5,691 results
1947ref. R240085982G.DURASSIE & CIE. 1947. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 22 illustrations en noir et blanc + 99 pages - ouvrage recouvert d'un plastique transparent .. . . . Classification Dewey : 793.3-Danse
ref. 4324éditié par l auteur 1947 - In 8 broché 100 pages couverture illustrée- 22 illustrations hors texte pleine pages
ref. 92459Malakoff, Imprimerie G. Durassié, 1947. 16 x 24, 101 pp., nombreuses illustrations en N/B, broché, bon état (couverture défraîchie).
1790ref. 14630Paris Imprimerie De Monsieur 1790 In-12 527+503+504 pp + 507 pp, Dédié à Monsieur, frère du Roi, janvier 1790 : tome LXXXII, 1 planche dépliante, avril 1790 : tome LXXXIII, juillet 1790 : tome LXXXIV et Tome LXXXV ( Octobre 90 ). Toutes tranches marbrées, pièces de papier au dos. Rares rousseurs, coins émoussés, dos et coiffes épidermés.
ref. JEW-115Fréderic Werlé : Journal D'un Danseur Et Feuilles Volantes. Micadanses, 2011. Rare petit livre surs les interrogations d'un danseur dans la société. 132 pages. Envoi rapide et soigné.
1969ref. 655281969 | 16.80 x 21.60 cm | carnet en spirales
1953ref. RO30171006NRF - GALLIMARD. 1953. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 277 pages augmentées de nombreuses planches de photos en noir et blanc. . . . Classification Dewey : 793.3-Danse
ref. QWA-20798Gallimard, 1991, in-8 br. (14 x 205), 277 p., traduit de l'anglais et préfacé par G. S. Solpray, 19 photos en n. et 4 reproductions h.-t., bon état.
Gallimard, 1975, 277 p., broché, photos hors-texte, annotation à la page 3, traces d'usage, état correct.
1953français In-12 de 277 pp.; broché de l'éditeur. Traduit et préfacé par G. Solpray. Mention de troisième édition. Photographies hors texte.
1969- 1969, 16,8x21,6cm, carnet en spirales. - Handwritten personal diary for the year 1969 1969 | 16.8 x 21.6 cm | spiral-bound notebook Personal diary handwritten by Maurice Béjart, written in a 1969 diary celebrating the centenary of the birth of Mahatma Gandhi. 52 handwritten leaves, written in red and blue pen in a spiral-bound notebook. This diary features amongst Béjart's very rare, privately owned manuscripts, the choreographer's archives being shared between his house in Brussels, the Béjart foundation in Lausanne and the Théâtre Royal de la Monnaie. The choreographer Maurice Béjart's diary written during the year 1969. An extremely rare collection of thoughts, questions and introspections from the point of view of Hinduism and Buddhist wisdom, which Béjart adopts following his first trip to India in 1967. The diary is an emblematic testimony of the indo-hippie era of the 1960s, spiritual and artistic renaissance that inspired numerous ballets of the choreographer (Messe pour le temps présent, Bhakti, Les Vainqueurs). A selection from this diary was published by Maurice Béjart in the second volume of his memoirs (La Vie de Qui ? Flammarion, 1996). During the year 1969, Béjart wrote daily notes in a diary published in memory of Mahatma Gandhi. Fascinated by Hindu mysticism since his trip to India in 1967, he filled in this spiritual journal with numerous mantras and prayers ("Krishna guide my chariot, the light is at the end of the path. OM"; "Buddha is everywhere"; "Let God enter, but how to open the door") and he calls upon the Hindu deities as well as the Bodhisattvas Mañju?r? et T?r? - soothing figures of the Buddhist pantheon. Béjart's "Indian period" was particularly rich in choreographic masterpieces, the progress of which can be followed in his diary (Baudelaire at the beginning of the year, the first performance of the Vainqueurs in Brussels and the Quatre fils Aymon in Avignon, as well as the filming and screening of his Indian ballet Bhakti). At the crossroads of New Age and the hippie movement, Béjart's "conversion" is symptomatic of an era that refuses progress and has a thirst for spirituality: "Calcutta is not India, but our western face. It is not religion or traditional thinking that is to blame, but capitalism. India, a rich country before colonisation." The Beatle's visit to the guru Maharishi's ?shram and Ravi Shankar's concert at Woodstock in 1969 marks the beginning of a real western passion for Indian music and culture, which was decisive in Béjart's ballets at the time. In Béjart's eyes, India presents itself as a place where art and ancestral traditions have not suffered the perversions of positivity. In his creations he seeks to express the spirit of a culture that intimately links the body and the spirit, and in which dance plays a major cosmic and spiritual role. Included in his ballets were Indian dance systems and Vedic songs that were discovered thanks to Alain Daniélou - in 1968 he opened the Messe pour temps présent with a long vînâ solo that lasted fifteen minutes: "Béjart is in his Hindu quarter-hour. And over there, Hindu quarter hours, can last for hours..." commented Jean Vilar, director of the Avignon festival. A wave of Indian fashion also passes through the costumes of the Ballet du XXe siècle company: large silk trousers, tunics, jewellery and oriental eyes. In the diary, Béjart states that there is "no truth without yoga," an art discovered from an Indian master that can be found in many of his ballets in the form of dance exercises on the barre. He also decides to make Bhakti "an act of Faith" by filming himself the ballet choreographer, and during the summer he prepares the Vainqueurs, an unusual meeting between Wagner and traditional Indian ragas. Beyond the prolific artist, we also discover the choreographer's troubled personality in the diary, in the grips of doubt and melancholy: "vague state of physical weightlessness and moral emptiness. Lethargy or laziness. Weakness.
Barcelona, Edit. Circe, 2002. Numerosas fotografías en b/n. 150 p. 8º mayor. Rústica editorial ilustrada con solapas. Con una postal dirigida al bailarín. Muy buen ejemplar.
1981ref. 135624Bennington college Judson Project 1981 In-4 broché 25,3 cm sur 21,4. 80 pages. Bon état d’occasion.
2010Autori: Rossella Mazzaglia.
1989ref. 50245Robert Laffont, 1989. Format 14x21 cm, 341 pages. Exemplaire neuf.
1989Album di 16 p. non numerate in cartoncino nero con illustrazioni a colori più 8 pagine di testo allegate; 20 x 30 cm. Brossura editoriale- Buono
2010ref. 500077858Michel Lafon 2010 236 pages 19x1 8x24 2cm. 2010. Broché. 236 pages.
2012ref. 500093431Albin Michel 2012 240 pages 13x2 2x19 8cm. 2012. Broché. 240 pages.
ref. 10030Lausanne, Editions Rencontre 1962, 135x200mm, 205pages, reliure d'éditeur. Bel exemplaire.
1994ref. 1272631994 Editions de la Réunion des musées nationaux / Musées de Marseille - 1994 - In-4 broché, couverture illustrée à rabats - 167 pages - Illustrations en couleurs, in et hors texte, dans l'ouvrage
1960ref. 590FBWien., Galerie St. Stephan., 1960. 42 x 20 cm. 1 Blatt., 590F Papier seitlich und mittig gebräunt beidseitig , mittig gefalzt, dort an beiden Seiten minimal einreissen. Gutes Exemplar.
1992ref. 741992 in8 à l'italienne reliure toile illustrée en vert, 60 pp, gardes texturées, papier à la main. Illustrations en vert, texte en anglais.
S. Kane, Tutto Il Teatro Giulio Einaudi Editore, Torino, 2000, cm 18x10,5, pp. 220. Cartoncino edit. ill. in b. n. Condizioni di conservazione Esemplare in ottime condizioni di conservazione. Mai letto. Incelofanato così, come originariamente in vendita. SETT95.L22730G
1988In ottime condizioni, spedizione tracciata
1975In ottime condizioni, spedizione tracciata
