5,512 results
1956ref. 023945Editions Balma brochure Couverture Illustrée Paris 1956 64 pages en format 15 - 23 cm - photographies et dessins
Autore: Renzo Perotti Editore: Artigianelli Anno: 1935 Formato: 12x17 cm - Copertina Morbida Pagine: 108 Lingua: Italiano Condizioni: Discrete, come da foto, con segni del tempo e di utilizzo.
1920- Lucien Vogel éditeur, Paris 1920, 18x24cm, une feuille. - Original color print, printed on vergé paper, non signed. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, non-signée. Gravure originale réalisée pour l'illustration de La Gazette du bon ton, l'un
1960ref. R240016493SPES. 1960. In-12. Broché. Bon état, Couv. légèrement passée, Dos abîmé, Intérieur acceptable. 237 pages. Numéro de classement sur le dos. Coiffes en tête et en pied abîmée. Tampon de l'institution sainte marie sur la page de titre.. . . . Classification Dewey : 793.3-Danse
1835ref. 6895Paris Furne 1835 1 Paris, Furne, 1835, grand in-8, maroquin bleu à grains longs, tranches dorées, 788 pp., (Capé).
ref. 17808 Paris, Librairie de France, 1930-1931, in-8, demi-chagrin, 10 vol.
ref. 215669Abbeville, Paillart, 1983 in-8, 248 pp., broché.
1944ref. 120741944 P., Compagnie française des arts graphiques 1944, In-4 en feuilles sous chemise , 93 pp. Illustrées de 6 gouaches de Bouchêne gravées sur bois par Poilliot. Tiré à 518 exemplaires, celui-ci numéro 386 sur vélin dArches.
Anno: 1975 Formato: 21x30 cm - Copertina Morbida Pagine: 135 con illustrazioni Lingua: Italiano Condizioni: Discrete, come da foto, con segni del tempo e di utilizzo. Pieghe alla copertina e ad alcune pagine. Lievi ossidazioni ai margini nell'interno verso inizio-fine libro.
Anno: 1984 Formato: 21x30 cm - Copertina Morbida Pagine: nn con illustrazioni Lingua: Italiano Condizioni: Buone, come da foto, con segni del tempo e di utilizzo.
2002ref. 39719Autrement - Junior, coll. « Série Arts », n° 1 2002 In-8 broché, 63 p. Pour les 10-14 ans.
2012ref. RO30361525Gallimard. 2012. In-12. Broché. Bon état, Coins frottés, Dos satisfaisant, Papier jauni. 192 pages. Légèrement plié. Rares rousseurs. Ex-dono à l'encre en page de garde.. . . . Classification Dewey : 793.3-Danse
1968illustrazioni dell'autore
Quattro lettere, Operette Enrico Dezan Quattro lettere dattiloscritte con intestazione a stampa Dirette all'allora Direttore del Teatro Storchi di Modena per programmi e proposte di esibizioni teatrali datate 1934 - 1938 Quattro lettere dattiloscritte con intestazione a stampa, datate 1934 - 38, tre lettere con annotazioni a penna (vedi foto). Cm 14,5x23. Condizioni di conservazione Lettere tutte ben conservate con tracce d'uso, piega centrale di conservazione, alcune minime bruniture. SC03.D12893 N
Milano, co'tipi di Giovanni Pirotta, 1821, in-8, brossura editoriale con titolo a stampa su tassello di carta al dorso, pp. 296, [6]. Dal sommario: Della educazione delle donne, Le maschere e le figure, ovvero il ballo, L'indomani del ballo, Dei fattucchieri e degli indovini, Delle botteghe di caffè e delle biscacce, La moda, Toeletta delle donne sul principio del secolo XVIII, ecc., ecc. lievi tracce d'usoe esterne.
Formato: 21x27cm - Copertina Morbida Lingua: Francese Condizioni: Buone, come da foto, con segni del tempo e di utilizzo. Imperfezioni alla copertina. Lievi ossidazioni.
1995Broché. 48 pages.
2004ref. R200133838Opéra National de Bordeaux. 2004. In-8. Broché. Etat d'usage, Coins frottés, Coiffe en pied abîmée, Papier jauni. 75 pages, nombreuses photos en noir et blanc dans et hors texte.. . . . Classification Dewey : 793.3-Danse
ref. ABE-1834445872012 PAGES-25 CM X 32 CM POUR LES 4 PAGES DE COUVERTURE-22,5 CM X 28 CM POUR LES AUTRES-SALLE GAVEAU-A L'OCCASION DU SOIXANTIEME ANNIVERSAIRE DE DARIUS MILHAUD ET DE ARTHUR HONEGGER ET POUR LE DIXIEME ANNIVERSAIRE DE SA CREATION L'ORCHESTRE DES CADETS DU CONSERVATOIRE-DARIUS MILHAUD, SAUDADES DO BRAZIL, FANTAISIE PASTORALE, 'ADAME MIROIR, KENTUCKIANA, SOUS LA DIRECTION DE DARIUS MILHAUD-DANSE DES MORTS, ARTHUR HONEGGER, PAUL CLAUDEL, SOUS LA DIRECTION DE LOUIS FORESTIER, EXTRAITS DE LA PARTITION SUR 3P-PUBLICITE POUR COFFRET LA DANSE DES MORTS EN 4 DE COUVERTURE-LES 2 AGRAFES OXYDEES SINON BON ETAT
ref. 243655Paris, F. Vieweg, 1888 in-8, XXVI pp., 105 pp., avec des figures et de la musique notée dans le texte, broché sous couverture rempliée. Couvertures salies.
Autore/Curatore: Paul Bekker Editore: Deutsche Verlags-Anstalt Stuttgart Anno: 1928 Formato: 14x20 cm - Copertina Morbida Pagine: 113 Lingua: Tedesco Condizioni: Buone, come da foto, con segni del tempo e di utilizzo. Strappetti ed aloni alla copertina.
1987Seconda edizione 1987, in ottime condizioni
1994ref. 55442ABSt. Märgen, Wagensteigstr. 17, Selbstverlag Hug, 1994. 4° (25x17), 261 S., mit zahlr. historischen Abb., ill OPbd, nahezu ungelesen, schönes gepflegtes Exemplar,
1988ref. RO30330487Favre. 1988. In-4. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 222 pages. Nombreuses photos en noir et blanc in et hors texte. Jaquette en bon état.. Avec Jaquette. . . Classification Dewey : 793.3-Danse
ref. 19443Lausanne, Favre 1988, 285x240mm, 222pages, reliure d'éditeur sous jaquette. Très bel exemplaire.
