x 20 inches. Near Fine overall. N.p. unknown
1907réf. 58750San Francisco: Lucerne Studio n.d. ca 1907-1912. Two original vintage silver-gelatin studio portraits ca 5-3/8" x 3-1/2"; printed to borders with embossed edges; printed for postal use on verso with divided backs for addressing. Slight crease to one corner but both images very well-preserved Near Fine. Embossed studio stamp in image lower right: "Lucerne / Studio / 1437 Fillmore Street / S.F. Cal." Also included are slightly larger proof versions of the same two images on thinner photographic paper each with abrasions at center of image with evidence of scrapbook adhesion to versos; Good only. The first image is of two young female sitters posing arms encircling each other's backs dressed in identical Pierrot costumes -- possibly attired for a costume ball. The second image is a solo portrait of one of the same two sitters. Undated; sitters unidentified but this studio appears to have been active in the period 1909-1911. An advertisement offering Lucerne Studio for sale appears in the February 1912 issue of Camera Craft a San Francisco photographic trade journal. The cards were printed after 1907 divided-back postal card era. A charming pair of early San Francisco portraits. Lucerne Studio unknown books
1930réf. I7D9LIPN5PS6London 1930. In a wooden frame ca. 53 x 64 cm under glass. Matt silver print ca. 28 x 36 cm watercolour pastel gouache and oil paint. Mounted on paper in a passe-partout. Signed "Lafayette" in pencil on the mount. Impressively coloured photographic portrait of the Saudi crown prince Saud 1902-1969 by the eminent London photographic studio Lafayette. Prince Saud the future King Saud of Saudi Arabia had been appointed crown prince in 1933 and fought in the 1934 war against Yemen. After the war his father encouraged him to travel abroad and over the next few years he visited Saudi-Arabia's neighbours Europe and the United States. While in London Prince Saud had his portrait taken by the Lafayette studio originally established in Dublin in 1880. It is no coincidence that Prince Saud chose a firm that had photographed numerous emperors kings sultans earls early movie stars etc. The firm would also provide hand coloured prints on request and the current photograph is an example of the very high quality they provided. The photograph of Prince Saud was coloured by painting over the photograph with watercolours and pastel. A subsequent treatment made it possible to use tiny drops of oil paint to highlight the gold trimming on his robe the jewels and pearls on his sword and the small lights in his eyes. In very good condition with only very minor craquelure. A colour portrait of the future King Saud of Arabia: a photograph enhanced by an expert painter from the leading British firm for the genre.l For Lafayette: Russell Harris Narrated in calm prose. unknown
1907réf. 58750San Francisco: Lucerne Studio n.d. ca 1907-1912. Two original vintage silver-gelatin studio portraits ca 5-3/8" x 3-1/2"; printed to borders with embossed edges; printed for postal use on verso with divided backs for addressing. Slight crease to one corner but both images very well-preserved Near Fine. Embossed studio stamp in image lower right: "Lucerne / Studio / 1437 Fillmore Street / S.F. Cal." Also included are slightly larger proof versions of the same two images on thinner photographic paper each with abrasions at center of image with evidence of scrapbook adhesion to versos; Good only. The first image is of two young female sitters posing arms encircling each other's backs dressed in identical Pierrot costumes -- possibly attired for a costume ball. The second image is a solo portrait of one of the same two sitters. Undated; sitters unidentified but this studio appears to have been active in the period 1909-1911. An advertisement offering Lucerne Studio for sale appears in the February 1912 issue of Camera Craft a San Francisco photographic trade journal. The cards were printed after 1907 divided-back postal card era. A charming pair of early San Francisco portraits. Lucerne Studio unknown
réf. 69-7090Paris France: Unknown French Photo Studio Ca. 1950s. Print of B&W Photograph. 9 x 14 cm. Very Good. Original Signature inked in blue pen. En Francais. Provenance: Thérèse Bénard Tours France. Paris, France: [Unknown French Photo Studio], [Ca. 1950s] unknown
1930réf. 3711Fairmont West Virginia: Houston Studio 1930. First Edition. Very good. One albumen print photograph with thin black border about 10" x 8" backed onto linen. In very good condition with some creases nicks and very minor discoloration at the extremities but generally preserved. The photograph is somewhat mysterious depicting a group of fourteen young boys and girls another nine who are a few years older and two male adults. In front of the group are four briefcases. As best we can tell these are labeled "Miner's First Aid Cabinet" and the logo appears to be that of the Mine Safety Appliances Company. Perhaps these were young miners and first aid nurses in training or maybe it was a summer camp. Regardless a nicely sized image which captures youth life in coal country during the height of the coal boom in early 20th century America. Houston Studio unknown
1954réf. 28483NANTES 1954 une photographie originale argentique en noir, de "MGR MORILLEAU ALORS QU'IL RECOIT LA CONSÉCRATION ÉPISCOPALE DES MAINS DE JEAN-JOSEPH-LÉONCE VILLEPELET, ALORS ÉVÊQUE DE NANTES, LE 24 JUIN 1954 " , format : 11 x 16 cm , PHOTOGRAPHE : STUDIO PAUL, 36, rue du Maréchal Joffre - NANTES,
réf. 1837Ste Expl. Ets Lalande, Courbet, Wissous. Philips. Impression en offset. 1973. Dim: 104 x 79 cm.
réf. 1837Ste Expl. Ets Lalande, Courbet, Wissous. Philips. Impression en offset. 1973. Dim: 104 x 79 cm.
réf. 125771850s. Carte-de-visite size c.6 x 10cm faded photograph of Bridget Winthrop or engraving of sl. spotted on reverse the following information in MS. Bridget Winthrop married to Wm Maunsell Mrs Wm Maunsell gt grandmother of H.O. DonnellMA CLK space great great Grandmother to Mrs Petronella O'Donnell and to Mr Elliot O'Donnell". Printed on reverse: Mrs. C. Flynn Bookseller & Stationer Circulating Library Photographic Studio 20 George Street Limerick".From the archive of Elliot O'Donnell Irish ghost-hunter. Note: Limerick: Mrs. C. Flynn 40 Great George's-street one of the publishers of "The Celt" periodical c.1857. Unusual in being a female bookseller and involved in the new art of photography I have found no other information about her yet. Image available by request or on my website. [1850s?] unknown
réf. 68-4259Nice France: M. Laubert 1929. 16.5 x 11.5 cm. Sepiatone photograph. Very Good with minor creasing and wear at corners. Provenance Paul Paulet French actor from the 1930s-1970s Nice, France: [M. Laubert], 1929. unknown
1900réf. 214646Kyoto. Late Meiji 1900. Nine mounted studio photographs the images with some fading and spotting but overall in good condition the mounts worn and toned a few with occasional spotting: Three large ensemble groups of women 21 x 26.5 cms mounted on embossed card two with the Kyoto studio stamps of Kiyokuan and the other Kobayashi; One young cadets 21.8 x 27.1 cms with a glassine wrapper annotated with the names of the students; One older cadets 21.7 x 27.1 cm the mount with a stamped border; Two wedding couple and larger family group 19.3 x 13.4 cms and 21 x 26.4 cms in covered window mounts with the stamps of R. Kohno studio Kyoto each with manuscript annotations to the verso of the cover; One formal family group 14.1 x 20.2 cms in a covered window mount stamped Central Studio Nagoya the front cover loose and worn manuscript annotations on the verso; One 15.5 x 21.2 cms casual family group the mount with a greek key and foliated border worn and the image faded. Five blank patient registration forms on fine paper in very good condition. A collection of early 20th century photographs from a well-educated Japanese middle-class family. It is likely that they belonged to the family of a doctor named Tanaka Fusa who had a clinic in Nishio town in the Hazu district of Aichi Prefecture. The photos are accompanied by mid-20th century patient registration forms from Dr. Tanaka's clinic. Three of the photos show large group of women approximately 200 in total and were produced by the Kiyokuan Studio in Kyoto a studio established by Kobayashi Teisuke in 1900. They were most likely female high school students on their school excursion to Kyoto each adopting the same hair style Hisashigami style which was very fashionable among high school girls towards the end of the 19th century. Another family group photo bears the mark of well-known Meiji era Kyoto photographer Hori Masumi 1857-1911. Two later photos are of the wedding in the grounds of Kyoto's Heian Jingu of Ueki Ukichi and his bride Ujiko in May 1929. A Ueda Ukichi is listed as a law student at Kansai University in the early 1920s so this may be the same person. There is an early twentieth century photo of a group of schoolboys each carefully named on the covering tissue and a 1929 photo from a Nagoya studio of a group of dignitaries also individually named on the covering sheet. . unknown
1890réf. 1915No place Yokohama T. Enami & others no date ca. 1890s. Oblong Folio 12.5" x 15.5" contemporary pictorial black lacquered boards inlaid in relief with bone containing fifty hand-colored albumen photographs measuring generally 7.75 " x 10" mounted recto and verso to 25 thick card leaves with tissue guards interleaved. Forty-four of the images are titled in the negative. Binding worn: spine perished boards and front free endpapers detached boards remarkably well preserved although lacking one small inlaid piece most tissue guards creased and torn mounts with slight wave and sporadic foxing/ soiling 3 photos with minute losses at the edges a few slightly faded or under exposed most fresh and rich in tonal quality. Although quite probably a composite album representing photos from different studios certainly many of the images are from the Yokohama studio of T. Enami. Presents views in Tokyo Nagasaki Kyoto Yokohama and elsewhere featuring architecture temples street scenes ceremonies occupations Geisha etc. Those we've pictured include: "262 Unzen Hot Spring" - "J63 Tea-house at Suwa Park" - "260 Obama" - "Road to Mogi Tagami" - "382 Theatre Street Yokohama"- "315 Fuji from Yoshwara" - "A5 Sacred Bridge" - "L63 Yokohama Park" - "C23 Cutting Rice"- "A102 View of Yokohama" $1250.00 T. Enami & others books
1890réf. 215089Japan. Circa1890s. 50 hand-tinted albumen prints 30 captioned with studio stock references mounted on thick gilt-edged card leaves19.5 x 25 cm in an album 27.5 x 35 cms; elaborately lacquered boards scuffed and chipped inlaid with mother of pearl with loss over quarter calf renewed bevelled edges gilt dentelles endpapers gilt-flecked some fading and spotting to the images and toning to the margins of the card leaves but a very good handsomely bound collection. Beautiful studio album containing a collection of 50 hand coloured photos of Japan with a splendid lacquered and decorated cover. The photos were commercially produced images which were sold to foreign visitors who had the studio place photographs in an album of their choice. This album is unusually interesting because unlike many where photographs were more randomly placed the images have been selected and arranged geographically beginning in Tokyo and moving southwards: Nikko Yokohama Miyanoshita & Hakone Lake Mount Fuji Kyoto Osaka Kobe and Nagasaki. There are fine images and portraits of geisha including an uncaptioned image of geisha seated possibly by the Kamo River in Kyoto entertaining a male guest. A lute is placed on the rice mat together with a tray of beer. One of the geisha is looking straight to camera a striking composition. Another uncaptioned in the Kyoto group is likely to be in Arashiyama shows a sandalled figure on a mountain path overlooking the leisure boating below. There are also images of pagoda fishing rice planting street vendors and markets. More than half the photographs appear to be from the studio of the Yokohama based photographer Tamamura Kozaburo c.1856-192 who at his height was described as "the best photographer in Yokohama". As Terry Bennett has attested Tamamura's business strategy of selling souvenir albums of views and costumes to foreigners became a "winning formula". see Terry Bennett "Early Japanese Images" Tuttle 1996 and "Photography in Japan 1853-1912" Tuttle 2006 . hardcover
