2.850 Ergebnisse
1969Best.-Nr. 26151Suisse, Editions de la tournée Grock / Editions Victor Attinger 1931. In-12 broché de 190 pages au format 12,5 x 19 cm. Couverture illustrée par l'auteur. Dos carré, un peu pâli. Bords des plats un peu brunis. Minuscule tache en couverture. Petites brunissures au 4ème plat. Intérieur frais. Adaptation française du texte allemand d'Edouard Behrens. Edition originale enrichi d'un dessin original, signé et légendé par Grock " Sans blague ! " .
2010Best.-Nr. 1-1604425547Amer Bar Assn 2010. Paperback. New. 2nd edition. 1169 pages. 10.90x8.50x2.10 inches. Amer Bar Assn paperback
1965Best.-Nr. 67100André Sauret 1965 In-4 relié toile éditeur sous jaquette lithographiée et rhodoïd, 171 pp. 76 photographies en noir de Izis Bidemanas et 4 compositions en couleurs hors-texte de Chagall. Bel exemplaire
1889Best.-Nr. 88707E. Plon, Nourrit 1889 In-4. Cartonnage éditeur pleine percaline rouge, report auteur, titre, éditeur, or sur le premier plat, argent sur les dos, tête dorée, V-250 pp., illustrations dans le texte. Cartonnage terni, sinon bon exemplaire.
1968Best.-Nr. 709Paris, Maeght éditeur, 1968. In-folio (380 x 280 mm) en feuilles, 20 pages. 6 LITHOGRAPHIES ORIGINALES EN COULEURS dont 2 en double-page et 2 LITHOGRAPHIES ORIGINALES EN NOIR. 12 reproductions en noir dont 7 en double page. Texte de Giovanni Carandente "Un géant enfant". Exposition de 10 "flèches de 1967 et 1968. Tirage original en excellent état de conservation.
1890Best.-Nr. 71960Haar & Steiner | Paris 1890 (S.d.) | 14.50 x 20.80 cm | relié
Best.-Nr. 5805CIRCUS. ALS. 3pg. 8 x 11. December 18 1940. Lexington Kentucky. An autograph letter signed W. Shelby Jaxon on The Zephyrs stationery. Jaxon wrote to W.H. Warner the technical director of Ringling Bros and Barnum & Bailey Combined Shows Inc. The letter states in full: Hello Bill I just received your letter. Sorry you are having a tough time getting the Boys up to practice. I also am having trouble finding some way to practice the Bars. The colleges are Basket Ball Crazy now and I can't practice nights and I have no one to practice in the daytime with me. I just worked a one nighter. I used Big Blakeman as my partner. We were a little slow and stalled a bit but we went over 100% and got encores. So we didn't feel so bad. The warehouses have closed until Jan 2nd and the Barrel Hog Factory has moved out of town. So I won't get any work around here. If I had a Bar Act in shape ready to go I could go to work tomorrow night for 4 straight weeks in clubs and then get a unit show. Blakeman wants to quit his job and go with me. But he needs two months straight practice before he would be presentable. He doesn't realize that I had a top and speedy act when I worked these spots before and that is what they expect me to give them now and I can't do it with him the shape he is in. So I am just letting it go. I have the triple ground bars all set and painted up and ready to go. They really look fine on a stage. I painted the bar tiles gold and shined the uprights and they are the cleanest neat appear stage bars I have ever seen when set on a stage with lights on them. I got a letter from a fellow in Chicago who just finished building a rigging that folds and has two bars. He wants me to work with him and furnish the car and split fifty-fifty. But he says the rigging folds down instead of together. I am not taking any chances as I have no way he has a practical rigging. He wants me to come to Chicago and practice a week and go to work but that costs money when you consider you also have to buy wardrobe and get photos made. So I turned it down not knowing him either. Jake Crumley told him about me. I have a job coming up in four or five weeks which will last about 5 to 7 weeks at pretty fair money. I have got to go out of town to see about it next week. It is for aerialist Harold Voise on serial bars. Did you ever hear from Walter Guice I am rebuilding my car's generator and fooling around with my car in general as I just had a fellow pay me $25.00 he has owned me for over two years that wasn't hard to take. Bill I think I had better stick around and try to pick up something around here until February and then I can go to work for Voise for a few weeks and from there it will be easy going. Let me hear from you and don't worry too much about the bar practice or the folding rigging take it easy. I'll probably be able to send you some money to start on the folding rigging when I go to work for Voise. As Ever W. Shelby Jaxon. unknown
1870Best.-Nr. BK0091Likely United States 1870. Photograph approximately 7 ½ × 5 ¼ inches mounted to a larger card with printed oval rules. No photographer's imprint or identification to verso. Mount with edge wear rounded and chipped corners rippling to mount short closed tear at left edge scattered surface wear and spotting; some loss to applied color particularly at the trunks good. A hand-colored albumen photograph showing an unidentified male circus performer or acrobat posed full-length in a studio wearing white tights and slippers decorated trunks wrist cuffs and an elaborate ruffled collar. The performer is likely an acrobat or gymnast. The photograph is unsigned and the subject unidentified; the format and presentation suggest an American origin though similar circus portraits were produced in Europe during the period. unknown
1892Best.-Nr. List3690N.p. 1892. Folio 9 ½ x 11 ½ inches. 17 pp. Pink printed newsprint wrappers with photographic portrait of John H. Sparks on the front cover. Covers detached paper toned and fragile as typical of newsprint; fair to good overall. An unrecorded music folio issued for the traveling circus of John H. Sparks in the early 1890s self-described as “The Best Collection of Music Ever Published.” Sparks based in Ohio was building his circus during this period into a touring wagon show combining trained animal acts equestrian performances and sideshow attractions. Sparks toured widely presenting afternoon and evening performances and like other traveling acts relied heavily on printed ephemera for revenue. Songs include “Waiting to Hear the Verdict” by Chales Osbourne; “Annie Reilly” by Johnnie Carroll; “Don’t Abuse the Old Folks” by Will H. Fox; “When the Sea Gives Up its Dead” by J.J. Nolan; “When Summer Comes Again” by James Thornton; “The White Squadron” by Arthur West; “Wait Till My Ship Comes Home” by John Walsh; “My Old Dutch” by Charles Ingle; and “Buy a Nice Little Home in the Country” by Ed. Barry. Several compositions are copyrighted by Frank Harding 1864–1939 at the Royal Copyright Office which is peculiar and suggest the possibility that this was for an English audience though Sparks is not known to have toured England during this period. Harding was a New York music publisher who operated Frank Harding’s Music House at 229 Bowery during the formative years of Tin Pan Alley. unknown
1889Best.-Nr. CZC-13441illustrations de Jules Garnier I. Les Banquistes; l'organisation, la foire, les entresorts, la baraque. II. les jeux du cirque; les dresseurs, les dompteurs, les écuyers, l'hippodrome, les équilibristes, les gymnasiarques, les clowns, les cirques privées. Superbe exemplaire, relié demi cuir à coins, grand in4, 280x220, toutes tranches dorées, couvertures d'origines conservées, 250pp. Paris, Plon, vers 1880
1889Best.-Nr. CZC-13441illustrations de Jules Garnier I. Les Banquistes; l'organisation, la foire, les entresorts, la baraque. II. les jeux du cirque; les dresseurs, les dompteurs, les écuyers, l'hippodrome, les équilibristes, les gymnasiarques, les clowns, les cirques privées. Superbe exemplaire, relié demi cuir à coins, grand in4, 280x220, toutes tranches dorées, couvertures d'origines conservées, 250pp. Paris, Plon, vers 1880
1944Best.-Nr. AUB-2225Paris, éditions Arc en Ciel 1944. Bel in-4 oblong (25x30), reliure demi cuir avec coins, dos orné avec titres dorés, 20 pages + 80 lithos avec présentation ornée de dessins et table. Exemplaire portant le no H.C. XVII sur 1000 exemplaires numérotés.
Best.-Nr. 23679aafParis, E. Plon, Nourrit, s.d. (1889), in-4°, XVI + 250 p. + 2 f., illustré de nombreuses jolies vignettes en couleurs, xylogravures de Ch. G. Petit, légères rousseurs sur le faux-titre, plat inférieur de la couv. orig. conservé, en feuilles dans couverture en toile rouge, lanières d'attache en trois couleurs.
Best.-Nr. 88547aaf1809, 23x31.5 cm, Ours qui danse sur une place à Rome, avec cornemuse et 2 chiens,
1960Best.-Nr. 571CGZürich, o.J. (um 1960). Aquarell. Bildformat: 61 x 78 cm.
First edition, 4 vols., 4to, limited edition, signed by the author, numerous plates, orig. cloth, d.w's (no d.w. on vol. 1), slightly faded. Describes books and pamphlets in various languages dealing with circus history and biography; technical aspects of performances; and the circus in drama, literature, art and fiction.
First edition, 4 vols., 4to, limited edition, signed by the author, numerous plates, orig. cloth, d.w's (no d.w. on vol. 1), slightly faded. Describes books and pamphlets in various languages dealing with circus history and biography; technical aspects of performances; and the circus in drama, literature, art and fiction.
1959Best.-Nr. 343Paris, Maeght éditeur, 1959. In-folio (380 x 280 mm) en feuilles, 26 pages. 2 LITHOGRAPHIES ORIGINALES EN DOUBLE PAGE dont 1 en couleur. Textes de Georges Salles "Stabiles" et Jean Davidson "Le Luron aux protège-genoux". Exposition de 10 stabiles géants de 1958 et 1959. Tirage original.
1938Best.-Nr. bf5550Desclée De Brouwer. Paris. album cartonné 1938 TRES CHARMANT ET PLUTOT RARE EN BON ETAT. Texte de Jeanne Cappe. Illustrations de Santa Rosa. Desclée De Brouwer. Paris. [1938]. In-folio (32,7 x 29,5 cm). (16) pp. : album de l’éditeur, dos de toile brune, plats illustrés lithographiés en couleurs, clown blanc devant un éléphant, titre en majuscules colorées sur le premier plat, altères et trapèze au centre du second. Première édition. Six grandes lithographies en couleurs et une très belle double planche centrale. Dresseur, prestidigitateur, jongleur, clown, funambules représentés par le fascinant graphisme de Santa Rosa. Tout en aplats de couleurs vives, l’artiste réduit les formes à l’essentiel. Magnifique page centrale ! ; Cartonnage très légèrement frotté, légère mouillure au bas du dos, mais intérieur très frais, bon état pour ce bel album pour enfant de 1938. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Best.-Nr. 421381Desclée De Brouwer Paris S.D. (Circa 1937 In-folio carré ( 330 X 290 mm ) non paginé ( 16 p. ), cartonnage polychrome de l'éditeur, dos de toile verte, plats illustrés lithographiés en couleurs. Six grandes lithographies et une double planche centrale en couleurs, par SANTA ROSA. Edition originale. Cartonnage sali, mors intérieurs recollés, ancienne mouillure au niveau des mors entrainant des taches au niveau des agrafes. Bon exemplaire, très rare.
1957Best.-Nr. 19599Paris RENÉ KISTER 1957 1 Illustration par les décors et les costumes de A.-M. CASSANDRE pour le Don Giovanni de MOZART. Genève, René Kister, 1957, in-4 carré, en ff., sous couv. rempl. imp., sous étui cart., 110 pp.
Monte-Carlo, André Sauret, 1965 Un volume de format in 4° de 172 pp.; 76 illustartions photographiques d'Izis en noir, 4 hors-texte en couleurs de Chagall. Reliure de l'éditeur en pleine toile brique, jaquette papier illustrée par Chagall; jaquette rhodoïd titrée en blanc. Patit manque à la jaquette rhodoïd. Sinon Parfait état.
Litografia. Cm. 47 x 35 il foglio; cm. 32 x 25. (Fernand Mourlot Impr., Paris). Condizioni ottime.
Best.-Nr. 37203vp vd. Each is 2-1/2" x 4." Light wear Very Good. CDV of albino twins with backmark of C.D. Fredericks New York Havana and Paris in raised lettering;. CDV of a dwarf in tuxedo and top hat. Pence Photographer York PA printed front and back.; CDV of two dwarfs possibly a young Commodore Nutt and General Tom Thumb. With backmark of Marken's Gallery Frederick MD. unknown books
1937Best.-Nr. 106410Oblong 4to booklet format illustrated 111 pp. Cover and spine wear spine essentially gone normal aging; about very good for this type item. The Cole Brothers circus was founded in 1884 and lasted until 2016 when animal rights groups essentially drove them out of business. In 2017 Ringling Bros. faced the same fate. In the 1930s the circus included legendary animal trainer Clyde Beatty who is featured in this booklet and Bobo the Clown. This somewhat scarce piece of circus ephemera includes pictures of performers promotional articles official program and route schedule for 1937. Cole Bros Circus, books