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193840 pages. Contents: Roosevelt Tour Widens Rift With Old-Line Democrats: But Phantom Purge Ends as a Mere Good-Will Pilgrimage Before He Takes to Sea; (James) Farley Tells All: Reveals Inside Story of Roosevelt Nomination; Oklahoma Circus: "Sooners" Rename (Elmer) Thomas in Free-for-All Campaign; WPA (Works Progress Administration) at the Polls; 'Flour, Not Pork': Texas Hillbilly (W. Lee O'Daniel) Carries on Traditions of Huey Long; 40 Million a Month: Old-Age Assistance Program Now Adopted in All States; Wage-Hour Czar: New Yorker (E.F. Andrews) Appointed Administrator of New Act; Binding the Ties of Democracy: Paris Hails British Monarch - King George (VI)'s Adherence to Course Set by His Father Pleases All Britain; Danger in August: Nazis' Demands on Prague Stir Fears of New Crisis; The Duce (Benito Mussolini) as Nordic: All Italians (Except Jews) 'Aryan and Heroic' He Says; Help for Refugees; Deserters of Geneva: Venezuela Joins Flight from Crumbling League (of Nations); China's Lives: Japanese Pin Hopes on Inland Naval Offense; The Search for Security: 5,000 Debate World Problems at Charlottesville; Greyhound at Goshen: Harness Veterans Polish Up for Hambletonian; Catholics Open Drive to Clear up Misconceptions of Church's Policies; Swallows vs. Mosquitoes: Rome Hopes Birds Will Make Pontine Marshes Livable; Boom in Child Stars: Shirley Temple Still Leads in Box Office Lure; Cameramen Take Up Polo: Free Press Crew Challenges World on Rented Ponies; World Pins Hope of Recovery on U.S. Business Leadership: League of Nations Experts See Economic Problems Easier to Solve Than in 1929; AAA (Agricultural Adjustment Administration) Dilemma: Tobogganing Prices Spread Discontent in Wheat Bowl; U.S. Deficit Rises to $3,984,887,000; Weirton Fireworks: Ouster of Defense Counsel Halts Long NLRB (National Labor Relations Board) Hearing; and Perspective: Why the Purge Petered Out. Binding intact. Contents clean and unmarked. Average wear. A sound vintage copy. Book
réf. 19606Paris Les Nouvelles Editions Fournier 1 Pièce en quatre actes, illustrations de DUBOUT. Paris, Les Nouvelles Editions Fournier, in-8, en feuilles, sous couverture rempliée titrée illustrée, sous chemise et étui cartonné bleu ciel, 241 pages.
1944réf. 86166Salies-du-Salat (Haute-Garonne) s. d. [1944] | 21 x 27 cm | une page recto verso
1960réf. 571CGZürich, o.J. (um 1960). Aquarell. Bildformat: 61 x 78 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 571CG
1844In folio (50×40 cm); foglio volante su bella carta azzurra. Esemplare in ottime condizioni di conservazione. Testo entro cornice xilografica. Manifesto per pubblicizzare la rappresentazione del noto circo “Gran Circolo Olimpico” bolognese che si esibiva nell’Arena del Sole di Bologna. Durante questa rappresentazione la protagonista fu la nota Compagnia Equestre Ghelia Tourniaire. Fra gli altri spettacoli: “La Volteggia da Peter d’Albis Price; Il Cloon alli primi esercizj di equitazione da Achille Ciotti; Passi di Grazia da Madamigella Margherita Balestrati; Travaglio in Grotesco e Salti di oggetti da Felice Gotfroid; Giuochi Indiani da Angelo Bussi; Calif, Cavallo Ghelia che agisce nel Teatro Comunale si produrrà con esercizj di obbedienza; La Grande Carriera a briglia sciolta da Federico Brennier; La Paesana – Borgognese – da Madamigella Marcherita Balestrati; Darà termine allo Spttacolo L’Arabo ed il suo destriero; Fatica particolare del Direttore ossia Il Cavallo Riconoscente; La Battaglia de’ Beduini cogli Arabi; Salvo Superiore permesso – Compagnia Equestre darà due grandiose corse di Cavalli e bighe né Pubblici Giardini detti La Montagnola nell’andante Mese”. La qualità dello Spettacolo, il giorno e l’ora in cui avranno luogo, verrà indicato con apposito Manifesto. In fondo al volume è presente un’interessante nota a stampa. “N. B. Chi amasse prendere Scuola di Equitazione e di Volteggia potrà combinare con Direttore pel giorno pel prezzo, e per l’ora all’Arena stessa”. Esemplare in ottime condizioni di conservazione. Raro manifesto.
1846In folio (50,5×41 cm); foglio volante. Esemplare in ottime condizioni di conservazione. Testo entro cornice xilografica. Manifesto per pubblicizzare la rappresentazione del noto circo “Gran Circolo Olimpico” bolognese che si esibiva nell’Arena del Sole di Bologna. La famiglia Guillaume diresse a lungo gli spettacoli circensi che si tennero all’Arena del Sole (e poi anche in altri teatri) a Bologna. La compagnia circense “Guillaume” venne fondata a Francesco Luigi che scappato dalla Francia durante i turbolenti anni della rivoluzione francese si fermò prima a Nizza e poi entrò nel territorio della penisola. Entrato in Italia acquistò il Circo Pellé econ esso girò per qualche anno l’intera Europa. Ritornato in Italia fondò il “Grande Circo Equestre Guillaume”. Gli spettacoli di questa nota compagnia vennero notevolmente apprezzati dal pubblico e dai regnanti europei fra i quali il principe Eugenio di Beauharnais, il re Gioacchino Murat e la regina Carolina di Napoli. Una parte della famiglia continuò l’attività circense a Brescia dove si era stabilito Luigi, una volta rientrato in Italia, mentre un’altra parte dei suoi discendenti fecero di Bologna la loro base operativo dove, dalla prima metà dell’ottocento, organizzavano i loro spettacoli, in particolare, presso l’Arena del Sole. Oltre gli spettacoli riportati nel titolo furono rappresentati: Passo Spagnolo, Eseguito dal Giovinetto Emilio Guillaume; Scena a Trasformazione – effettuata da Davide Guillaume, rappresentando Le Quattro Stagioni; Madama Giuditta Guillaume-Lombardi sul Cavallo a Gran Carriera disimpegnerà le Posizioni Accademiche del Mantello Spagnolo; Dall’Artista Venturelli verrà eseguito il difficile Giuco della Palla di CANNONE non che li equilibri de’ Piatti, e catini alla chinese; Produzione de’ Due Cavalli Ammaestrati di nuovo genere Condotti dal Direttore Giovanni Guillaume; L’applaudito Moretto Milker sorprenderà co’ suoi arditi, e difficoltosi Esercizi, saltando per la prima volta UNA GRAN BOTTE; Dal Ginnastico Cretenier verrà eseguito il Salto-Mortale sorpassando Sei Cavalli; Anche il Clows [Clawns i. e.] Dallot avrà parte nello Spettacolo Divertendo il Pubblico colle sue Facezie. Esemplare in ottime condizioni di conservazione. Raro.
1846In folio (50×40 cm); foglio volante. Esemplare in ottime condizioni di conservazione. Testo entro cornice xilografica. Manifesto per pubblicizzare la rappresentazione del noto circo “Gran Circolo Olimpico” bolognese che si esibiva nell’Arena del Sole di Bologna. La famiglia Guillaume diresse a lungo gli spettacoli circensi che si tennero all’Arena del Sole (e poi anche in altri teatri) a Bologna. La compagnia circense “Guillaume” venne fondata a Francesco Luigi che scappato dalla Francia durante i turbolenti anni della rivoluzione francese si fermò prima a Nizza e poi entrò nel territorio della penisola. Entrato in Italia acquistò il Circo Pellé econ esso girò per qualche anno l’intera Europa. Ritornato in Italia fondò il “Grande Circo Equestre Guillaume”. Gli spettacoli di questa nota compagnia vennero notevolmente apprezzati dal pubblico e dai regnanti europei fra i quali il principe Eugenio di Beauharnais, il re Gioacchino Murat e la regina Carolina di Napoli. Una parte della famiglia continuò l’attività circense a Brescia dove si era stabilito Luigi, una volta rientrato in Italia, mentre un’altra parte dei suoi discendenti fecero di Bologna la loro base operativo dove, dalla prima metà dell’ottocento, organizzavano i loro spettacoli, in particolare, presso l’Arena del Sole. Oltre gli spettacoli riportati nel titolo furono rappresentati: I Giuochi Romani, Eseguiti per la prima volta sopra diversi Cavalli a dorso nudo dal Direttore Giovanni Guillaume; La Giardiniera, Rappresentata per la prima volta da Madama Giuditta Guillaume sul Cavallo a Gran Carriera.; Agiranno Due Cavalli Ammaestrati, Jenny Cavalla ammaestrata alla parola, e Coccò – Cavallo Cacciatore, e apportatore; Le posizioni Accademiche delle Sciarpe, Eseguite dall’applaudita Damigella Maddalena Guillaume sul Cavllo a dorso nudo.; I Due Ercoli ovvero Straordinarj Esercizj di Forza, Eseguiti sopra due Cavalli a dorso nudo dal Giovinetto Emilio Guillaume, e dal Moreto Pietro Milker.; Si darà termine con una Giocosa Pantomima eseguita in maneggio, col titolo “Les Trois Jorgettes avec La Mére Mathieu”. In fondo al foglio seguono i costi delle varie rappresentazioni. Esemplare in ottime condizioni di conservazione. Raro.
1943réf. 12673CIE FRANCAISE ARTS GRAPHIQUES 1943 1 in-4 Illustrations de L. CAPLAIN. Compagnie Française des Arts Graphiques, 1943, in-4, demi-basane rouge, couverture originale, illustrée d'un couple de danseurs, 140 pp.
1969réf. 26151Suisse, Editions de la tournée Grock / Editions Victor Attinger 1931. In-12 broché de 190 pages au format 12,5 x 19 cm. Couverture illustrée par l'auteur. Dos carré, un peu pâli. Bords des plats un peu brunis. Minuscule tache en couverture. Petites brunissures au 4ème plat. Intérieur frais. Adaptation française du texte allemand d'Edouard Behrens. Edition originale enrichi d'un dessin original, signé et légendé par Grock " Sans blague ! " .
2010réf. 1-1604425547Amer Bar Assn 2010. Paperback. New. 2nd edition. 1169 pages. 10.90x8.50x2.10 inches. Amer Bar Assn paperback
1965réf. 67100André Sauret 1965 In-4 relié toile éditeur sous jaquette lithographiée et rhodoïd, 171 pp. 76 photographies en noir de Izis Bidemanas et 4 compositions en couleurs hors-texte de Chagall. Bel exemplaire
1889réf. 88707E. Plon, Nourrit 1889 In-4. Cartonnage éditeur pleine percaline rouge, report auteur, titre, éditeur, or sur le premier plat, argent sur les dos, tête dorée, V-250 pp., illustrations dans le texte. Cartonnage terni, sinon bon exemplaire.
1968réf. 709Paris, Maeght éditeur, 1968. In-folio (380 x 280 mm) en feuilles, 20 pages. 6 LITHOGRAPHIES ORIGINALES EN COULEURS dont 2 en double-page et 2 LITHOGRAPHIES ORIGINALES EN NOIR. 12 reproductions en noir dont 7 en double page. Texte de Giovanni Carandente "Un géant enfant". Exposition de 10 "flèches de 1967 et 1968. Tirage original en excellent état de conservation.
1890réf. 71960Haar & Steiner | Paris 1890 (S.d.) | 14.50 x 20.80 cm | relié
réf. 5805CIRCUS. ALS. 3pg. 8 x 11. December 18 1940. Lexington Kentucky. An autograph letter signed W. Shelby Jaxon on The Zephyrs stationery. Jaxon wrote to W.H. Warner the technical director of Ringling Bros and Barnum & Bailey Combined Shows Inc. The letter states in full: Hello Bill I just received your letter. Sorry you are having a tough time getting the Boys up to practice. I also am having trouble finding some way to practice the Bars. The colleges are Basket Ball Crazy now and I can't practice nights and I have no one to practice in the daytime with me. I just worked a one nighter. I used Big Blakeman as my partner. We were a little slow and stalled a bit but we went over 100% and got encores. So we didn't feel so bad. The warehouses have closed until Jan 2nd and the Barrel Hog Factory has moved out of town. So I won't get any work around here. If I had a Bar Act in shape ready to go I could go to work tomorrow night for 4 straight weeks in clubs and then get a unit show. Blakeman wants to quit his job and go with me. But he needs two months straight practice before he would be presentable. He doesn't realize that I had a top and speedy act when I worked these spots before and that is what they expect me to give them now and I can't do it with him the shape he is in. So I am just letting it go. I have the triple ground bars all set and painted up and ready to go. They really look fine on a stage. I painted the bar tiles gold and shined the uprights and they are the cleanest neat appear stage bars I have ever seen when set on a stage with lights on them. I got a letter from a fellow in Chicago who just finished building a rigging that folds and has two bars. He wants me to work with him and furnish the car and split fifty-fifty. But he says the rigging folds down instead of together. I am not taking any chances as I have no way he has a practical rigging. He wants me to come to Chicago and practice a week and go to work but that costs money when you consider you also have to buy wardrobe and get photos made. So I turned it down not knowing him either. Jake Crumley told him about me. I have a job coming up in four or five weeks which will last about 5 to 7 weeks at pretty fair money. I have got to go out of town to see about it next week. It is for aerialist Harold Voise on serial bars. Did you ever hear from Walter Guice I am rebuilding my car's generator and fooling around with my car in general as I just had a fellow pay me $25.00 he has owned me for over two years that wasn't hard to take. Bill I think I had better stick around and try to pick up something around here until February and then I can go to work for Voise for a few weeks and from there it will be easy going. Let me hear from you and don't worry too much about the bar practice or the folding rigging take it easy. I'll probably be able to send you some money to start on the folding rigging when I go to work for Voise. As Ever W. Shelby Jaxon. unknown books
1870réf. BK0091Likely United States 1870. Photograph approximately 7 ½ × 5 ¼ inches mounted to a larger card with printed oval rules. No photographer's imprint or identification to verso. Mount with edge wear rounded and chipped corners rippling to mount short closed tear at left edge scattered surface wear and spotting; some loss to applied color particularly at the trunks good. A hand-colored albumen photograph showing an unidentified male circus performer or acrobat posed full-length in a studio wearing white tights and slippers decorated trunks wrist cuffs and an elaborate ruffled collar. The performer is likely an acrobat or gymnast. The photograph is unsigned and the subject unidentified; the format and presentation suggest an American origin though similar circus portraits were produced in Europe during the period. unknown
1870réf. BK0091Likely United States 1870. Photograph approximately 7 ½ × 5 ¼ inches mounted to a larger card with printed oval rules. No photographer's imprint or identification to verso. Mount with edge wear rounded and chipped corners rippling to mount short closed tear at left edge scattered surface wear and spotting; some loss to applied color particularly at the trunks good. A hand-colored albumen photograph showing an unidentified male circus performer or acrobat posed full-length in a studio wearing white tights and slippers decorated trunks wrist cuffs and an elaborate ruffled collar. The performer is likely an acrobat or gymnast. The photograph is unsigned and the subject unidentified; the format and presentation suggest an American origin though similar circus portraits were produced in Europe during the period. unknown books
1892réf. List3690N.p. 1892. Folio 9 ½ x 11 ½ inches. 17 pp. Pink printed newsprint wrappers with photographic portrait of John H. Sparks on the front cover. Covers detached paper toned and fragile as typical of newsprint; fair to good overall. An unrecorded music folio issued for the traveling circus of John H. Sparks in the early 1890s self-described as “The Best Collection of Music Ever Published.” Sparks based in Ohio was building his circus during this period into a touring wagon show combining trained animal acts equestrian performances and sideshow attractions. Sparks toured widely presenting afternoon and evening performances and like other traveling acts relied heavily on printed ephemera for revenue. Songs include “Waiting to Hear the Verdict” by Chales Osbourne; “Annie Reilly” by Johnnie Carroll; “Don’t Abuse the Old Folks” by Will H. Fox; “When the Sea Gives Up its Dead” by J.J. Nolan; “When Summer Comes Again” by James Thornton; “The White Squadron” by Arthur West; “Wait Till My Ship Comes Home” by John Walsh; “My Old Dutch” by Charles Ingle; and “Buy a Nice Little Home in the Country” by Ed. Barry. Several compositions are copyrighted by Frank Harding 1864–1939 at the Royal Copyright Office which is peculiar and suggest the possibility that this was for an English audience though Sparks is not known to have toured England during this period. Harding was a New York music publisher who operated Frank Harding’s Music House at 229 Bowery during the formative years of Tin Pan Alley. unknown
1892réf. List3690N.p. 1892. Folio 9 ½ x 11 ½ inches. 17 pp. Pink printed newsprint wrappers with photographic portrait of John H. Sparks on the front cover. Covers detached paper toned and fragile as typical of newsprint; fair to good overall. An unrecorded music folio issued for the traveling circus of John H. Sparks in the early 1890s self-described as “The Best Collection of Music Ever Published.” Sparks based in Ohio was building his circus during this period into a touring wagon show combining trained animal acts equestrian performances and sideshow attractions. Sparks toured widely presenting afternoon and evening performances and like other traveling acts relied heavily on printed ephemera for revenue. Songs include “Waiting to Hear the Verdict” by Chales Osbourne; “Annie Reilly” by Johnnie Carroll; “Don’t Abuse the Old Folks” by Will H. Fox; “When the Sea Gives Up its Dead” by J.J. Nolan; “When Summer Comes Again” by James Thornton; “The White Squadron” by Arthur West; “Wait Till My Ship Comes Home” by John Walsh; “My Old Dutch” by Charles Ingle; and “Buy a Nice Little Home in the Country” by Ed. Barry. Several compositions are copyrighted by Frank Harding 1864–1939 at the Royal Copyright Office which is peculiar and suggest the possibility that this was for an English audience though Sparks is not known to have toured England during this period. Harding was a New York music publisher who operated Frank Harding’s Music House at 229 Bowery during the formative years of Tin Pan Alley. unknown books
1889réf. CZC-13441illustrations de Jules Garnier I. Les Banquistes; l'organisation, la foire, les entresorts, la baraque. II. les jeux du cirque; les dresseurs, les dompteurs, les écuyers, l'hippodrome, les équilibristes, les gymnasiarques, les clowns, les cirques privées. Superbe exemplaire, relié demi cuir à coins, grand in4, 280x220, toutes tranches dorées, couvertures d'origines conservées, 250pp. Paris, Plon, vers 1880
1889réf. CZC-13441illustrations de Jules Garnier I. Les Banquistes; l'organisation, la foire, les entresorts, la baraque. II. les jeux du cirque; les dresseurs, les dompteurs, les écuyers, l'hippodrome, les équilibristes, les gymnasiarques, les clowns, les cirques privées. Superbe exemplaire, relié demi cuir à coins, grand in4, 280x220, toutes tranches dorées, couvertures d'origines conservées, 250pp. Paris, Plon, vers 1880
1944réf. AUB-2225Paris, éditions Arc en Ciel 1944. Bel in-4 oblong (25x30), reliure demi cuir avec coins, dos orné avec titres dorés, 20 pages + 80 lithos avec présentation ornée de dessins et table. Exemplaire portant le no H.C. XVII sur 1000 exemplaires numérotés.
réf. 23679aafParis, E. Plon, Nourrit, s.d. (1889), in-4°, XVI + 250 p. + 2 f., illustré de nombreuses jolies vignettes en couleurs, xylogravures de Ch. G. Petit, légères rousseurs sur le faux-titre, plat inférieur de la couv. orig. conservé, en feuilles dans couverture en toile rouge, lanières d'attache en trois couleurs.
réf. 88547aaf1809, 23x31.5 cm, Ours qui danse sur une place à Rome, avec cornemuse et 2 chiens,
1960réf. 571CGZürich, o.J. (um 1960). Aquarell. Bildformat: 61 x 78 cm.
