[20th Century American Film Studio].Biblio.com
4.133 Ergebnisse
Best.-Nr. 68-3400Hollywood CA: ca. 1920. Black & White Photograph. 8" x 10" Good with losses tears. Hollywood, CA: [ca. 1920]. unknown
Best.-Nr. 68-3401Hollywood CA: ca. 1920. Black & White Photograph. 8" x 10" Good with losses tears. Hollywood, CA: [ca. 1920]. unknown
Best.-Nr. 68-3399Hollywood CA: ca. 1920. Black & White Photograph. 8" x 10" Good with losses tears. Hollywood, CA: [ca. 1920]. unknown
1890Best.-Nr. 164158Japan. 1890s. 46 albumen photographs some handcoloured 34 captioned with studio stock references approx. 20 x 25.5 cms on 23 gilt-edged leaves in an attractive pictorial lacquer album 27 x 26 cm spine renewed and hinges professionally secured some fading and spotting to the images and toning to the margins of the card leaves lacquer a little chipped the images in good condition. Large album containing prints of professionally-taken images of Japan from the 1890s. The Images show the landscapes of Nagasaki Kobe HakoneYokohama Nikko and Lake Chuzenji street scenes in Tokyo Nagoya Castle views of Mt. Fuji from various angles images of Japanese junks and of women preparing dinner. A number of these are well-known images by famous photographers of the day including "Fuji from Kashiwabara" by Enami Tamotsu who opened his photographic business in 1892 "Front of Fall Hakone" by Kajima Seibei 1866-1924 and "Mississipy Bay" a bay near Yokohama by Kusakabe Kimbei 1841-1932. There are also some black-and-white photos of travellers in unidentified landscapes. From the collection of the late Arthur Hacker MBE. . unknown
1980Best.-Nr. KOS00300070TBD 1980. Soft Cover. Fine. KOS00300070 TBD paperback
2002Best.-Nr. TAOPRStudio Ghibli 2002. Soft Cover. New/New. Studio Ghibli. Tales of chivalry with epic sweep in the skies above an Italy of the 1920s. In a style somewhat similar to Tintin our hero Porco Rosso fights the infamous sky pirate Donald Curtis. An original Japanese edition of the animated series with some English language sections. Contains numerous scenes plus sections on the major characters. 210 pages. Full Colour illustrations. 9" x 12" 230mm x 300mm. Dust Jacket. 2.6 Studio Ghibli paperback
2010Best.-Nr. Q-3899553276gestalten 2010-10-19. Hardcover. New. New. In shrink wrap. Looks like an interesting title! gestalten hardcover
Best.-Nr. 63-8680Hollywood: ca. 1934. Autographed Photograph 17.5 x 22.5 cm. Good with photograph removed from album with remains on verso. Provenance: from the collection of Madeleine Sintes. Many of the photos from the collection have dedications to her. Sintes resided in the South of France. Hollywood: ca. 1934. unknown
Best.-Nr. mon0000446939Grolier. hardcover. Acceptable. in x in x in. Ex-library book usual marking. Clean copy but with wear to cover's edges. Good otherwise. Grolier hardcover
Best.-Nr. 239Londres, The Studio Library, 1902. In-folio, portefeuille de l'édition. Bien complet des 8 fascicules. 64 reproductions en couleurs sous serpentes légendées.
1928Best.-Nr. 116198New York: Boni 1928. hardcover. very good. Profusely illustrated including several color plates facsimiles paper specimens etc. 186pp. 4to vellum-backed patterned boards rubbed darkened spine with library marking d.w. New York & London 1928. With studies of book production by country including Europe Russia and U.S. with indices of publishers illustrators and presses. Ex-libris on the inside front cover. Boni unknown books
1928Best.-Nr. 116198New York: Boni 1928. hardcover. very good. Profusely illustrated including several color plates facsimiles paper specimens etc. 186pp. 4to vellum-backed patterned boards rubbed darkened spine with library marking d.w. New York & London 1928. With studies of book production by country including Europe Russia and U.S. with indices of publishers illustrators and presses. Ex-libris on the inside front cover. Boni unknown
1918Best.-Nr. A105070London: The Studio 1918. 1st edition. Very Good. folio. hardback in decorated cloth 132pp. col. & b/w pls. index Superb reference inc. many nice plates. Scarce Wartime volume The Studio hardcover
1912Best.-Nr. A105067London: The Studio 1912. 1st edition. Very Good. folio. hardback in decorated cloth 340pp. col. & b/w pls. index Superb reference inc. many nice plates still with tissue-guards. Hinges a trifle weak o/w nice tight volume The Studio hardcover
1931Best.-Nr. 75562Philadelphia PA.: David McKay Company. Very Good. 1931. Softcover. This book is soft-bound in color pictorial printed covers with blue cloth tape covering the spine. The covers show edge-wear. The binding is solid. The contents are bright and clean with illustrations. The image of Mickey Mouse on the title-page has been colored in by a previous owner child. . David McKay Company paperback books
1931Best.-Nr. 75562Philadelphia PA.: David McKay Company. Very Good. 1931. Softcover. This book is soft-bound in color pictorial printed covers with blue cloth tape covering the spine. The covers show edge-wear. The binding is solid. The contents are bright and clean with illustrations. The image of Mickey Mouse on the title-page has been colored in by a previous owner child. . David McKay Company paperback
1885Best.-Nr. 30592Chacago: Smith's Studio of Photography 1885. Housed in an elaborately decorated wood frame with gilt fabric and hand-painted mat. 1 vols. Image 5 x 3-1/2 inches; overall frame is 14-1/4 x 12-1/4 inches. Fine condition. Housed in an elaborately decorated wood frame with gilt fabric and hand-painted mat. 1 vols. Image 5 x 3-1/2 inches; overall frame is 14-1/4 x 12-1/4 inches. The elaborately dressed child wearing a pensive look sits on a low plush-covered bench; the photographer's advertisement on back for "Children's Photos par excellence" gives the firm's address as 206 N. Clark Street in what was Chicago's fashionable Near North Side. The frame is a bravura creation of rich complexity easier viewed than described. A splendid piece of late-19th century upscale Americana. Smith's Studio of Photography unknown books
1885Best.-Nr. 30592Chacago: Smith's Studio of Photography 1885. Housed in an elaborately decorated wood frame with gilt fabric and hand-painted mat. 1 vols. Image 5 x 3-1/2 inches; overall frame is 14-1/4 x 12-1/4 inches. Fine condition. Housed in an elaborately decorated wood frame with gilt fabric and hand-painted mat. 1 vols. Image 5 x 3-1/2 inches; overall frame is 14-1/4 x 12-1/4 inches. The elaborately dressed child wearing a pensive look sits on a low plush-covered bench; the photographer's advertisement on back for "Children's Photos par excellence" gives the firm's address as 206 N. Clark Street in what was Chicago's fashionable Near North Side. The frame is a bravura creation of rich complexity easier viewed than described. A splendid piece of late-19th century upscale Americana. Smith's Studio of Photography unknown
Fra la 2a e la 3a opera è legato un manoscritto bifolio, scritto in chiara grafia a inchiostro nero (2 facciate) su carta vergellata, firmato e datato al verso: "Lod.° Ant.° Muratori" in cui l'erudito modenese, corrispondente degli arcadi Petracchi (Lettore di Filosofia Morale presso lo Studio cittadino), Formagliari (Cancelliere maggiore) e Bianconi (poligrafo ed insegnante di greco all'Archiginnasio), si pronuncia in merito alla controversia storiografica circa la legittimità del diploma teodosiano che avrebbe istituito come primario lo Studio di Bologna. Di grande interesse perché il manoscritto s'inserisce nella schermaglia erudita fra Petracchi e Formagliari. Le 5 opere e il manoscritto rilegati in un unico volume in bella legatura posteriore in mezza pelle ed angoli, dorso a 5 nervi con titolo e fregi oro negli scomparti, piatti marmorizzati. Mancanza ben reintegrata all'angolo inferiore esterno del frontespizio. Gora non deturpante che interessa la metà superiore di gran parte delle carte e in specie l'ultima opera, ma buone condizioni. La Congregazione dei Celestini di cui l'accademico Petracchi era membro, fondata da Pietro da Morrone divenuto papa col nome di Celestino V, aveva il controllo dell'Abbazia di S. Stefano dal sec. XV e la mantenne fino alle soppressioni del 1797.
1991Milano, Giorgio Mondadori, 1991, 4to (cm. 29 x 22) tutta tela editoriale sovraccopertina illustrata a colori, pp. 143 completamente illustrazioni a colori.
1960Best.-Nr. 480941960s. 22 loose sheets. 21 of which measure 250 x 370 mm and one 410 x 330 mm on brown paper stock. . Set and costume designs in watercolour and gouache most with pencilled annotations. A large collection of original designs for 'The Merchant of Venice'.The collection consists of a highly striking gouache of a masked scene at night on a large sheet of brown paper 410 x 330 mm a further scene marked 'Belmont' various costume studies for groups of actors 4 sheets and the majority 16 sheets are costume studies for single characters as follows: - 'Antonio of Belmont' unnamed female study verso- 'Portia as the Doctor of Law'- 'Portia at End' - 'Jessica' 'Taffeta dress painted stripes black pearls' 2 versions 2nd unnamed- 'Bassanio at Belmont'- 'Arragon'- 'Jessica at End' with rudimentary pencil sketch verso- 'Count dignitary' on thick card- 'Gratiano Venice' rudimentary pencil sketch verso- 'Gratiano at End'- 'Morocco' 'wine and gelatine crown.' with sketch verso- 'Figure at Carnival' sketch verso- 'Old bobbo'- 'Venetian Gadler' sketch verso- One unnamed in green and black design sketch verso.These works closely resemble designs by Motley. They were likely created for the 1967 production of The Merchant of Venice at the Theatre Royal Haymarket London. unknown
1864Best.-Nr. 42820809Oval albumen print 8 x 6 in. original printed mount trimmed at bottom removing caption signed "BRADY & CO. PHOTOGRAPHERS." Browning and offsetting to mount light toning to image. Very good. Matted and framed. The classic Brady $5 bill photograph. This celebrated portrait the basis for the five-dollar bill engraving used for most of the 20th century is one of seven poses taken by Anthony Berger at Mathew Brady's Washington D. C. studio on February 9 1864. The most prolific photographer of Lincoln Brady himself did not actually operate his cameras during the war years instead training and employing men like Alexander Gardner and his successor Anthony Berger who took this picture to operate the camera. Lincoln's son Robert Todd Lincoln declared this famous portrait to be "the most satisfactory likeness" of Abraham Lincoln. Mathew Brady Gallery
1936Best.-Nr. 237922New York: Bachrach 1936. Half-length gelatin silver print. 10 x 8 inches. Mounted too artist's board. Slight silvering to photo mount a bit soiled and worn. Half-length gelatin silver print. 10 x 8 inches. Inscribed by FDR's campaign manager and Postmaster General "To my good friend Antonio C. Gonzalez Sincerely James A Farley". Gonzalez 1888-1965 born in New York City was U.S. Minister to Panama from 1933-35; to Ecuador from 1935-38; and to Venezuela in 1938. Bachrach unknown books
1936Best.-Nr. 237922New York: Bachrach 1936. Half-length gelatin silver print. 10 x 8 inches. Mounted too artist's board. Slight silvering to photo mount a bit soiled and worn. Half-length gelatin silver print. 10 x 8 inches. Inscribed by FDR's campaign manager and Postmaster General "To my good friend Antonio C. Gonzalez Sincerely James A Farley". Gonzalez 1888-1965 born in New York City was U.S. Minister to Panama from 1933-35; to Ecuador from 1935-38; and to Venezuela in 1938. Bachrach unknown
