19 résultats
1955Mm 180x250 Volume cartonato con titolo su etichetta al piatto e al dorso, 74 pagine con illustrazioni riportate su tavola. Libro in ottime condizioni poco o nulla consultato; spedizione in 24 ore dalla conferma dell'ordine.
réf. AM4469RELIE AVEC JAQUETTE. 1953. 400 ILLUSTRATIONS DE LA PEINTURE ITALIENNE DE LA RENAISSANCE. PHOTOS SUR DEMANDE
1957réf. 099887London: The Phaidon Press 1957. 7 volumes. Books measure 27.5x19.5.cm. Venetian School. 2 volumes. Published 1957.Collation xiv206pp 1333 plates58pp. Florentine School. 2 volumes. Published 1963. Collation xiv1478 plates 39pp. Central Italian & North Italian School. 3 volumes. Published 1968. Collation xxvi533pp 1988 plates. Each volume bound in original publishers grey cloth with brown lettering. Library number on spines some dust/dirt marking to outer page edges. All bindings in very good clean firm condition. Dust jackets rubbed some fading minor loss or short tears library labels on spines. Jacket in good condition. Internally occasional library stamp of mark plates look free of stamp but the odd plate might be stamped. Pages and plates in very good clean condition throughout. Generally volumes in good clean firm condition. Cloth. Good Plus/Good Plus. Lage 8vo. The Phaidon Press Hardcover
1985réf. 144790Gérard-Julien Salvy, Éditeur 1985 In-4 cartonnage éditeur sous jaquette 27 cm sur 19,5. 197 pages. Jaquette en bon état. Bon état d’occasion.
1953réf. 33331Phaidon 1953. Roy. 8vo. Second Impression thus with coloured frontispiece and numerous coloured and monochrome plates; oatmeal hessian upper board and backstrip lettered in brown a near fine copy. THIS COPY WAS FORMERLY IN THE LIBRARY OF SIR JOHN HUBERT WORTHINGTON AND BEARS THE FAMILY BOOKPLATE ON FRONT PASTE-DOWN. Worthington 1886-1963 was Vice-President of the RIBA from 1943-5 and a member of the Royal Fine Arts Commission from 1945-50. His major work includes the war cemetery at El Alamein the post-war rebuilding of the Inns of Court in London and the repairs to bomb damage suffered by Manchester Cathedral. Nice copy of Phaidon's revised edition first published in 1952. Phaidon, unknown
1958réf. 7996Phaidon Press & Sansoni London & Firenze 1958. 2 vols. roy. 8vo. Best Edition with 2 mounted coloured frontispieces and 1333 fine monochrome plates; original cloth gilt backs a near fine copy in unclipped dustwrapper. Arguably Berenson's masterpiece his indispensable catalogue made its first appearance in 1936 and swiftly became the standard reference.'A new and extensively revised edition of the author's classic catalogue of Venetian painters. This edition corrects errors and incorporates the latest attributions and scholarship; profusely illustrated with many new photographs and bibliographical references' Arntzen. Phaidon Press & Sansoni, London & Firenze, hardcover
réf. 191789Phaidon publishers. Bon Etat jauni. in4. Sans date. Relié cartonné. frontispice couleurs Phaidon publishers unknown
1953réf. 8337Paris NRF, Gallimard 1953 GRAND In-8 Fort et Large viii+500 pp, avec 400 illustrations en noir in-texte et couleur hors-texte. Dos faiblement passé ; illustration couleur sur vignette sur le 1er plat de la jaquette, avec dos passé et fines coupures sans manque sur coiffe en tête, coupes supérieures frottées
réf. 3077À Milan, Officine Grafiche Ricordi, sd.
réf. 20726720Phaidon London 1957 . 27.0 x 18.5cms 206pp & 1333 b/w illusts 2 very good hardback volumes with very good dustwrappers This edition revised and updated Berenson's standard work on Italian Renaissance painting. It has checked the attributions added discovered works and added less well-known artists. Phaidon London 1957 hardcover
1954réf. 39176Torino: Ilte 1954. Cm. 31 pp. 187 1. Con le annunciate 53 tavole a colori applicate alle carte. Bross. orig. ill. a colori con velina protettiva ed entro custodia in cart. rigido. Perfetta conservazione. Bell'edizione in tiratura limitata e numerata. Ilte unknown
1954réf. 37069Firenze: Sansoni - Phaidon 1954. Cm. 265 pp. xv 3 220 2. Con 416 tavole fuori testo di cui 16 a colori applicate su cartoncino. Leg. edit. in tela con sovracop. ill. a colori. Perfetta conservazione. Sansoni - Phaidon hardcover
1958réf. 87144Milano: Electa 1958-1959. Due volumi di cm. 21 pp. 163 33; 276 20. Con oltre molte illustrazioni su tavole f.t. Leg. edit. in tela con sovracop. Buono stato di conservazione. Electa hardcover
1961réf. 19312Milano : Electa 1961. Tre volumi di cm. 31 pp. 471 9 63 tavole a colori anche ripiegate f.t.; xii 610 2; 1.000 illustrazioni su tavole fuori testo pp. 92 d’indici. Legatura edit. in mezza pelle dorso a nervi con titoli in oro. Perfetta Ottima edizione di uno degli studi artistici più importanti pubblicati in Italia in tutto il ventesimo secolo. Electa, unknown
1954réf. 620London: Phaidon 1954. Cm. 265 pp. xiii 488 2. Con 416 tavole fuori testo di cui 16 a colori applicate su cartoncino. Leg. edit. in tela con sovracop. ill. a colori. Ben conservato. Phaidon hardcover
1953réf. RO60004767Chapman & Hall. 1953. In-8. Relié toilé. Bon état, Couv. convenable, Mors fendus, Intérieur frais. 122 pages de texte + 88 pages de reproductions en noir & blanc;. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1953réf. RO30052223THE PHAIDON PRESS. 1953. In-4. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 488 pages. Frontispice : image contre-collée en couleurs. Nombreuses images contre-collées en couleurs dans le texte et hors texte. Nombreuses images en noir et blanc à la fin. Texte en anglais.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1950réf. R150190941ALBIN MICHEL. 1950. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 218 pages. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
1953réf. R300269238Gallimard. 1953. In-4. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 500 pages - nombreuses illustrations en noir et blanc hors texte et en couleurs contrecollées hors texte. 1er plat d'origine conservé, en feuillet.. . . . Classification Dewey : 750-La peinture et les peintres