2830 risultati
rif. 18069Paris, Brière, Lévy, 1853. In-12, 156 pp., plans des places dans les théâtres. Demi-basane verte d'époque à coins, titre en long sur le dos, nombreux tampons de l'O.R.T.F., Radio-France.
1903In 8. Dim. cm 20,5x13. Pp. (4). Interessante depliant pubblicitario dell'Almanach Hachette del 1903 All'interno i vari argomenti trattati e alcune illustrazioni dei cosidetti "freaks": Uomo caoutchouc, l'uomo cane. Inoltre l'ammestratore del mammouth più grande al mondo. In ottime condizioni, piegature. Interesting advertising depliant of Almanach Hachette of 1903. insdie the different arguments of articles and illustrations of the so-called "freaks": caoutchouc man, the dog man. Then the educator of the biggest mammouth in the world. In very good conditions, foldings.
1939rif. 7991939 broché in-octavo (paperback), couverture recto illustrée en couleurs par H. Ferran, 128 pages, 1939 Paris Editions du Petit Echo de la Mode,
2014rif. 76595Actes Sud Editions 2014 In-4 broché 35,8 cm sur 29,2. 128 pages. Très bon état d’occasion.
grand in-8, 160 pp., très nombreuses photographies en n&b, broché, couverture illustrée en couleurs. Bel exemplaire (pli au 1er plat). [WE-1] Dessins de (e.a.) : Leo Campion, , etc.
rif. 14180aafChambéry, M. Dardel, 1919, gr. in-8°, XVI + 336 p., bien illustré, nom ms. sur faux-titre, demi-toile aux coins simple.
rif. 114041aafChambéry, M. Dardel, 1929, gr. in-8°, XXI (+ 1 bl.) + 304 p., bien illustré avec des planches h.-t., ex. non rogné, brochure originale. Bel état.
rif. 126941aafChambéry, M. Dardel, 1919, gr. in-8°, XVI + 336 p., bien illustré, demi-parchemin, pièce de titre au dos. Bel exemplaire
1982rif. 26250Wiesbaden, Schumannstr. 6 : W. Kaftan [1982]. V, 200 S. ; 21 cm, mit Schutzumschlag, Umschlag mit Randblessuren kart., Softcover/Paperback, sonst Exemplar in gutem Erhaltungszustand
Barcelona, Editorial Fama, 1955. 4to.; 125 pp., 1 h. y 29 ilustraciones fotográficas en láminas fuera de texto. Encuadernación original en cartoné.
rif. 12558broché - 12x18.5 - 1952 - 209pp - éditions de paris - illustré de dessins inédits et d'une couverture en couleurs de serge
rif. 8117Amar Programme in-4°,toutes les photographies sont en couleurs.Bel exemplaire glacé.
1952- Editions de Paris, Paris 1952, 12x19cm, broché. - Edition originale pour laquelle il n'a pas été tiré de grands papiers, poinçon de service de presse en pied du second plat. Envoi autographe signé de Serge à Pierre Loiselet et sa femme Suzanne. Belle couverture illustrée et dessins inédits de l'auteur. Une discrète restauration à l'aide d'un papier adhésif transparent en pied du dos, sinon agréable exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
1952rif. 53814Editions de Paris | Paris 1952 | 12 x 19 cm | broché
1954rif. 96328Paris, éditions de Paris, coll. « Les Troubadours du Siècle » 1954 In-12 18,5 x 11,5 cm. Broché, belle couverture illustrée en bichromie, 205 pp., dessins originaux dans et hors texte. Exemplaire très frais en très bon état de l’édition originale sans grand papier.
1952rif. AUB-3241Editions de Paris (coll. les Troubadours du siècle) 1952. Bel exemplaire broché, couverture ornée d'éd., pet. in-8, 211 pages avec table.
rif. 18287Broché - 13.5x17,5 - 8 pp - sans date - imprimerie CHABRILLAC, Toulouse.
rif. 20709Editions de Paris. Collection "Les Troubadours du Siècle" 1952. Broché, couvertures illustrées en noir, blanc & rouge de Serge, in 8, 19x12, ouvrage illustré de dessins inédits dans le texte de Serge, 1ère édition
1952rif. 20249Editions de Paris / Collection " Les Troubadours du Siècle " 1952. In-12 broché de 206 pages au format 12 x 18,5 cm . Superbes couvertures illustrées par l'auteur. Dos bien carré. Plats et intérieur frais. Frontispice et très nombreux dessins inédits en noir in-texte de Maurice Feaudièrre, dit Serge. Edition originale, en superbe état de fraicheur. Précieux exemplaire accompagné d'une longue et magnifique lettre autographe, signée, avec petit dessin original, destinée à un collaborateur du Crapouillot, en remerciement d'un article sur " Serge ". La lettre est pliée.
1931rif. 24989Philadelphia David McKay Washington Square 1931. HBDJ 1931 1st Edition 1st Printing F-/GOOD AS-IS DJ Slightly Worn With Light Soiling & tiny Chips Tears Wear Edges Extremities Original Maroon Red Cloth Hardback Book is almost pristine condition light Wear with Bright Color PasteOn Label Matches DJ Illustration Interior nice tight Clean light FOX Wear Unpaginated NO ADS IN Back Back DJ light FOx Wear & Soil small Edge Tears Lists Thru This Title. Small chips DJ spine Ends Dust jacket is slightly worn. First Edition. Hard Cover. Philadelphia David McKay Washington Square hardcover
1980Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears, now wrapped in clear protective cover. Previous owner's name or sticker in front section of the book.286 pages, heavily illustrated with large full color plates throughout, fold-out pages are in excellent condition with no creases or flaws.
1886rif. 82931886 Paris, M. de Brunhoff ; (Corbeil, impr. de Crété,)1886. In-8 reliure demi toile,dos lisse, à fleuron,(230 x 160), 103 p., fig., couvertures en coul., et dos conservé,édition originale,
1892rif. 2260084Erie PA: Erie Show Printing Company 1892. Soft cover. Good. 8vo - over 7¾ - 9¾" tall. See photos for condition details. Softcover measuring 8.5" in height and bound with a single piece of thread at the center which is likely very fragile because of its age. The exterior shows fading along the edges particularly the front. There's also small folds and tears present. The top of the front also shows original owner information. The first page on the interior has some creases and crimps which is also present on the additional pages. Paper is darkened due to age and the quality of paper used. This is a rare piece of ephemera of this Pennsylvania performer and may be the only surviving copy. Erie Show Printing Company paperback
1968rif. 52683New York: Electric Circus 1968. First edition. Near fine. Original concert program for an evening organized by the legendary nightclub with performances by electronic music pioneer Morton Subotnick and New York Pro Musica under the reassuring oversight of a Consulting Psychologist. The successor to Warhol's Exploding Plastic Inevitable Brandt's Electric Circus opened in 1967 as "the latest total environment McLuhanist discotheque" with light shows jugglers and acrobats Newfield. The opening also featured a presentation of Subotnick's "Silver Apples of the Moon" an early work for synthesizer and the first electronic composition commissioned by a record company. Subotnick curated a series of Monday night concerts at the Electric Circus and at Carnegie Hall in December of 1967 an "Electric Christmas." Electric Easter the sequel likewise featured New York Pro Musica. Their inclusion was a suggestion by Dr. Edgar Coons NYU psychology professor and former student of Virgil Thomson who had had his mind previously blown by an Electric Circus light and rock show and "for reasons he leaves a bit vague" Ross thought an early music ensemble covering The Beatles's "Hello Goodbye" in faux-medieval French would be a good idea. Soul group The Chambers Brothers closed performing Perusio's "Le grant désir". Critics loved it. 8.5'' x 5.5''. Original green and yellow bifold leaf. Minimal edgewear very faint creasing. Bright and sharp. (Electric Circus) unknown
1968rif. 52683New York: Electric Circus 1968. First edition. Near fine. Original concert program for an evening organized by the legendary nightclub with performances by electronic music pioneer Morton Subotnick and New York Pro Musica under the reassuring oversight of a Consulting Psychologist. The successor to Warhol's Exploding Plastic Inevitable Brandt's Electric Circus opened in 1967 as "the latest total environment McLuhanist discotheque" with light shows jugglers and acrobats Newfield. The opening also featured a presentation of Subotnick's "Silver Apples of the Moon" an early work for synthesizer and the first electronic composition commissioned by a record company. Subotnick curated a series of Monday night concerts at the Electric Circus and at Carnegie Hall in December of 1967 an "Electric Christmas." Electric Easter the sequel likewise featured New York Pro Musica. Their inclusion was a suggestion by Dr. Edgar Coons NYU psychology professor and former student of Virgil Thomson who had had his mind previously blown by an Electric Circus light and rock show and "for reasons he leaves a bit vague" Ross thought an early music ensemble covering The Beatles's "Hello Goodbye" in faux-medieval French would be a good idea. Soul group The Chambers Brothers closed performing Perusio's "Le grant désir". Critics loved it. 8.5'' x 5.5''. Original green and yellow bifold leaf. Minimal edgewear very faint creasing. Bright and sharp. (Electric Circus) unknown