LE ROUX Hugues & GARNIER JulesMareMagnum
2838 resultados
1889- Plon-Nourrit & Cie, Paris 1889, 21x28,5cm, reliure de l'éditeur. - First edition on ordinary paper, there has been printed only 50 Japon large paper copies. Publisher's binding over flexible paper boards, top edge gilt. Original illustrations by Jules Garnier. Endpapers uniformly shaded, otherwise nice copy. Very fresh binding. [FRENCH VERSION FOLLOWS] Edition originale sur papier courant, il n'a été tiré que 50 Japon en grands papiers. Reliure de l'éditeur en plein cartonnage rouge, dos lisse, tête dorée. Ouvrage orné d'illustrations originales de Jules Garnier. Gardes uniformément ombrées, sinon bel exemplaire. Cartonnage d'une grande fraîcheur.
1921ref. 102717Paris F. Grégoire 1921 1 vol. relié in-4, demi-maroquin fauve à coins, dos à nerfs, non rogné, couverture illustrée et dos conservés, VIII + IV + 236 pp. Édition de luxe illustrée de 66 eaux-fortes originales par Auguste Brouet, dont un portrait d'Edmond de Goncourt (page de titre), une tête de chapitre et culs-de-lampe et 15 hors texte. Artiste délicat fortement influencé par l'oeuvre de Rembrandt, Auguste Brouet (1872-1941) puisa ses sujets dans les milieux populaires, notamment à Montmartre. Carteret considère cette illustration comme l'une des meilleures de l'artiste : "ces eaux-fortes de qualité, d'un métier très personnel, révèlent une parfaite connaissance des forains". Tirage limité à 200 exemplaires, celui un des 160 numérotés sur Hollande van Gelder Zonen. En très belle condition.
1921ref. 102717Paris F. Grégoire 1921 1 vol. relié in-4, demi-maroquin fauve à coins, dos à nerfs, non rogné, couverture illustrée et dos conservés, VIII + IV + 236 pp. Édition de luxe illustrée de 66 eaux-fortes originales par Auguste Brouet, dont un portrait d'Edmond de Goncourt (page de titre), une tête de chapitre et culs-de-lampe et 15 hors texte. Artiste délicat fortement influencé par l'oeuvre de Rembrandt, Auguste Brouet (1872-1941) puisa ses sujets dans les milieux populaires, notamment à Montmartre. Carteret considère cette illustration comme l'une des meilleures de l'artiste : "ces eaux-fortes de qualité, d'un métier très personnel, révèlent une parfaite connaissance des forains". Tirage limité à 200 exemplaires, celui un des 160 numérotés sur Hollande van Gelder Zonen. En très belle condition.
ref. 65101Willsons Printers. Leicester. No date c.1930s. Willson's the printers of this poster are still operating - 'A family business with a history stretching back more than 150 years Willsons is now a multi-faceted design print and distribution specialist. Established in 1864 and with humble beginnings as a billboard poster printing company our business has evolved into a multi-faceted gateway to the global print marketplace. But we're still a family firm something you'll find reflected in our friendly approachable attitude and personal service.' As for Butlin's see the WIKI entry - 'Sir William Heygate Edmund Colborne Butlin MBE 29 September 1899 12 June 1980 was a South African-born British entrepreneur whose name is synonymous with the British holiday camp. Although holiday camps such as Warner's existed in one form or another before Butlin opened his first in 1936 it was Butlin who turned holiday camps into a multimillion-pound industry and an important aspect of British culture. Born in Cape Town South Africa to William and Bertha Butlin Butlin had a turbulent childhood. His parents separated before he was seven and he returned to England with his mother. He spent the next five years following his grandmother's family fair around the country where his mother sold gingerbread exposing the young Butlin to the skills of commerce and entertainment. When he was twelve his mother emigrated to Canada leaving him in the care of his aunt for two years. Once settled in Toronto his mother invited him to join her there. In Canada Butlin struggled to fit in at school and soon left for a job in a Toronto department store Eaton's. In World War I he enlisted as a bugler in the Canadian Army. After the war Butlin returned to England bringing only £5 with him. Investing £4 of that money to hire a stall travelling with his uncle's fair Butlin discovered that giving his customers a better chance to win brought more custom in and he quickly became successful. One stall became several including prominent locations such as Olympia in London and Butlin soon was able to purchase other fairground equipment and started his own travelling fair. He proved successful in this endeavour as well and by 1927 he opened a static fairground in Skegness. Over the next 10 years Butlin expanded his fairground empire all the time harbouring an idea to increase the number of patrons in his Skegness site by providing accommodation.' Willsons Printers. Leicester. No date [c.1930s?]. unknown
ref. 969Ensemble de 17 documents de 1949 à 1955. 1°. Une affiche imprimée en lithographie de MAURICE HARFORD. "Est-ce un homme ? Est-ce un singe ?". Dim. 1220 x 795 mm. 2° Deux flyers de M.Harford "Boston's l'homme -singe et son fils minuscule", impression en noir et blanc. Dim. 180 x 135 mm. 3° Six contrats d'artistes délivrés par des Cirques ou des salles de Spectacles en France, sur lesquels sont précisés les dates de représentations et les salaires. 4° Une coupure de presse représentant Boston et sa maîtresse. 5° Deux programmes de Spectacles. 6° Deux cahiers de partitions manuscrites, précisants les différents moments et morceaux qui doivent accompagner Boston's durant son numéro. 7° Une photographie de "Tarzan et Boston", tirage argentique. Dim. 240 x 175 mm. 8° Deux photographies, tirages argentique. Dim. 235 x 174 mm. L'ensemble en bon état.
ref. 969Ensemble de 17 documents de 1949 à 1955. 1°. Une affiche imprimée en lithographie de MAURICE HARFORD. "Est-ce un homme ? Est-ce un singe ?". Dim. 1220 x 795 mm. 2° Deux flyers de M.Harford "Boston's l'homme -singe et son fils minuscule", impression en noir et blanc. Dim. 180 x 135 mm. 3° Six contrats d'artistes délivrés par des Cirques ou des salles de Spectacles en France, sur lesquels sont précisés les dates de représentations et les salaires. 4° Une coupure de presse représentant Boston et sa maîtresse. 5° Deux programmes de Spectacles. 6° Deux cahiers de partitions manuscrites, précisants les différents moments et morceaux qui doivent accompagner Boston's durant son numéro. 7° Une photographie de "Tarzan et Boston", tirage argentique. Dim. 240 x 175 mm. 8° Deux photographies, tirages argentique. Dim. 235 x 174 mm. L'ensemble en bon état.
ref. 2385Sans date (Première moitié du XXe siècle). 8 Gouaches originales signées sur papier fort, à fond rose (5), crème (1) ou bleu (2), format conique (39 x 12 cm), destinées à la création d'abat-jour pour lampes dans des chambres d'enfants. Les scènes représentent avec humour les facéties d’animaux de cirque qui jouent ensemble ou exécutent leur numéro. Il n’a pas été possible de déchiffrer la signature de l’auteur de cette ravissante et amusante collection, unique.
ref. 38727Troyes Impr. Brunard [fin du XIXème siècle) 42,5 x 20,5 cm environ en feuille, papier beige, minuscules manques marginaux
1869ref. 37510Roubaix Imprimerie A. Lesguillon s.d. [1869] placard in-folio étroit (38 x 19 cm) en feuille
1921AN OUTSTANDING COPY OF BROUET'S MOST IMPORTANT BOOK. Illustrated with 66 original etchings, including 15 full-page and hors-texte. The etchings depict circus life, which Brouet--whose focus was always on marginalized segments of society--proves very adept at handling. From a total edition of 210 copies, this is one of ONLY 30 COPIES PRINTED ON IMPERIAL JAPANESE PAPER, WITH THE 15 HORS-TEXTE ETCHINGS AND THE PORTRAIT OF GONCOURT IN TWO STATES. 4to. Loose as issued in original wraps. A bit of wear and foxing to wraps, else FINE AND BRIGHT. Housed in the (slightly worn) original quarter morocco and decorated board chemise.
1895ref. 37701Leipzig: Verlagsbuchhandlung von J.J. Weber 1895. First Edition. With 135 illustrations many full page. x 2 150 pp. 1 vols. 4to. Original white cloth upper board pictorially stamped in gilt and polychrome silk endpapers. One small spot to lower board small book label to front pastedown else a crisp fine copy of this scarce and desirable work on circus athletes freaks and itinerant performers. First Edition. With 135 illustrations many full page. x 2 150 pp. 1 vols. 4to. Verlagsbuchhandlung von J.J. Weber unknown
1895ref. 37701Leipzig: Verlagsbuchhandlung von J.J. Weber 1895. First Edition. With 135 illustrations many full page. x 2 150 pp. 1 vols. 4to. Original white cloth upper board pictorially stamped in gilt and polychrome silk endpapers. One small spot to lower board small book label to front pastedown else a crisp fine copy of this scarce and desirable work on circus athletes freaks and itinerant performers. First Edition. With 135 illustrations many full page. x 2 150 pp. 1 vols. 4to. Verlagsbuchhandlung von J.J. Weber unknown books
1946ref. 53518Kewanee IL: Bob Parkinson Box 42 ca. 1946. Tall 8vo. 7.25 x 11.25 in. 24 pp unpaginated. thick cardstock w/ die-cut window slots for photos framed in green paper w/ 47 photos inserted sized from 3.25 x 4.75 in up to 4 x 5 in. a few mounted some w/ stamps on versos a few w/ pencil annotations some tipped-in a few mounted on sheets and inserted typed price list and ordering instructions on front pastedown listing many of the photos. Green linen white lettering stamped on front cover slightly shaken some rubbing edgewear still VG exemplar. Very rare photo sample catalogue assembled probably in the 1940s by Bob Parkinson noted circus collector and former director of the Circus World Museum Library and Research Center. The typed price list details the sets of images for sale such as the four photos from glass plate negatives of the Forepaugh Sells Bros. 1898 parade including images of steam calliope and 4 horse team bandwagon and 20 horse team elephant line-up followed by 2 blocks of close order units and more. In addition there are many images of 1908 and 1910 Ringling Bros. circus parades including views of the “Swan” Bandwagon and entire 24 horse team “Persia” tableau and 24 pony team side view “Egypt” tableau with the 16 camel team the entire elephant line-up riders and more. In addition there are added photos of wagons from the Al G. Barnes Circus Cole Bros. Circus later absorbed by Bailey and then Ringling Bros. as well as 101 Ranch Wild West Shows later circus parades in the 1920s the unloading of circus wagons off the Wisconsin Central Railroad flatbed cars loading docks and more. Parkinson explains that his sets for sale from $ 1.35 to $ 6.00 for all of them are taken directly from original glass plate negatives and that he is not charging much more than the printing costs and only trying to recoup his original considerable expense in purchasing the original negatives. Parkinson 1923-1991 began collecting as early as 1936 when he purchased his first Ringling-Barnum Bros. program and followed every circus show within striking distance of Decatur IL. After starting work as an insurance adjustor in 1946 he continued to chase buy & occasionally sell Circus related material assembling a massive collection of field show newspaper ads and was hired as the director of the Circus World Museum Library and Research Center in Baraboo WI from 1965 until his death. It was renamed the Robert L. Parkinson Library & Research Center the same year. Bob Parkinson, Box 42, unknown
ref. 215188Japan. Early Meiji. Black and white woodblock print 33 x 45.8cm few small stains a few small holes neatly repaired. A lively and attractive image. This fun-filled woodblock print is an advertisement for a visiting American circus to Japan in the early Meiji period most likely around the 1870s. The main attraction is the equestrian feats but other acrobatic entertainments including trapeze and clown acts are also featured. Seventeen American names with six others are listed in the left bottom corner. Western circuses such as Risley Circus and Chiarini Circus were very popular in Japan during the Meiji period. . unknown
1857ref. 81743J.-B. Baillière & fils | Paris & Londres & New York 1857 | 13.50 x 21.50 cm | relié
1889ref. 85901Librairie Plon | Paris 1889 (S.d.) | 21 x 28.20 cm | relié
1920ref. 146111920 1 Aquarelle rehaussée d'argent, titrée, (1920), 25 x 18 cm., encadrée.
1938ref. 88793s. n. | Marseille 1938 | 20.6 x 26.8 cm | Relié
1886ref. 7262St. Louis: Great Western Printing Co. Show Printers and Engravers 1886. St. Louis: Great Western Printing Co. Show Printers and Engravers 1886. Two-sided herald 10.5" x 28" printed in black on yellow newsprint. Text on bottom of each side reads "Black on Yellow Car No. 1 Great Western Printing Co. Show Printers and Engravers St. Louis. No. 4" with "Binghamton Mon. May 10" stamped in blue at bottom of verso in the "Will exhibit at" blank. Illustrations and performance roster in two columns. Headline on recto fabulously reads "The World Ransacked for All Its Wonders." Illustrations feature the Grand Street Demonstration the Egyptian Bovalapus actually a water buffalo two from the Equestrian Organization assumed James Robinson in his famous somersault and Emma Stokes wife of show proprietor John B. Doris "Old Betts" the War-Elephant a Troupe of Turkish Athletes another of Bicycle Riders Siberian Roller Skaters knife-thrower Riffia Bey and reptile-queen Katamorpa. Text roster adds everything from Human Blood-Sucking Vampires to a Menagerie of Infant Animals. The show carried a robust equestrian lineup including the aforementioned Robinson who was only the second person to execute a bareback somersault and at the height of his career was the highest paid equestrian in the United States. Another notable performance was the seven-person clown troupe led by Johnny Patterson the Irish humorist and songwriter best known for his song "The Garden Where the Praties Grow." In the show's route diary for this year compiler and Superintendent of the Confectionery Department E.C. White writes that the 1886 run was "one of the most successful seasons Financially and Professionally ever known.Notwithstanding the strong opposition experienced at the commencement and close of the season." On May 8th for the stop in Elmira NY just preceding this poster's show in Binghamton the diary notes "First day of the Forepaugh opposition." From there the rival Adam Forepaugh Circus & Wild West Show began to follow the Doris route a few days behind but sending their tack-spitters ahead to put up adverts for their own show before Doris's arrival in town. The Binghamton stand was 135 miles down the Lake Erie and Western Railroad and the opposition brigade had already gotten there. The diary entry for the date on this herald notes "Forepaugh bills us heavy here" but despite the opposition advertising and an amount of rain goes on to say "business good." Forepaugh would set up in Binghamton four days later on the 14th. The route diary as an aside descends into an almost Sisyphean resignation as this goes on simply writing "Forepaugh" or "Forepaugh again" entry after entry until on June 25th offers the existential almost-haiku "We ferry here. Forepaugh is billed here. Rain all day." In keeping with classic origin stories John B. Doris ran away at fourteen and joined the Dan Rice Circus. He soon bought privileges on the Rice show along with George Batcheller and soon the two split off to start Batcheller & Doris' Great Inter Ocean Circus. Doris bought out his partner in 1881 and continued as the sole proprietor until 1888 when heavyweight boxer John L. Sullivan became a partner. Sullivan one of the first true sports celebrities was meant to engage in a sparring exhibition each night but missed so many shows due to his excessive drinking that Doris closed the show mid-season and retired from traveling to work in theater production. Doris seems to have been well-liked by other circus folk earning the nickname Hunky Doris. Herald is in excellent condition overall with a shallow half-inch chip at bottom and a couple tiny chips and tears in margins along edges along with a few small pinholes to surface none involving or interfering with text. Flattened remnant of a horizontal crease at center. A couple smudged thumbprints to top margin on recto. Print is clean and color even. Great Western Printing Co., Show Printers and Engravers unknown
1886ref. 7262St. Louis: Great Western Printing Co. Show Printers and Engravers 1886. St. Louis: Great Western Printing Co. Show Printers and Engravers 1886. Two-sided herald 10.5" x 28" printed in black on yellow newsprint. Text on bottom of each side reads "Black on Yellow Car No. 1 Great Western Printing Co. Show Printers and Engravers St. Louis. No. 4" with "Binghamton Mon. May 10" stamped in blue at bottom of verso in the "Will exhibit at" blank. Illustrations and performance roster in two columns. Headline on recto fabulously reads "The World Ransacked for All Its Wonders." Illustrations feature the Grand Street Demonstration the Egyptian Bovalapus actually a water buffalo two from the Equestrian Organization assumed James Robinson in his famous somersault and Emma Stokes wife of show proprietor John B. Doris "Old Betts" the War-Elephant a Troupe of Turkish Athletes another of Bicycle Riders Siberian Roller Skaters knife-thrower Riffia Bey and reptile-queen Katamorpa. Text roster adds everything from Human Blood-Sucking Vampires to a Menagerie of Infant Animals. The show carried a robust equestrian lineup including the aforementioned Robinson who was only the second person to execute a bareback somersault and at the height of his career was the highest paid equestrian in the United States. Another notable performance was the seven-person clown troupe led by Johnny Patterson the Irish humorist and songwriter best known for his song "The Garden Where the Praties Grow." In the show's route diary for this year compiler and Superintendent of the Confectionery Department E.C. White writes that the 1886 run was "one of the most successful seasons Financially and Professionally ever known.Notwithstanding the strong opposition experienced at the commencement and close of the season." On May 8th for the stop in Elmira NY just preceding this poster's show in Binghamton the diary notes "First day of the Forepaugh opposition." From there the rival Adam Forepaugh Circus & Wild West Show began to follow the Doris route a few days behind but sending their tack-spitters ahead to put up adverts for their own show before Doris's arrival in town. The Binghamton stand was 135 miles down the Lake Erie and Western Railroad and the opposition brigade had already gotten there. The diary entry for the date on this herald notes "Forepaugh bills us heavy here" but despite the opposition advertising and an amount of rain goes on to say "business good." Forepaugh would set up in Binghamton four days later on the 14th. The route diary as an aside descends into an almost Sisyphean resignation as this goes on simply writing "Forepaugh" or "Forepaugh again" entry after entry until on June 25th offers the existential almost-haiku "We ferry here. Forepaugh is billed here. Rain all day." In keeping with classic origin stories John B. Doris ran away at fourteen and joined the Dan Rice Circus. He soon bought privileges on the Rice show along with George Batcheller and soon the two split off to start Batcheller & Doris' Great Inter Ocean Circus. Doris bought out his partner in 1881 and continued as the sole proprietor until 1888 when heavyweight boxer John L. Sullivan became a partner. Sullivan one of the first true sports celebrities was meant to engage in a sparring exhibition each night but missed so many shows due to his excessive drinking that Doris closed the show mid-season and retired from traveling to work in theater production. Doris seems to have been well-liked by other circus folk earning the nickname Hunky Doris. Herald is in excellent condition overall with a shallow half-inch chip at bottom and a couple tiny chips and tears in margins along edges along with a few small pinholes to surface none involving or interfering with text. Flattened remnant of a horizontal crease at center. A couple smudged thumbprints to top margin on recto. Print is clean and color even. Great Western Printing Co., Show Printers and Engravers unknown books
1950ref. WAS449806 sheet lithographic poster measuring 80 x 84 inches small area of image loss at lower middle of image some chips and tears at edges. Blank section at top left edge was intended for the inclusion of the name and location of a particular event. This poster was acquired by a collector from the Majestic Poster Press of Los Angeles in the early 1970s. At the time the company held inventory of unused posters printed by other presses as well as their own. Large multi-sheet posters are quite scarce today. Alles Printing Co
1950ref. WAS449806 sheet lithographic poster measuring 80 x 84 inches small area of image loss at lower middle of image some chips and tears at edges. Blank section at top left edge was intended for the inclusion of the name and location of a particular event. This poster was acquired by a collector from the Majestic Poster Press of Los Angeles in the early 1970s. At the time the company held inventory of unused posters printed by other presses as well as their own. Large multi-sheet posters are quite scarce today. Alles Printing Co books
ref. 26578Paris, non daté [1901-1902.]. Fort in-4, reliure éditeur demi-chagrin bordeaux, non paginé. (10 pages environ par revue du N° 1 à 29 et ensuite pour la Nouvelle série 20 pp)
Paris, non daté [1901-1902.]. Fort in-4, reliure éditeur demi-chagrin bordeaux, non paginé. (10 pages environ par revue du N° 1 à 29 et ensuite pour la Nouvelle série 20 pp) Cet album contient le N° 1 jusqu'au n° 29 (manque le n° 28) et ensuite les N° de La Nouvelle série du N° 30 au N° 40. Soit 39 numéros. Ecrivains ayant publié dans la revue : Alphonse Allais, (N°10 : Une bonne maison. N° Macédoine. N°17 : Une innovation à laquelle tout le monde applaudira. N° 21 : La malheureuse prononciation. N° 27 : La Science et la Religion - enfin - marchent main dans la main. Etc.)- Jean Lorrain, Tristan Bernard, Maurice Donnay, Jules Clarétie, Félix Galipaux, Charles Quinel, Marcel Prévost, Tené Maizeroy, Xanroff, G. Courteline, Yvette Guilbert, Henri Lavedan, Alfred Capus, etc, etc...La majorité des photographies n'est pas attribuée, mais pour les grandes compositions photographiques : E. Lagrange Notes : Revue paraissant à la suite de La Grande Vie en 1901. Image et texte monochrome, noir, brun, violet ou bleu. Gérant du n° 1: Henri Chevallier. Gérant des autres numéros : E. Le Barbier. Grandes compositions photographiques attribuées à A. [sic] Lagrange, fréquemment cité comme le photographe dans les romans parus chez Nilsson/Per Lamm (sous le nom « E. Lagrange »). A partir du N° 30 la couverture est illustrée en couleurs, ce numéro est consacré à La Vie au Cirque (18 pages). Très nombreuses publicités dans chaque revue, planches dans et hors-texte et certaines sur double-page en couleurs (Morin Au bois de Boulogne). Un seul numéro ne possède pas sa première de couverture, n° 31 (Les Boulevards Parisiens). Bel état intérieur mais fente sur un mors de la reliure.
ref. ORD-17440Ateliers d'Art Engelmann, Lucien Serre et Cie Imprimeurs. 15 Avril 1931. In-f°à l'italienne (426 x 97 mm) cartonnage de l'éditeur, dos toile beige, plats aluminium flanqués de 2 bandes de tissu rouge, 8ff.n.ch. Bien complet des 60 planches couleurs par Fernel présentant des artistes du cirque en représentation, tous identifiés par leur signature. Tirage à 555 exemplaires, celui-ci N°46 un des 500 sur Velin pur fil Vidalon. Couverture un peu abîmée, première page un peu tachée, bon état des illustrations.
