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réf. 5h1837Nuova Era Internazionale s.r.l. ohne Ort 2006. 40 CDs mit je einem Booklet sowie ein 170seitiges Begleitbuch in original Pappbox ca. 37 x 15 x 14 cm. - neuwertig / Begleitheft fünfsprachig: englisch deutsch französisch italienisch und spanisch / Inhalt: De' Cavalieri Monteverdi Vivaldi Händel Piccinni Calderara Paisiello Cimarosa Gazzaniga Boccherini Salieri Rossini Mecadante Donizetti Bellini Verdi Leoncavallo Puccini Marinuzzi Menotti - unknown
1949réf. 52974New York:: Metropolitan Opera House October 9 1949. original printed wrappers. . Some light creasing and use to the wrappers. 8vo. Boldly signed by Margot Fonteyn on the first text page of the program. Metropolitan Opera House, unknown
réf. 16-2815Paris: Palais des Congrès 1982. . Poster. 60 x 40 cm. From the collection of Alma Law theater historian. Paris: Palais des Congrès, 1982. unknown
2021réf. 8734France: Timeless-France 2021. First Edition First Printing. Hardcover. Fine. Quarto. 8.5 x 12 in. 192 pp. Profusely illustrated with black & white and color reproductions of photographs facsimile art and letters etc. Fine in original clothbound cover silkscreened designed by Laurence Dupré. As new still wrapped in plastic. This is the limited Timeless Edition from an edition of 150 and includes an exclusive artzine entitled Paranoia Club. This volume collects work a previously unpublished interview as well as writing art etc. from and about counter-culture and industrial music icon Genesis P-Orridge. Frontwoman of seminal bands like Throbbing Gristle and Psychic TV P-Orridge was also a performance and visual artist occultist cultural critic etc. This exclusive edition also includes some of P-Orridge's correspondence with longtime friend and collaborator Jean-Pierre Turmel co-founder of the Sordide Sentimental label from the mid-1970s till early 1990s offering a personal view into their archive. Timeless-France hardcover
réf. 68-8830San Francisco CA: Grand Opera House 1880. Fabric Broadside. 12 x 16 cm. Very Good with minor staining. Scarce. San Francisco, CA: Grand Opera House, 1880. unknown
réf. 68-8833Philadelphia PA: Juvenile Opera Company 1875. Fabric Broadside. 23.5 x 15 cm. Very Good. Scarce. Philadelphia, PA: Juvenile Opera Company, 1875. unknown
réf. 63-9096New York: Children's Asthma Research Institute and Hospital 1959. Program. 8vo. Soft covers 18 pp. Good: Loose Unbound Pages with marginal tears minor losses creasing. Illustrated. Scarce. New York: Children's Asthma Research Institute and Hospital, 1959. paperback
1886réf. 100911November 21 1886. 1886. Good. - Franco Novara's autograph boldly penned on 3-1/2 inch high by 4-1/2 inch card stock clipped from an album and mounted onto slightly larger card stock. Signed and dated "Franco Novara / 21. Nov. 1886. / New York". Mounted on the verso of the mount is the pianist Madeline Schiller's autograph penned on 3-1/2 inch high by 4-3/8 inch wide card stock signed "Very Sincerely / Madeline Schiller". There is offsetting to the card signed by Novara and remnants of paper adhere to the right edge of the card bearing Schiller's signature with some offsetting along the left edge of that card. Good. The English bass Francis Naish sang under the stage name Francis Novara 1859-1899. He was known for his performance as the devilish Mephistopheles in Gounod's "Faust" which opened on October 22 1883 as the first opera in the Metropolitan Opera's first season. The English-born pianist Madeline Schiller 1843-1911 went to Leipzig to study with Ignaz Moscheles making her debut there with Mendolssohn's Piano Concerto No. 1 on January 23 1862. She returned to London to perform there as well as Australia. She married Marcus Elmer Bennett of Boston and moved to the United States in 1873 performing in New York. She returned to Europe for a while after her husband's death mostly in France before returning to New York to perform the premiere of Tchaikovsky's Piano Concerto No. 2 where she remained. November 21, 1886.
réf. 14432LONDON GRAMOPHONE 1921. REVISED AND ENLARGED EDITION VERY GOOD. LONDON, GRAMOPHONE, 1921 unknown
1955réf. 053357Istanbul: Original Concert Program Pamphlet with Autograph Signature 1955. No Binding. Very Good. Original concert program signed and inscribed by Semiha Berkdoy. 24x12 cm Folded size. Folded. 8 p. fully ills. Signed and inscribed by Berksoy. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 commissioned by Kemal Atatürk composed by Adnan Saygun. She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934 performing in Turkey Germany and Portugal becoming known as a Wagnerian soprano. In 1939 for the 75th birthday of Richard Strauss in Berlin she sang the role of Ariadne in Ariadne Auf Naxos becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement she remained active mostly as a theater artist. Four years preceding her death at the age of 90 she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death Destruction and Detroit III at the Lincoln Center in New York City 1999. Original Concert Program Pamphlet with Autograph Signature unknown
1992réf. 053360Istanbul: Akbank 1992. Soft cover. Fine. Paperback. Oblong large 8vo. 23 x 24 cm. In English and Turkish. 36 p. color ills. Signed and inscribed by the artist as 'Coskun Sensoy'a saygilarla'. Dated 2.10.1992. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 commissioned by Kemal Atatürk composed by Adnan Saygun. She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934 performing in Turkey Germany and Portugal becoming known as a Wagnerian soprano. In 1939 for the 75th birthday of Richard Strauss in Berlin she sang the role of Ariadne in Ariadne Auf Naxos becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement she remained active mostly as a theater artist. Four years preceding her death at the age of 90 she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death Destruction and Detroit III at the Lincoln Center in New York City 1999. Akbank paperback
réf. 68-8835San Francisco CA: Wade's Opera House 1876. Fabric Broadside. 22 x 16 cm. Very Good. Scarce. San Francisco, CA: Wade's Opera House, 1876. unknown
1973réf. DADAX0816606978Univ Of Minnesota Press 1973-01-01. paperback. New. 6.25x0.60x9.00. Buy with confidence. Excellent Customer Service & Return policy. Univ Of Minnesota Press paperback
réf. 47819878-nnew. unknown
réf. 47819878like new. unknown
1972réf. DADAX0816606528Univ Of Minnesota Press 1972-12-15. paperback. New. 6.00x0.50x8.75. Buy with confidence. Excellent Customer Service & Return policy. Univ Of Minnesota Press paperback
réf. 104730Antico spartito manoscritto - Gloria in excelsis Deo / Credo - secolo XIX - Pag. 8 - Dimensioni: 31 x 45 cm ca. - Condizioni generali buone. Piccoli segni del tempo. unknown
réf. 69949Bibliographie der Musik-Sammelwerke des XVI und XVII Jahrhunderts - Im vereine mit Frz. Xav. Haberl A. Lagerberg und C. F. Pohl - Bearbeitet und herausgegeben von Robert Eitner - 1877 - Pag. IX 964 - Copertina rigida - Testo in tedesco - Titoli delle opere nelle varie lingue. - Condizioni molto buone. - unknown
réf. 120727Lotto concerto The Rolling Stones - Torino luglio 1982 - Brochure biglietto tessera e 3 adesivi - Buone condizioni generali. unknown
réf. 4179Musica Opera - Giuseppe Verdi - Spartito musicale: Giovanna de Guzman; I vespri - Siciliani. Dramma in cinque atti posto in musica dal maestro Giuseppe - Verdi - Edizioni Ricordi Milano - 1856. - Riduzione completa per pianoforte solo di Luigi ed Aless. Truzzi e H. - Potier - Pag. 286 - Legatura in mezzapelle; titolo e fregi dorati al - dorso; copertina con titolo dorato contornato da incisioni decorative. - Condizioni generali molto buone. - . FAI IMMEDIATAMENTE un'offerta per l'oggetto . - . NON ASPETTARE la scadenza. - . NON RISCHIARE DI PERDERLO. - . COMPRA SUBITO!!! unknown
réf. BAY_17_SH_020843Tdk DVD Video. Used - Like New. Pristine. Well packaged and promptly shipped from California. Partnered with Friends of the Library since 2010. Tdk DVD Video unknown
réf. 11562Hood's letter: On letterhead of Osborne Isle of Wight. 8 January 1891. Mrs Gye's draft reply: without place or date. Both items good on lightly-aged paper. Rosa Hood's sister Adelaide Fanny was the wife of Herbert F. Gye and letter and reply are written informally. Hood's letter: 3pp. 12mo. She received Mrs Gye's letter that morning 'and the Queen has read it' and is 'quite pleased with your reply'. 'The Queen desired me to assure you that she had never for a moment supposed that you were responsible for the article in the newspaper - only the Queen thought it was better to have the matter mentioned to you - especially as it might be copied into other papers.' The Queen also thinks that Mrs Gye should 'have some contradiction put in the Paper'. Mrs Gye's draft reply: 2pp. 12mo. She writes that she cannot express her relief at the contents of Hood's letter. 'Since your first letter the thought that Her Majesty would be displeased about it has troubled me very much - therefore you can imagine how delighted I am to find the Queen did not imagine I was responsible.' She has 'written to Church Journal to deny the authorship of the article and ask them to publish it'. Hood's letter: On letterhead of Osborne [Isle of Wight]. 8 January 1891. Mrs Gye's draft reply: without place or date. unknown
réf. 222466 October 1913; on letterhead of 55 York Terrace Regent's Park N.W. 2pp 12mo; and 1p 8vo. On a bifolium with the 8vo page written lengthwise across the central pages. In good condition lightly aged and worn. Folded twice. Signed 'Percy Anderson.' According to a pencil note Broadhurst was Beerbohm Tree's 'press agent'. He has received Broadhurst's letter late the same night and begins by informing him that he cannot go to Covent Garden the following day as he will be with a sitter. He continues: 'As I implied to you in my last letter it seems almost impossible for me to give you details of the costumes to be worn in “Joan of Arc.” Period Charles XII of France he reigned from 1403 to 1461. The dresses are of necessity tremendously fantastic & in designing them I have endeavoured to make them historically correct. Therefore what else can I say about them' Were the dresses 'fanciful' it would be easy for Anderson to describe them but 'as it is they must be rather on conventional lines'. He concludes: 'I hate to appear discourteous & if I cld. be of any use to you or to Mr. Eyles I wld. but I think you will readily understand the difficulty'. 6 October 1913; on letterhead of 55 York Terrace, Regent's Park, N.W. unknown
réf. 12987One from Overstrand Norfolk; 27 May 1950. The other four on letterheads of 'Ballet' 'Ballet and Opera' and 'Ballet Publications Ltd'. Between 1949 and 1950. The five items in good condition on lightly-aged paper. Item One: Autograph Letter Signed with a crude drawing of Buckle sitting on a rope slung between the printed names of the two magazines. 1p. 4to. On Fleet Street letterhead of 'Ballet Publications Ltd.' Dated by Alport 14 February 1950. The letter concerns an article on the conductor Karl Rankl and begins: 'Dear Erich I have just spoken to Harewood the Earl of Harewood co-founder with Buckle of 'Opera' magazine. He would like you to do it but thinks the Rankl's sic friend had better have the job as they seem to have chosen him. What a pity! I was looking forward to your mellow cadences.' He 'adored being blown about at Brighton' and has 'returned full of youthful vigour but absolutely penniless'. Item Two: Autograph Letter Signed 'D'. 2pp. 4to. 'Overstrand Saturday' dated by Alport 27 May 1950. 2pp. 4to. He begins: 'My dear Erich Thank you so much for your nice letter. I hope indeed we shall often stay in lovelier and greater palazzi together if not in wind-blown flowery ditches.' It appears 'that the June number may well be the last. There is just one little plan which occurred to me on the golf course this afternoon Fore! Mr. Dorré! but we shall see in the next few days what comes of it.' He has 'had luncheon with Ursula' who is 'just back from Teneriffe and seems quite serene and buoyant'; and saw 'five tarry dead seagulls on the beach today and one huge bird - a cormorant maybe' which brings forth a quotation from Milton. Item Three: Autograph Note Signed 'D.'. On Frith Street letterhead of 'Ballet' magazine. Undated. 1p. landscape 12mo. 'Dearest Erich Do you want to stay the night on Thursday Let me know. Love D.' Item Four: Typed Circular Signed by Buckle 'Richard Buckle'. On Fleet Street letterhead of 'Ballet and Opera'; February 1949. The first paragraph reads: 'People are always complaining to me - verbally and by post from all over the world - that they can never get BALLET and OPERA. I must say I was always too lazy to take out an annual subscription to anything until I had a secretary of my own. Now thank goodness there is a little more paper to be had and we can print a few more copies every month.' Item Five: Typed Letter Signed by 'K. P. Newman Secretary'. On Frith Street letterhead of 'Ballet' magazine; 31 May 1946. 1p. 4to. Regarding the renewal of his subscription. One from Overstrand [Norfolk]; 27 May 1950. The other four on letterheads of 'Ballet', 'Ballet and Opera' and 'Ballet Publicatio unknown
