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4 227 résultats
réf. 036686291X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0366862227.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1957réf. 78433Hamden Conn. Dec. 1957. Fine. About 7 x 5 inches. Photographer's stamp on verso. unknown
1896réf. 20057Herisau Switzerland: Edwin Jucker 1896. Matted. A kooky Gay Nineties band of cross-dressers a la Suisse! Four of the eight member band are in comical drag in this large sepia-toned photograph taken place during Carnival when outrageous costumes partying and carousing are as much a tradition in the Teutonic world as they are in the Latin countries. The photo itself as visible in the window surrounded by matting is 17 by 22 cm. The photo is taped to the back of the matting and when we look behind the photo is on a thick card measuring about 18 by 23.5 cm. We haven't examined the photo removed from the matting but we would assume that there is a narrow margin and virtually all of the photo is visible. The matting included the dimensions are 27.5 by 35 cm. The band seems to be a more or less typical Tyrolean ensemble with a violin a double bass a trumpet a flute a clarinet we assume -- part of the instrument is hidden so we aren't 100 percent certain a bass drum and a trombone. The center figure in the photo is a man dressed like Uncle Sam with a top hat a long goatee etc. We think this was probably intentional -- the consciousness of America and American culture has become a thing in a Europe with the explosive growth of the American economy and the lure of emigration beckoning to so many at the time. Three of the cross-dressers are zaftig and they are dressed in fittingly matronly attire while the fourth mostly hidden behind his drum seems as if he might be a little more svelte and his attire looks more like that of a suffragette say. The men dressed as men are also in comical costume as well at least three of them. The thinner man holding a trumpet is in clothes that might be Tyrolean or might be from an earlier decade -- we can't tell from the photo that blurs his suit into just a dark undifferentiated shape. We also think it is possible but unlikely that one or more of the band members dressed as men might be a cross-dressing woman but we have no confidence that this is the case and it is probably unknowable. A close look at the faces of the band members suggests to us also that a few of them are closely related and probably siblings. Again probably unknowable for all intents and purposes. The backdrop of the photo is a paneled wall with four travel posters of Swiss resorts -- Rigi Lake Maggiore Ragaz-Wartenstein. We would think this was a photo studio backdrop. Again just a guess. Written on the photo is "Wartsaal III - Classe". This suggests that the band was participating in a contest. Herisau is in the Appenzell Canton of Switzerland or the Northeast of the country close to St. Gallen. The photo is foxed not terribly. The matting is also foxed and stained otherwise with three chips two of which are at corners. Although the matting might seem a candidate for replacement though we wouldn't since it is clearly original to the photo with its black impressed caption above and issued with the photo itself as a souvenir of the band and the event. Edwin Jucker unknown books
réf. 40550COLUMBIAN EXPOSITION. 1893 HARTLEY'S STUDIO. Photograph of Woman and Two Children mounted in Decorative Paper Frame of Buildings at the Columbian Exposition. Chicago: Hartley's Studio 1893. Tall 8vo. 9 1/4 x 6 3/4 inches with photographic plate 6 1/2 x 4 1/4 inches. Rare souvenir from the Columbian Exposition of 1893 in Chicago. Unidentified portrait of woman and two children mounted in the Columbian Exposition decorated frame. The two exhibition pavilion buildings photo-lithographed molded paper on the frame are the Horticultural Building and possibly the Illinois Building. Very good. unknown books
réf. 2337Épreuve tirée sur papier albuminé de format 14.6 x 10.3 cm, montée sur le carton préimprimé du photographe Nadar rue d'Anjou St-Honoré à Paris, au format cabinet (16.4 x 10.8 cm). Au verso, mention imprimée en rouge : « Médaille d'or Exposition Universelle 1878. Nadar, Paris » aussi, cachet du photographe J. Kuhn de Paris, ainsi que la signature de Sarah Bernhardt à l'encre noire. Très bel état.
1960réf. 23746GENESTON 1960 une photographie originale en noir, format : 17,5 x 23,6 cm, GENESTON (1960)
1954réf. 28483NANTES 1954 une photographie originale argentique en noir, de "MGR MORILLEAU ALORS QU'IL RECOIT LA CONSÉCRATION ÉPISCOPALE DES MAINS DE JEAN-JOSEPH-LÉONCE VILLEPELET, ALORS ÉVÊQUE DE NANTES, LE 24 JUIN 1954 " , format : 11 x 16 cm , PHOTOGRAPHE : STUDIO PAUL, 36, rue du Maréchal Joffre - NANTES,
réf. 6476Tirage argentique 17,5 x 23,5 cm. contrecollé sur fort bristol ivoire. Beau tirage, avec quelques mots de Danièle Darrieux et sa signature sur le bristol, sous la photographie.
1940réf. 21443nantes 1940 une photographie originale en noir avec une fine bande blanche en encadrement, noté Studio J. Bourdon Nantes en gauffré en bas à droite, format : 18,2 x 24,2 cm,
1995Very Good Very Good English Original bdg. Dust wrapper. 4to. (34 x 24 cm). In English and Turkish. 271 p., b/w ills. Photography in the Ottoman Empire (1839-1919).= Osmanli Imparatorlugu'nda fotografçilik (1839-1919). Photography in the Ottoman Empire provides an account of the history of photography in the Ottoman Empire between the years 1839-1919, an important though neclected field in the history of an early photography. The sultans of the Ottoman Empire traditionally shaped the arts of their day. Their enthusiastic reaction to the discovery of photography was to be crucial to the development of photography in the Empire. First Edition.
2013New English Paperback. Pbo. 4to. (28 x 20 cm). In English. 356 p. B/w and color ills. "Photography in the Ottoman Empire 1839-1923 provides an account of the history of photography in the Ottoman Empire between the years 1839-1923, an important though neglected field in the history of an early photography. The sultans of the Ottoman Empire traditionally shaped the arts of their day, and their enthusiastic reaction to the discovery of photography was to be crucial in the development of photography in the Empire. This third edition of the book published by YEM Publications has been updated and enlarged to incorporate new information gathered over the years and many new photographs that have been added to my archive. I have made sure that the revised text comprises the latest information available on the subject. Many nation states were created in the former Ottoman territories in Europe, Asia and Africa. I have not included the individual photographic histories of these countries but endeavoured to focus primarily on photography within the present boundaries of the Republic of Turkey. A list of photographers who worked in the Ottoman Empire has been provided to assist all those who are interested in the history of photography in Turkey and the Middle East. The names of photographers that I have come across in documents written in Ottoman Turkish script have been given as spelt. The first two editions treated the story of photography in the Ottoman Empire from the announcement of its discovery in 1839 up to 1919, but this new edition has been extended up to the year 1923 when the Turkish Republic was founded. Researching the history of photography is an unending task requiring a lifetime's dedication."
2013ill., br. Se vuoi imparare non solo a leggere più velocemente ma anche ad assorbire un maggior numero di informazioni, la migliore risorsa a tua disposizione è proprio questo libro, PhotoReading. La lettura veloce e l'assimilazione rapida ed efficace delle informazioni è la via sicura per il successo. Infatti, il tempo è denaro e leggere richiede tempo. Perciò se impari a farlo più rapidamente, risparmi una delle risorse più preziose al mondo: il tempo.
1997In-4 (cm. 32.10), brossura illustrata, con alette, pp. XIII, (1), 305, (1), con numerose illustrazioni in bianco e nero nel testo. Presentazione di Vito Neri. Tracce di polvere alla brossura; peraltro, volume in buono stato di conservazione (good copy).
1943In-8 (Cm 21,5 x 15,3), pp. 14, brossura editoriale. Tipica quanto leggera brunitura della carta. MOLTO BUONO
1943In-8 (Cm 21,5 x 15,5), pp. 29, brossura editoriale. Tipica quanto leggera brunitura della carta. Millimetrica mancanza alla br. ant. MOLTO BUONO
2019réf. Atlantic-9781081612276Independently Published 2019. Paperback. New. Independently Published paperback
2019réf. Atlantic-9781081612276Independently Published 2019. Paperback. New. Independently Published paperback
1945In 8°, br. edit. ill., pp. (2),80 con num ill.; coll. "Biblioteca per l'insegnamento agrario professionale", buon esemplare, solo lievemente brunito. (LU014) (La spedizione standard è SEMPRE tracciata con raccomandata - piego di libri, eventuale FATTURA da richiedere all'ordine)
2010réf. Q-9059052463Visual Steps Publishing 2010-04-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Visual Steps Publishing paperback
réf. 70-3455Lenox Mass. : Frelinghuysen Morris House & Studio 2000s. 4 x 9 inches. Very Good. Single sheet printed both sides. Extremely Scarce.Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author. Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-77. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. Lenox, Mass. : Frelinghuysen Morris House & Studio, [2000s?]. unknown
2010Mm 140x215 Volume nella sua brossura originale plastificata, 155 pagine: Copia come nuova; spedizione in 24 ore dalla conferma dell'ordine.
2000réf. Q-192899802xQvc Pub 2000-06-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Qvc Pub hardcover
réf. 0806947020.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1919réf. 0087169London / New York: 'The Studio' Ltd. / John Lane Company 1919. First printing. Hardcover. Very Good. First edition 1919. Cloth-backed boards paper label on the front cover illustrated some in color 48 pp. clean unmarked text Very Good copy minor age-toning to the pages and covers light wear to the tips of the covers no dust jacket. Uncommon. 'The Studio,' Ltd. / John Lane Company hardcover
