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1994ref. 98183Mainz, Verlag Philipp von Zabern, 1994. 180 S. 4° Quart, Softcover/Paperback
1905ref. 40105Bruxelles: Vindelinck, um. 1905. Ungelaufen, unbeschrieben, gering bestoßen, gutes Ex.
ref. 10923aaf(1943):
1954Paris La Toison d'or 1954, In-8 broché sous jaquette illustrée. 209 pages + 16 illustrations photograohiques en hors texte. Trés bon état.
ref. 18690Bruxelles, Vroom, 1827. In-12 de 31 pages. Cartonnage marbré à la Bradel, couture lâche. Nombreux tampons de Radio France et ORTF.
ref. 80804Zurich, Kust Bosshard 1957, 210x265mm, illustrations en couleurs in texte. Reliure demi toile de l’éditeur. Format à l’italienne. Bel exemplaire.
1957ref. 011375ZURICH KURT BOSSHARD 1957 Un volume in-8 au format oblong de 27 pages non paginées , dans son cartonnage éditeur , couverture et illustrations en couleurs de M. Etter , les angles sont défraîchis , bon exemplaire . Bon Couverture rigide
1957ref. 1942Zürich, Bosshard., 1957. Farbig ill. Halbleinen; quer 21 x 27 cm; gemusterte Innendeckel; 14 Blatt mit ganz- und doppelseitigen Farbbildern sowie größeren und kleineren bunten und s/w Bildern im Text von Manon Etter.1957.
1968ref. 52683New York: Electric Circus 1968. First edition. Near fine. Original concert program for an evening organized by the legendary nightclub with performances by electronic music pioneer Morton Subotnick and New York Pro Musica under the reassuring oversight of a Consulting Psychologist. The successor to Warhol's Exploding Plastic Inevitable Brandt's Electric Circus opened in 1967 as "the latest total environment McLuhanist discotheque" with light shows jugglers and acrobats Newfield. The opening also featured a presentation of Subotnick's "Silver Apples of the Moon" an early work for synthesizer and the first electronic composition commissioned by a record company. Subotnick curated a series of Monday night concerts at the Electric Circus and at Carnegie Hall in December of 1967 an "Electric Christmas." Electric Easter the sequel likewise featured New York Pro Musica. Their inclusion was a suggestion by Dr. Edgar Coons NYU psychology professor and former student of Virgil Thomson who had had his mind previously blown by an Electric Circus light and rock show and "for reasons he leaves a bit vague" Ross thought an early music ensemble covering The Beatles's "Hello Goodbye" in faux-medieval French would be a good idea. Soul group The Chambers Brothers closed performing Perusio's "Le grant désir". Critics loved it. 8.5'' x 5.5''. Original green and yellow bifold leaf. Minimal edgewear very faint creasing. Bright and sharp. (Electric Circus) unknown books
1968ref. 52683New York: Electric Circus 1968. First edition. Near fine. Original concert program for an evening organized by the legendary nightclub with performances by electronic music pioneer Morton Subotnick and New York Pro Musica under the reassuring oversight of a Consulting Psychologist. The successor to Warhol's Exploding Plastic Inevitable Brandt's Electric Circus opened in 1967 as "the latest total environment McLuhanist discotheque" with light shows jugglers and acrobats Newfield. The opening also featured a presentation of Subotnick's "Silver Apples of the Moon" an early work for synthesizer and the first electronic composition commissioned by a record company. Subotnick curated a series of Monday night concerts at the Electric Circus and at Carnegie Hall in December of 1967 an "Electric Christmas." Electric Easter the sequel likewise featured New York Pro Musica. Their inclusion was a suggestion by Dr. Edgar Coons NYU psychology professor and former student of Virgil Thomson who had had his mind previously blown by an Electric Circus light and rock show and "for reasons he leaves a bit vague" Ross thought an early music ensemble covering The Beatles's "Hello Goodbye" in faux-medieval French would be a good idea. Soul group The Chambers Brothers closed performing Perusio's "Le grant désir". Critics loved it. 8.5'' x 5.5''. Original green and yellow bifold leaf. Minimal edgewear very faint creasing. Bright and sharp. (Electric Circus) unknown
1892ref. 2260084Erie PA: Erie Show Printing Company 1892. Soft cover. Good. 8vo - over 7¾ - 9¾" tall. See photos for condition details. Softcover measuring 8.5" in height and bound with a single piece of thread at the center which is likely very fragile because of its age. The exterior shows fading along the edges particularly the front. There's also small folds and tears present. The top of the front also shows original owner information. The first page on the interior has some creases and crimps which is also present on the additional pages. Paper is darkened due to age and the quality of paper used. This is a rare piece of ephemera of this Pennsylvania performer and may be the only surviving copy. Erie Show Printing Company paperback
1886ref. 82931886 Paris, M. de Brunhoff ; (Corbeil, impr. de Crété,)1886. In-8 reliure demi toile,dos lisse, à fleuron,(230 x 160), 103 p., fig., couvertures en coul., et dos conservé,édition originale,
1980Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears, now wrapped in clear protective cover. Previous owner's name or sticker in front section of the book.286 pages, heavily illustrated with large full color plates throughout, fold-out pages are in excellent condition with no creases or flaws.
1931ref. 24989Philadelphia David McKay Washington Square 1931. HBDJ 1931 1st Edition 1st Printing F-/GOOD AS-IS DJ Slightly Worn With Light Soiling & tiny Chips Tears Wear Edges Extremities Original Maroon Red Cloth Hardback Book is almost pristine condition light Wear with Bright Color PasteOn Label Matches DJ Illustration Interior nice tight Clean light FOX Wear Unpaginated NO ADS IN Back Back DJ light FOx Wear & Soil small Edge Tears Lists Thru This Title. Small chips DJ spine Ends Dust jacket is slightly worn. First Edition. Hard Cover. Philadelphia David McKay Washington Square hardcover
1952ref. 20249Editions de Paris / Collection " Les Troubadours du Siècle " 1952. In-12 broché de 206 pages au format 12 x 18,5 cm . Superbes couvertures illustrées par l'auteur. Dos bien carré. Plats et intérieur frais. Frontispice et très nombreux dessins inédits en noir in-texte de Maurice Feaudièrre, dit Serge. Edition originale, en superbe état de fraicheur. Précieux exemplaire accompagné d'une longue et magnifique lettre autographe, signée, avec petit dessin original, destinée à un collaborateur du Crapouillot, en remerciement d'un article sur " Serge ". La lettre est pliée.
ref. 20709Editions de Paris. Collection "Les Troubadours du Siècle" 1952. Broché, couvertures illustrées en noir, blanc & rouge de Serge, in 8, 19x12, ouvrage illustré de dessins inédits dans le texte de Serge, 1ère édition
ref. 18287Broché - 13.5x17,5 - 8 pp - sans date - imprimerie CHABRILLAC, Toulouse.
1954ref. 96328Paris, éditions de Paris, coll. « Les Troubadours du Siècle » 1954 In-12 18,5 x 11,5 cm. Broché, belle couverture illustrée en bichromie, 205 pp., dessins originaux dans et hors texte. Exemplaire très frais en très bon état de l’édition originale sans grand papier.
1952ref. AUB-3241Editions de Paris (coll. les Troubadours du siècle) 1952. Bel exemplaire broché, couverture ornée d'éd., pet. in-8, 211 pages avec table.
1952- Editions de Paris, Paris 1952, 12x19cm, broché. - Edition originale pour laquelle il n'a pas été tiré de grands papiers, poinçon de service de presse en pied du second plat. Envoi autographe signé de Serge à Pierre Loiselet et sa femme Suzanne. Belle couverture illustrée et dessins inédits de l'auteur. Une discrète restauration à l'aide d'un papier adhésif transparent en pied du dos, sinon agréable exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
1952ref. 53814Editions de Paris | Paris 1952 | 12 x 19 cm | broché
ref. 8117Amar Programme in-4°,toutes les photographies sont en couleurs.Bel exemplaire glacé.
ref. 12558broché - 12x18.5 - 1952 - 209pp - éditions de paris - illustré de dessins inédits et d'une couverture en couleurs de serge
Barcelona, Editorial Fama, 1955. 4to.; 125 pp., 1 h. y 29 ilustraciones fotográficas en láminas fuera de texto. Encuadernación original en cartoné.
2018ref. 18216New York: Crown Archetype 2018. Signed on a blank page following the endpaper by Eric Idle. First U.S. edition / First printing. Pale gray paper-covered boards. Very fine in a very fine dust jacket. Founding member of Monty Python's Flying Circus. Creator of the Rutles. Creator of Spamalot. Comedy legend Eric Idle looks back on a career of looniness. Crown Archetype, hardcover
