Focketyn del Rio StudioBiblio.com
2 350 résultats
réf. 44790479-nnew. unknown
réf. mon0004246125Radio newspaper. jp_oversized_book. Good. 0.4724 10.8661 8.2677. Book & dust jacket show minimal shelf & handling wear. Pages are minimally worn on their external edges. Interiors are intact & crisp with unmarked text/pictures. Good reading copy! Radio newspaper unknown
2000réf. mon0004265605Denpa Shinbunsha 9/1/2000 12:00:00 AM. jp_oversized_book. Very Good. 0.7992 10.7992 8.2992. In near pristine condition with minimal external wear crisp & clean interiors showing unmarked text & pictures and firm binding! Denpa Shinbunsha unknown
2026réf. __1835628362Flame Tree Publishing 2026. Bookmark. New. pack of 10 edition. 1.75x0.60x5.88 inches. Flame Tree Publishing unknown
réf. 44151990-nnew. unknown
1920réf. 240221920. Portrait album of a young woman believed to have been visually impaired tentatively identified as Alice Erdman. The sitter appears alone in all nine photographs her gaze fixed and directed beyond or away from the camera. These formal studio portraits of the early 1920s offer a visual record of a blind woman whose life remains only partly documented. Eugene newspapers also document Alice Erdman's musical performances and prize-winning embroidery providing a possible connection between the sitter and a woman active in the local community. Album containing nine original gelatin silver photographs each approximately 6.5 x 4.5 inches mounted one per page on patterned brown cardstock leaves with silver-colored borders and corner mounts. Original gray cord-bound paperboard covers; album measures 10 x 6.25 inches. One photograph shows the sitter seated in an elaborately carved chair while another depicts her standing in profile holding a closed umbrella. Two further portraits show her in a light-colored satin dress beside the same studio furnishings. Her bobbed hair and loosely fitted dresses reflect the changing silhouettes of the early 1920s while glossy elbow-length gloves and pearls retain the formality of earlier portrait conventions. The album offers an opportunity to examine disability history through the photographic record of a young blind or visually impaired woman. Her fixed gaze solitary presentation and carefully arranged poses are visible features of the portraits though the photographs alone cannot establish the nature or extent of her visual impairment. The sitter's identification as Alice Erdman remains tentative. Elizabeth Erdman Romane a professional woman photographer apprenticed under Eugene Oregon photographer Sue Dorris and acquired her own studio in 1918 maintaining an independent photographic business for decades. She moved from Minnesota to Lane County Oregon in 1909 with her parents Mr. and Mrs. Albert Erdman and her sister Alice Erdman. She later married Harry Romane and spent more than 50 years living and working in the Lane County area. Operating under the name Romane Studio she became one of Eugene's most prolific photographers from the 1920s through the 1950s managing her business at multiple locations along downtown Willamette Street. Her portraiture earned national and international awards. Although the family connection makes Romane a relevant figure in the album's history the photographer of these particular portraits has not been established. Minor fading and cover wear; overall very good condition. unknown
réf. 68-6688Paris France: Studio Vallois ca. 1955. B&W Photograph. 17.5 x 23.5 cm. Very Good. Text En Francais. Scarce.Provenance: jazz musicians in clubs like the Procope and the Arlequin but especially the Tanner Club de Metz and some from Nancy Jazz Pulsations; circa 1950 to 1970. Paris, France: Studio Vallois, [ca. 1955]. unknown
réf. 8877750669.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 100987Canton circa 1830-1870. . 4to album 33 x 26 cm; 24 bodycolours on pith paper each 30.5 x 20.4 cm all mounted on paper and framed with a pale blue silk fabric border bookplate 3 plates with small marginal tears; bound in contemporary patterned decorated silk boards a touch rubbed but overall bright and attractive. An excellent example of a rare Chinese album of paintings revealing the tea production process in detail. Attributed to the studio or circle of Sunqua fl.18301870 the present album contains fine examples of pith paper paintings produced in China most often Canton for export to the Western market. The technique of bodycolour on pith produces a semi-translucent effect unattainable using Western methods and entranced the Western world in the nineteenth century. The subjects of these 'trade' albums were chosen to appeal to Europeans evoking a sense of the 'Orient' to those that had not travelled to China meaning often the paintings were of Chinese flora and fauna or costumes. The subject of tea production as here was less common but perhaps more effectively evoked the connection between China and the West as the viewer sees the full process of the creation of a product which they would have had in their tea cups at home complete with the painting and shipping of the crates which arrived in European ports. Canton as the only Chinese port permitted to trade with the West from 1757-1842 became the centre of pith painting in the 1830s and 40s. Studios such as that of Sunqua flourished with a combination of artistic skill and efficient production that allowed them to meet the demand from the Western market. Sunqua himself was labelled the 'Chinese Hogarth' by Charles Toogood Downing in his work The Fan-qui in China for his impressive artistic skill in both oil and bodycolour. The trade suffered during the First Opium War 1839-41 when a number of the studios in Canton harbour were burned and then a fire in 1856 destroyed most of what was left. The impact of the pith paper painting trade was impressive considering it thrived in such a relatively small time period and the continued presence of the paintings in European institutions testifies to their enduring appeal both visually and historically. There are collections of paintings on pith in the Ashmolean the British Museum the Fitzwilliam the Hermitage the Library of Congress the Peabody/Essex Museum in Massachusetts and the Hong Kong Museum of Art. [Canton, circa 1830-1870]. hardcover
réf. 21310Very Good/No Dust Jacket Issued. Oblong small folio 6.75 x 9 inches. Red pebbled cloth with gilt-stamped 'Photographs' on upper board; decorative corner devices; light hand-soiling edge fading and small scattered spots. The album contains twelve large albumen prints each mounted to heavy card on original publisher's hinged leaves. Photographs measure approx. 5.25 x 8 inches. Some gentle toning at margins as typical for 19th-century albumen. Bindings firm and sound. A handsome period album of Scottish topographical photography produced by the celebrated Dundee firm Valentine & Sons one of the three major Scottish commercial studios of the 19th century. Among the views are: Holyrood from Calton Hill Edinburgh Castle and National Gallery Princes Street with Scott Monument Stirling Castle Ben Lomond Forth Bridge Trossachs Pier and Steamer Images are captioned in the negative characteristic of Valentine's production for the middle- and upper-class tourist market. These albums were sold through stationers railway bookstalls and hotels and represent an early commercial system of curated regional photography prior to the postcard era. A well-preserved example of a classic Scottish photographic souvenir volume notable for its strong tonal range and consistent print quality. A 19th-century album of twelve Valentine & Sons albumen views of Scotland including Edinburgh Castle Holyrood the Forth Bridge and the Trossachs-classic compositions by one of Britain's great commercial studios. James Valentine-along with G. W. Wilson-was a foundational figure in Scottish commercial photography; his Dundee studio shaped public visual culture and later became one of the world's major postcard producers. His Dundee studio systematized the photographic depiction of Scottish landscape architecture and tourism shaping how Scotland was visually imagined in the late 19th century. Valentine & Sons helped create the commercial model of curated regional imagery-albums views and series sold through railways hotels and stationers. The firm later became one of the world's major postcard producers meaning these albumen prints represent the pre-postcard phase of mass photographic culture. These views are not isolated artworks but part of an early visual infrastructure of tourism and national identity. Subjects: Albumen Prints; Valentine Studio; Scottish Topography; Tourism History; Architecture Photography; Travel & Landscape; Scottish History; 19th-Century Visual Culture. unknown
2024réf. x-3775757872Hatje Cantz Verlag 2024. Paperback. New. 592 pages. 12.00x9.50x12.00 inches. Hatje Cantz Verlag paperback
2024réf. __3775757872Hatje Cantz Verlag 2024. Paperback. New. 592 pages. 12.00x9.50x12.00 inches. Hatje Cantz Verlag paperback
1930réf. 59933Seattle WA & Portland OR: The Alaska Line Alaska Steamship Co. American Express Co. Travel Dept.Printers Frank McCaffrey ca. 1930. 4to. 20 pp unpaginated. printed on textured paper stock. Photo illustrations and photo plates for the Alaska Line steamships map on rear cover recto. Self-printed colour-illustrated softcovers Art Deco cover art of steamship next to towering Alaska glaciers and mountains w/ superimposed totem pole minor shelfwear slight rubbing still VG copy. First edition thus of this photo-illustrated brochure for the famed Alaska Steamship Co. which greatly benefited from a near monopoly of passenger and freight service to Alaska after the Merchant Marine Act of 1920. Included are photographic views of the steamships scenic landscapes Native American crafts gold mining Alaska airmail planes and more. Worldcat locates 1 copy U of AK Rasmuson Lib. The Alaska Line, Alaska Steamship Co., American Express Co., Travel Dept.[Printers, Frank McCaffrey, paperback
réf. LDM0072738We ship worldwide. 100% guarentee. BRAND NEW unknown
réf. Juanpebooks066751WE ship worldwide. Brand new 100%guarentee unknown
réf. NB300308491Phaidon Press 2015-02-19. paperback. Like New. 8x1x11. Phaidon Press paperback
2015réf. 1-0714867365Phaidon Inc Ltd 2015. Paperback. New. 352 pages. 12.00x10.00x1.00 inches. Phaidon Inc Ltd paperback
2015réf. 110991Phaidon Press. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2015. 0714867365 . Phaidon Press paperback
réf. 2090502113712942Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
réf. 8368Black & white illus. 35 pp. Square 4to printed wrappers staple-bound. Maastricht: Agora Studio 1975. Scarce catalogue for a traveling exhibition undertaken by the artist-run space Agora in three South American locations. With a foreword by Willem K. Coumans in Dutch and English. The exhibition took place at the centro di arte y communication Buenos Aires Estudio Actual Caracas and Sao Paulo’s Museo de Arte Contemporaneo. The cover was designed by Klaus Groh. Artists in the catalogue: Peter van Beveren Michel Cardena Ulises Carrión Guglielmo Achille Cavellini Albrecht D. Michael Gibbs Groh Raul Marroquin Yoshio Nakajima Maurizio Nannucci Marjo Schumans Yves de Smet Rod Summers etc. Near fine. WorldCat: Getty and Museum of Modern Art NY. ⧠Not in Dear reader. Don’t read. 2016. unknown
réf. 186809801X.Gperfect. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
réf. 1770264396.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1972réf. 2141171003041Spinnerin Yarn Co Inc S Hackensack NJ 1972-01-01. Paperback. Very Good. Nice looking book has minor edge wear. Spinnerin Yarn Co Inc, S Hackensack, NJ paperback
1931réf. 606920Philadelphia: David McKay Company 1931. 1st. Hardcover. Good/None. Disney Studios. Color illustrated boards unpaginated. Illustrated with full color drawings of Mickey Mouse and friends. Light wear to cover corners and 1 1/2" closed tear at bottom front hinge. Page 14 has a 1" closed tear on right margin - this does not effect text or illustrations. Clean tight copy. Record # 606920 David McKay Company hardcover
réf. BN308509Advent Advent Wortdesign Studio unknown
