Studio Sinclair (photographer)Biblio.com
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Best.-Nr. 70-6004Marseille: Studio Sinclair ca. 1960s. Original B&W card. 6 x 4 inches. Very good. Printed in France. Marseille: Studio Sinclair, [ca. 1960s] unknown
Best.-Nr. 40640Circa 1913. Carbon print photograph 130 x 100 mm laid down on board mount with imprint of Monteath Melb. inscribed on mount 'To R.H. Croll with sincere regards John Shirlow. Octr. 1913' the carbon print in fine condition one tiny blemish at upper left edge the mount with some very light foxing scattered across the lower section. This studio portrait of the Melbourne etcher John Shirlow was presented by him to his close friend the literary figure R.H. Croll who would later contribute to two publications on the artist Etchings Sydney 1917 and Etched Work of John Shirlow Melbourne 1920. unknown
Best.-Nr. 63-2411London: David Bacon Collection ca. 1930. Black & White Photograph 7 x 11 inches. Very Good. Matted. Signed dedication by subject "To Harry Bacon with all the best Jack." Stamp on recto "Repro by S Georges."Photos from the collection of David Bacon the nephew of Max Bacon. Before becoming a character actor Max Bacon was one of the most significant drummers in Britain during the 1920s and 30s. He wrote Max On Swing 1934. David was the proprietor of the Heywood Hill Bookstore in Mayfair London. His father was Harry Bacon the preeminent London shirtmaker and brother of Max Bacon. London: David Bacon Collection, [ca. 1930]. unknown
Best.-Nr. 68-7401New Haven CO: Rogers Studio ca. 1980. Signed B&W photograph. 7 x 6 cm. Very Good.Collection of photographs and letters signed by prominent 20th century scientists including various Nobel Prize winners. New Haven, CO: Rogers Studio, [ca. 1980] unknown
Best.-Nr. 70-6014Bordeaux: Studio Lafont ca. 1960s. Original B&W glossy card. 6 x 4 inches. Very Good. Light wrinkling throughout. Deckled edges. Printed in France. Bordeaux: Studio Lafont, [ca. 1960s] unknown
Best.-Nr. 70-6101Paris: Camera – Cabinet Artistique ca. 1950s–1960s. Original B&W glossy postcard. 6 x 4 inches. Very Good. Printed in France. Paris: Camera – Cabinet Artistique, [ca. 1950s–1960s] unknown
Best.-Nr. 70-6160Paris: Camera Studio ca. 1950s–1960s. Original B&W glossy postcard. 6 x 4 inches. Very Good. Signed on verso. Printed in France. Paris: Camera Studio, [ca. 1950s–1960s] unknown
Best.-Nr. 70-6184Rennes: Studio R. Binet ca. 1960s. Original B&W glossy photo. 5.5 x 3.5 inches. Good. Light wear and small spot on forehead. Signed on verso. Printed in France. Rennes: Studio R. Binet, [ca. 1960s] unknown
Best.-Nr. 70-6172Paris: Pathé Marconi / Columbia ca. 1960s–1970s. Original B&W glossy postcard. 6 x 4 inches. Good. Light wear else fine. Printed in France. Paris: Pathé Marconi / Columbia, [ca. 1960s–1970s] unknown
Best.-Nr. 70-6030Lyon: Studio J. Jay ca. 1960s–1970s. Original B&W glossy postcard. 6 x 4 inches. Very Good. Light smudges and edge wear. Printed in France. Lyon: Studio J. Jay, [ca. 1960s–1970s] unknown
Best.-Nr. 70-6196Paris: Studio Jerome ca. 1950s–1960s. Original B&W glossy postcard. 6 x 4 inches. Very Good. Printed in France. Paris: Studio Jerome, [ca. 1950s–1960s] unknown
Best.-Nr. 70-6180Lamalou-les-Bains: Studio Maurice ca. 1950s–1960s. Original B&W glossy photo. 5.5 x 3.5 inches. Good. Autographed on verso. Printed in France. Lamalou-les-Bains: Studio Maurice, [ca. 1950s–1960s] unknown
Best.-Nr. 70-6189Rennes: Studio R. Binet 1963. Original B&W glossy photo. 6 x 4 inches. Very Good. Signed and inscribed on verso. Printed in France. Rennes: Studio R. Binet, 1963 unknown
Best.-Nr. 70-6121Paris: Studio Rimbault ca. 1960s–1970s. Original B&W glossy postcard. 5.5 x 3.5 inches. Good. Very light wrinkling. Printed in France. Paris: Studio Rimbault, [ca. 1960s–1970s] unknown
Best.-Nr. 70-6129Paris: Studio Vallois ca. 1960s–1970s. Original B&W glossy postcard. 5.5 x 3.5 inches. Very Good. Printed in France. Paris: Studio Vallois, [ca. 1960s–1970s] unknown
Best.-Nr. 70-6154Paris: Studio Harcourt ca. 1940s–1950s. Original B&W glossy photo. 5 x 7 inches. Good. Minor toning throughout. Signed and inscribed on verso. Printed in France. Paris: Studio Harcourt, [ca. 1940s–1950s] unknown
1970Best.-Nr. 12031BASTEI 1970. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
1977Best.-Nr. 10995BASTEI 1977. 1. softcover. 194196197 DER JUNGE HÄUPTLING BASTEI paperback
2010José Bleger Simbiosi e ambiguità. Studio psicoanalitico. , Armando Editore 2010, Libro usato in buone condizioni. Pagine ingiallite lievemente con sottolineature a matita. Tagli regolari impolverati. Copertina flessibile cartonata con segni d'uso. Buono (Good) . paperback 381 9788860814678
Best.-Nr. 63-8826Paris France: Studio Piaz 1933. Autographed B&W photo 23.5 x 17.5 cm. Good photograph removed from album with remains on verso. Provenance: from the collection of Madeleine Sintes. Many of the photos from the collection have dedications to her. Sintes resided in the South of France. Paris, France: Studio Piaz, 1933. unknown
Best.-Nr. 63-8825Paris France: Studio Piaz 1933. Autographed B&W photo 23.5 x 17.5 cm. Good photograph removed from album with remains on verso. Provenance: from the collection of Madeleine Sintes. Many of the photos from the collection have dedications to her. Sintes resided in the South of France. Paris, France: Studio Piaz, 1933. unknown
1986In-8° pp. 127, bross. edit. con estremità rinforzate e segnature a matina.
1971Best.-Nr. 25707New York, Viking Press (1971). 143 Seiten, mit zahlreichen Abbildungen, Gr. 8° (24 x 19 cm), goldgeprägter Orig.-Leineneinband mit Originalumschlag.
Best.-Nr. 83369Paris c.1930s. . Six gelatin silver prints 22 x 16 cm. Very good condition and with very good tone. Framed. A series of six nude studies showing the same model posing in the photographer's studio. The style of the photographs which artistically combines high and low art allows to attribute the authorship to the Grundworth studio which is known to have been producing erotic postcards in Paris from the 1890s to the 1930s. Like most of the studios engaged in production of erotic photographs and postcards of the time little is known about it as despite the widespread circulation of these cards their production and distribution was illegal in France hence anonymity was essential. Given the time span and a number of different styles the name is unlikely to represent an individual photographer but more likely a group of photographers who were perhaps better known but wanted to hide their real identities. [Paris, c.1930s]. unknown
Best.-Nr. 63-6874Sacramento CA: Harrison Studio 1976-77. Quarto Stapled & Paper-Clipped Sheets 13 pp. Color Plates VG. Unique.Provenance: Peter Selz Files on the artists Helen Mayer Harrison 1927 - 2018 & Newton Harrison Harrison Studio. Sacramento, CA: Harrison Studio, 1976-77. unknown
