3.994 Ergebnisse
1955Bifolio pubblicitario, cm 16 x 24. Modo d'uso di questo modello di caffettiera alla 'napoletana'. Grafica dello studio di Augusto Favalli, graphic designer romano con un passato da pittore futurista
Best.-Nr. 0368851443.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1929Vol. unico, in -8, pp. 106+6 n.n., bros. edit., alcune pubblicit‡ alle guardie e all'interno del libro, qualche screpolatura ma nel complesso buone condiz. Opera italiana pro-oriente.
Acquaforte misure: mm 80 x 240 Incisore e disegnatore, si dedicò sporadicamente alla pittura. Il padre Francesco, scultore allievo di Giambologna, morì prematuramente ma riuscì ad avviare tutti i suoi figli a mestieri d’arte. Stefano fu il solo ad eccellere, ebbe i primi insegnamenti presso botteghe di dimenticati orefici i quali ebbero tuttavia il pregio di fargli prender dimestichezza con il bulino. Fu sostanzialmente un autodidatta. Le fonti bibliografiche affermano che egli si esercitava a disegnare figure curiosamente partendo dai piedi e a copiare le incisioni di Jacques Callot avendo come unico confronto l'incisore Remigio Cantagallina. Fu notato poi dal pittore Giovan Battista Vanni che lo prese nella sua bottega e gli diede i primi insegnamenti di pittura e del disegno. La vocazione di Della Bella fu sicuramente l'incisione e già le sue prime opere rivelano i temi a lui più cari: scene di vita contemporanea, feste, battaglie e le decorazioni. Lo studio delle incisioni e dei disegno di maestri antichi, la conoscenza e il confronto con i maestri fiorentini e fiamminghi a lui contemporanei allora presenti alla corte medicea furono furono di grande stimolo. Egli è considerato un grafico puro, grazie ai suoi numerosi viaggi tra Roma e Parigi e grazie alla protezione dei Medici maturò un proprio linguaggio grafico, in vita e per tutto il XVIII secolo fu ricercato e collezionato in Francia e in Italia. Questa è la tavola numero 15 della serie Ornamenti di fregi e fogliami, composta da sedici stampe. La tavola si divide in un fregio nelle parte superiore e due schizzi nel margine inferiore. Nel pannello superiore in un girale vegetale fanno capolino i corpi di due bambini; quello a sinistra sta decorando con ghirlande il corpo di un'aquila, mentre quello di destra la criniera di un leone. Nel zona inferiore, sempre con tratto fine ed elegante, vediamo a sinistra un tritone che brandendo un bastone cavalca un cervo marino e a destra il profilo della testa di un satiro. In basso, inciso nel margine inferiore, "Stef. della Bella inuent. et fecit", "N. Langlois excu", "Cum Priuil Regis" e numero. Impressione eccellente. Ottimo stato di conservazione. Ampi margini oltre la battuta del rame. Stato: III/VI con l'indirizzo N. Langlois (Parigi 1640 - 1703). Bibliografia: De Vesme-Massar 1001, pag. 218.
1890Best.-Nr. 54541Constantinople: Sebah & Joaillier 1890. First edition. Hardcover. vg- to vg. Oblong small folio. 12 1/4 x 14 1/4". Red pebbled cloth boards with decorative gilt ruling tooling and lettering on the covers. Rebacked maroon leather spine. Gilt-stamped crescent moon and star motif the national emblem of Turkey on the back cover. Taken from the Galata Tower in what is now the Karaköy neighborhood of Istanbul this magnificent panorama displays the skyline and cityscape of Constantinople as it appeared sometime in the late 1880s or early 1890s. The panorama is comprised of 10 original albumen photographs mounted on heavy card stock and bound together in accordion style leporello measuring a total of more then 11 feet when completely unfolded. Shot in a southwardly direction the viewer can see Galata Karaköy in the foreground and from left to right across the Bosporus to the Uskudar district on the Asian side and then across the harbor at the mouth of the Golden Horn the Galata Bridge and across to the Pérama neighborhood and the Faith district where many famous landmarks of the city can be seen including the New Mosque Topkapi Palace Hagia Sophia and many others. Each panel measures about 13" wide and 12" tall. The photography is credited to "Sebah & Joaillier" one of the most prominent and prolific photography studios of Ottoman Empire during the second half of 19th century. Originally founded sometime around 1857 in Instanbul by Syrian-Armenian photographer Pascal Sebah 1823-1886 the studio was one of the earliest in the city and all of Ottoman Turkey. By the 1870s Sebah had become among the most prominent Ottoman photographers having also opened a branch of the studio in Cairo. Upon Sebah's death in 1888 the firm was taken over by his 16 year-old son Jean Pascal Sebah who then partnered with photographer Policarpe Joaillier 1848-1904. The firm was renamed "Sebah & Joaillier". Therefore although this panorama is undated it could not have been issued earlier than 1888; most likely sometime shortly thereafter circa 1890. Spine of of the portfolio has been professionally re-backed. Plates with minor to light foxing although the images are still quite clean and vibrant. Binding in very good images in very good- to very good condition overall. A slightly later version of the panorama from Sebah & Joaillier simply titled "Constantinople" is comprised of 12 slightly smaller panels instead of 10 and measures around the same size in total. Bibliographic refences: Jacobson Ken. Odalisques & Arabesques: Orientalist Photography 1939-1925. Quaritch 2007; Özendes Engin. "Photography in the Ottoman Empire"; Öztuncay Bahattin. The Photographers of Constantinople. Aygaz 2003. Sebah & Joaillier hardcover
1890Best.-Nr. 54541Constantinople: Sebah & Joaillier 1890. First edition. Hardcover. vg- to vg. Oblong small folio. 12 1/4 x 14 1/4". Red pebbled cloth boards with decorative gilt ruling tooling and lettering on the covers. Rebacked maroon leather spine. Gilt-stamped crescent moon and star motif the national emblem of Turkey on the back cover. Taken from the Galata Tower in what is now the Karaköy neighborhood of Istanbul this magnificent panorama displays the skyline and cityscape of Constantinople as it appeared sometime in the late 1880s or early 1890s. The panorama is comprised of 10 original albumen photographs mounted on heavy card stock and bound together in accordion style leporello measuring a total of more then 11 feet when completely unfolded. Shot in a southwardly direction the viewer can see Galata Karaköy in the foreground and from left to right across the Bosporus to the Uskudar district on the Asian side and then across the harbor at the mouth of the Golden Horn the Galata Bridge and across to the Pérama neighborhood and the Faith district where many famous landmarks of the city can be seen including the New Mosque Topkapi Palace Hagia Sophia and many others. Each panel measures about 13" wide and 12" tall. The photography is credited to "Sebah & Joaillier" one of the most prominent and prolific photography studios of Ottoman Empire during the second half of 19th century. Originally founded sometime around 1857 in Instanbul by Syrian-Armenian photographer Pascal Sebah 1823-1886 the studio was one of the earliest in the city and all of Ottoman Turkey. By the 1870s Sebah had become among the most prominent Ottoman photographers having also opened a branch of the studio in Cairo. Upon Sebah's death in 1888 the firm was taken over by his 16 year-old son Jean Pascal Sebah who then partnered with photographer Policarpe Joaillier 1848-1904. The firm was renamed "Sebah & Joaillier". Therefore although this panorama is undated it could not have been issued earlier than 1888; most likely sometime shortly thereafter circa 1890. Spine of of the portfolio has been professionally re-backed. Plates with minor to light foxing although the images are still quite clean and vibrant. Binding in very good images in very good- to very good condition overall. A slightly later version of the panorama from Sebah & Joaillier simply titled "Constantinople" is comprised of 12 slightly smaller panels instead of 10 and measures around the same size in total. Bibliographic refences: Jacobson Ken. Odalisques & Arabesques: Orientalist Photography 1939-1925. Quaritch 2007; Özendes Engin. "Photography in the Ottoman Empire"; Öztuncay Bahattin. The Photographers of Constantinople. Aygaz 2003. Sebah & Joaillier hardcover books
Best.-Nr. 4125Montreal QC: Wm. Notman n.d. Mounted Photographs. Near Fine. Three 19th c. photographs of Niagara Falls together creating a virtual panoramic view which includes both the American Falls and the Canadian Horseshoe Falls. Photos are titled in negative "920 - Horse-Shoe Falls From Canadian Side Niagara" albumen and silver salts print on paper 6 x 9.5 inches wide mounted onto 6.25 x 9.75 inch wide card "923 - Horse-Shoe Falls From Goat Island Niag." albumen and silver salts print on paper 6 x 9.5 inches wide mounted onto 6.25 x 9.75 inch wide card and "931 - American Falls. From Goat Island Niag." gelatin silver chloride print on paper 6-7/8 x 9-1/4 inches wide mounted onto 7-1/8 x 9-1/2 inch wide card. The silver chloride print has some silver mirroring near edges a barely discernible three inch vertical wrinkle at bottom center from original mounting card mount slightly curled verso w. browning. The two albumen photos both have fading near the edges card mount slightly curled with some browning. We found a similar view at the McCord Museum "American Falls from Goat Island Niagara ON about 1870 - VIEW-932" but could not locate this view no. 931. The photo of "Horse-Shoe Falls From Canadian Side Niagara" dates about 1870 according to the McCord catalogue and "923 - Horse-Shoe Falls From Goat Island Niag." being just three views later would date about the same. Wm. Notman unknown
1919Best.-Nr. 6188Butte Montana: Miller Studio 1919. 32x8" panoramic sepia photograph on card stock. Several creases and a few smudges. 5" tear from left margin into the photo. Good. Nice panoramic image of the Elks Drum Corps in Butte Montana boosters for the Victory Liberty Loan 1919. The group is in full dress including a patriotic Uncle Sam at the center of the photo. . Miller Studio unknown
1916Best.-Nr. 01062471 King Street West Toronto Ontario: Blakemore Studio 1916. No Binding. Very Good. A fine piece of Canadian Military history showing a panoramic photo view of CFB Borden Camp Borden 1916. This view was taken by the Blakemore Studio of Toronto and measures 8 X 62 inches. Several areas on the photo are marked in negative to identify buildings training facilities and construction camp Headquarters Jail Post Office Bank of Montreal Hughes Avenue Maneuver Camp and Musketry School Longer than most panoramic images available this photo is in very good condition with typical light smudges shallow creases and a bit of paper loss along the top left corner.see photos This area would be outside a framing margin when properly matted. An excellent image of this historic camp under construction preparing for more than 30000 men to train for the Canadian Expeditionary Force of World War I. Note: this item will be shipped rolled. A difficult sized item to photograph so I have divided the image into 4 sections. Other photos are available as needed. Inquiries welcome. Blakemore Studio unknown
1915Best.-Nr. 39994Great Falls MT 1915. Very good. Black and white panoramic photo 17 x 106 cm captioned "Grand Lodge I.O.O.F. / Great Falls Mont. Oct. 18-20 1915." Mounted on foam core. unknown
1915Best.-Nr. 39994Great Falls MT 1915. Very good. Black and white panoramic photo 17 x 106 cm captioned "Grand Lodge I.O.O.F. / Great Falls Mont. Oct. 18-20 1915." Mounted on foam core. unknown books
Best.-Nr. 12693Tous nos exemplaires de PARIS-MAGAZINE sont en bon état (avec parfois des agrafes rouillées, sans atteinte aux pages).
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