1.688 resultados
ref. 222466 October 1913; on letterhead of 55 York Terrace Regent's Park N.W. 2pp 12mo; and 1p 8vo. On a bifolium with the 8vo page written lengthwise across the central pages. In good condition lightly aged and worn. Folded twice. Signed 'Percy Anderson.' According to a pencil note Broadhurst was Beerbohm Tree's 'press agent'. He has received Broadhurst's letter late the same night and begins by informing him that he cannot go to Covent Garden the following day as he will be with a sitter. He continues: 'As I implied to you in my last letter it seems almost impossible for me to give you details of the costumes to be worn in “Joan of Arc.” Period Charles XII of France he reigned from 1403 to 1461. The dresses are of necessity tremendously fantastic & in designing them I have endeavoured to make them historically correct. Therefore what else can I say about them' Were the dresses 'fanciful' it would be easy for Anderson to describe them but 'as it is they must be rather on conventional lines'. He concludes: 'I hate to appear discourteous & if I cld. be of any use to you or to Mr. Eyles I wld. but I think you will readily understand the difficulty'. 6 October 1913; on letterhead of 55 York Terrace, Regent's Park, N.W. unknown
ref. 12987One from Overstrand Norfolk; 27 May 1950. The other four on letterheads of 'Ballet' 'Ballet and Opera' and 'Ballet Publications Ltd'. Between 1949 and 1950. The five items in good condition on lightly-aged paper. Item One: Autograph Letter Signed with a crude drawing of Buckle sitting on a rope slung between the printed names of the two magazines. 1p. 4to. On Fleet Street letterhead of 'Ballet Publications Ltd.' Dated by Alport 14 February 1950. The letter concerns an article on the conductor Karl Rankl and begins: 'Dear Erich I have just spoken to Harewood the Earl of Harewood co-founder with Buckle of 'Opera' magazine. He would like you to do it but thinks the Rankl's sic friend had better have the job as they seem to have chosen him. What a pity! I was looking forward to your mellow cadences.' He 'adored being blown about at Brighton' and has 'returned full of youthful vigour but absolutely penniless'. Item Two: Autograph Letter Signed 'D'. 2pp. 4to. 'Overstrand Saturday' dated by Alport 27 May 1950. 2pp. 4to. He begins: 'My dear Erich Thank you so much for your nice letter. I hope indeed we shall often stay in lovelier and greater palazzi together if not in wind-blown flowery ditches.' It appears 'that the June number may well be the last. There is just one little plan which occurred to me on the golf course this afternoon Fore! Mr. Dorré! but we shall see in the next few days what comes of it.' He has 'had luncheon with Ursula' who is 'just back from Teneriffe and seems quite serene and buoyant'; and saw 'five tarry dead seagulls on the beach today and one huge bird - a cormorant maybe' which brings forth a quotation from Milton. Item Three: Autograph Note Signed 'D.'. On Frith Street letterhead of 'Ballet' magazine. Undated. 1p. landscape 12mo. 'Dearest Erich Do you want to stay the night on Thursday Let me know. Love D.' Item Four: Typed Circular Signed by Buckle 'Richard Buckle'. On Fleet Street letterhead of 'Ballet and Opera'; February 1949. The first paragraph reads: 'People are always complaining to me - verbally and by post from all over the world - that they can never get BALLET and OPERA. I must say I was always too lazy to take out an annual subscription to anything until I had a secretary of my own. Now thank goodness there is a little more paper to be had and we can print a few more copies every month.' Item Five: Typed Letter Signed by 'K. P. Newman Secretary'. On Frith Street letterhead of 'Ballet' magazine; 31 May 1946. 1p. 4to. Regarding the renewal of his subscription. One from Overstrand [Norfolk]; 27 May 1950. The other four on letterheads of 'Ballet', 'Ballet and Opera' and 'Ballet Publicatio unknown
ref. 24586Arnold’s six communications between 1942 and 1959; two on his Shaftesbury Avenue letterhead two others from the same address and two from 112 Jermyn Street London. Agreement: 15 April 1943. Poster: 1950 / 1951 Glasgow Alhambra. From the Macqueen-Pope papers. See his entry in the Oxford DNB. Eleven items in fair overall condition on lightly aged and creased paper. All six of Arnold’s communications are signed ‘Tom Arnold’. Arnold’s two TLsS are dated 2 October 1942 and 23 July 1959. In the second of these 1p landscape 8vo he thanks MP for a producing a piece of writing which ‘suits the mood’: ‘I appreciate your doing this and the speed with which you tackled it for me. . And I am sending you my cheque as you say “on friendship terms” which I also appreciate.’ He hopes they will have lunch one day ‘and have a nice chat about this and that - to which I shall look forward.’ The letter is accompanied by unsigned carbons of MP’s receipt for payment five guineas for the work and its covering letter both typed and dated 24 July 1959. In the letter MP suggests a meeting writing that he will be ‘writing a book about the Palace Theatre and would like to do you justice therein and I have an idea which I think would be of interest to you in another direction. Indeed it might be just what you are looking for.’ A note by Arnold of 4 January 1957 thanks MP ‘for the material you sent me for the Lecture’ and is accompanied by a carbon of a typed short biography clearly by MP of ‘Tom Arnold’ 1p 4to. In it MP refers to Arnold as ‘the very epitome of Show Business. Never before in theatrical history has one manager had so many or so varied interests. He is King of Pantomime presenter of great circuses theatre proprietor revue musical comedy and straight play producer. He runs an ice rink he is the man whose amazingly beautiful and expert shows on ice dazzle - not only people in this country - but all over the Continent indeed all over the world. He finds time to have a share in running piers at seaside resorts and also pleasure cruises. In other words he is a Napoleon of Show Business. And in his spare time he writes excellent short stories. And he has made Films as well.’ In two of the other Arnold TNsS he thanks MP for telegrams wishing him good luck over his productions of ‘The Glorious Days’ 1952 and ‘Over the Moon’ 1953. The tenth item is a Memorandum of Agreement for MP to work as a press agent between ‘TOM ARNOLD LIMITED / and / W. J. MACQUEEN-POPE Esq.’ dated 15 April 1943. 3pp foolscap 8vo typed and folded into the customary packet. Signed by ‘Tom Arnold’ over a stamp and ‘Walter James Macqueen Pope’. The final item is a small poster for a Tom Arnold production of ‘Cinderella’ produced by Robert Nesbitt at the Glasgow Alhambra. Text on one side in red and blue with illustrations of the stars Harry Gordon Alec Finlay Robert Wilson and Duncan Macrae. Most of the other side is taken up with an attractive illustration of Cinderella and an old crone printed in black red and grey with text at top left. Arnold’s six communications between 1942 and 1959; two on his Shaftesbury Avenue letterhead, two others from the same address, unknown
ref. DADAX0190915056New unknown
ref. A9781470454265Paperback / softback. New. paperback
ref. DADAX0226035085New unknown
ref. Van Norman Baer, NancyIn Pristine Condition. unknown
ref. 8962London England; 1855. 4to 3 pp. Bifolium. Text clear and complete. Fair on aged paper with minor evidence of the letter having been laid down on the blank reverse of the second leaf. Thirty names with sums subscribed. The list is headed 'The Lord Mayor Salomons 5. - five pounds'. David Salomons was Lord Mayor of London in 1855. Several of the names are ticked in pencil with another noted as 'Not paid' and another as 'Dead'. Among the subscribers is the poet Martin Farquhar Tupper one pound. Jenny Lind had raised money for the "Florence Nightingale Fund". [London, England; 1855.] unknown
2025ref. __1835950752Intellect L & D E F A E 2025. Hardcover. New. 640 pages. 9.60x6.69x9.61 inches. Intellect L & D E F A E hardcover
ref. DADAX0835719618New unknown
1998ref. 28043VARIETY 1998. MAGAZINE NEWSPAPERS LIGHT RUB WEAR 1ST EDITION 1998 VG 10 1/2 IN X 14 1/4 . Musical Show which also launched career of Sarah Brightman Female lead Christine who was married to Andrew Lloyd Webber Phantom based on a Gaston Leroux novel various articles & color pictures other shows etc Born 1942 & is British who was married to Andrew Lloyd Webber Phantom based on a Gaston Leroux novel . Signed by Author. 1st Edition. Soft Cover. Very Good/No Jacket. VARIETY paperback
ref. SONG0521480361Used: Good unknown
ref. DADAX0521480361New unknown
ref. SONG1580469884Used: Good unknown
ref. 53025- - Musica - Sulla melodia sull'armonia e sul metro dissertazioni di Marco Santucci canonico della Metropolitana di Lucca lette in una Società Letteraria dedicate alla studiosa gioventù - Lucca dalla Ducale Tipografia Bertini 1828 - Pag. 124. Una tavola ripiegata. - Copertina rigida non originale - Testo in italiano - Condizioni molto buone. Legatura restaurata e sguardie rifatte. - - unknown
2011ref. x-1461283795Springer New York 2011. Paperback. New. reprint edition. 256 pages. 9.20x6.10x0.70 inches. Springer New York paperback
ref. SONG1847012574Used: Good unknown
1883ref. 56458Providence 1883. Folio broadside approx. 13" x 5¾" text in a single column beneath the running head; light toning very good. Listing the cast of characters for this Irish drama in three acts made for the benefit of the Brownson Lyceum as well as a synopsis of each of the three acts and seat prices. The Irish poet Oscar Wilde had lectured at Low's the preceding September. unknown
1940ref. 296841940. Image size 175 x 135 mm. sheet size 279 x 216 mm. Signed in the stone "H. Rayner"; also signed in pencil below platemark at lower right. With "Ballet" and "copyright" in pencil to lower margin. Printed in olive green-toned ink on wove paper. Very slightly worn; minor foxing to blank margins. An Australian artist who studied and worked in Britain Rayner was a student of Walter Sickert at the Royal Academy and a friend of Augustus John. "Henry Rayner's single-minded devotion to the drypoint technique created what is almost certainly the largest body of drypoint work of any mid-20th century artist. Rayner typically took 15 or fewer impressions from each plate. It has taken nearly 70 years for Henry Rayner's drypoint work to begin attracting serious interest among collectors." Roger Stanton Hewitt Henry Rayner website. unknown
ref. DADAX0190063734Oxford University Press 2019-09-17. Illustrated. hardcover. New. 9.30x0.70x6.30. Buy with confidence. Excellent Customer Service & Return policy. Oxford University Press hardcover
2011ref. x-0230284817Palgrave Macmillan 2011. Hardcover. New. 320 pages. 8.98x5.75x1.18 inches. Palgrave Macmillan hardcover
1992ref. 120112046Temps actuels 1992. Paperback. New. Temps actuels paperback
ref. DADAX0521116651New unknown
ref. a814941910 copyright The Cornell Masque. Book by C. F. Hirshfeld '05 and J. E. O. Winslow '11. Music by T. J. Lindorff '08 H. C. Schuyler '10 G. F. Pond '10 and J. F. Bradley '11. Music and lyrics. 4to 80pp. original pictorial wraps. woth cloth spine. VG light wear on spine. Scarce. . hardcover
1976ref. 163670New York: Joffrey Ballet 1976. Vintage window card for the Joffrey Ballet Company at City Center New York circa 1976. Founded in 1956 by Robert Joffrey and Gerald Arpino the company initially consisted of six dancers performing original pieces created by Joffrey touring the US in a station wagon. The company found its first permanent residency in New York City in 1966 expanding to Los Angeles in 1982. The group gained recognition for its groundbreaking use of multimedia elements in performances and was one of the first dance companies to create a ballet set to rock music. It also served as the basis for Robert Altman's 2003 film "The Company" starring Malcolm McDowell and James Franco. The Joffrey Ballet moved from New York to Chicago in 1995 and continues to operate there today. 14 x 22 inches. Small splash and faint soil on the bottom left corner else about Near Fine with pinholes at each corner. Joffrey Ballet unknown